tag:blogger.com,1999:blog-53057993045710241232024-02-19T06:51:10.827+01:00Arte nella VitaRiflessioni e immagini d'arte che vogliamo condividereAurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.comBlogger94125tag:blogger.com,1999:blog-5305799304571024123.post-12095011569967187982022-07-29T18:43:00.007+02:002022-08-02T17:54:15.068+02:00Schola Artis Pro Vobis<p><span style="font-family: georgia; font-size: large;"> Imparare l'arte dai maestri in Umbria</span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP0L6QG-9xtDlHsrE6ajCxVg4MneVC5RH4HndKwLe52T483iJxNDyMRZnaQO-JR7PcDWD7L8lfKpwCi57HiXMXuNUmqnRuGKOpm1EaPCn6LJAvnjZ-1ec9FvUSOxnmnGuJdzU9DPoMhxAw1O65ygtZS8oAoFoJRD9USYehPMKrizxQtc6o9DQAeQs-/s5408/IMG_1587_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3600" data-original-width="5408" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP0L6QG-9xtDlHsrE6ajCxVg4MneVC5RH4HndKwLe52T483iJxNDyMRZnaQO-JR7PcDWD7L8lfKpwCi57HiXMXuNUmqnRuGKOpm1EaPCn6LJAvnjZ-1ec9FvUSOxnmnGuJdzU9DPoMhxAw1O65ygtZS8oAoFoJRD9USYehPMKrizxQtc6o9DQAeQs-/w640-h426/IMG_1587_m.jpg" width="640" /></a></div><br /><div style="text-align: left;"><span style="font-family: georgia;">Gli studenti vengono qui da ogni parte del mondo ad imparare l’arte italiana perché vogliono respirarla con il profumo dei boschi e dei campi. Vogliono gustarla con i sapori e gli odori della cucina tradizionale e degli eccelsi vini locali. Vogliono vivere, muoversi e dormire in spazi armoniosi che raccontano storie secolari.<br /><div style="text-align: justify;">I corsi della <a href="https://www.provobisassisi.com/" target="_blank">Schola Artis Pro Vobis</a> permettono questa totale immersione nella natura e nella cultura italiana perché si svolgono nel <a href="https://fb.watch/eB6YvJMRPX/" target="_blank">Castello di Giomici</a> su un poggio che domina una valle ancora intatta, piena di verde e di silenzio.</div></span><span style="font-family: georgia;">Qui siamo arrivati un giovedì mattina percorrendo una lunga strada tortuosa che finiva proprio al castello.</span></div><div style="text-align: left;"><span style="font-family: georgia;"><br /></span></div><div style="text-align: left;"><span style="font-family: georgia;"><div style="font-style: italic;"><div>Students from all over the world come here to study Italian art because they want to experience breathing it in with the scent of the woods and fields. They want to enjoy it with the flavors and smells of traditional cuisine and excellent local wines. They want to live, move and sleep in harmonious spaces that tell centuries-old stories.</div><div>The courses of the Pro Vobis School allow this total immersion in nature and Italian culture because they take place in the Giomici Castle on a hill overlooking a still intact valley, full of greenery and silence.</div><div>We arrived here on a Thursday morning along a long winding road that ended right at the castle.</div></div><div style="font-style: italic;"><br /></div><div class="separator" style="clear: both; font-style: italic; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNs5ENXYyPyA-wcdfPm4Uv894RMd7o07Wq3MFUCvNY8O4hFxYu5YT03SrbujbyyfWxUqHO6LvO1GbRUsAccRtqZBQ5NaWMRwhpJ9u7ACM9UrPtTRMT-MQJPsvk9EWeJJ2_vZsXCtzLToY-j0ZhhxgVNTfFtMKaMmB3kyXbRARssw7qH1e8rqYcEWP5/s5760/IMG_1652_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5760" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNs5ENXYyPyA-wcdfPm4Uv894RMd7o07Wq3MFUCvNY8O4hFxYu5YT03SrbujbyyfWxUqHO6LvO1GbRUsAccRtqZBQ5NaWMRwhpJ9u7ACM9UrPtTRMT-MQJPsvk9EWeJJ2_vZsXCtzLToY-j0ZhhxgVNTfFtMKaMmB3kyXbRARssw7qH1e8rqYcEWP5/w133-h200/IMG_1652_m.jpg" width="133" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEB-vdMD05uPRlqKcHr3xGFza97Cvjj2fjffgWgyXOtDCZjU1Cwcq4bsq8eAF6zJ4aZqvMRLCzAn1M2Z82SWzM3Qg7FdAFWO_lzG74FphuMbV_ZBVcO3K9AQgli7dZz48X4jFNofECPTQd-4SDixO2FhVsD9nfBeySX9xXZJiD-h8MxX1myRU1_Or/s5760/IMG_1653_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5760" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEB-vdMD05uPRlqKcHr3xGFza97Cvjj2fjffgWgyXOtDCZjU1Cwcq4bsq8eAF6zJ4aZqvMRLCzAn1M2Z82SWzM3Qg7FdAFWO_lzG74FphuMbV_ZBVcO3K9AQgli7dZz48X4jFNofECPTQd-4SDixO2FhVsD9nfBeySX9xXZJiD-h8MxX1myRU1_Or/w320-h213/IMG_1653_m.jpg" width="320" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlkZjvKu6kl9nO3djrVqFmZk4He47hAY1K6AgfZMWIj7qrMZvwrvuiooBCHWvDI-vbeyY4gznsFbIigAVmeGiC5qUyx0lqlNkFbwbrgehnBUYF_3rgDjMTo0OBS4h-0NO2DLdIJ5Dwsx-ODdd-rZENSNdAG4n_9AR6U1CeOHT1Czg5PLEwymWIq4d/s5760/IMG_1658_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5760" data-original-width="3008" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSlkZjvKu6kl9nO3djrVqFmZk4He47hAY1K6AgfZMWIj7qrMZvwrvuiooBCHWvDI-vbeyY4gznsFbIigAVmeGiC5qUyx0lqlNkFbwbrgehnBUYF_3rgDjMTo0OBS4h-0NO2DLdIJ5Dwsx-ODdd-rZENSNdAG4n_9AR6U1CeOHT1Czg5PLEwymWIq4d/w104-h200/IMG_1658_m.jpg" width="104" /></a></div><div class="separator" style="clear: both; font-style: italic; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeb08h_anCzudCHL9lNsVcgyi73hjDTUMqDzWwewcsjBBAO3wuNcOQjnaF-xx69ZKuQJqV37HhDBitvNBur9bRrjY5KZVQ2ZLYEudFVFwP_zVBVmo1tn8cJMzpjsR4qjyW0f4Qwer7mU4sUUxvlv6Rf49y4scKFnjZFLvU-pemrsW33typIOCcyMW/s555/Castello-e1502284726736-555x370.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="370" data-original-width="555" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaeb08h_anCzudCHL9lNsVcgyi73hjDTUMqDzWwewcsjBBAO3wuNcOQjnaF-xx69ZKuQJqV37HhDBitvNBur9bRrjY5KZVQ2ZLYEudFVFwP_zVBVmo1tn8cJMzpjsR4qjyW0f4Qwer7mU4sUUxvlv6Rf49y4scKFnjZFLvU-pemrsW33typIOCcyMW/w320-h213/Castello-e1502284726736-555x370.jpg" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnfwemcSVGdmV1PeWWktmdjLUtJdFLqRTKbpamogpQUadY4LjGcl-_8OLBFPMi-bzPIe0KUHdYdYQbN1rMEzAUkV1_NPjDkDKVjFwCaIeyWYcSoglejg1ySUkSNc_yfH5tu960Bpd5UiOI5uRzM4p-_6RDzfYgSHd_RpTzi8OAikepULvC7BX3qnqU/s760/2615534_1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="436" data-original-width="760" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjnfwemcSVGdmV1PeWWktmdjLUtJdFLqRTKbpamogpQUadY4LjGcl-_8OLBFPMi-bzPIe0KUHdYdYQbN1rMEzAUkV1_NPjDkDKVjFwCaIeyWYcSoglejg1ySUkSNc_yfH5tu960Bpd5UiOI5uRzM4p-_6RDzfYgSHd_RpTzi8OAikepULvC7BX3qnqU/w320-h184/2615534_1.jpg" width="320" /></a></div><div class="separator" style="clear: both; font-style: italic; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both;">Sotto le antiche travi di quella che un tempo era la stalla per i cavalli, <a href="https://www.arnhildkart.it/IT/" target="_blank">Arnhild Kart</a> aiutava Alex e Melinda nella difficile tecnica dell’acquerello. L’impegno non toglieva gioia al lavoro. </div><div class="separator" style="clear: both;">Abbiamo visto le opere dei primi giorni ed era evidente il cammino verso la limpida affermazione dei propri stili personali. Arnhild non aveva imposto le proprie scelte stilistiche, ma esercitato una dolce maieutica per la realizzazione dei loro sogni. Eppure lei è una vera artista che crea poesie sulle tele e sui fogli, ma sa che la magia viene solo dal profondo dell’anima ed è lì che bisogna trovare la propria strada, da lì attingere per creare. È quello che fa un grande insegnante.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><i>Below the ancient beams of what was once the stable, <a href="https://www.arnhildkart.it/EN/index.html" target="_blank">Arnhild Kart</a> helped Alex and Melinda with the difficult technique of watercolor. The commitment did not take away the joy from the work.</i></div><div class="separator" style="clear: both;"><i>We saw the works produced on the first days and the path towards the clear affirmation of each one's personal style was evident. Arnhild had not imposed her own stylistic choices, but exercised a gentle maieutics for the realization of their dreams. Yet she is a true artist who creates poems on canvas and paper, but she knows that magic only comes from the depths of soul, the inner place where you have to find your way, find where to tap into in order to create. That's what a great teacher does.</i></div></div><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-ixcuPYqp42ZkHzHxOoe3Hl3BvbkKPPffYS6_ALxd74y62Ho8GIr53VkcLbLZ78YPSnpFCXGGei3zHwna9QuWfGMRELvnU45nBjc5TdZjqPO0wB7rNEdI63mfRHr8OW_7MGscsU3eM0oqDfS2BPCfQSrHyRh9c7WH8i7ZKtYolx8iYjJ2HDtvuv-/s4304/IMG_1671_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="4304" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-ixcuPYqp42ZkHzHxOoe3Hl3BvbkKPPffYS6_ALxd74y62Ho8GIr53VkcLbLZ78YPSnpFCXGGei3zHwna9QuWfGMRELvnU45nBjc5TdZjqPO0wB7rNEdI63mfRHr8OW_7MGscsU3eM0oqDfS2BPCfQSrHyRh9c7WH8i7ZKtYolx8iYjJ2HDtvuv-/w200-h179/IMG_1671_m.jpg" width="200" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNiRP3GMKnEACLu4jZdx5oA4utIMs-YPRZIQBs-8V-p2TlQcE49gjKfwfsOtr3F2vUF6QWCmBgM9u0-zRG44PyJV7brRryHQiL5ckrz_Y9FkU1mWb64R6WihBua4CYKqQMTqeC6CQlOEOBYQ18zXtKXdFfOAFJSwjOs_G-cOEtJ-fUL9QE_WF2n8qk/s5760/IMG_1673_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5760" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNiRP3GMKnEACLu4jZdx5oA4utIMs-YPRZIQBs-8V-p2TlQcE49gjKfwfsOtr3F2vUF6QWCmBgM9u0-zRG44PyJV7brRryHQiL5ckrz_Y9FkU1mWb64R6WihBua4CYKqQMTqeC6CQlOEOBYQ18zXtKXdFfOAFJSwjOs_G-cOEtJ-fUL9QE_WF2n8qk/w200-h133/IMG_1673_m.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRmQZvWgHQwx3AstAmF2g5WsIndPxeaa3WZYJUVl6JyMJqYvD-K0Oy81kAjQ29Dl7eyfjmm23scwFV1EjGeq6JzFIjS6yOlKGPr1NwAZKaNlSooCYelAyU2aaJBc3rZj8yUlOGTCYhWaSdeoYCFwmMM9ycKLQaRM00U6w1E1tCXTcITHgC5ursniXr/s5472/IMG_1692_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5472" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRmQZvWgHQwx3AstAmF2g5WsIndPxeaa3WZYJUVl6JyMJqYvD-K0Oy81kAjQ29Dl7eyfjmm23scwFV1EjGeq6JzFIjS6yOlKGPr1NwAZKaNlSooCYelAyU2aaJBc3rZj8yUlOGTCYhWaSdeoYCFwmMM9ycKLQaRM00U6w1E1tCXTcITHgC5ursniXr/w141-h200/IMG_1692_m.jpg" width="141" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiovd4L314FOhMAGj4R7cprWrp-jEMc-SXcCznQRJCsI35AmP6xpchonnymn9aHq6AciZp4WL_cBLLyU7sGFizjUtvLd8f9eZY-OGc1QrlQkuZWmf0fMUDetjjrvqSbmvwcWNb_DuzeD3VfWgRrawLVbjNg1ndiMUdaJobfw4CrEBdRp4YH1n82YHRW/s5435/IMG_1632_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3623" data-original-width="5435" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiovd4L314FOhMAGj4R7cprWrp-jEMc-SXcCznQRJCsI35AmP6xpchonnymn9aHq6AciZp4WL_cBLLyU7sGFizjUtvLd8f9eZY-OGc1QrlQkuZWmf0fMUDetjjrvqSbmvwcWNb_DuzeD3VfWgRrawLVbjNg1ndiMUdaJobfw4CrEBdRp4YH1n82YHRW/w640-h426/IMG_1632_m.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: justify;">Un’altra studentessa, Sandra, stava imparando da Arnhild Kart la tecnica della scultura in carta e fil di ferro, umile tecnica, ma che permette una grande libertà espressiva. Sandra insegna scultura in una grande università californiana e crea opere di grande impatto e significato, ma questa tecnica le mancava ed è venuta a cercare chi, con questa tecnica, ha saputo rappresentare i grandi temi del vivere di oggi in forme di profonda intensa commozione.</div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><i>Another student, Sandra, was learning from Arnhild Kart the technique of </i>papier-mâché<i> and wire sculpting, a humble technique, but which allows great freedom of expression. Sandra teaches sculpture in a great Californian university and creates works of great impact and meaning, but she lacked this technique and came to look for someone who, with this technique, has been able to represent the great themes of today's life in forms of deep intense emotion.</i></div><div class="separator" style="clear: both; text-align: justify;"><i><br /></i></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLJoz113ypi54wY6bJEovF4GmcJHvTDjj0waz28Rbxs5WyeZqZByufWs1sbER5IqofCBatvI6NpsUzGcEftKOqGmSEXWMZ-ToRnhnwnI-le9Y9GYD9dLuTGxg70H8y4PXL_lT2fyFFqEnFi2Kr-2MRMvPK8seDfwODsLEtSCWEq60RWDFgaPvV8UxY/s5760/IMG_1565_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5760" data-original-width="3288" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLJoz113ypi54wY6bJEovF4GmcJHvTDjj0waz28Rbxs5WyeZqZByufWs1sbER5IqofCBatvI6NpsUzGcEftKOqGmSEXWMZ-ToRnhnwnI-le9Y9GYD9dLuTGxg70H8y4PXL_lT2fyFFqEnFi2Kr-2MRMvPK8seDfwODsLEtSCWEq60RWDFgaPvV8UxY/w114-h200/IMG_1565_m.jpg" width="114" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc3aGUTw-MeMoS6_3mxEMukFpG2SLufu1MeOpPwL-RjNxF0emsWL-1pLpUvjMxO7d0lfW18WUCn8msRr0ribIgTs_6iukXE7brtyaaKpvGg_WxERIwFCBkxRnl0aZL_Uz9TY-AEO_wxbj9YLCnBq2cgMhqa0FjyJlwxnf48wp-u5BrKvB5yLShhLm0/s4864/IMG_1570_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="4864" height="158" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc3aGUTw-MeMoS6_3mxEMukFpG2SLufu1MeOpPwL-RjNxF0emsWL-1pLpUvjMxO7d0lfW18WUCn8msRr0ribIgTs_6iukXE7brtyaaKpvGg_WxERIwFCBkxRnl0aZL_Uz9TY-AEO_wxbj9YLCnBq2cgMhqa0FjyJlwxnf48wp-u5BrKvB5yLShhLm0/w200-h158/IMG_1570_m.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6-mptmadjrcclS_JxZqGL6oazDPT7PAjvU9hzgndM6G6gsuBOjJ_QtVdXnLLREqoIq50j585WSUY4Mg35rBGrCrOezt9w6TJNMQHF1tGK0dxLxZ8jJ5zEx7PZ_fJuDnCMDggMVkxVvr1X6YvtuQ_puoBHGuxIWymVWEzUOSsFpOU7eCdzdfMF6Xo/s4056/IMG_1581_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4056" data-original-width="3096" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6-mptmadjrcclS_JxZqGL6oazDPT7PAjvU9hzgndM6G6gsuBOjJ_QtVdXnLLREqoIq50j585WSUY4Mg35rBGrCrOezt9w6TJNMQHF1tGK0dxLxZ8jJ5zEx7PZ_fJuDnCMDggMVkxVvr1X6YvtuQ_puoBHGuxIWymVWEzUOSsFpOU7eCdzdfMF6Xo/w153-h200/IMG_1581_m.jpg" width="153" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKcgv1f2pkRf3ODo9Hgm3unBJIldfBzQZhpioYmOBbRr0wh64iQ1xD5Ka8M3ksuW8OYCWqzBLsJHZnyH2TJ3MS8NmZURMVfaBcBCxyUhovML5mDhN8SM8p072rO_p9zKLUEUAXzXS-Otmkjcf4rEOiiwd8yr_UKSeI3-D2kuH-lI8pXMpBjMrmBNU/s5424/IMG_1636_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5424" height="454" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOKcgv1f2pkRf3ODo9Hgm3unBJIldfBzQZhpioYmOBbRr0wh64iQ1xD5Ka8M3ksuW8OYCWqzBLsJHZnyH2TJ3MS8NmZURMVfaBcBCxyUhovML5mDhN8SM8p072rO_p9zKLUEUAXzXS-Otmkjcf4rEOiiwd8yr_UKSeI3-D2kuH-lI8pXMpBjMrmBNU/w640-h454/IMG_1636_m.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;">Abbiamo anche assistito ad una lezione di mosaico con materiali appartenenti alla più antica tradizione, quella romana. Barbara Jo, etnografa e illustratrice archeologica presso l’Università di Harvard, sta intraprendendo una strada nuova ma che ha radici nella sua storia personale di studi del passato per avere un nuovo e insieme antico mezzo espressivo. La sua insegnante, Tiziana Mondini, la guida e l’aiuta a rendere duttile e aderente ai suoi scopi la complicata manipolazione delle tessere musive, dure e spigolose. Non è facile il ritratto che sta creando, ma a poco a poco esso sta prendendo volume ed espressione e un fascino remoto… </div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><i>We also attended a mosaic lesson with materials belonging to the most ancient tradition, the Roman one. Barbara Jo, an ethnographer and archaeological illustrator at Harvard University, is embarking on a new path that has roots in her personal history of past studies to have a means of expression at once ancient and new. Her teacher, Tiziana Mondini, guides her and helps her to make the complicated manipulation of the mosaic tiles, hard and angular, flexible and adherent to her purposes. The portrait being created is not easily done, but little by little it is gaining volume and expression and a remote charm...</i></div><div class="separator" style="clear: both; text-align: justify;"><i><br /></i></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_xTwOOA7HFwtD7sstp_jhYVL15d1psysbbSxTmlMia8tr7whDy98bZTJGgrch-6D1A1Et2gqHJTJ238t7X6Q3SjSXU1o_qgCeNxA5WlNPXvayrb57R17D6-R_qp5jsiLk8fRk2K0NBw_bsniNu4lYerU8fD9W8G3I-l7UG-HlEYQ9Ux_jrJPbztJd/s4880/IMG_1527_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="4880" height="504" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_xTwOOA7HFwtD7sstp_jhYVL15d1psysbbSxTmlMia8tr7whDy98bZTJGgrch-6D1A1Et2gqHJTJ238t7X6Q3SjSXU1o_qgCeNxA5WlNPXvayrb57R17D6-R_qp5jsiLk8fRk2K0NBw_bsniNu4lYerU8fD9W8G3I-l7UG-HlEYQ9Ux_jrJPbztJd/w640-h504/IMG_1527_m.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguwv77MocE7RlnIeHG9advRnvyLT8Ixjj3mQhs8npAofTceNAq5cFkFsHJs33NN2cPTjq32q5AwMqPrfoopJs0LIEeN0VmHt6jGTCtERkRj-ucoYlWWgbJEkOF4TcIZOiUsHuko5ckVfEHBPNhwZCUByWqvpaYqCxfH64VMYU_47bwTiSL5sBJ7n0n/s4728/IMG_1531_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4728" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguwv77MocE7RlnIeHG9advRnvyLT8Ixjj3mQhs8npAofTceNAq5cFkFsHJs33NN2cPTjq32q5AwMqPrfoopJs0LIEeN0VmHt6jGTCtERkRj-ucoYlWWgbJEkOF4TcIZOiUsHuko5ckVfEHBPNhwZCUByWqvpaYqCxfH64VMYU_47bwTiSL5sBJ7n0n/w163-h200/IMG_1531_m.jpg" width="163" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrg-htmCpbmhkaHT2AXU95L91Ao_d62li5RL80U-pTAUqbzJMQYyXRNh_OZolR62OhSnZU7DDmZuNsodlfjkkg-I-5tMQ2Floj90SNeSf1GIqcprczpdUYFvVA-dWAwaSQ6_ag3WrTN8FfUzMoiKZ5hlF8lv0WohWog31e3IsuJQn9ULtDT35m7Qvu/s4224/IMG_1558_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4224" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgrg-htmCpbmhkaHT2AXU95L91Ao_d62li5RL80U-pTAUqbzJMQYyXRNh_OZolR62OhSnZU7DDmZuNsodlfjkkg-I-5tMQ2Floj90SNeSf1GIqcprczpdUYFvVA-dWAwaSQ6_ag3WrTN8FfUzMoiKZ5hlF8lv0WohWog31e3IsuJQn9ULtDT35m7Qvu/w182-h200/IMG_1558_m.jpg" width="182" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-JwvIIin2uGFARFIMG24O2ZdwOfBoCyOk8ykIHmLHEmVQzqEcpszO9-LjH6-gg7bEffVN6u5DPmTuOKhEORuI-yGlJWmcNOFF-BWjF0agwgF6D4lS2GNLKT2h-MOTqVSRfaJDUOhdhI9GNJ3vz2s4GZYjyPIHVjZ9Fyixq6ktHQ5JaRghyygUnRsH/s5760/IMG_1616_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5760" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-JwvIIin2uGFARFIMG24O2ZdwOfBoCyOk8ykIHmLHEmVQzqEcpszO9-LjH6-gg7bEffVN6u5DPmTuOKhEORuI-yGlJWmcNOFF-BWjF0agwgF6D4lS2GNLKT2h-MOTqVSRfaJDUOhdhI9GNJ3vz2s4GZYjyPIHVjZ9Fyixq6ktHQ5JaRghyygUnRsH/w133-h200/IMG_1616_m.jpg" width="133" /></a></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both;">Tiziana si è formata a Ravenna dove restano gli esempi più alti dei preziosissimi mosaici bizantini e ha una vasta competenza delle tante possibilità e materiali di questa tecnica. Ci ha anche mostrato come si fanno le tessere, un altro aspetto creativo.</div><div class="separator" style="clear: both;">Il pranzo non ci ha delusi e la buona tavola ha sciolto la timidezza e scatenato l’allegria.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><i>Tiziana was trained in Ravenna where the highest examples of the most precious Byzantine mosaics remain and she has a vast knowledge of the many possibilities and materials of this technique. She also showed us how tesserae are made, another creative aspect.</i></div><div class="separator" style="clear: both;"><i>Lunch did not disappoint us and good food dissolved shyness and unleashed gaiety.</i></div></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj29pORoUmHafR0XqFXxxZZgIxdzZqwQJ_wMF9bIH_bMwGhVzlG21lhFfGzQIoHvHEGCu5x7f5yetuR9yWhkEf_BVUfLIhHwR2Ofev_ui3RkRKH7M6D8I0lSibeQ0lk6p0b75hNmRZvLRu-0t3vxY9QsTy7_kUpHJwXAe_T3A7aNwAJTq-mPO6hwQR9/s5544/IMG_1622_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5544" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj29pORoUmHafR0XqFXxxZZgIxdzZqwQJ_wMF9bIH_bMwGhVzlG21lhFfGzQIoHvHEGCu5x7f5yetuR9yWhkEf_BVUfLIhHwR2Ofev_ui3RkRKH7M6D8I0lSibeQ0lk6p0b75hNmRZvLRu-0t3vxY9QsTy7_kUpHJwXAe_T3A7aNwAJTq-mPO6hwQR9/w139-h200/IMG_1622_m.jpg" width="139" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRsudhQPustIC_GiT5WlMUOKPzIcruvba5T_qaFsyjJ6-rYfq_ZSzqIE-PLtRovK2RjQsMV2jd4DUoqRKdtqzcbWe2w5pTIhWUnbL90g6TvIdd53CXEv7R_vLG-9Id87FIq23vRNE0r_Q2_D0qVWbQcc2967bSsVQY3Y1epaXXuRm1bNcC_zSEcrL_/s5760/IMG_1695_m.jpg" style="margin-left: 1em; 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margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5104" height="151" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFU1OEmGAr3t4hqLyT4iPAz6adykjA7NmXWIyQHzWgXX3v0KTTn9UyFKpYIN3xRaH4H1csStcnTBA7lWe5vg9yUqsUKeabqNlZCgy94cWL9wRRAVsy1BMt8DJnowhCfcT5x8l1cXS6ifhY6oOud5MLgLXnZTtRA4JlkTwWf_pAku_3zYkS9BUKgJhz/w200-h151/IMG_1595_m.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhowxKPWRtoEATZHDJxP5aC_IfSS6vZk45hkVN0nZs0qX9H5wI2nnHJH2KhaIsEl7j9BTPmjZHsD91XHxcXMu1akD641wRAJ-21dWmBNWuBn56ymnwlPKubpNzxN8Kr2NWNsjfKkF2PUnsTpfDz8plRBFTGVMTavRLYhgZZyylpV_eGbQaleCkk5mLA/s5760/IMG_1644_m.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="5760" data-original-width="3840" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhowxKPWRtoEATZHDJxP5aC_IfSS6vZk45hkVN0nZs0qX9H5wI2nnHJH2KhaIsEl7j9BTPmjZHsD91XHxcXMu1akD641wRAJ-21dWmBNWuBn56ymnwlPKubpNzxN8Kr2NWNsjfKkF2PUnsTpfDz8plRBFTGVMTavRLYhgZZyylpV_eGbQaleCkk5mLA/w133-h200/IMG_1644_m.JPG" width="133" /></a></div></div></div><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWoUjXG8HnAhhg_em3zzsIBec0yLXD43_P9VBuwibxKxwbJzBVd4AakRIV6NZWimd3pSOT3cEnvmuxPx0C80NlbCyRIWInqE4HHcoHF0TVV8-dK5liE4UgSxGoHmEtRW6qfF339MJzX3iksrEldfIgfru4uI8nGoQJPUbYarKphR7Rih6_t5An9pti/s5760/IMG_1715_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3535" data-original-width="5760" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWoUjXG8HnAhhg_em3zzsIBec0yLXD43_P9VBuwibxKxwbJzBVd4AakRIV6NZWimd3pSOT3cEnvmuxPx0C80NlbCyRIWInqE4HHcoHF0TVV8-dK5liE4UgSxGoHmEtRW6qfF339MJzX3iksrEldfIgfru4uI8nGoQJPUbYarKphR7Rih6_t5An9pti/w640-h392/IMG_1715_m.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><br /></div><div style="text-align: justify;">Abbiamo voluto accompagnare il gruppo a Perugia allo Studio Moretti Caselli. Pur avendolo già visitato altre volte, siamo ancora rimasti stupiti dalla bellezza del museo, capsula del tempo ferma al XIX secolo in una costruzione del XV. Bravissimo Giorgio Panduri a raccontare e spiegare in un perfetto inglese la storia e le tecniche del grande fondatore Francesco Moretti, restauratore della immensa vetrata di San Domenico, nonché i tanti lavori eseguiti dai successori fino a quelli attuali ancora fedeli autori di vetri bellissimi. È qui che gli studenti Pro Vobis possono imparare a creare vetri artistici.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>We were delighted to accompany the group to the Studio Moretti Caselli in Perugia. Although we had already visited it, we were still amazed by the beauty of the museum, a 19th century time capsule in a 15th century building. Giorgio Panduri related and explained in perfect English the history and techniques of the great founder Francesco Moretti, restorer of the immense stained glass window of San Domenico, as well as the many works carried out by his successors up to the contemporary practitioners, still faithful authors of beautiful glass. This is where Pro Vobis students can learn how to make artistic glass.</i></div><div style="font-style: italic; text-align: justify;"><br /></div><div class="separator" style="clear: both; font-style: italic; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT6sPNzfWnbppmXIn1dVW8NyMHabuKF2rLlNec54zm-R-RWXQws6nCDRWonaqmMzvst26h2A3-1TJu9ERHAnS7hj2t9HCDSA_4Fm4aevue_JuGbDS92jNPzcYQbNfvRLWN-erMDLFXPu2DUuUVm3VM0IfXTwWerNbd9Z8SbRHP6Zm6fmNpr9YyxgQq/s960/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="540" data-original-width="960" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT6sPNzfWnbppmXIn1dVW8NyMHabuKF2rLlNec54zm-R-RWXQws6nCDRWonaqmMzvst26h2A3-1TJu9ERHAnS7hj2t9HCDSA_4Fm4aevue_JuGbDS92jNPzcYQbNfvRLWN-erMDLFXPu2DUuUVm3VM0IfXTwWerNbd9Z8SbRHP6Zm6fmNpr9YyxgQq/w640-h360/1.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; font-style: italic; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYEC2vaYDAFJqxD4pM-44KaZPTbiDIyuoLzFIQXILXzkeAGEuyiCEbn9ASYp3Y0G2ddF59RnhJDZOM7Cud79rJsMbY7AGNXjAL8M4cNCvb6z0FJbWLvMfEIbU3-rjoDGxgwtMEfJtoTvZGZrjEY5flod3nb9-QQObU8j6JhjtIlIO8J6QkOnMtI2V4/s2048/4.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1153" data-original-width="2048" height="360" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiYEC2vaYDAFJqxD4pM-44KaZPTbiDIyuoLzFIQXILXzkeAGEuyiCEbn9ASYp3Y0G2ddF59RnhJDZOM7Cud79rJsMbY7AGNXjAL8M4cNCvb6z0FJbWLvMfEIbU3-rjoDGxgwtMEfJtoTvZGZrjEY5flod3nb9-QQObU8j6JhjtIlIO8J6QkOnMtI2V4/w640-h360/4.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; font-style: italic; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqimP_kGkFIVV9gadz-Ld2VSiSyh58YUsRCKNQ0clyp79f24va-sHbo1ENPldxG2qU_unZbqTHrbnFriWJnRJEMDwdOozbnee72uYmdKrd2MNXAs6SZC-Ay9RlH04_zx1Y19ApG5seR4hQsB3U_zWqw44jOsHOYqIh-fKStZ4p_7WPFe0GH81sQAB/s2048/6.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1153" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNqimP_kGkFIVV9gadz-Ld2VSiSyh58YUsRCKNQ0clyp79f24va-sHbo1ENPldxG2qU_unZbqTHrbnFriWJnRJEMDwdOozbnee72uYmdKrd2MNXAs6SZC-Ay9RlH04_zx1Y19ApG5seR4hQsB3U_zWqw44jOsHOYqIh-fKStZ4p_7WPFe0GH81sQAB/w113-h200/6.jpg" width="113" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSdsMyRR7UeGexR2c0vgiSGz7f9n2UkuVOpo4Jm5pxGYUos-lMGyHayV4gHwdQTCm6HAWOJktllEUT-ZqOu8XgQf5NgDV2j9r77-04Oikp1CdVoXTbIJy_tbtsJsSnNTfMeXYc8QnxMEmAwryZokNPoS0GLhgLI6xtoK7xz7Yr7VT9xD0Tg4nMbjeY/s2048/8.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1153" data-original-width="2048" height="181" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSdsMyRR7UeGexR2c0vgiSGz7f9n2UkuVOpo4Jm5pxGYUos-lMGyHayV4gHwdQTCm6HAWOJktllEUT-ZqOu8XgQf5NgDV2j9r77-04Oikp1CdVoXTbIJy_tbtsJsSnNTfMeXYc8QnxMEmAwryZokNPoS0GLhgLI6xtoK7xz7Yr7VT9xD0Tg4nMbjeY/w320-h181/8.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRyGA9P2075Shf8_iNZ3AvrYDisH6Ac1vg3vhpb9av8OMApQfikAJ8h-aVCAMRETkxZVuxnDcgt-hEFd9NEodHiajx2Of9zlcyIEA4fUBFDWflOMneuRqLM2GYqfACYhXE760ZGBHtJSP4x3Iho2R-lwewJ6opAcJfN4L3TIN9Jvftqm89gFW6793g/s2048/11.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1153" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRyGA9P2075Shf8_iNZ3AvrYDisH6Ac1vg3vhpb9av8OMApQfikAJ8h-aVCAMRETkxZVuxnDcgt-hEFd9NEodHiajx2Of9zlcyIEA4fUBFDWflOMneuRqLM2GYqfACYhXE760ZGBHtJSP4x3Iho2R-lwewJ6opAcJfN4L3TIN9Jvftqm89gFW6793g/w113-h200/11.jpg" width="113" /></a></div><br /><div style="text-align: justify;">Un giro per la Rocca Paolina che incute grande stupore e meraviglia e poi per Corso Vannucci, prezioso ed elegante fino alla meravigliosa Fontana, poi la pioggia ha imposto ai visitatori americani, sazi di bellezza, la partenza.</div><div style="text-align: justify;"><br /></div><div style="text-align: justify;"><i>A tour of the Rocca Paolina inspired amazement and wonder succeeded by a walk along the elegant Corso Vannucci, to the marvellous Fountain, then the rain forced our American visitors, sated with beauty, to leave.</i></div></div></div></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiKnyGXUxten1bSWLMd7kWPPl_9YBUn3QoWZMNHLjIn9FMtciuabII2Mi4aW3YH2hhBsXhhtA98VQobrqio4YUlwk-8PH0T7ZREoChjItvnvgZi1HdU6Y80KmJ4rnZ6xbmSZSmVJobra3P6PSZYyQIlD0xa5ZrDy0iYuybJf-4wipPKPnlUJstHrnP/s2048/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1152" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiKnyGXUxten1bSWLMd7kWPPl_9YBUn3QoWZMNHLjIn9FMtciuabII2Mi4aW3YH2hhBsXhhtA98VQobrqio4YUlwk-8PH0T7ZREoChjItvnvgZi1HdU6Y80KmJ4rnZ6xbmSZSmVJobra3P6PSZYyQIlD0xa5ZrDy0iYuybJf-4wipPKPnlUJstHrnP/w362-h640/1.jpg" width="362" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXPGppQPmXbFG7UYOmjz01Qo-Fu-Tl6-oNr59Gdw7wIHyzeoVwrdnMRdnyoHDdykIiAvS72-yGQiBKPcqMWsz2TKab-rmc-1xXt9LhayaFMuQvwkjTqpFWnBTVIkh-ZYu3MGHqjfA0eWU5hA_ZrlKHdSza613PtNMVL1w6CF-GB7cqf3bkseAP0KYi/s2000/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2000" data-original-width="1125" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXPGppQPmXbFG7UYOmjz01Qo-Fu-Tl6-oNr59Gdw7wIHyzeoVwrdnMRdnyoHDdykIiAvS72-yGQiBKPcqMWsz2TKab-rmc-1xXt9LhayaFMuQvwkjTqpFWnBTVIkh-ZYu3MGHqjfA0eWU5hA_ZrlKHdSza613PtNMVL1w6CF-GB7cqf3bkseAP0KYi/w181-h320/2.jpg" width="181" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjikSPKeP9MxxjuQhgL8sbwsrga0lL2FgBNGijpc-ox2gL7NM3mB8NiLJCACFYHPWR2mOqlR0ZVByyuAGqjKCHFg4DivkaCyy8R1dKJBLu0D8HA1RGuT1i0v0ibiMO1-CnFNNdwYNey3pJYUTAC7d9R55MjsaGwxoZj8V09vidRSIqh0k82Z0WufG3S/s2048/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2048" data-original-width="1152" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjikSPKeP9MxxjuQhgL8sbwsrga0lL2FgBNGijpc-ox2gL7NM3mB8NiLJCACFYHPWR2mOqlR0ZVByyuAGqjKCHFg4DivkaCyy8R1dKJBLu0D8HA1RGuT1i0v0ibiMO1-CnFNNdwYNey3pJYUTAC7d9R55MjsaGwxoZj8V09vidRSIqh0k82Z0WufG3S/s320/3.jpg" width="180" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: justify;"><div class="separator" style="clear: both;">Un altro corso possibile è quello nella bottega di un famoso affrescatore (o “frescante” come scriveva il Vasari). <a href="https://www.elviomarchionni.it/shop/" target="_blank">Elvio Marchionni</a> insegnerà i suoi segreti nella sua bottega a Spello, quella antica cittadina dove ogni vicolo è uno scrigno di bellezza e di armonia.</div><div class="separator" style="clear: both;">Chi vorrà imparare ad estrarre dalla pietra l’anima e il pensiero che vi si racchiude potrà accedere allo studio prestigioso degli <a href="https://www.affiliatiart.com/" target="_blank">Scultori Affiliati Peducci Savini</a> ad Assisi, che lavorano lo stesso marmo in cui Michelangelo e Bernini lasciarono un segno sublime. La scuola offre anche corsi di scultura con altre tecniche, come la creta e il bronzo con i Maestri Francesco Tufo e Armando Moriconi, e le creazioni polimateriche di <a href="https://www.arnhildkart.it/IT/" target="_blank">Arnhild Kart</a> di cui vi abbiamo già raccontato.</div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;">I corsi d’Arte devono essere incentrati sulle tecniche. Ma un corso d’Arte in Italia non può prescindere da tante altre cose. La bellezza della sede, in primo luogo. Essere sempre immersi in un ambiente pieno di storia e di armonia circondato da paesaggi incantevoli e natura esuberante. In secondo luogo, la bontà e i profumi della cucina italiana con i suoi ingredienti sani e genuini nelle ricette della tradizione locale accompagnate da vini meravigliosi. In terzo luogo, la possibilità di vedere opere d’arte stupefacenti di cui la regione umbra è ricchissima. Infine, la qualità degli insegnanti che devono saper trasmettere le tecniche al massimo livello di competenza ma anche le vie perché queste tecniche possano piegarsi all’espressione più profonda dell’anima dell’artista.</div><div class="separator" style="clear: both;">È proprio quello che realizza la <a href="https://www.provobisassisi.com/" target="_blank">Schola Artis Pro Vobis</a>.</div></div><div class="separator" style="clear: both;"><br /></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><i>Another course offered is that in the workshop of a famous fresco painter (or “frescante” as Vasari wrote). <a href="https://www.elviomarchionni.it/shop/" target="_blank">Elvio Marchionni</a> will teach his secrets in his workshop in Spello, that ancient town where every alley is a treasure trove of beauty and harmony.</i></div><div class="separator" style="clear: both;"><i>Those who want to learn how to extract the soul and the thought it contains from stone will have access to the prestigious studio of the <a href="https://www.affiliatiart.com/" target="_blank">Peducci Savini Affiliated Sculptors</a> in Assisi, who work the same marble in which Michelangelo and Bernini left their sublime mark. The school also offers sculpture courses with other techniques, such as clay and bronze with the Masters Francesco Tufo and Armando Moriconi, and the multi-material creations of <a href="https://www.arnhildkart.it/EN/index.html" target="_blank">Arnhild Kart</a> which we have already described.</i></div><div class="separator" style="clear: both;"><i><br /></i></div><div class="separator" style="clear: both;"><i>Art courses must be focused on techniques. But an art course in Italy cannot ignore many other things. The beauty of the venue in the first place. Always to be immersed in an environment full of history and harmony surrounded by enchanting landscapes and exuberant nature. Secondly, the goodness and the aromas of Italian cuisine with its healthy and genuine ingredients in traditional local recipes accompanied by wonderful wines. Thirdly, the opportunity to see amazing works of art of which the Umbrian region is very rich. Finally, the quality of the teachers who must know how to transmit the techniques at the highest level of competence but also the ways these techniques can bend to the deepest expression of the artist's soul.</i></div><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><div class="separator" style="clear: both;"><i>This is exactly what </i><a href="https://www.provobisassisi.com/" target="_blank">Schola Artis Pro Vobis</a><i> achieves.</i></div></div></div></div></div><i><br /></i><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq29pLITrLU8LosE9VpK7YPgcFgXayYfNOBOjTTp6Zmk4Q2T58le9GbPH14M5rSeVSE8QZW-vtmCf8xtCnxYugbt5sE02fPlK8WsP7qghr7A9e63UfJlSDmqCWui8UdnORuJwvZzDzy-7TsGvv2TMeb3EQmlxbT0RYbpn_u2c_8QJ2ypCYgtTLhFnd/s5432/IMG_1621_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5432" height="452" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq29pLITrLU8LosE9VpK7YPgcFgXayYfNOBOjTTp6Zmk4Q2T58le9GbPH14M5rSeVSE8QZW-vtmCf8xtCnxYugbt5sE02fPlK8WsP7qghr7A9e63UfJlSDmqCWui8UdnORuJwvZzDzy-7TsGvv2TMeb3EQmlxbT0RYbpn_u2c_8QJ2ypCYgtTLhFnd/w640-h452/IMG_1621_m.jpg" width="640" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjszg9kj4s1d3EU2b3Nn7wLcd4YESd94lR0tZ_stsdllV-7_OICmBIcU4Ucfsvap-SB5Rowu4a4gyE_8uJRFE3Zd9VMM6yfR170ghUiNJMDSSY5sjgDbmPYn8h5ZsrpspVGIcWA0dZWxclx2d3RdvsWwrKhvoKQm9CKA-xMaTtc-VwWLuyCjADYgTM5/s5760/IMG_1640_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3840" data-original-width="5760" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjszg9kj4s1d3EU2b3Nn7wLcd4YESd94lR0tZ_stsdllV-7_OICmBIcU4Ucfsvap-SB5Rowu4a4gyE_8uJRFE3Zd9VMM6yfR170ghUiNJMDSSY5sjgDbmPYn8h5ZsrpspVGIcWA0dZWxclx2d3RdvsWwrKhvoKQm9CKA-xMaTtc-VwWLuyCjADYgTM5/w640-h426/IMG_1640_m.jpg" width="640" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div></div></div></div></div></div></span></div>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-1597905694037945262020-11-26T19:53:00.013+01:002020-11-28T20:27:08.572+01:00Terra, tornio, colori e fuoco<div><p><span style="font-size: x-large;"><span style="font-family: georgia;">Ceramiche d'arte alla MOD di Deruta</span></span></p><p style="text-align: center;"></p><p style="text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></p>
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<p><span style="font-size: medium;"><span style="font-family: georgia;">Chi non ricorda la celebre scena del film "Ghost" dove Demi Moore modella la creta al tornio?</span></span></p><p><span style="font-size: medium;"><span style="font-family: georgia;">Ne abbiamo copiato la colonna sonora per trasmettere, come nel film, la magia dell'argilla e il suo prendere forma, come un ripetersi della creazione, e la segreta sensualità delle dita morbide e impositive insieme. Poi la perfezione delle forme ottenute viene fissata nei processi successivi: l'essiccazione e poi la cottura in forno in palchi rigorosamente ordinati proseguono la metamorfosi.</span></span></p><p><span style="font-size: medium;"><span style="font-family: georgia;"></span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><img alt="Ceramiche MOD" border="0" data-original-height="2000" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF7uE3VRrHTgAyexx6nt-so1WG3boeL0Fl52qrC_4MEStIuIbYyfgRAF1ZxiHW1OKMHGZrIlcbNO5lpEU2x2jM6MmQZmyRploCca8E0sWbchuyrBylVHce-GU-95XKqzght3rVP6TAXqM/w640-h640/quadrato_1.png" style="margin-left: auto; margin-right: auto;" title="Ceramiche MOD" width="640" /></td></tr><tr><td class="tr-caption" style="text-align: center;">Modellazione al tornio e applicazione di decorazioni</td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF7uE3VRrHTgAyexx6nt-so1WG3boeL0Fl52qrC_4MEStIuIbYyfgRAF1ZxiHW1OKMHGZrIlcbNO5lpEU2x2jM6MmQZmyRploCca8E0sWbchuyrBylVHce-GU-95XKqzght3rVP6TAXqM/s2000/quadrato_1.png" style="margin-left: 1em; margin-right: 1em;"> </a></span></span></div><div class="separator" style="clear: both; text-align: left;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhymSty1FceKoHHdSZw1x1ACZue9ZgBflEvSfcno39MwefIJrRNbgEqvs9fSIUdjwLYpSVNMMylMM-Q2kK4FNQ-cNo4fhsCiJqE2k3Ys3AhM7ATt7QSygL7UtJFLh9S2ED8vgzG9Bu0O28/s2000/quadrato_2.png" style="margin-left: auto; margin-right: auto;"><img alt="Ceramiche MOD" border="0" data-original-height="2000" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhymSty1FceKoHHdSZw1x1ACZue9ZgBflEvSfcno39MwefIJrRNbgEqvs9fSIUdjwLYpSVNMMylMM-Q2kK4FNQ-cNo4fhsCiJqE2k3Ys3AhM7ATt7QSygL7UtJFLh9S2ED8vgzG9Bu0O28/w640-h640/quadrato_2.png" title="Ceramiche MOD" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Essiccazione e finitura<br /></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"></span></span></div><span style="font-size: medium;"><span style="font-family: georgia;"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDEGoIFMQrt5ig2FhuswVwN6crZFyLxDKbsnnPVWMtZvN5l5H_6PucKtPRBTyWq2-Wpd_reM17H4DYMb3UV4oOZvZODOUIv4GCkwpuit98jZEhGZ8GMwIxL3zVBF6M5K2bIdYRVUgLMus/s2000/quadrato_3.png" style="margin-left: auto; margin-right: auto;"><img alt="Ceramiche MOD Deruta" border="0" data-original-height="2000" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDEGoIFMQrt5ig2FhuswVwN6crZFyLxDKbsnnPVWMtZvN5l5H_6PucKtPRBTyWq2-Wpd_reM17H4DYMb3UV4oOZvZODOUIv4GCkwpuit98jZEhGZ8GMwIxL3zVBF6M5K2bIdYRVUgLMus/w640-h640/quadrato_3.png" title="Ceramiche MOD Deruta" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Cottura a forno<br /></td></tr></tbody></table> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">A questo punto intervengono i colori, i veri protagonisti del processo creativo. I pigmenti vengono stesi sulle forme con maestria assoluta senza alcun margine d'errore. La seconda cottura li fa esplodere e brillare.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"><br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrNSRUP4W1xRvZfv6usN3NZrT6kiP42ZDSxDFuYLIhadL9QWysJDw_UgSalV2Sc08ukXl7GG1iDdrkRFPxfFHDsmVaUBg0hKpowbbXgF2FRRCE9CfYYr1CmlHNqZkvQ4Fb32mg8a_J19Y/s2000/quadrato_4.png" style="margin-left: auto; margin-right: auto;"><img alt="Ceramiche MOD Deruta" border="0" data-original-height="2000" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrNSRUP4W1xRvZfv6usN3NZrT6kiP42ZDSxDFuYLIhadL9QWysJDw_UgSalV2Sc08ukXl7GG1iDdrkRFPxfFHDsmVaUBg0hKpowbbXgF2FRRCE9CfYYr1CmlHNqZkvQ4Fb32mg8a_J19Y/w640-h640/quadrato_4.png" title="Ceramiche MOD Deruta" width="640" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Pittori al lavoro<br /></td></tr></tbody></table><br /></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">La mano fermissima e la tecnica consumata di Nonno Tonino, l'estro esuberante di Luciano, la grazia della fondatrice Delia e delle giovani pittrici sue allieve, con la progettualità brillante di Grazia e le capacità manageriali di Ivan sono i pilastri del successo delle manifatture <a href="https://derutaitaly.com/" target="_blank">MOD</a> di Deruta (PG).<br /></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"> <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqwScANK7-MRRQp9qEr6uj6j4rrYBHKYgWJr4QyxqL9fG1MlCQeg5AKB2GNeZGTCR6jHig1KFIMoizyBG-t_t9tdD2mJoJPaZpnMt_6H-wHpd9LNGjDPXlxJWYfQNHrG8dNSMqhyphenhyphenlVh_k/s2048/IMG_0205_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Delia" border="0" data-original-height="1365" data-original-width="2048" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqwScANK7-MRRQp9qEr6uj6j4rrYBHKYgWJr4QyxqL9fG1MlCQeg5AKB2GNeZGTCR6jHig1KFIMoizyBG-t_t9tdD2mJoJPaZpnMt_6H-wHpd9LNGjDPXlxJWYfQNHrG8dNSMqhyphenhyphenlVh_k/w640-h426/IMG_0205_m.jpg" title="Ceramiche MOD Deruta" width="640" /></a></div><br /></span><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC4khbA2qfRgDE8A0W2kNuK1BBNMCKmrQLHN-TcCc2sR71sDebekBqzHLtT7mnLz2zW5ZIoP2EwPlb8hQw1y28YTCIao8Cn1H5ft5P7O-wC-RNs5wN0d1A7SccJqcol5U7eecxAzWa-RM/s2048/IMG_0204_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Ceramiche MOD Deruta" border="0" data-original-height="1479" data-original-width="2048" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC4khbA2qfRgDE8A0W2kNuK1BBNMCKmrQLHN-TcCc2sR71sDebekBqzHLtT7mnLz2zW5ZIoP2EwPlb8hQw1y28YTCIao8Cn1H5ft5P7O-wC-RNs5wN0d1A7SccJqcol5U7eecxAzWa-RM/w640-h462/IMG_0204_m.jpg" title="Ceramiche MOD Deruta" width="640" /></a></div></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"> <br /></span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">La plurisecolare bellezza della ceramica derutese ha sempre fatto parte del gusto di ogni umbro e di moltissimi italiani che vi riconoscono un segno d'identità estetica e culturale. A Deruta la creazione di vasellame ma anche di pavimenti e tavoli è sempre stata sorretta dalla tecnica più raffinata al servizio della bellezza; bellezza da portare a casa, da usare e vivere quotidianamente, perché anche i momenti normali della vita non siano banali. </span></span><span style="font-size: medium;"><span style="font-family: georgia;"><span style="font-size: medium;"><span style="font-family: georgia;">Testimonianza ne è il <a href="https://www.museoceramicadideruta.it/" target="_blank">Museo Regionale di Deruta</a>,
dove si può percorrere la storia della ceramica e constatare che fin
dall'inizio della produzione di manufatti nel medio evo c'è sempre stato
questo desiderio di bellezza.</span></span></span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"> <br /></span></span><span style="font-size: medium;"><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisP7F00N8bw_lZMstIjpUNhaLZ-6fYcWvnuGGIs7K_KTPuLF12-MOHuU6KiDKc5TRgVsjfGBJccOp3HHNYW0QPr5fUJPraVb6t6IIQBU-Ir0dB59UunY4P90j_82xQA8wm905h16qevYc/s2000/IMG_0206_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Ceramiche MOD Deruta" border="0" data-original-height="1920" data-original-width="1300" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPZyDq2sNEH5uOTjSQkpRoEI5kwGOpCb5DMOT53Ah64kZvyJCWA66gR24aKHLEkDSA7Z_0U9CvUnzQfQx5zOsCK8El9Y6JcSe6CW3naP2jgPnKJwUWfmozkRp28M-nfGgZimsz71s28hQ/w271-h400/IMG_0157_m.jpg" title="Ceramiche MOD Deruta" width="271" /> <img alt="Ceramiche MOD Deruta" border="0" data-original-height="2000" data-original-width="1553" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisP7F00N8bw_lZMstIjpUNhaLZ-6fYcWvnuGGIs7K_KTPuLF12-MOHuU6KiDKc5TRgVsjfGBJccOp3HHNYW0QPr5fUJPraVb6t6IIQBU-Ir0dB59UunY4P90j_82xQA8wm905h16qevYc/w310-h400/IMG_0206_m.jpg" title="Ceramiche MOD Deruta" width="310" /></a></div></div></span></span><span style="font-size: medium;"><span style="font-family: georgia;"></span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">Anche entrare nelle sale espositive della <a href="https://derutaitaly.com/" target="_blank">MOD </a></span><a href="https://derutaitaly.com/" target="_blank"><span style="font-family: georgia;">(Maioliche Originali Deruta)</span></a><span style="font-family: georgia;"> è ripercorrere la storia dell'arte oltre che avventurarsi nel futuro e nella creatività. </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">La grazia stilizzata delle arborescenze delicatamente intrecciate e la leggerezza dei tralci in fiore che tolgono ogni peso agli oggetti esprimono il gusto e la bravura di Delia, la capostipite. Delia aveva fondato nel 1965 la sua azienda, che poi negli anni, con il lavoro anche del marito Tonino e poi dei figli Grazia e Ivan è diventata nel 1981 l'attuale MOD.</span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeOJsV-C7-Mb9DaLswR2FPxMWLLAhIs7nruAyR1EVsI1dvDlmEWJ3FwiQec4nFSnmgND0_bE9RYSxDYh-w3wbgEZ3eef5eeW4G-DoWciD8u02-wZsjjFZhuA2Z54asdehgBo3wBGpPTCI/s2000/IMG_0214_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Delia" border="0" data-original-height="1362" data-original-width="2000" height="435" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeOJsV-C7-Mb9DaLswR2FPxMWLLAhIs7nruAyR1EVsI1dvDlmEWJ3FwiQec4nFSnmgND0_bE9RYSxDYh-w3wbgEZ3eef5eeW4G-DoWciD8u02-wZsjjFZhuA2Z54asdehgBo3wBGpPTCI/w640-h435/IMG_0214_m.jpg" title="Ceramiche MOD Deruta" width="640" /></a></div> </span></span><span style="font-size: medium;"><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigIFn3sP4WatIm9Z44dwurRdPwAzg41zOMZwXHAZv-lEVGGuHZ5q3PYoOgwU4XxPdasJ66OXwl4ID-LtOIl20XCPVj77oxdmcW6E-qbEdpmtmighc03mhZFUOPP-yQReuxg4dMiB-QJHo/s1913/IMG_0150_m.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Cervi" border="0" data-original-height="2000" data-original-width="1270" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg21JW5W4RsYLHg9z_TLFvFUgj_EUN4m6HElU3fRHC92i20dUeGah4uVxQ12KMF9frKyfuUsOXvBS0GzYoQgi27e5R3gtyYrkTNo_-7neFC1N8bsbABqQiqtx9zsNUbrzekyv4CsSlbzgI/w254-h400/IMG_0154_m.jpg" title="Ceramiche MOD Deruta" width="254" /> <img alt="Ceramiche MOD Deruta" border="0" data-original-height="1913" data-original-width="1308" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjP7rWhQouZvTMl3OLfBMlL36mx4UBjnob27M_HhzmKmE6jLC04RRyq6rY3HBv6qaj_JAsV23vzYsfYCarvAVyK1M9XHxSvMiyXeEqywzHJ6HKtAblS4qCiEhsU1qvx_qStK17W3XeGU60/w274-h400/IMG_0150_m.jpg" title="Ceramiche MOD Deruta" width="274" /></a><br /></div></span></span><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">Il restauro della fontana dell'Ovato a Villa d'Este, Tivoli, è un esempio della stima di cui gode l'azienda MOD anche presso le istituzioni.</span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1s8laF68ZlTHp1Pai1WeuXKXVgTQVfxr7Igqj66JU0UgUZX4k7km0SPDUzbibN_dGL6jFeLiGHcoc3qn-osjNOxzp5sDWypzrTc70vsuPBljiqLBvVh_hEyWFjkvx9cDXlP_TeliP-L4/s780/fontana-dellovato-a-tivoli.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Fontana dell'Ovato, Tivoli" border="0" data-original-height="533" data-original-width="780" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1s8laF68ZlTHp1Pai1WeuXKXVgTQVfxr7Igqj66JU0UgUZX4k7km0SPDUzbibN_dGL6jFeLiGHcoc3qn-osjNOxzp5sDWypzrTc70vsuPBljiqLBvVh_hEyWFjkvx9cDXlP_TeliP-L4/w640-h438/fontana-dellovato-a-tivoli.jpg" title="Ceramiche MOD Deruta" width="640" /></a></div><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: medium;"><span style="font-family: georgia;">Le grandi committenze (Fabbri, Sambonet, Missoni, ...) si rivolgono alla sontuosa fantasia di Grazia che si dispiega in servizi principeschi come gioielli d'oro e rubino.</span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk4u1EJox2ccfiBTl2pXGc7UnLJ9guj6W2jEk-xAeJi6S06_wSboGqeoeTG0X92-O6xccDvabUjZzMohhzbEu_xViTCRVH5TFLp6aCeeJmUfAmcZej6AiM3-lULoIDo2wDWaw46n7yXDc/s2000/quadrato_5.png" style="margin-left: 1em; margin-right: 1em;"><img alt="Grazia Ranocchia" border="0" data-original-height="2000" data-original-width="2000" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjk4u1EJox2ccfiBTl2pXGc7UnLJ9guj6W2jEk-xAeJi6S06_wSboGqeoeTG0X92-O6xccDvabUjZzMohhzbEu_xViTCRVH5TFLp6aCeeJmUfAmcZej6AiM3-lULoIDo2wDWaw46n7yXDc/w640-h640/quadrato_5.png" title="Ceramiche MOD Deruta" width="640" /></a></div></span></span></div><p><span style="font-size: medium;"><span style="font-family: georgia;">Le sale espositive offrono un percorso pieno di tentazioni tra le quali Nicole Kidman ha acquistato quattro servizi di piatti, tra cui il regalo di nozze per sua sorella. Siamo tornati al cinema, dove abbiamo iniziato il nostro articolo, perché quello dà forma suono e movimento ai sogni, e questi oggetti sono fatti della stessa materia.</span></span></p><p style="text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"> </span></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYlaSto4nzx9vQYAoKDjetWQh3K8EFquWYMOAiy_q26IULDipRV7wnBR-AAxdhqaBYya4rQ8krMPbQLI1xpaU8LD0w94-Z-TDIlQ8GyhyHWqLn2mRxvSl_s263Gad-QzQFsRDvPQKEGJg/s2000/4_0200.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Ceramiche MOD Deruta" border="0" data-original-height="2000" data-original-width="1334" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTkZuySZScCDj-3Nc8a4CNLgGooNcKBQSCg46Xhinq6lMPUpGz4tIKBsalCO4ws8eC1RS6MxlqqQWojSpRIMLclPt16G4t0sm1T9Nw7f_ryDXBOYScXdwYFfEfcQ7_IC9SBHWy6BhS9jM/w213-h320/5_0194.jpg" title="Ceramiche MOD Deruta" width="213" /> <img alt="Ceramiche MOD Deruta" border="0" data-original-height="2000" data-original-width="1270" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYlaSto4nzx9vQYAoKDjetWQh3K8EFquWYMOAiy_q26IULDipRV7wnBR-AAxdhqaBYya4rQ8krMPbQLI1xpaU8LD0w94-Z-TDIlQ8GyhyHWqLn2mRxvSl_s263Gad-QzQFsRDvPQKEGJg/w203-h320/4_0200.jpg" title="Ceramiche MOD Deruta" width="203" /> </a></span></span></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32iCoMPkTVKt0ZzmP-6fxIJHG3p81jzQmhlGJtZGVb5rTPtpvI11ikr6ZUD0lq7kSsuC3zO3J6WFE1VxGP00S36FY8RslIi3HqVABuH1eSpYdPl74xPbECnbFm0a2QOin6plvGTcqxIk/s2000/2_0221.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Cervi" border="0" data-original-height="1986" data-original-width="2000" height="318" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi32iCoMPkTVKt0ZzmP-6fxIJHG3p81jzQmhlGJtZGVb5rTPtpvI11ikr6ZUD0lq7kSsuC3zO3J6WFE1VxGP00S36FY8RslIi3HqVABuH1eSpYdPl74xPbECnbFm0a2QOin6plvGTcqxIk/w320-h318/2_0221.jpg" title="Ceramiche MOD Deruta" width="320" /></a></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGYfhJC1S-jK-ZY0XHqxDv-7XH1_W1_5FRLKNpDv1R0C_5-9Oh_nQmmzFYeKcJZk1mb31u7AvR7kRBFrF1ZiPHa6ArFEw6xjD5Pu7bORv46vkM7NXmVeKrjGDGyg28pxSkmDAl4zLyoA8/s1597/11_0154.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Cervi" border="0" data-original-height="1829" data-original-width="1079" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhORUYPEXF_krJio_AmErwzSnOuC4SgFPJeYE37YdGUXXPmrdFUAMiMBxiyJWRbsOfTZCKyrzybM8bqyii-pmLGCBSOxFdrn5jJlZPcgcAQvrGNtMJrHqvEveVmolyWbNDF7g6AUMIGwhw/w189-h320/1_0224.jpg" title="Ceramiche MOD Deruta" width="189" /><img border="0" data-original-height="1597" data-original-width="1433" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjGYfhJC1S-jK-ZY0XHqxDv-7XH1_W1_5FRLKNpDv1R0C_5-9Oh_nQmmzFYeKcJZk1mb31u7AvR7kRBFrF1ZiPHa6ArFEw6xjD5Pu7bORv46vkM7NXmVeKrjGDGyg28pxSkmDAl4zLyoA8/s320/11_0154.jpg" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="font-size: medium;"></span><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltzDcR-hDzqaV-2_HBSiW6uRUYzzei2u9cO14bg78-gh0sMyTdlksMHOc-Y3xVaM4r6CGxJQu0PmpKP7c5yoyEhbhvXzp6k4y7yRgtSTq3pRYtjuqtUmr89Jt27A1rb1kFosiafirg_Y/s2048/3_0205.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Cervi" border="0" data-original-height="2048" data-original-width="2048" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhltzDcR-hDzqaV-2_HBSiW6uRUYzzei2u9cO14bg78-gh0sMyTdlksMHOc-Y3xVaM4r6CGxJQu0PmpKP7c5yoyEhbhvXzp6k4y7yRgtSTq3pRYtjuqtUmr89Jt27A1rb1kFosiafirg_Y/w320-h320/3_0205.jpg" title="Ceramiche MOD Deruta" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj05Wu8b6bERp8UekhRzeUgAK1IgesAd0_dV5xozJBLf8arL48syqNKa4quUzGzWjGINIhd1hRwtLhxzFJidZAzPUONqb0xFoXlCP6ypizHee0WjfTUwpT5nV8iyT_bNBJC3eaZcmA48Ho/s2000/7_0182.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Grazia" border="0" data-original-height="1965" data-original-width="2000" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj05Wu8b6bERp8UekhRzeUgAK1IgesAd0_dV5xozJBLf8arL48syqNKa4quUzGzWjGINIhd1hRwtLhxzFJidZAzPUONqb0xFoXlCP6ypizHee0WjfTUwpT5nV8iyT_bNBJC3eaZcmA48Ho/w320-h314/7_0182.jpg" title="Ceramiche MOD Deruta" width="320" /></a></div></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbPqmmsWN-B1Krv-wPzd0jnR64lowwtzVgQNHausw8o3me6GDwdyIZz2F08tWypq-jYNVlaSWpGjZJCYRiksCnVaW1jtRAujdlp2iWGteYVjIUoaz5n3glwjaGhc619KNfC4_As2JBMw/s2000/8_0190.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Amarena Fabbri" border="0" data-original-height="2000" data-original-width="1333" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizOzO8MueQw7UTwz8aSkRARmET31cC5OabWoifWddEQ43z98Ld8edKplpH5Yoybc5Ej5ukjaqm_TJnn5ihpn9mPMCzP-qlmBfeRYQo1WfiyA59gv7bZe0HNxH6LR-3eCu88qW_ghtxbUQ/w213-h320/14_0145.jpg" title="Ceramiche MOD Deruta" width="213" /> <img alt="Luciano" border="0" data-original-height="2000" data-original-width="1448" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixbPqmmsWN-B1Krv-wPzd0jnR64lowwtzVgQNHausw8o3me6GDwdyIZz2F08tWypq-jYNVlaSWpGjZJCYRiksCnVaW1jtRAujdlp2iWGteYVjIUoaz5n3glwjaGhc619KNfC4_As2JBMw/w232-h320/8_0190.jpg" title="Ceramiche MOD Deruta" width="232" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgclQkstrVXsqbXmSMbs9FTE1C7031PivFFIoKFWklBycTeJkZNhWMqBt1gK74eJcB5SpREiw6rDXVZMToiU-VSkz7q4jjQYSdCkQA_9TbRmJ5XI9fn1W09yEzxlVWQPG0o6Hn56d24vwM/s2000/12_0152.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Cervi" border="0" data-original-height="1333" data-original-width="2000" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgclQkstrVXsqbXmSMbs9FTE1C7031PivFFIoKFWklBycTeJkZNhWMqBt1gK74eJcB5SpREiw6rDXVZMToiU-VSkz7q4jjQYSdCkQA_9TbRmJ5XI9fn1W09yEzxlVWQPG0o6Hn56d24vwM/w320-h213/12_0152.jpg" title="Ceramiche MOD Deruta" width="320" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd50YionZl5qHIwv7d-a2vjaWSM2okxi-67K72YflrnruyoKUXlba37XBQPNII6AP7pMOYrkFP_-MEBZCSKrCwdJQqlKft34UOTbRQPqBw8-d20l7DeqZyEakSUVhwgvJpdNO8rIvrhio/s1749/12_0210.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1267" data-original-width="1749" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgd50YionZl5qHIwv7d-a2vjaWSM2okxi-67K72YflrnruyoKUXlba37XBQPNII6AP7pMOYrkFP_-MEBZCSKrCwdJQqlKft34UOTbRQPqBw8-d20l7DeqZyEakSUVhwgvJpdNO8rIvrhio/w320-h232/12_0210.jpg" title="Ceramiche MOD Deruta" width="320" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS8upTurTG3-r6N7B9-XaEDG9Zy_ofvSinXBnTfu31tX6wKR5qS_Hio61xeRZ-HTzYA-uZJSnz6B7LG_cdK9SBq5kgKr9nLE7eJuJWwMDzlnIZ2eqsZvMj4XK374ELtHfNUIwADhZOoM8/s2000/9_0165.jpg" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli con Ivan Ranocchia" border="0" data-original-height="1333" data-original-width="2000" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiS8upTurTG3-r6N7B9-XaEDG9Zy_ofvSinXBnTfu31tX6wKR5qS_Hio61xeRZ-HTzYA-uZJSnz6B7LG_cdK9SBq5kgKr9nLE7eJuJWwMDzlnIZ2eqsZvMj4XK374ELtHfNUIwADhZOoM8/w640-h426/9_0165.jpg" title="Ceramiche MOD Deruta" width="640" /></a></div><p></p><p><br /></p><div><p></p><p style="text-align: center;"></p><p style="text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;">Link: <a href="https://derutaitaly.com/" target="_blank">MOD - Maioliche Originali Deruta</a></span></span></p><p style="text-align: center;"><span style="font-size: medium;"><span style="font-family: georgia;">* * * <br /></span></span></p><h1 style="text-align: left;"><span style="font-size: x-large;"><span style="font-weight: normal;"><i><span style="font-family: georgia;">Clay, Wheel, Colours and Fire</span></i></span></span></h1><h1 style="text-align: left;"><span style="font-size: large;"><span style="font-weight: normal;"><i><span style="font-family: georgia;">Art Pottery at MOD Deruta</span></i></span></span></h1><p style="text-align: left;"><span style="font-family: georgia;"><i>Who does not remember the famous scene from the movie "Ghost" where Demi Moore models clay on the wheel?<br />We copied the soundtrack to convey, as in the film, the magic of clay and its taking shape, like a repetition of the creation, and the secret sensuality of soft and imposing fingers. Then the perfection of the shapes obtained is fixed in the following processes: the drying and then the baking in the oven in rigorously ordered stages continue the metamorphosis.<br />At this point the colours, the real protagonists of the creative process, intervene. The pigments are spread on the forms with absolute mastery without any margin for error. The second firing makes them explode and shine.<br />The firm hand and the consummate technique of Nonno Tonino, the exuberant inspiration of Luciano, the grace of the founder Delia and of the young painters, with the brilliant planning of Grazia and the managerial skills of Ivan are the pillars of the success of the <a href="www.derutaitaly.com" target="_blank">MOD manufactories of Deruta (PG)</a>.<br />The centuries-old beauty of Deruta ceramics has always been part of the taste of every Umbrian and of many Italians who recognize it as a sign of aesthetic and cultural identity. In Deruta the creation of tableware but also of floors and tables has always been supported by the most refined technique in the service of beauty; beauty to be taken home, to be used and lived daily, so that even the normal moments of life could not be trivial. Evidence of this is the Regional Museum of Deruta, where you can explore the history of ceramics and see that since the beginning of the production of artifacts in the Middle Ages there has always been this desire for beauty.<br />Entering the exhibition halls of the MOD (Deruta Original Majolica) also means retracing the history of art as well as venturing into the future and into creativity.<br />The stylized grace of the delicately intertwined arborescences and the lightness of the flowering shoots that remove all weight from the objects express the taste and skill of Delia, the progenitor. Delia had founded her company in 1965, which over the years, with the work of her husband Tonino and then of their children Grazia and Ivan, became the current MOD in 1981.<br />The restoration of the Ovato fountain in Villa d'Este, Tivoli, is an example of the esteem that the MOD company enjoys even in institutions.<br />The great clients (Fabbri, Sambonet, Missoni, ...) turn to the sumptuous imagination of Grazia which unfolds in princely services such as gold and ruby ??jewels.<br />The exhibition rooms offer a path full of temptations among which Nicole Kidman bought four sets of dishes, including a wedding gift for her sister. We have come back to the cinema, where we started our article, because cinema gives shape, sound and movement to dreams, and these objects are made of the same material. </i><br /></span></p><p style="text-align: left;"><span style="font-family: georgia;"><br /></span></p></div><br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-4398010268822873182020-07-15T22:49:00.000+02:002020-07-17T18:47:22.924+02:00A briglia sciolta<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Paolo Ballerani e il Lavoro dell'Arte</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgld_-lR0ylAuwd0iGTWae0WrvQmW8UL6o7roqnc175xo0cLmqkn-KDnPsiu0VYwKHEDFhwR9tYOYRdEVIKfx86dV97dDcUiEX9Qoqy_L_15ScEvhTPFNpV5n3FK9wSu5JxR8gV6kbGDUA/s1600/IMG_9699_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani e Rita Castigli" border="0" data-original-height="946" data-original-width="1600" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgld_-lR0ylAuwd0iGTWae0WrvQmW8UL6o7roqnc175xo0cLmqkn-KDnPsiu0VYwKHEDFhwR9tYOYRdEVIKfx86dV97dDcUiEX9Qoqy_L_15ScEvhTPFNpV5n3FK9wSu5JxR8gV6kbGDUA/s640/IMG_9699_m.jpg" title="Paolo Ballerani" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Per definire un lavoro perfettamente eseguito si dice che è fatto ad arte. Paolo Ballerani è cresciuto con un padre, Gualtiero, che "ad arte" ha sempre fatto sculture. È con orgoglio evidente che Paolo parla di colui che gli ha fatto amare e studiare l'arte e la scultura e del quale conserva lavori di grande perfezione e bellezza. Così accanto alla sua apprezzatissima e prestigiosa attività di creatore di allestimenti in tutto il mondo (oltre che alla Galleria Nazionale dell'Umbria) fa sculture e bassorilievi ed affida ad essi l'espressione dei suoi pensieri più importanti e profondi.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9davN8ktYeeccAt89efp7W1AQSeK4QoS8RcCSk_xq2K-cKBkdugamhhW-Pe5xXMMHsl36HXAc0nDexc_bpi2RiT0F2QP6Y7Dok6XEmorjdUP3f19ef0zthwExu7gRxq4dubRf9go4P8I/s1600/IMG_7330_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEA-KF2kFDRE4yJL84IRCg96EFSBoBWruNZCn1V4Lseg6Yg7DYwJ8dyOQyOu1htd6PTqeSUxP5Yu28vqCNBJl_DTAa2IYI8WP4CcSokh9uaAlzrw7P8iwVyLau4dsT_9BmhYNatroU5OM/s400/IMG_9697_m.jpg" title="Paolo Ballerani" width="265" /> <img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9davN8ktYeeccAt89efp7W1AQSeK4QoS8RcCSk_xq2K-cKBkdugamhhW-Pe5xXMMHsl36HXAc0nDexc_bpi2RiT0F2QP6Y7Dok6XEmorjdUP3f19ef0zthwExu7gRxq4dubRf9go4P8I/s400/IMG_7330_M.jpg" title="Paolo Ballerani" width="266" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Un soggetto da lui prediletto è sempre stato il cavallo, un messaggio di bellezza nelle linee naturalmente eleganti, ma che tendono ad allontanarsi dal reale per avventurarsi verso ardite astrazioni. Le criniere in particolare si espandono come fuochi d'artificio o formano volute e giocano con lo spazio come panneggi angelici nei dipinti manieristi e barocchi. Ne scaturisce un anelito intenso allo spazio e alla libertà, un messaggio positivo di energia interiore che fluisce lungo linee dinamiche che si vanno espandendo. Sono percorse dalla luce grazie alle laccature e patine che Paolo utilizza con effetti che vanno dal bronzo all'alabastro al marmo bianco e all'oro e all'argento. Ma in quelle criniere pettinate dal vento si percepisce anche il flusso del tempo che lascia solchi profondi e ferite dove questi costruiscono una nuova armonia piena di senso.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Non ha mai avuto paura delle grandi dimensioni, delle altezze e dei vasti spazi. Il grande cavallo della Rocca Paolina che si impenna sotto le volte del Sangallo sembra ribellarsi contro quella chiusura e l'oppressione che essa rappresentava. Irradia dalle sue superfici dorate l'aspirazione alla libertà e alla luce come un simbolo che riassume la storia della città di Perugia e il suo lungo servaggio.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPLbrJPb69k2NuOS99_5td7E8-B2nNK9_wFyNbvuxcbazEKjOS4Mo_LLC-Rfd8QdCiQfAkoyxg7NvqY2H4iAgRIaqCXPL8BRo64-9_oM5eS2M6TfHAIfaFpejtawlOILOLno1V-nd5mpw/s1600/DSC_6149.JPG" imageanchor="1"><img border="0" data-original-height="1065" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPLbrJPb69k2NuOS99_5td7E8-B2nNK9_wFyNbvuxcbazEKjOS4Mo_LLC-Rfd8QdCiQfAkoyxg7NvqY2H4iAgRIaqCXPL8BRo64-9_oM5eS2M6TfHAIfaFpejtawlOILOLno1V-nd5mpw/s640/DSC_6149.JPG" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La consapevolezza della storia passata e dei valori culturali conferisce unità al grande bassorilievo della <i>Posta dei Donini </i>a San Martino in Campo. Vi sono i monumenti più significativi e belli della sua terra descritti come in un piano sequenza cinematografico, forme amate e sempre studiate come i rosoni che nella geometria perfetta fissano nella pietra valori trascendenti ed eterni.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdzqaoeawyyk1iZcFpCY2Mycr2BtfLMpFm4EuUnVVx1MIgE8FbC67vCoOl6QofdK9WkJjexf_NQswf0w_mIhgzh8MGQwO6QQ5lCaPnl9_oK9UTUnLc1wyd2MRgMkOdDlCFcNhSWRptwR8/s1600/2019_Ballerani_3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"> <img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1219" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhebPvFSnOQpWv-DMi6akghP7xQa_D3ES-rNApCk5csTaLNedvzJPjmvsosNZ5MaGcq2XzE1umaxf0fBFDX4Ywr348vPOoc9Y_5n5uF12kOmTZgyRIYzAlBTLVokcbOV0Yvr4r1cIYCVic/s400/2019_Ballerani.jpg" title="Paolo Ballerani" width="303" /> <img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1180" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdzqaoeawyyk1iZcFpCY2Mycr2BtfLMpFm4EuUnVVx1MIgE8FbC67vCoOl6QofdK9WkJjexf_NQswf0w_mIhgzh8MGQwO6QQ5lCaPnl9_oK9UTUnLc1wyd2MRgMkOdDlCFcNhSWRptwR8/s400/2019_Ballerani_3.jpg" title="Paolo Ballerani" width="295" /></a>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">Anche il bassorilievo per Mugnano racconta una storia antica, cara a quel paese ma anche al passato rurale dell'Umbria. Collocata presso l'arco dal quale passavano le raccoglitrici del tabacco, ne ripercorre il cammino e le fa tornare. Le grandi morbide foglie in primo piano lasciano emergere, come da un lago mosso e vitale, i visi dai lineamenti classici e forti, i fazzoletti semplici legati proteggere i capelli. Segue l'asino con la soma, animale oggi in via di estinzione, con il suo muso buono, gli occhi dolcissimi e il suo raglio sgraziato ma familiare nella campagna. In terzo piano il rosone romanico, perché i monasteri hanno costruito la civiltà medievale e il lavoro e il sudore hanno sempre avuto come sfondo la bellezza architettonica. Una ciminiera in lontananza presagisce il futuro che cambierà quella vita stagliandosi con sua rigida geometria. Meditazione sul tempo e sulla storia, sulla fatica e sulla bellezza del passato, la patina antica aggiunge poesia alla figurazione e la colloca in uno spazio che è della mente e del cuore.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDg4FVrwYDtbHzHz0uSKDTKeVEyBZen3gtk_0L9bOwRoRDm2ofYiApqubDbgFB3XjadeEBw9UDktaMdCz7Ioxt6BXnUagMytGfAo-9nMVaDl1iUY3uUwbETzDu7KoZI5FEqgZp8NekHzE/s1600/IMG_9687_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1336" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDg4FVrwYDtbHzHz0uSKDTKeVEyBZen3gtk_0L9bOwRoRDm2ofYiApqubDbgFB3XjadeEBw9UDktaMdCz7Ioxt6BXnUagMytGfAo-9nMVaDl1iUY3uUwbETzDu7KoZI5FEqgZp8NekHzE/s640/IMG_9687_m.jpg" title="Paolo Ballerani" width="534" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-lu5wA85repRybCn7v2CdrjC25jVposX_ZKe-9sBf_y8GPwnaUpFtYUit7Yb3UXj6HY9uMfSuTZ3wHh4JHoW6MxgSd-ZhpHz1jH5Potl9VKXDltFCN1XPjP9fuwMPF1NJk64hntB5UE/s1600/IMG_9688_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiU-lu5wA85repRybCn7v2CdrjC25jVposX_ZKe-9sBf_y8GPwnaUpFtYUit7Yb3UXj6HY9uMfSuTZ3wHh4JHoW6MxgSd-ZhpHz1jH5Potl9VKXDltFCN1XPjP9fuwMPF1NJk64hntB5UE/s400/IMG_9688_m.jpg" title="Paolo Ballerani" width="265" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Un gesto commovente lega il <i>Cavaliere Stanco </i>al suo cavallo. Si appoggia ad esso e china il suo capo coperto dall'elmo. L'armatura non nasconde la sua fragilità. La spada ha spaccato il rosone, i valori per cui ha combattuto sono infranti. Lo sostiene solo il cavallo, la fedeltà dell'amicizia senza parole, e una rosa che la mano porge racconta il desiderio di pace e d'amore. Qui i sentimenti improntano l'opera e l'emozione traspare da ogni dettaglio in una sintesi di pura poesia.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii1jTZLYp-oAsfwx_5LI2hqZZm-neQSelZnICkyfMc_tQ_V6mPdwMAsyMg7RgZERrNLsIXHPB-HvcC7chdV0To_MIfqSbF2NYv6vgQ6ahJHhXfB90EOistHj-0zK5h_lHZVyWxt7VLp3U/s1600/IMG_9691_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1106" data-original-width="1600" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEii1jTZLYp-oAsfwx_5LI2hqZZm-neQSelZnICkyfMc_tQ_V6mPdwMAsyMg7RgZERrNLsIXHPB-HvcC7chdV0To_MIfqSbF2NYv6vgQ6ahJHhXfB90EOistHj-0zK5h_lHZVyWxt7VLp3U/s640/IMG_9691_m.jpg" title="Paolo Ballerani" width="640" /></a></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZChpuxeNDxgHAObMeE6kF9hZhozsPDXJ4CXc00Y1oykvVTz8yJtrzalQGDSCTLUn98G7zPpGYs-nD5OnbJQQyA7XdUKmmWsbM1LLffIaMJTFKzRbcBbprgDnNP2GPvofjiH7lHKhflJ4/s1600/20180725_220906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1002" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZChpuxeNDxgHAObMeE6kF9hZhozsPDXJ4CXc00Y1oykvVTz8yJtrzalQGDSCTLUn98G7zPpGYs-nD5OnbJQQyA7XdUKmmWsbM1LLffIaMJTFKzRbcBbprgDnNP2GPvofjiH7lHKhflJ4/s640/20180725_220906.jpg" title="Paolo Ballerani" width="400" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La fantasia di Paolo va a briglia sciolta come i suoi cavalli, prende il volo con la vastità della criniera che si dispiega nel vento, un vento metafisico e simbolico che fa pensare all'avventura, alla corsa verso la vita con lo slancio del coraggio e della ragione. La ragione, sì, perché la forma si espande nell'aria ma non si sgretola, non perde i connotati della realtà, realtà sognata e stilizzata, ma non negata e confusa. La sua scultura ha radici solide ed eleganti, colte e preziose, dalle quali dispiega le ali e lascia fluire linee melodiose, suscitando emozione e facendo vibrare di luce la materia.</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtASZJN0-HhZA_Z83EVw5ydNUTgKxDRohW7_VHf7linHO1cG3cqu7luToSgHy56KTq1CDT56eer39nSt_RHMEUsVwovx1J4gTr4QJmGL7utMaki_-z4BaU68JYfY-9u7v8q9t2o5iD38g/s1600/IMG_9704_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtASZJN0-HhZA_Z83EVw5ydNUTgKxDRohW7_VHf7linHO1cG3cqu7luToSgHy56KTq1CDT56eer39nSt_RHMEUsVwovx1J4gTr4QJmGL7utMaki_-z4BaU68JYfY-9u7v8q9t2o5iD38g/s640/IMG_9704_m.jpg" title="Paolo Ballerani" width="425" /></a></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho6FxauRKSYVlcJ8U2vzncJmpwmlEo4PzByR030rHqn46xKs6p30tI2SaULkXEVt3a2xUgJ4KOgWWG_jsECV-87r9m2UccXkbdUjcx8Pua273EuOnyZSMo0iG6UWz6AR7hpbyBiczdEdE/s1600/IMG_7230_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli con un'opera di Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho6FxauRKSYVlcJ8U2vzncJmpwmlEo4PzByR030rHqn46xKs6p30tI2SaULkXEVt3a2xUgJ4KOgWWG_jsECV-87r9m2UccXkbdUjcx8Pua273EuOnyZSMo0iG6UWz6AR7hpbyBiczdEdE/s640/IMG_7230_M.jpg" title="Rita Castigli con un'opera di Paolo Ballerani" width="426" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoDEpkSSZOOvmsAb-mLVFcJMlU1bJcSlGozsgpDGkp6VbFNI7BVDh3PGjes8qIbMfmcU7kSS4FfpNKunl5EUy9Q2XnEvBwA_oOq9YJ7Xo9k3VOfh0-WP_0H_nvDyJZhlFJ0EwVUJaedL4/s1600/IMG_7324_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1060" data-original-width="1600" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoDEpkSSZOOvmsAb-mLVFcJMlU1bJcSlGozsgpDGkp6VbFNI7BVDh3PGjes8qIbMfmcU7kSS4FfpNKunl5EUy9Q2XnEvBwA_oOq9YJ7Xo9k3VOfh0-WP_0H_nvDyJZhlFJ0EwVUJaedL4/s400/IMG_7324_M.jpg" title="Paolo Ballerani" width="400" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6p_ntyh62v9y2ogMXQKIcAp-lMAsFFn7Sn0576S8fwrgTVy9mM2m347rMQDEbYaee5dN-dGvdAzCz1xhHH0n3To0KET0S2p4gAXtOlnjaOwLMOsH1mgvGy_DNxwjSOWJhHalV-vGSXfI/s1600/IMG_7328_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1245" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6p_ntyh62v9y2ogMXQKIcAp-lMAsFFn7Sn0576S8fwrgTVy9mM2m347rMQDEbYaee5dN-dGvdAzCz1xhHH0n3To0KET0S2p4gAXtOlnjaOwLMOsH1mgvGy_DNxwjSOWJhHalV-vGSXfI/s400/IMG_7328_m.jpg" title="Paolo Ballerani" width="311" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-CMVKVupUVNzuEqppOWcovclYbUunvl1YSr7YOrWvJSssiV1safEEf2M6Mw_9Vfvt9btO1uRh3XgeVeZ4kdf0RMSrsE-KKLXaNvqZApc2MOWsz7M5y9ZXYg3QuGskXSETPY0kl-lfdY/s1600/IMG_7331_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1086" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV-CMVKVupUVNzuEqppOWcovclYbUunvl1YSr7YOrWvJSssiV1safEEf2M6Mw_9Vfvt9btO1uRh3XgeVeZ4kdf0RMSrsE-KKLXaNvqZApc2MOWsz7M5y9ZXYg3QuGskXSETPY0kl-lfdY/s640/IMG_7331_m.jpg" title="Paolo Ballerani" width="433" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVb8VhVab6nBx2qFUBnO-DoQnLg1ZZE-5v7oMzcwpHaBhYFuNOZBLfdl9b2LLBiNn81370uEczq-URR6E3uD1_hF762OUN1FbXWiV4HR5w68Sanjw81bkOrdDpm7ICVaZFzOvjvoYN7s/s1600/IMG_9689_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1130" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjUVb8VhVab6nBx2qFUBnO-DoQnLg1ZZE-5v7oMzcwpHaBhYFuNOZBLfdl9b2LLBiNn81370uEczq-URR6E3uD1_hF762OUN1FbXWiV4HR5w68Sanjw81bkOrdDpm7ICVaZFzOvjvoYN7s/s400/IMG_9689_m.jpg" title="Paolo Ballerani" width="282" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGPwgB6T1PjBYe4awZtlP3eiNRs7xDlboawWo9UXGiqbKNq-x6G9suQRStYEg-lnzawYYLjITK05dwuiLszMIjR4TadLVS49gxqW7sqLjw2rN5-9Mf8wXSyBMfBpXZsSdr0MTyhd8qD50/s1600/WhatsApp+Image+2020-07-15+at+22.37.15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1281" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGPwgB6T1PjBYe4awZtlP3eiNRs7xDlboawWo9UXGiqbKNq-x6G9suQRStYEg-lnzawYYLjITK05dwuiLszMIjR4TadLVS49gxqW7sqLjw2rN5-9Mf8wXSyBMfBpXZsSdr0MTyhd8qD50/s400/WhatsApp+Image+2020-07-15+at+22.37.15.jpg" title="Paolo Ballerani" width="320" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI8k8idF6inPY6Jtw1xZjyFVs1F9bA5_W7pwtVioguyxI8aXIlm1KqDjK4LKIpPUstadgXANzyUcV9OVk2YwvAsCpoLGDlQuhNKbF3Cworm_gtt7ocBRqEgCNOUELO3HdgQAjgEWB13RY/s1600/IMG_9694_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1163" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI8k8idF6inPY6Jtw1xZjyFVs1F9bA5_W7pwtVioguyxI8aXIlm1KqDjK4LKIpPUstadgXANzyUcV9OVk2YwvAsCpoLGDlQuhNKbF3Cworm_gtt7ocBRqEgCNOUELO3HdgQAjgEWB13RY/s640/IMG_9694_m.jpg" title="Paolo Ballerani" width="464" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwoihhunhw96j1zBmrj8K6-kdpXqoU3IheBoyGGj7lXAn0xbnW5JslLyXvLxPEYPSkcPtiyjK_Z27s5Aoq0bOS-j0y7M65eg9_IUeM6iMtnXv7UNx7UHJUjBNCds_7v-fCrqOe5g34iCw/s1600/IMG_9703_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwoihhunhw96j1zBmrj8K6-kdpXqoU3IheBoyGGj7lXAn0xbnW5JslLyXvLxPEYPSkcPtiyjK_Z27s5Aoq0bOS-j0y7M65eg9_IUeM6iMtnXv7UNx7UHJUjBNCds_7v-fCrqOe5g34iCw/s400/IMG_9703_m.jpg" title="Paolo Ballerani" width="266" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqiMEpLaB_PnoyropUhTpSCXmRYHHXAaTY5eOD4byGd5cQ9V_Q5uvlMMNs-XZFn7chHjPS7_m5-q5qB0WzEgKvizr3ttd1FzER4Fuqifr08VBYQMR2eSDMnL7ct66creIhNf9rjehV-ho/s1600/IMG_9713_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqiMEpLaB_PnoyropUhTpSCXmRYHHXAaTY5eOD4byGd5cQ9V_Q5uvlMMNs-XZFn7chHjPS7_m5-q5qB0WzEgKvizr3ttd1FzER4Fuqifr08VBYQMR2eSDMnL7ct66creIhNf9rjehV-ho/s400/IMG_9713_m.jpg" title="Paolo Ballerani" width="400" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuN-1p5JbNXL1zmQQ9e6aV-9s-EaKgVTUp_e-kjHMLF87BCYn6h5fMkvwWgzPBMhc1L_JJvxo8Yb8QeTG9S4_1jv6YZLFSzq41iUkOitlFUH_AULvOvRlhkSEp4fcKYb3-MH-m0pc43J8/s1600/IMG_9723_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Ballerani" border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuN-1p5JbNXL1zmQQ9e6aV-9s-EaKgVTUp_e-kjHMLF87BCYn6h5fMkvwWgzPBMhc1L_JJvxo8Yb8QeTG9S4_1jv6YZLFSzq41iUkOitlFUH_AULvOvRlhkSEp4fcKYb3-MH-m0pc43J8/s400/IMG_9723_m.jpg" title="Paolo Ballerani" width="400" /></a></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkK533UuM2-8SaxweFOQObaSTqI_yaqMlsym6dxGwFmTI0JV19j8Z7iGlUs2DfRt9JvDJW_YDAFGRQCkUXInxA2kRIs4g38f8EN50VylE4bHhDELiDppVOnjg_g2UbAzY6jb6VxJT9IoM/s1600/madonna.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1600" data-original-width="811" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkK533UuM2-8SaxweFOQObaSTqI_yaqMlsym6dxGwFmTI0JV19j8Z7iGlUs2DfRt9JvDJW_YDAFGRQCkUXInxA2kRIs4g38f8EN50VylE4bHhDELiDppVOnjg_g2UbAzY6jb6VxJT9IoM/s640/madonna.jpg" width="324" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Bassorilievo in marmo di Gualtiero Ballerani</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFq7alJGbt-Dfgf5a_NE9BEIM-sZERBcGS2ZOp_Sqkb-LNM6rNGASRR-b0uRdXJlSB3IaPoQ9wbv8EZNSmhcGDo8AIvlxpNeLJPH8AUyTwzNR3ofD8u4O4Qv5X90_AVIv3W3TNRnCo3fk/s1600/IMG_9727_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli con un'opera di Paolo Ballerani" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFq7alJGbt-Dfgf5a_NE9BEIM-sZERBcGS2ZOp_Sqkb-LNM6rNGASRR-b0uRdXJlSB3IaPoQ9wbv8EZNSmhcGDo8AIvlxpNeLJPH8AUyTwzNR3ofD8u4O4Qv5X90_AVIv3W3TNRnCo3fk/s640/IMG_9727_m.jpg" title="Rita Castigli con un'opera di Paolo Ballerani" width="640" /></a></div>
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<h3>
<i><span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-weight: normal;">Free Rein</span></span></span></i></h3>
<i><span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Paolo Ballerani working artfully</span></span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">To define a perfectly executed work it is said that it is done </span></i><span style="font-family: "georgia" , "times new roman" , serif;">artfully</span><i><span style="font-family: "georgia" , "times new roman" , serif;">. Paolo Ballerani grew up with his father, Gualtiero, who "artfully" has always made sculptures. It is with evident pride that Paolo speaks of the one who made him love and study art and sculpture and of whom he keeps works of great perfection and beauty. So alongside his highly appreciated and prestigious activity as creator of installations all over the world (and at the National Gallery of Umbria) he makes sculptures and bas-reliefs and entrusts them with the expression of his most important and profound thoughts. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The horse has always been a favorite subject for him, a message of beauty in naturally elegant lines, which tend to move away from reality to venture towards bold abstractions. Manes in particular expand like fireworks or form volutes and play with space like angelic draperies in mannerist and baroque paintings. The result is an intense yearning for space and freedom, a positive message of inner energy that flows along dynamic lines that are soaring. They are intensified by light thanks to the lacquering and glazes that Paolo uses with effects ranging from bronze to alabaster to white marble and gold and silver. But in those manes combed by the wind you can also perceive the flow of time that leaves deep furrows and wounds and builds a new harmony full of meaning. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">He was never afraid of large sizes, heights and vast spaces. The large horse of the </span></i><span style="font-family: "georgia" , "times new roman" , serif;">Rocca Paolina </span><i><span style="font-family: "georgia" , "times new roman" , serif;">that rears up under the Sangallo vaults seems to rebel against that closure and the oppression it represented. The aspiration to freedom and light radiates from its golden surfaces as a symbol that sums up the history of the city of Perugia and its long servitude. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The awareness of past history and cultural values gives unity to the large bas-relief of the </span></i><span style="font-family: "georgia" , "times new roman" , serif;">Posta dei Donini </span><i><span style="font-family: "georgia" , "times new roman" , serif;">in San Martino in Campo. There are the most significant and beautiful monuments of his homeland described as in a sequence shot, the forms that Paolo always loved and studied like the rose windows which in their perfect shape fix transcendent and eternal values into stone. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The bas-relief for Mugnano also tells an ancient story, dear to that village but also to the rural past of Umbria. Placed near the arch through which the tobacco pickers passed, it traces the path and makes them return. The large soft leaves in the foreground let emerge, as from a rough and vital lake, their classic and strong features and the simple handkerchiefs tied to protect their hair. Follows a donkey, animal near extinction today, with its good face, the sweetest eyes and its graceless but familiar bray in the countryside. Behind it you see the Romanesque rose window, because the monasteries built medieval civilization while work and sweat have always had architectural beauty as a background. A chimney in the distance foreshadows the future that will change that life by standing with its rigid geometry. </span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;">Meditation on time and history, on the fatigue and beauty of the past, the ancient patina adds poetry to the figuration and places it in a space that is of mind and heart. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">A moving gesture binds the </span></i><span style="font-family: "georgia" , "times new roman" , serif;">Tired Knight </span><i><span style="font-family: "georgia" , "times new roman" , serif;">to his horse. He leans against it and bends his head covered by an helmet. His armor does not hide his fragility. A sword broke the rose window, the values for which he fought are broken. Only his horse sustains him, the fidelity of friendship without words, and a rose that his hand holds out tells the desire for peace and love. Here feelings shape the sculpture and the emotion shines through every detail in a synthesis of pure poetry. </span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Paolo's imagination goes as loose as his horses, takes flight with the vastness of manes that unfold in the wind, a metaphysical and symbolic wind that evokes adventure, racing towards life with the enthusiasm of courage and reason. Reason, yes, because the forms expand in the air but never crumble nor lose the connotations of reality, dreamed and stylized reality, but never denied and confused. His sculpture has solid and elegant roots, cultured and precious, from which it spreads its wings and lets melodious lines flow, arousing emotion and vibrating with light.
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-63372418316827418862020-03-03T22:21:00.001+01:002020-03-03T22:25:31.714+01:00Libertà e Destino<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Opere recenti di Arnhild Kart</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqUySHm1HZzkVzv-9eBzv69_zGXmYpKz8GuZsYowRd1vgrmIpZgrib3i6X_zAEgPuF4PB7E_mRc4AFzHd1kRbYVTvOito8hOIj6LHOcng2xks_yV4lOPT5LiI9CYnUIpBzW3FxpWIi0i4/s1600/IMG_9571_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqUySHm1HZzkVzv-9eBzv69_zGXmYpKz8GuZsYowRd1vgrmIpZgrib3i6X_zAEgPuF4PB7E_mRc4AFzHd1kRbYVTvOito8hOIj6LHOcng2xks_yV4lOPT5LiI9CYnUIpBzW3FxpWIi0i4/s640/IMG_9571_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Arnhild Kart è cresciuta a Düsseldorf, metropoli industriale sul Reno, i cui grattacieli hanno ispirato atmosfere e valori ritmici dei suoi lavori. La metropoli inumana e impersonale, assurta da un secolo a metafora della condizione esistenziale, è stata protagonista di bellissime tele di Arnhild, con luci e baluginii che fanno pensare alle piogge metafisiche dell'inferno dantesco o alle città del più tetro futuro fantascientifico come in Blade Runner. E sono quadri di struggente bellezza nella loro drammaticità, come pure commoventi sono i personaggi che lei costruisce, fragili saltimbanchi isolati che si arrampicano verso un cielo troppo lontano, oltre i grattacieli.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz_vxA0y7bOoRK4GOOEgyI26Xg6Evj7vpGP-rD-zZEDHH8MdkxHYTmYDiOAS1Sm7uh_Iuv8n5Z_EP21OqlHM7GXifdiebTqUVSa5AmzGGfzcak97LSazvLjAtQZlhPMZB5E0606SsVBLE/s1600/IMG_9567_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1090" data-original-width="1600" height="435" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhz_vxA0y7bOoRK4GOOEgyI26Xg6Evj7vpGP-rD-zZEDHH8MdkxHYTmYDiOAS1Sm7uh_Iuv8n5Z_EP21OqlHM7GXifdiebTqUVSa5AmzGGfzcak97LSazvLjAtQZlhPMZB5E0606SsVBLE/s640/IMG_9567_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMg3fhV0gOirHTpWMyyFPOHTAsBway9FH_8wzqlfznWY4bG7z-uD_505zwZQegkOBiUp9jnv9FHdpqBI6XjkUPvFvIZC5xfYK2filK2VCoxbDqvh57i2AWDwD_ZTweAOWbJZTHkfeDeDo/s1600/IMG_9542_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1600" data-original-width="1372" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiMg3fhV0gOirHTpWMyyFPOHTAsBway9FH_8wzqlfznWY4bG7z-uD_505zwZQegkOBiUp9jnv9FHdpqBI6XjkUPvFvIZC5xfYK2filK2VCoxbDqvh57i2AWDwD_ZTweAOWbJZTHkfeDeDo/s400/IMG_9542_m.jpg" title="Arnhild Kart" width="342" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Artista di grande rigore formale e tecnico (infatti per molti anni è stata titolare di una fabbrica di articoli di design creando oggetti d'arredo perfetti), ha dipinto prospettive rigorose e geometrie direi pierfrancescane, un paesaggio urbano razionale ma non equilibrato né sereno. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Col tempo quei muri e strade si sono andati scarnificando. Chi va nella cappella di San Severo a Napoli e, dopo essersi estasiato per le meravigliose sculture di marmo bianco, scende nel sotterraneo, vede quello che è la struttura vascolare indurita di un essere umano che solo ad essa è ridotto. Similmente, nei recenti quadri di Arnhild, i grattacieli sono diventati scheletri luminosi, fatti di filamenti di led che si incrociano ortogonalmente. Avvertiamo il senso metafisico di quelle strutture che sono entrate in noi come strutture di pensiero, articolazioni del senso dell'esistere. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Ci giunge così il messaggio di Arnhild come un canto di libertà, un richiamo alla ricerca del senso al di là degli schemi imposti.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOV2ISS4c1xEutvrUY9hlZrFmeifXJaF0WmABHzekqPNT7F-frSkri2n5h1Bne0z-fKW7VgbNp_Y63NV_zCs3nMOhH4rgGvt_gStMFyuRv05aMJ2E8CfIWPNl5DzAhWJBdoq5zewPlVE4/s1600/IMG_9557_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1543" data-original-width="1600" height="616" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOV2ISS4c1xEutvrUY9hlZrFmeifXJaF0WmABHzekqPNT7F-frSkri2n5h1Bne0z-fKW7VgbNp_Y63NV_zCs3nMOhH4rgGvt_gStMFyuRv05aMJ2E8CfIWPNl5DzAhWJBdoq5zewPlVE4/s640/IMG_9557_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Continuando la sua ricerca che scava le radici del vivere nelle forme che il pensiero assume, Arnhild ha individuato nel DNA il simbolo in cui sintetizzare i processi che regolano e trasformano la realtà. Nelle nuove tele si percepisce qualcosa che sembra crescere, fluire autonomamente, filamenti che sembrano essere vivi e riprodursi. La fantasia e il pennello di Arnhild inseguono con timore ed emozione quei percorsi, lungo canali misteriosi nei quali il pensiero e la realtà cercano di incontrarsi.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Nei due quadrati neri tutta la tela è coperta da filamenti che non lasciano spazi vuoti né possibilità di dialettica. Il plexiglass dipinto dall'interno crea l'illusione dello spazio in cui scorrono le linee.<br />Nelle altre due tele quadrate invece restano aree che sembrano però precariamente libere con i filamenti neri che si allargano implacabili nelle aree grigie.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguCyFR_KnGrhya3Q2nQEAkfP0IlHfMGcr9GfP-9rqfCVmct0oK8SZRKkvQc1PA11_6UCy9NjXdQ8SYaFfyW0y-1mRiMFR7v-IqmHih6_nRLL9mczTURKpPqM2kSOoZ97Zi_2-jONxjpyM/s1600/IMG_9598.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart e Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguCyFR_KnGrhya3Q2nQEAkfP0IlHfMGcr9GfP-9rqfCVmct0oK8SZRKkvQc1PA11_6UCy9NjXdQ8SYaFfyW0y-1mRiMFR7v-IqmHih6_nRLL9mczTURKpPqM2kSOoZ97Zi_2-jONxjpyM/s640/IMG_9598.JPG" title="Arnhild Kart e Rita Castigli" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le tele rettangolari bianche e nere sembrano percorse da segni accesi e intensi con richiami a doppie spirali che hanno un ritmo musicale, una</span><span style="font-family: "georgia" , "times new roman" , serif;"> struttura melodica a più voci che si intrecciano in un campo vuoto. Un senso di bellezza e di respiro ampio ne emana, una possibilità di </span><span style="font-family: "georgia" , "times new roman" , serif;">libertà. Note di diverse altezze e durate, timbri gravi scuri o alti e chiari. Gialli e rossi accesi e neri profondi, i colori riscaldano di </span><span style="font-family: "georgia" , "times new roman" , serif;">emozioni leggerezze tenui e asprezze tetre, rendendo alla vita le sue tante varianti, i sapori e i moti del cuore. I </span><span style="font-family: "georgia" , "times new roman" , serif;">segni colorati si muovono come in canali il cui illusorio spessore è ottenuto anche qui dipingendo la striscia di plexiglass dal lato </span><span style="font-family: "georgia" , "times new roman" , serif;">posteriore.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-dUHDGgAiLWe7opQHym_NE-5urL5q-CEAcwMlwcIduqFb3ZPuNKHqtIEID8GX7DSSZZvY9RvobL3e5bA1edeJZ4Go4mki4QJBoeo0Tvrd92-fo66AaYFzqJyIkk2zGapk7ymCrXJCn2M/s1600/IMG_9574_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1141" data-original-width="1600" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-dUHDGgAiLWe7opQHym_NE-5urL5q-CEAcwMlwcIduqFb3ZPuNKHqtIEID8GX7DSSZZvY9RvobL3e5bA1edeJZ4Go4mki4QJBoeo0Tvrd92-fo66AaYFzqJyIkk2zGapk7ymCrXJCn2M/s640/IMG_9574_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nelle altre tele rettangolari lo sviluppo tortuoso dei colori di diverse tinte evoca lo spazio dinamico sia del mondo interiore umano che dell'universo, evidenziati nella parte centrale del dipinto. Negli altri settori della tela si coglie, come fuori fuoco, la stessa struttura di intrecci, il passato o il futuro di una storia in corso di svolgimento della quale l'uomo non siamo certi che sia attore responsabile con i suoi desideri ed emozioni a guidarlo o se subisca, come il resto dell'universo, un destino fatto di leggi che non dipendono da lui.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjveRpMJShq8A4-mM-JpOqk7uXjGqWnKkiDhg97G-0Q4NIqdm6JXRE1EsKp4X_04YViawXbe7O1FBy1SkzsrBM-S6UqgFCEio-yzVIAWHSN9Al8Qg9rbfpWhHEGN-KK67wr5MHI31RjJjA/s1600/IMG_9581_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="787" data-original-width="1600" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjveRpMJShq8A4-mM-JpOqk7uXjGqWnKkiDhg97G-0Q4NIqdm6JXRE1EsKp4X_04YViawXbe7O1FBy1SkzsrBM-S6UqgFCEio-yzVIAWHSN9Al8Qg9rbfpWhHEGN-KK67wr5MHI31RjJjA/s640/IMG_9581_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNESJ4ZroWm5mMv8KZ7tfOCosUyHvfPF8CRGqGw3gwUsp4b9OlP1TD633wRuAYLThhkCHSCMFpcBgG-_97JY8wOJNMmrAE8mpMUM4FxjLhn8pc2fj4fpdU7fKR5PqNgl8_4wTSnNX9k8k/s1600/IMG_9610_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1061" data-original-width="1600" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNESJ4ZroWm5mMv8KZ7tfOCosUyHvfPF8CRGqGw3gwUsp4b9OlP1TD633wRuAYLThhkCHSCMFpcBgG-_97JY8wOJNMmrAE8mpMUM4FxjLhn8pc2fj4fpdU7fKR5PqNgl8_4wTSnNX9k8k/s640/IMG_9610_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij3V90xIy1EqET-jJLNE_Cl-uugviQJiYarxsDz9_5JO8BwKl5eNbPDXHayUK2OlW5GmupmR6FVwxAgEkwlXE3rCeWypl7eQ0oYY8X2tOTBaaT9AZ1SBUdHY_uLr40CiJRe4N-_Xm9r6w/s1600/IMG_9604.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij3V90xIy1EqET-jJLNE_Cl-uugviQJiYarxsDz9_5JO8BwKl5eNbPDXHayUK2OlW5GmupmR6FVwxAgEkwlXE3rCeWypl7eQ0oYY8X2tOTBaaT9AZ1SBUdHY_uLr40CiJRe4N-_Xm9r6w/s320/IMG_9604.JPG" title="Arnhild Kart" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVe04Cij5rrIn544cJCYLd1i5cfcyXqJcGX1W27UMyoN5Whz-yrczKQ6Of4bX9U_SexXi1INJJxJqE6flkOinbjKswgJQ0p50V_YFpqCDW9v04yoQbbtdbYd3FsRqxMho83vLd-ZRHrLg/s1600/IMG_9616.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVe04Cij5rrIn544cJCYLd1i5cfcyXqJcGX1W27UMyoN5Whz-yrczKQ6Of4bX9U_SexXi1INJJxJqE6flkOinbjKswgJQ0p50V_YFpqCDW9v04yoQbbtdbYd3FsRqxMho83vLd-ZRHrLg/s320/IMG_9616.JPG" title="Arnhild Kart" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYAnAiu8_oIg1ObbrF6Z8dOBFSePvBeMIu_tBAYg2qsZRa3mq_rnd9iJFQzm7Y0T7iuGc_yY9yl9tV7KfI_UlT05eRHFPAIT804VJ2kzdvgM-st_c11NH0vFOZHPzZjcRzd-U3BhweLjk/s1600/IMG_9623.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Valeria Guarducci" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYAnAiu8_oIg1ObbrF6Z8dOBFSePvBeMIu_tBAYg2qsZRa3mq_rnd9iJFQzm7Y0T7iuGc_yY9yl9tV7KfI_UlT05eRHFPAIT804VJ2kzdvgM-st_c11NH0vFOZHPzZjcRzd-U3BhweLjk/s320/IMG_9623.JPG" title="Valeria Guarducci" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14p22baw8NHjQ3pglPdDS2Fj0imKT6LlSxK_WqOqM3sGhi5pC2_Yshq0vAQmRdMVRKbCsjtA5Bqo1xsyRadGZavkM7-RXGDDl21py0EGmWJ4R-rTflwlpd4SmUcuOwb-cGabhRrHt9rA/s1600/IMG_9649.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Valeria Guarducci, Arnhild Kart e Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh14p22baw8NHjQ3pglPdDS2Fj0imKT6LlSxK_WqOqM3sGhi5pC2_Yshq0vAQmRdMVRKbCsjtA5Bqo1xsyRadGZavkM7-RXGDDl21py0EGmWJ4R-rTflwlpd4SmUcuOwb-cGabhRrHt9rA/s320/IMG_9649.JPG" title="Valeria Guarducci, Arnhild Kart e Rita Castigli" width="320" /></a></div>
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<i><span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Freedom and Destiny</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Recent works by Arnhild Kart</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><br />Arnhild Kart grew up in </span></i><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">Düsseldorf</span>, an industrial metropolis on the Rhine, whose skyscrapers inspired the atmosphere and rhythmic values of Arnhild's works. The inhuman and impersonal metropolis, risen for a century as a metaphor for the existential condition, has been the protagonist of beautiful paintings by Arnhild, with lights and glimmers that suggest the metaphysical rains of Dante's hell or the cities of the darkest future science fiction like in Blade Runner. And they are paintings of poignant beauty in their drama, as well as moving are the characters she builds, fragile isolated acrobats who climb to a sky too far beyond the skyscrapers.<br />Artist of great formal and technical rigor (in fact for many years she was the owner of a factory of design items creating perfect furnishings), she painted rigorous perspectives and geometries I would say pierfrancescane, a rational but unbalanced and unsettled urban landscape.</span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Over time, those walls and streets have been somehow defleshed. Whoever goes to the chapel of San Severo in Napoli and, after having become enraptured by the wonderful white marble sculptures, goes down to the basement, sees what is the hardened vascular structure of a human being who is only reduced to it. Similarly, in Arnhild's recent paintings, skyscrapers have become luminous skeletons, made of filaments of LEDs that cross orthogonally. We feel the metaphysical sense of those structures that have entered us as structures of thought, articulations of the sense of existence. Thus Arnhild's message reaches us as a song of freedom, a call to the search for meaning beyond the imposed patterns.</span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br />Continuing her research that digs the roots of living in the forms that thought takes, Arnhild has identified in the DNA the symbol in which to synthesize the processes that regulate and transform reality. In the new canvases we perceive something that seems to grow, flow autonomously, strands that seem to be alive and reproduce.<br />Arnhild's fantasy and brush pursue those paths with concern and emotion, along mysterious channels in which thought and reality try to meet.<br />The whole black square canvases are covered with filaments that leave no empty spaces or the possibility of dialectics. The plexiglass painted from the inside creates the illusion of a space in which the lines flow.<br />In the other two square canvases, however, areas remain that seem precariously free while the black filaments that invade relentlessly the gray areas.</span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br />The rectangular black and white canvases seem crossed by bright and intense signs with references to double spirals that have a musical rhythm, a melodic structure with several voices that intertwine in an empty field. A sense of beauty and wide breathing emanates from it, a possibility of freedom. Notes of different heights and durations, serious dark or high light tones. Bright yellows and reds and deep blacks, the colours warm up the patterns with emotions that have soft lightness and gloomy harshness, giving life its many variations, the flavors and motions of the heart. The coloured signs move as in channels whose illusory thickness is also obtained here by painting the plexiglass strip from the rear.<br /> </span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;">In the other rectangular canvases the tortuous development of the colours of different hues evokes the dynamic space of both the human inner world and the universe, highlighted in the central part of the painting. In the other areas of the canvas one catches the same weaving structure, as out of focus, the past or the future of a story in progress of which man is not sure if he is responsible actor with his desires and emotions to guide him or if, like the rest of the universe, he undergoes a fate made of laws that do not depend on him.</span></i>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-53329731376293915742020-01-09T20:41:00.004+01:002020-01-21T17:50:28.848+01:00La Materia dei Sogni<span style="font-family: "georgia" serif;"><span style="font-size: x-large;">Le ceramiche bianche di Silvano D'Orsi</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Siamo fatti anche noi della materia di cui sono fatti i sogni, e nello spazio e nel tempo d'un sogno è racchiusa la nostra breve vita.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le parole di Shakespeare raccontano queste opere.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Le forme sono perfette e luminose nel bianco irreale che le proietta nell'immaginario. Quei pantaloni e giacche e cappotti sono tenuti in piedi da qualcosa che non è della realtà e dell'esperienza. Sono capi di vestiario quotidiani e attuali, eppure vengono da un altrove che è quello del sogno. Sono fatti di quella materia perciò ci raccontano qualcosa di noi che non sappiamo, sentimenti nascosti in gesti ripetuti, fatti meccanicamente e senza coinvolgimento.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Ecco che ora quelle cose prendono vita e ci parlano un loro linguaggio fatto di grazia e di umiltà, ma anche del grande mistero dell'essere al mondo come cose o come persone, soggette al tempo e allo spazio, solide e fugaci come i sogni. <br />La stessa impressione danno il corpo femminile e la la testa del cavallo, forme di eleganza sinuosa, tutti e due simboli di bellezza e perfezione. Qui però il candore smaltato li accomuna ai vestiti in una visione che sposa la preziosa lucidità e lo studio alla commozione, in creazioni pensose e astratte, sorridenti e malinconiche.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il violino si piega a diventare un corpo femminile, la sua voce sarà un sospiro d'amore, toccarlo sarà far vibrare ogni fibra e perdersi nella sua armonia. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La mano dalle dita delicate e affusolate sembra voler afferrare qualcosa o protendersi emergendo forse dall'acqua. Una richiesta silenziosa d'aiuto rimasta inascoltata tenta ancora di esprimere un bisogno sommesso e sembra fissarsi in un ramo di corallo bianco levigato e perfetto.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg74YNlVGh6ovo4x_zCEFvVE4P2NnWDhwDVcH8FNnRGx_Ji_zkX7VJOW7gWWvQzp7A_Eb9sCZFkJXqGYG1hZo5raD_kmKN-sMc76gB2-DtaOlqQi-fPLMRaLxaQLGw63btTqrqrTd5iPw/s1600/StatueDorsi3003.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="952" data-original-width="633" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhg74YNlVGh6ovo4x_zCEFvVE4P2NnWDhwDVcH8FNnRGx_Ji_zkX7VJOW7gWWvQzp7A_Eb9sCZFkJXqGYG1hZo5raD_kmKN-sMc76gB2-DtaOlqQi-fPLMRaLxaQLGw63btTqrqrTd5iPw/s640/StatueDorsi3003.jpg" width="424" /></a></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">...Oh voi dal dolce nome ch'io non chiamo<br />perché voi non mi amate ed io non vi amo.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"></span><span style="font-family: "georgia" , "times new roman" , serif;">Voi, Signora, siete per me come un giardino chiuso,<br />siete per me come un giardino chiuso<br />dove nessuno è penetrato mai.<br />Di profondi invisibili rosai...</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"> </span></i></div>
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<i><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0o55zR5GrHB_aC_R0Sr362gKGs8BtYf0UWOgN6qnDMAr81I6qFN2wt-v501StxZQewU2mJebndH0GEAcZF4nmUYx_mR7A0t7RMIax2QEYu25p8k1wYDGVyhU1IS3EL18LVfGTcHR1g_g/s1600/StatueDorsi2975.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="909" data-original-width="605" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0o55zR5GrHB_aC_R0Sr362gKGs8BtYf0UWOgN6qnDMAr81I6qFN2wt-v501StxZQewU2mJebndH0GEAcZF4nmUYx_mR7A0t7RMIax2QEYu25p8k1wYDGVyhU1IS3EL18LVfGTcHR1g_g/s640/StatueDorsi2975.jpg" width="424" /></a></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"> Chi osa? Chi vi prende? Chi vi tiene?<br />Siete come una spada senza l'elsa<br />pura e lucente e non brandita mai..</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Il vostro volto <br />non muta se la mia mano vi tocca.<br />La vostra mano è quella che non dona. <br />Nulla di voi, nulla di voi si dona.<br />Però, nulla io vi chiedo, nulla attendo <br />se bene, debolmente sorridendo </span></i></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>come chi langue e pur non s’abbandona...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">(Gabriele D'Annunzio, Poema Paradisiaco)</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFKncLDVnFlogPrhkBFiuEZ0cKSq_j56WO7yewd789wKVm4r4eb8ES1YFiAEB31TA_SRzDEy4KeREwdb-lvZ6_pJDri3YYf3oomWFfP0t_0gONCf-Fp4w2pDEyUqp1AYFkA_CzXNJcP6c/s1600/StatueDorsi2938.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="896" data-original-width="596" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFKncLDVnFlogPrhkBFiuEZ0cKSq_j56WO7yewd789wKVm4r4eb8ES1YFiAEB31TA_SRzDEy4KeREwdb-lvZ6_pJDri3YYf3oomWFfP0t_0gONCf-Fp4w2pDEyUqp1AYFkA_CzXNJcP6c/s640/StatueDorsi2938.jpg" width="424" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i> Baby, take off your clothes...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Baby, take off your clothes...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>You can leave your hat on...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">(Joe Cocker)</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i> </i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX2tHi_UM46NHTz1_aIHMcKOSFdFOlHxk7WKhI_01gpUJiEiYxaaSGs31KA8oiM23WhdxC6z0C32poQErWZUHlqShYkook8N3a_zSAn4Yz2u0Y58Vc8VfmuEDHtUz-IghWxZx408t268w/s1600/StatueDorsi2960.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="695" data-original-width="462" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX2tHi_UM46NHTz1_aIHMcKOSFdFOlHxk7WKhI_01gpUJiEiYxaaSGs31KA8oiM23WhdxC6z0C32poQErWZUHlqShYkook8N3a_zSAn4Yz2u0Y58Vc8VfmuEDHtUz-IghWxZx408t268w/s640/StatueDorsi2960.jpg" width="424" /> </a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La femminilità in sé è resa in forme pure e sintetiche che danno la suggestione di un archetipo primordiale radicato nelle profondità del tempo all'alba della vicenda umana.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjaV9zS5GqS3NncAgF4ofFn0Gvr9Y1aOhrlYwFOzL3nMSV30nEg4mnlMT_-ufMHBjepgRIBEGHg3rvZOu1msEOjz6zEVcZ_65KkykT-TJoeEh8DLM95ImKqaCesrEDbRDpfES4yHoC8ik/s1600/StatueDorsi3016.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1006" data-original-width="670" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP8LMWLv_IMyIyM_1c176-LFTwz0Bai_Rx3K4uiZ9hQXEo7iIOerfa-xVfUu5WQmHkFrKWAJ58toSOjw6Nwx89AaTOC7YAPs0YNAdM6P-FFqJub5LPzst3dKi8tjM33iypR-QNr6xyAMQ/s400/StatueDorsi3010.jpg" width="266" /> <img border="0" data-original-height="980" data-original-width="652" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjaV9zS5GqS3NncAgF4ofFn0Gvr9Y1aOhrlYwFOzL3nMSV30nEg4mnlMT_-ufMHBjepgRIBEGHg3rvZOu1msEOjz6zEVcZ_65KkykT-TJoeEh8DLM95ImKqaCesrEDbRDpfES4yHoC8ik/s400/StatueDorsi3016.jpg" width="265" /></a></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Se due stelle dovessero essere posizionate l'una vicino all'altra <br />e nello stesso tempo essere abbastanza distanti dalle altre<br />per non essere influenzate dalla loro attrazione,<br />esse comporrebbero un sistema separato</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">tenuto unito dal legame della loro mutua attrazione...</span></i></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">(William Herschel) </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxlwpIPNBQM2kPmyuZszBl2quWGK8vKuBorrnUINw4prOPTdMGXRNrnq-dQMTVOMId0EmwyDC71LqtDjsQR2MnsKCrRkCYkBpN-n2F8qZKhB4VQUlJoUf5elI_D4yCBPqE-E8R4CdS1Q/s1600/Donna02_1190x900.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1190" height="484" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxlwpIPNBQM2kPmyuZszBl2quWGK8vKuBorrnUINw4prOPTdMGXRNrnq-dQMTVOMId0EmwyDC71LqtDjsQR2MnsKCrRkCYkBpN-n2F8qZKhB4VQUlJoUf5elI_D4yCBPqE-E8R4CdS1Q/s640/Donna02_1190x900.jpg" width="640" /><span style="font-family: "georgia" , "times new roman" , serif;"> </span></a><span style="font-family: "georgia" , "times new roman" , serif;"> </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i> Nuda io ti vidi<br />oh bellezza della bellezza<br />e chiusi i miei occhi<br />per paura di svenire...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i> </i><br />(Patrick Pearce)</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le fotografie delle opere sono di Tato Richieri </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le ceramiche bianche di Silvano D'Orsi sono visibili e acquistabili presso Elel Ceramic Art </span></div>
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<a href="https://www.elelceramicart.it/"><span style="font-family: "georgia" , "times new roman" , serif;">https://www.elelceramicart.it/</span></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><br /></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">* * *</span></span></div>
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<span style="font-size: x-large;"><i><span style="font-family: "georgia" , "times new roman" , serif;">A Matter of Dreams</span></i></span></div>
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<span style="font-size: large;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi's white sculptures</span></i></span></div>
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<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">We are such stuff as dreams
are made on, and our little life is rounded with a sleep.</span></span></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Shakespeare's
words tell these works.</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></i>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">The
shapes are perfect and bright in the unreal white that projects them
into imagination. Those pants and jackets and coats are held up by
something that doesn't belong to reality and experience. They are
daily and current clothing, yet they come from somewhere else, the
land of dream. They are made of that </span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">stuff </span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">so they tell us
something about us that we don't know, feelings hidden in repeated
mechanical gestures.</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></i>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Here
now those things come to life and speak to us their language made of
grace and humility, but also of the great mystery of being in the
world as things or as people, subject to time and space, solid and
fleeting like dreams.</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></i>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">The
same impression is given by the female body and the horse's head,
forms of sinuous elegance, both symbols of beauty and perfection.
Here, however, the glazed whiteness unites them to the clothes in a
vision where the precious lucidity and the study mix with emotion, in
thoughtful and abstract creations, smiling and melancholic.</span></span></i></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">The
violin bends to become a female body, his
voice will be a sigh of love, touching
it will make every fiber vibrate and
get lost in its harmony.</span></span></i></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">The
hand with delicate and tapered fingers seems
to want to grab something or
reach out perhaps emerging from the water. A
silent request for help remained unheeded</span></span></i></div>
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></i>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">still
tries to express a subdued need and
seems to be fixed in a smooth and perfect white coral branch.</span></span></i></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><i> </i></span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">...
Oh you with that sweet name I never call</span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">because
you don't love me and I don't love you.</span></span></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">You,
Lady, are like a closed garden for me,</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">you
are like a closed garden for me</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">where
no one has ever gone into.</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Of
deep invisible rosebushes ...</span></span></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Who
dares? Who gets you? Who keeps you?</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">You
are like a sword without the hilt</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">pure
and shiny and never wielded ..</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
</div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Your
face</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">does
not change if my hand touches you.</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Your
hand is the one that does not give.</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Nothing
of you, nothing of you is given.</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">However,
nothing I ask of you, nothing I await</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">although
weakly smiling</span></span></div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">like
someone who languishes and does not abandon himself ... </span></span>
</div>
<div style="text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">(Gabriele
D'Annunzio)</span></span></i></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
</div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Femininity
itself is rendered in pure and synthetic forms which
give the suggestion of a primordial archetype rooted
in the depths of time at
the dawn of the human journey.</span></span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<br /></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">If
two stars were to be positioned close to each other and
at the same time be far enough away from the others not
to be influenced by their attraction, they
would make up a separate system held
together by the bond of their mutual attraction ... </span></span><i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"> </span></span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">(William
Herschel)</span></span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<br /></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Naked I saw thee,</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">O beauty of beauty!</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">And I blinded my eyes</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">For fear I should flinch</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>(Patrick Pearse)</i></span></span></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<br /></div>
<div lang="zxx" style="margin-bottom: 0cm; text-align: center;">
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>Photographs by Tato Richieri</i></span></span></div>
<div style="text-align: center;">
<pre class="tw-data-text tw-text-large tw-ta" data-placeholder="Traduzione" dir="ltr" id="tw-target-text"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span lang="en">The white sculptures of Silvano D'Orsi are visible and purchasable at Elel Ceramic Art</span></span></span></i></pre>
<pre class="tw-data-text tw-text-large tw-ta" data-placeholder="Traduzione" dir="ltr" id="tw-target-text"><i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span lang="en"> </span></span></span></i><a href="https://www.elelceramicart.it/"><span style="font-family: "georgia" , "times new roman" , serif;">https://www.elelceramicart.it/</span></a></pre>
</div>
Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-71852269525392168422019-12-21T21:31:00.001+01:002020-01-10T19:06:12.798+01:00La Ragnatela delle Emozioni<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi e la raffinata arte del disegno</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIQrPRk2Bz4uvWbX4UtfURMtkaI9hhXz2FeK1RVakYnZ-B3s_FZUCfARZ_O_bwEfL06tU9BS70uL83u1Rg_I5h3AWmXVG6Cxuit2EuoRmcGqCX1faALn39md2gMo0tWrGIqA0bj55grBw/s1600/IMG_8692_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIQrPRk2Bz4uvWbX4UtfURMtkaI9hhXz2FeK1RVakYnZ-B3s_FZUCfARZ_O_bwEfL06tU9BS70uL83u1Rg_I5h3AWmXVG6Cxuit2EuoRmcGqCX1faALn39md2gMo0tWrGIqA0bj55grBw/s640/IMG_8692_M.jpg" title="Silvano D'Orsi" width="456" /> </a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi continua a stupire con il suo appassionato percorso di ricerca verso scenari espressivi sempre nuovi. Nasce dal profondo della sua anima d'artista il bisogno di esplorare spazi dove la sua fantasia può collocare figure metafisiche in scorci della coscienza ancora oscuri. Il bianco è una dimensione di silenzio, che non fornisce elementi di orientamento. Tutto è fermo in un non-spazio senza tempo. Il volo di libellule o la sospensione di nastri o stoffe avviene per forze che sono solo dell'emozione.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Nella Crocifissione, il perizoma, unico elemento plastico"corporeo" del Cristo, è agitato da un sentimento di tragedia che non è altrimenti espressa. Parla di trasformazioni che da lì nasceranno, la nuova civiltà che da quella morte, da quel corpo martoriato, segnalato solo da una linea sottile e da quel panno agitato nell'aria, prenderà il via. I mantelli di Maria e di Giovanni hanno un panneggio fitto e drammatico; costruiscono le due figure dei dolenti solo con il loro piegarsi e ripiegarsi in un groppo di dolore. La forma estrema del dolore attraverso l'intrecciarsi di linee su linee come singhiozzi di pianto.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF8Z74zPoQdS0ybsa5YH2O0-4PvA6GGg70SqiM1kIAKkJNWC3yD4v6Izwxx7wmWXAT9wKLLkxux54oFRiN_L1IAXpbpDauOYFWlZzZ09XPVF5meGo6GJjLyALowTgYXS7_zrYL6Xo1UzY/s1600/IMG_8729_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF8Z74zPoQdS0ybsa5YH2O0-4PvA6GGg70SqiM1kIAKkJNWC3yD4v6Izwxx7wmWXAT9wKLLkxux54oFRiN_L1IAXpbpDauOYFWlZzZ09XPVF5meGo6GJjLyALowTgYXS7_zrYL6Xo1UzY/s640/IMG_8729_M.jpg" title="Silvano D'Orsi" width="456" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Uno dei grandi disegni a china rappresenta una vasca</span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">, tema caro all'Artista. Vi </span>si radunano figure in abiti molto raffinati e originali, con trasparenze delicate sui seni rotondi e calze ricamate, che hanno qui ulteriori fragilità in aggiunta alla follia dell'illusione di poter navigare e di sopravvivere. Il remo è spezzato, benché fosse comunque inutile, e due libellule volano troppo vicino alla piccola lampada antiquata e vacillante. Tanta esuberanza di forme femminili è esposta sotto grandi bellissimi cappelli sfarzosi nella più disperata delle condizioni, in un'esibizione di vanità e di grazia.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMkcg5Fq_Dhl-WaKtn8_0MkbHZ3-Z0AL5rnEnjxSskmzE0PsERbytk2hYbfp4yafzmoI1CyH20lMy8h4bpl3to7Dt61QVhPE0g19j4eobQ2JUOISVErlyHi-6TJu4oUu4oy_MOOnJzS0/s1600/IMG_8691_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSMkcg5Fq_Dhl-WaKtn8_0MkbHZ3-Z0AL5rnEnjxSskmzE0PsERbytk2hYbfp4yafzmoI1CyH20lMy8h4bpl3to7Dt61QVhPE0g19j4eobQ2JUOISVErlyHi-6TJu4oUu4oy_MOOnJzS0/s640/IMG_8691_M.jpg" title="Silvano D'Orsi" width="456" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La china permette una definizione perfetta delle figure, delineandone i netti contorni, mentre il tratteggio e la puntinatura più o meno densi creano i volumi. Così tutto appare perfettamente costruito, preciso e chiaro. Con la stessa minuzia gli incisori riuscivano a rappresentare intere città con le cinte murarie o complessissime scene di battaglie. Storie e situazioni reali, riprodotte con aderenza. Qui Silvano usa la stessa acribia per portarci in un mondo dove il nostro si traspone e possiamo riconoscere nostre situazioni che diventano metafore e ci portano a riflettere sulle verità profonde nascoste in esse.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJZQsuBhtpEhSFk92ForM67CTUWC_ztfTxYSvpPeFzY2ytMYnS5dGscvTTyHM5g1ln4aGhHtuA9mOo6jjZFHEIKybKNP6ff1P5JgL30ZGA8HniWF2SUmvktenkGj5hx7zY6Iq5zmyzFm8/s1600/IMG_8687_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8Pm-xbZE14Tt2024UMZ3-_3Saj9s8AuSxmksmzASKoTmEEyowKav4v6DN8ri5tRXNIG4xYPn0DYxSpI1SvizRo3QVKt824RA46xmd6UHNroDkeGymMir-t-scX827D2VGsaTgHfM3XsE/s400/IMG_8686_M.jpg" title="Silvano D'Orsi" width="285" /> <img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJZQsuBhtpEhSFk92ForM67CTUWC_ztfTxYSvpPeFzY2ytMYnS5dGscvTTyHM5g1ln4aGhHtuA9mOo6jjZFHEIKybKNP6ff1P5JgL30ZGA8HniWF2SUmvktenkGj5hx7zY6Iq5zmyzFm8/s400/IMG_8687_M.jpg" title="Silvano D'Orsi" width="285" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Anche nei disegni di D'Orsi, come nelle incisioni dei grandi Maestri come Dürer, il lavoro paziente e rigoroso è sorretto e sviluppato dall'importanza del soggetto rappresentato, momenti cruciali che meritano rispetto e, direi, devozione.<br />I dettagli sono pieni di simboli che caricano di messaggi i disegni. Le calze, per esempio, ora fiorite e invitanti, ora enigmatiche a scacchiera, ora con numeri e astruse operazioni sussurrano storie e evocano altri tempi.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiUY0v2bmmnQMHAD4gXk_wTRsW_wDNmR7mVKkKT5IhUmnCwGasMLEu5vzATEJjvJczOFkMDBWFKpbjqZld84-0AwwU8f-S4i8IYloSGTmgMBv5DLtCIAIBjgyuYNyWLaLNFPfya1R5fhzs/s1600/IMG_8691_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_qYXMfo_0I6qbTGRpTcUGuO7fE7VzAxTM8KE5cLUOiKTjB050sUrcSBQjYAvk3kdxRjAWIxVuqQEnkpCEhtZgbQev6Ztw5oQyLsacth65s33HzP-DQ2sbZqiqniYqHYXOGWn3B-bMxWg/s640/IMG_8688_M.jpg" title="Silvano D'Orsi" width="456" /> </a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Le lampadine surrogano la luna e gli ombrelli proteggono come un solido tetto chi vi si rifugia sotto e si crede al sicuro. Intanto libellule e grandi uccelli popolano quello che non si può chiamare cielo, ma lo spazio mentale del disegno. Una teiera o un vaso da fiori non mancano mai a rassicurare i presenti e le coppie si abbandonano alla presenza di maschere </span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">ironiche e </span>pensose.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />E comunque, questi disegni incantano per il mistero che racchiudono ed esprimono. La bellezza di ogni dettaglio ammalia chi guarda e resta preso nella rete finissima dei segni come l'insetto curioso nella sottile ed elegantissima tela del ragno.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKnycNN7dAmpkOtP_TZCitst4ozHoG-pzePHjYz2KWpEUT1lzizRxLJuxQxBPaHZgYTauCxV7YwA_SHXDr9jwl0tenpAhJiM72d7SnTWZlhDWuff0yO3giPAU-THecjD660oC-EX1Sf6E/s1600/IMG_8694_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKnycNN7dAmpkOtP_TZCitst4ozHoG-pzePHjYz2KWpEUT1lzizRxLJuxQxBPaHZgYTauCxV7YwA_SHXDr9jwl0tenpAhJiM72d7SnTWZlhDWuff0yO3giPAU-THecjD660oC-EX1Sf6E/s400/IMG_8694_M.jpg" title="Silvano D'Orsi" width="285" /></a> <img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4Fv6l7KBPWoT2zWhYzRfHyn_dDSUPZy4v3uTIYfmFB9DsI1WB6ZBJvSbA4VSF6NVDgMz87BsGbIhullzem6NhV6ORC575v5pDPLhPq1KPQz2nG4OmP-9CMU8JVJe-DCwLNTXK8j0d8hA/s400/IMG_8693_M.jpg" title="Silvano D'Orsi" width="285" /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ_t10c133XABwMH5IzPc5U3nn9LL524siof4ghDxxT7w9aLcrd6-ouAQlAwFtg5JZ0IKd7133p_GKSAUgXDk8MzkYRwyqhnGV90LXv93ipPcvVtfJRszO7agM7RTvDyo8wQ_ihklqj6Y/s1600/IMG_8689_M.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZ_t10c133XABwMH5IzPc5U3nn9LL524siof4ghDxxT7w9aLcrd6-ouAQlAwFtg5JZ0IKd7133p_GKSAUgXDk8MzkYRwyqhnGV90LXv93ipPcvVtfJRszO7agM7RTvDyo8wQ_ihklqj6Y/s640/IMG_8689_M.jpg" title="Silvano D'Orsi" width="456" /></a></div>
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<i><span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">A Cobweb of Emotions</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Silvano D'Orsi and the fine art of drawing</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi continues to amaze us with his passionate research towards ever new expressive scenarios. The need to explore spaces where his imagination can place his metaphysical figures in still obscure glimpses of consciousness arises from the depth of his artistic soul. White is a dimension of silence, which does not provide orientation elements. Everything is stopped in a timeless non-space. The flight of dragonflies or the suspension of ribbons or fabrics occur by forces that are only emotion.<br />In the Crucifixion, the thong, the only "bodily" plastic element of Christ, is stirred by a feeling of tragedy that is not otherwise expressed. It speaks of transformations that will arise from there, the new civilization that </span><span style="font-family: "georgia" , "times new roman" , serif;">will start </span><span style="font-family: "georgia" , "times new roman" , serif;">from that death, from that tortured body, signaled only by a thin line and a cloth agitated in the air. The cloaks of Maria and Giovanni have a thick and dramatic drapery; they construct the two figures of the mourners only by their bending and folding in a lump of pain. The extreme form of pain through the intertwining of lines on lines like crying sobs.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">One of the large ink drawings represents a tub in which a group of figures in very refined and original clothes gather, with delicate transparencies on the round breasts and embroidered stockings. They have here further fragility in addition to the madness of the illusion of being able to navigate and survive. The oar is broken, although it was useless in any case, and two dragonflies fly too close to the small old-fashioned and wavering lamp. So much exuberance of feminine forms is exposed under large beautiful gorgeous hats in the most desperate of conditions, in an exhibition of vanity and grace.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Ink allows a perfect definition of the figures, outlining their clear contours; the more or less dense hatching and dotting create the volumes. Everything appears perfectly constructed, precise and clear. With the same accuracy the engravers of the past managed to represent entire cities with walls, or complex scenes of battles. Real stories and situations, reproduced with adherence. Here Silvano uses the same meticulous technique to take us to a world where ours is transposed, and we recognize our situations that become metaphors and lead us to reflect on the deep truths hidden in them.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Even in D'Orsi's drawings, as in the engravings of the great Masters such as Dürer, the patient and rigorous work is supported and developed by the importance of the subject represented, crucial moments that deserve respect and, I would say, devotion.<br />The details are full of symbols that load the drawings with messages. Socks, for example, sometimes flowery and inviting, sometimes enigmatic checkerboards or numbers and abstruse operations, tell whispered stories.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Light bulbs replace the moon and umbrellas protect people taking refuge under them and believe themselves to be safe like a solid roof. Meanwhile, dragonflies and large birds populate what cannot be called heaven, but the mental space of the drawing. A teapot or a flower vase never fails to reassure those present, and couples indulge in the presence of thoughtful and ironic masks.<br />And in any case, these drawings enchant for the mystery they contain and expressi. The beauty of every detail bewitches the viewer, who remains caught in the very fine network of signs such as the curious insect in the thin and elegant spider web. </span></i></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-25986681051227358882019-11-03T16:49:00.001+01:002019-11-03T16:57:27.791+01:00Mare Nostrum<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi e la metafisica del naufragio</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZnoQ-jbyULrLLo2IFN8FFVmow0PQmCzF1Lqp2pALyZdB1s0mS_W5NzQsnlfXF-v2rMkvQKfxoT3tcDhQ-QpPKNr6fDlMGpoc2H2lEfwLgpyEBrHFdM7v5GqYsCgBsyks2CjsCY8ab36c/s1600/IMG_7467_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mare Nostrum" border="0" data-original-height="1600" data-original-width="1058" height="907" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZnoQ-jbyULrLLo2IFN8FFVmow0PQmCzF1Lqp2pALyZdB1s0mS_W5NzQsnlfXF-v2rMkvQKfxoT3tcDhQ-QpPKNr6fDlMGpoc2H2lEfwLgpyEBrHFdM7v5GqYsCgBsyks2CjsCY8ab36c/s640/IMG_7467_m.jpg" title="Silvano D'Orsi" width="600" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Le
recenti tragedie de</span><span style="font-size: small;">i
barconi</span><span style="font-size: small;"> hanno toccato
il cuore di Silvano D'Orsi e lui si è calato in fondo al mare per
s</span><span style="font-size: small;">e</span><span style="font-size: small;">guire
la discesa lenta e morbida dei corpi verso il fondo, la loro danza
senza gioia e senza speranza.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Vi
è un mistero nella creazione artistica di D'Orsi dove la
rappresentazione sulla tela di fatti reali si proietta in uno spazio
metafisico, si espande al di fuori dell'attualità e va ad
incastonarsi nella storia.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Le
tante morti di migranti che si sono avventurati su fragili
imbarcazioni in cerca di una vita migliore attraversando il braccio
di mare che divide l'Africa dall'Europa hanno guidato il pennello di
Silvano in linee sorprendenti e drammatiche che inseguono verso il
buio dei fondali marini i loro corpi in discesa libera. Qui non vi
sono braccia che si tendono in aiuto e mani che si stringono, mentre
la luce in alto è sempre più lontana, bianca e perduta. Nella
profondità di questo spaccato di mare i corpi diventano pesci
abissali, luminescenti e misteriosi, trasparenti come meduse. </span></span>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Ma
il vero mare è anche una scenografia meravigliosa pullulante di vita
colorata e spettacolare... Qui invece diventa il fondale di un dramma
in bianco e nero, pieno di corpi disordinati, invaso dall'uomo, un
tema, quello della distruzione della natura, da sempre sottinteso
nelle tele di D'Orsi.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Il
grande quadro richiama i Giudizi Universali degli affreschi italiani
del Cinquecento con personaggi che fluttuano nell'aria densa
inesorabilmente spinti verso il destino finale. Ma in <i>Mare Nostrum
</i>vi sono elementi che ci portano altrove. La grazia sorprendente dei
merletti disegnati sulle membra crea dubbi sull'identità dei
naufraghi e ci sospinge verso altre riflessioni, altri spazi. La
bellezza del segno di D'Orsi ci distoglie dal tema e restiamo
intrigati nella malia della tela.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Attraverso
l'arte di Silvano, la tragedia dei migranti esce dall'oggi e
raccoglie echi dei mille e mille naufragi lontani, il mare diventa
oceano fino a diventare l'oceano mitologico che avvolgeva il mondo e
ne decideva i limiti. Qui decide il limite della vita e si allarga ad
essere il simbolo di una dimensione arcana, la discesa agli inferi. </span></span>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;">Ma
sono ancora i manichini di D'Orsi a recitare la parte degli umani,
sono manichini quelli che affondano, non persone. Siamo di fronte ad
una recita elegante e, come a teatro, nulla è reale, ma proprio per
questo quelle figure possono rappresentare ognuno, ogni perdita è di
tutti, ogni morte è la Morte stessa.</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: small;"><span style="font-size: small;"><i>E</i>
<i>tu non chiedere per chi suona la campana. </i>E tu non chiedere
chi erano quelli che vedi su questa tela perché in questo mare
dipinto, metafisica dell'esistenza, si consumano il limite della vita
umana e la sua effimera e luminosa bellezza. </span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_nSex9uz2sL92nnEsuGqg7xYMP54S-B5veXz1UEAJdWTU33Qsau5behBxD6d4-_zRB6QPOrMiSWEKqcIsfEoa3lympK0APVg4D_eGmsEOOb812ZExLJdgb-K6TgXOHr4YMS4iJuamemI/s1600/2X8C8013_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Gioia Sannitica" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_nSex9uz2sL92nnEsuGqg7xYMP54S-B5veXz1UEAJdWTU33Qsau5behBxD6d4-_zRB6QPOrMiSWEKqcIsfEoa3lympK0APVg4D_eGmsEOOb812ZExLJdgb-K6TgXOHr4YMS4iJuamemI/s640/2X8C8013_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7a57xiARax7iyNQ88w94iFqCCheyWvwMxRBGC5TDWN8ZQUH3jPIT-ncppVWY1qDs2p65BpbDJ1Hr1NSzvU88ngMV9C0f8O7Q6MIpOudEg_Jldp_BzsiIgHOkrhX2F5ft8hzO3r1j7LYg/s1600/2X8C8002_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1496" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7a57xiARax7iyNQ88w94iFqCCheyWvwMxRBGC5TDWN8ZQUH3jPIT-ncppVWY1qDs2p65BpbDJ1Hr1NSzvU88ngMV9C0f8O7Q6MIpOudEg_Jldp_BzsiIgHOkrhX2F5ft8hzO3r1j7LYg/s640/2X8C8002_m.jpg" title="Gioia Sannitica" width="598" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;">L'artista, nativo di Gioia Sannitica (CE), ha donato al suo paese questa grande tela (3 x 2 metri), che è stata permanentemente installata nella sala consiliare del Municipio, dove si trovano altre importanti opere di D'Orsi visibili nelle foto che seguono. </span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;">L'inaugurazione si è tenuta il 12 ottobre 2019 alla presenza del Sindaco Giuseppe Gaetano e di numerose autorità locali e nazionali.</span></span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;"> </span></span></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnh_9aikAHStP0_zuFtDOuZV71XgpcLvv5Y507eg4CQVESfnT9K4PbEpYv8hjshYmtSavrcwk_ZChGV3fDPKLXsY4vjLWwkPCd7U1IopiVKGISrWtrhlkuZukFcwvGh_wZUozsWaOVBQ/s1600/2X8C8085_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Silvano D'Orsi" border="0" data-original-height="1002" data-original-width="1600" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwnh_9aikAHStP0_zuFtDOuZV71XgpcLvv5Y507eg4CQVESfnT9K4PbEpYv8hjshYmtSavrcwk_ZChGV3fDPKLXsY4vjLWwkPCd7U1IopiVKGISrWtrhlkuZukFcwvGh_wZUozsWaOVBQ/s320/2X8C8085_m.jpg" title="Sandra Lonardo" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La Senatrice Sandra Lonardo taglia il nastro</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVP79QSGo5bbh3mhn6xR7dCEAs9pjBTWt-AqIp6KIga7NFXwj72XC8LtqPcIfdhxWLfI4O8OWkJHWFtjmhFit0KGCx0zTCs23KPjqjar7eH7DiIhyM-xklNyoTCnj5YIewQJna0wVT2qA/s1600/2X8C8121_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Silvano D'Orsi" border="0" data-original-height="1097" data-original-width="1600" height="219" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVP79QSGo5bbh3mhn6xR7dCEAs9pjBTWt-AqIp6KIga7NFXwj72XC8LtqPcIfdhxWLfI4O8OWkJHWFtjmhFit0KGCx0zTCs23KPjqjar7eH7DiIhyM-xklNyoTCnj5YIewQJna0wVT2qA/s320/2X8C8121_m.jpg" title="Giuseppe Gaetano" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Il Sindaco Giuseppe Gaetano tra la Sen. Lonardo e l'artista</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGV0TV3ohD0DNKQfC5dPtsdSnnT82H3hgBHaXxFZdTGcnZUTFD4EOW81788jdWzvTAkPYelJDKAzCTSwZJw_vDt6izubsWVoLVUVIfbojwpHWiwmzDJRcH8B6Wui5vvSLU9O-RgmMfLXA/s1600/vlcsnap-2019-11-03-16h23m27s874.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Silvano D'Orsi" border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGV0TV3ohD0DNKQfC5dPtsdSnnT82H3hgBHaXxFZdTGcnZUTFD4EOW81788jdWzvTAkPYelJDKAzCTSwZJw_vDt6izubsWVoLVUVIfbojwpHWiwmzDJRcH8B6Wui5vvSLU9O-RgmMfLXA/s320/vlcsnap-2019-11-03-16h23m27s874.png" title="Rita Castigli" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Rita Castigli presenta l'opera</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><span style="font-size: small;"> </span></span></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaIrTu7Ejlc8qDxy3P9boNRmSV5-nFZ5KkRl38UdanX_Xo15t5DRIsXqlinkDHUI25Req3Gt-0p_fntMs_mE_wA7uiDC8TM-3IAQRZ_0PD7HuEWNzSFInom1X4RsiGTrhuM3wJ5kl09_w/s1600/2X8C8157_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1530" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaIrTu7Ejlc8qDxy3P9boNRmSV5-nFZ5KkRl38UdanX_Xo15t5DRIsXqlinkDHUI25Req3Gt-0p_fntMs_mE_wA7uiDC8TM-3IAQRZ_0PD7HuEWNzSFInom1X4RsiGTrhuM3wJ5kl09_w/s320/2X8C8157_m.jpg" title="Sandra Lonardo e Rita Castigli con Silvano D'Orsi" width="306" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CfCOfmmnfF07aNtUCELwMV3NYHYCu-ZZxExvf5SXNBQXxDkxl0vrn8Mks8tmyppqvRliCJYvzmqsQYx_tCzE0xZaKSxkz2pCaMV1KNeMxteLG17nngUn8l85z_YI_MalVDOzmOARj8I/s1600/2X8C8159_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1114" data-original-width="1600" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4CfCOfmmnfF07aNtUCELwMV3NYHYCu-ZZxExvf5SXNBQXxDkxl0vrn8Mks8tmyppqvRliCJYvzmqsQYx_tCzE0xZaKSxkz2pCaMV1KNeMxteLG17nngUn8l85z_YI_MalVDOzmOARj8I/s320/2X8C8159_m.jpg" title="Rita Castigli con Silvano D'Orsi" width="320" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDMUPJW751WyAR5TKmUtL6mmD4eDgVqp4-TUJ19bMPyQqybyRfMhZbjq4l2kayfMbsp60lLKERexE0oorsa8Bah3SP-QGIrd75Xzj1yfR56_Z-m1nYgvieQoPfg7dIGNzw4OqYasESiMs/s1600/2X8C8218_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Silvano D'Orsi" border="0" data-original-height="1046" data-original-width="1600" height="417" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDMUPJW751WyAR5TKmUtL6mmD4eDgVqp4-TUJ19bMPyQqybyRfMhZbjq4l2kayfMbsp60lLKERexE0oorsa8Bah3SP-QGIrd75Xzj1yfR56_Z-m1nYgvieQoPfg7dIGNzw4OqYasESiMs/s640/2X8C8218_m.jpg" title="Gioia Sannitica" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Veduta d'insieme della sala consiliare</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMwTur6x4Q946FyI237yOKIyqNaP5jtIGoKjNXfCRN2RmTk3Yo_UKV01lvMpR8KIg5byq8D106RKw7a3ZMAXCOFzyx2gWv7Z7n9kPrw_az_aPmb3YpSYrrzWTULQBQIdyCxgNktO5Rsk/s1600/2X8C8202_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Gioia Sannitica" border="0" data-original-height="1600" data-original-width="1315" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLMwTur6x4Q946FyI237yOKIyqNaP5jtIGoKjNXfCRN2RmTk3Yo_UKV01lvMpR8KIg5byq8D106RKw7a3ZMAXCOFzyx2gWv7Z7n9kPrw_az_aPmb3YpSYrrzWTULQBQIdyCxgNktO5Rsk/s640/2X8C8202_m.jpg" title="Silvano D'Orsi" width="523" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Il Buon Governo (2018)</td></tr>
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<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-size: large;"><i><span style="font-family: "georgia" , "times new roman" , serif;">Silvano D'Orsi and the</span><span style="font-family: "georgia" , "times new roman" , serif;"><span lang="en" tabindex="0"> metaphysics of shipwrecks</span></span></i></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
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<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">The
recent tragedies of the barges touched Silvano D'Orsi's heart and he
lowered himself to the depth of the sea to follow the slow and soft
descent of the bodies towards the bottom, their dance without joy and
without hope.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">There
is a mystery in the artistic creation of D'Orsi where the
representation of real facts on canvasses is projected into a
metaphysical space, expands out of current events and goes to embed
itself in history.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">The
many deaths of migrants who have ventured on fragile boats in search
of a better life crossing the stripe of sea that divides Africa from
Europe have guided Silvano's brush into surprising and dramatic lines
that chase towards the darkness of the seabed their bodies downhill.
Here there are no arms that tend to help and hands that tighten,
while the light at the top is more and more distant, white and lost,
and the bodies become abyssal fish, luminescent and mysterious,
transparent like jellyfish.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">But
the real sea is usually a wonderful setting teeming with colorful and
spectacular life ... Here instead it becomes the backdrop for a drama
in black and white, full of disordered bodies, invaded by man, a
theme, that of the destruction of nature, always implied in D'Orsi's
paintings.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">The
large painting recalls the Universal Judgments of the
sixteenth-century Italian frescoes with characters floating in the
dense air inexorably pushed towards their final destiny. But in </span></i><span style="font-family: "georgia" , "times new roman" , serif;">Mare
Nostrum </span><i><span style="font-family: "georgia" , "times new roman" , serif;">there are other elements that take us elsewhere. The
surprising grace of lace designed on the limbs creates doubts about
the identity of the shipwrecked and pushes us towards other
reflections, other spaces. The beauty of D'Orsi's sign distracts
us from the theme and we remain intrigued in the charm of the canvas.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">Through
Silvano's art, the tragedy of migrants gets out of today and collects
echoes of the thousands and thousands of shipwrecks of the past, the sea
becomes the ocean and finally becomes the mythological Ocean that
enveloped the world and decided its limits. Here it decides the limit
of life and expands to be the symbol of an arcane dimension, the
descent into the underworld.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<i><span style="font-family: "georgia" , "times new roman" , serif;">But
it is still D'Orsi's mannequins to play the part of humans,
those that sink are mannequins, not people. We are facing an elegant
performance and, as in theater, nothing is real, but, precisely for
this reason, those figures can represent everyone, every loss belongs
to everyone, every death is Death itself.</span></i></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;">And
never send to know for whom the bell tolls</span><i><span style="font-family: "georgia" , "times new roman" , serif;">. And
never send to know who were the ones you see on this canvas because
in this painted, metaphysical sea of existence, the limit of
human life and its ephemeral and luminous beauty are consumed.</span></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzknVgZvVX5U7XvdcK6TELFkcQBcQajrZHwE1iqqNJh17koMGspaCZAtlQomdBh7-BFXzCwhFcuxYytNlCwJXy0oL_TFC1xmLJjMUYhDFQUBvdnQrf7B4dUYrFkIVlTUWHsu6ttt4XUw/s1600/2X8C8170_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Gioia Sannitica" border="0" data-original-height="1165" data-original-width="1600" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzknVgZvVX5U7XvdcK6TELFkcQBcQajrZHwE1iqqNJh17koMGspaCZAtlQomdBh7-BFXzCwhFcuxYytNlCwJXy0oL_TFC1xmLJjMUYhDFQUBvdnQrf7B4dUYrFkIVlTUWHsu6ttt4XUw/s320/2X8C8170_m.jpg" title="Silvano D'Orsi" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1xmv33wfRY8IaHue059H3FOZ6I4q9tY5O7w_yYNdmlQy6HeWbQbIubBOfFskLQjCcNcvylk1KT1hXrJSJVss7tkowBE-kOYzxG8gtsaSJg513nK2a_pp-ot7mNaTVDi6gXTwpgXY7XEI/s1600/2X8C8131_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="922" data-original-width="1600" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1xmv33wfRY8IaHue059H3FOZ6I4q9tY5O7w_yYNdmlQy6HeWbQbIubBOfFskLQjCcNcvylk1KT1hXrJSJVss7tkowBE-kOYzxG8gtsaSJg513nK2a_pp-ot7mNaTVDi6gXTwpgXY7XEI/s320/2X8C8131_m.jpg" title="Gioia Sannitica" width="320" /></a></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-62927325952566481942019-05-22T18:22:00.000+02:002019-05-22T18:49:55.751+02:00Amazzoni Fragili<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Le Donne </span><span style="font-family: "georgia" , "times new roman" , serif;">di Ennio Boccacci </span><span style="font-family: "georgia" , "times new roman" , serif;">tra mito e storia</span></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhklE-85Qyu8aV7fZvIBbpTli2tBGqYdj1polztbJOsDQ7z4eN-Tg2AXrI6NK4wdn_BVpx28DTgdJ83F8xKxC9k3DcIcrQ4gdL6BX1wvRHYilm6qFHr0VdwbQRAZOo0sKDEbot1BQQ58DM/s1600/IMG_7107_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Ennio Boccacci" border="0" data-original-height="837" data-original-width="1600" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhklE-85Qyu8aV7fZvIBbpTli2tBGqYdj1polztbJOsDQ7z4eN-Tg2AXrI6NK4wdn_BVpx28DTgdJ83F8xKxC9k3DcIcrQ4gdL6BX1wvRHYilm6qFHr0VdwbQRAZOo0sKDEbot1BQQ58DM/s640/IMG_7107_m.jpg" title="Ennio Boccacci" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Combattimento di Achille e Pentesilea (2019)</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">PENTESILEA<br /><i>Lo Scamandro brillava sotto il sole discendente ma ancora bianco e luccicava come una lama tagliando la pianura arida che divideva Troia dalle navi minacciose degli Achei. All'orizzonte si disegnavano le loro sagome furtive e la pianura appariva come indifesa sotto un cielo implacabile e blu. <br />Le polveri che si sollevavano sulla distanza fecero capire ad Achille che le Amazzoni si avvicinavano. Erano le nuove forze con cui Ilio doveva tentare una riscossa dopo che Ettore era morto.<br />Si fecero avanti con furia sui loro cavalli imbracciando gli archi crudeli e mirando agli Achei. Questi occupavano una favorevole posizione perché erano controluce e il sole basso sull'orizzonte abbagliava a tratti e disturbava la mira alle guerriere. Poi la lotta si fece corpo a corpo, selvaggia, con le lame sguainate e il rumore dei ferri che tintinnavano e s'intrecciavano come in una danza feroce.<br />Alla fine rimasero solo loro due, Achille e Pentesilea. Improvvisamente lei sentì come un'onda investirla. Era forse la luce del sole sempre più basso che le appannò la vista, o forse erano gli occhi di Achille, quell'azzurro infinito, divino, quell'azzurro luminosissimo che si conficcava nei suoi occhi investendola come una vampa che era forse odio o forse era desiderio. Ma questo lei non poté chiederselo perché in quell'attimo di appannamento, quell'attimo di offuscata estasi, Achille le si fece addosso, tese la lancia e la conficcò sotto il seno sinistro di lei. Subito il sangue ne sgorgò copioso a fiotti inondandole il corpo.<br />Achille allora si slanciò per raccoglierla e si ritrovò lentamente a scivolare su di lei che tra i palpiti stava perdendo la sua anima grande. Lui la strinse a sé e d'improvviso il desiderio lo sopraffece. Era stata davvero una vampa di passione quella che aveva incendiato i loro occhi fino ad offuscarli.<br />Scivolò in quel corpo e tra i singulti si trovò a penetrarla. Si perse nel corpo di lei, si confuse. Il suo viso fu sommerso dal sangue che continuava a scorrere a fiotti e l'orgasmo si mischiò ai rantoli della morte. Raccolse l'ultimo respiro di lei in un bacio folle e infinito. E si scoprì a piangere e le lacrime gli tracciarono delle strisce chiare sul viso che quel sangue aveva ricoperto di una patina rossa. <br />Restò così, a capo chino, piangendo su di lei. Poi si sollevò e la tenne tra le braccia come in una Pietà cristiana mentre il sangue disegnava una mezzaluna rossa davanti ai suoi piedi. <br />Gocce di sangue pendevano come rubini dai suoi riccioli d'oro e le lacrime continuavano a scendere copiose lungo le sue guance. Poi un'onda di collera gli sollevò il petto, bruciò i suoi occhi e asciugò le sue lacrime. Achille gridò il suo dolore e la sua ira a quel cielo crudele, a quel fato che lo costringeva a restare invulnerabile in mezzo alle morti che ad una ad una segnavano le sue giornate. <br />Continuò a gridare, con quel corpo ormai esanime tra le braccia, ancora di una bellezza sublime ma tinto di quel rosso finale. In quell'isola di dolore e d'amore, aspettò finché fu il cielo a tingersi di quello stesso rosso e a incendiare tutto l'orizzonte sul mare e sulle navi, che si disegnavano ora nere su quello sfondo tragico.</i></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjepIcnRJvkVSdwzMaIuAghPHZLUCeVGMM-DPF3UEX4oVbTfcV8Ry5_teZHLyCxN7tLfADH5QjadbbqMxhIP-umV1BzBqZ9j-h0VNWhlBuSXKv3upI7MZIgxh1FPte4yLH4Kom0Gn8Fpn4/s1600/IMG_7041_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="1600" data-original-width="1583" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjepIcnRJvkVSdwzMaIuAghPHZLUCeVGMM-DPF3UEX4oVbTfcV8Ry5_teZHLyCxN7tLfADH5QjadbbqMxhIP-umV1BzBqZ9j-h0VNWhlBuSXKv3upI7MZIgxh1FPte4yLH4Kom0Gn8Fpn4/s400/IMG_7041_m.jpg" title="Ennio Boccacci" width="395" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXhGtMGoBFb0UBoc7Ap0yYOWD5RM3WqExc-zzRs0lqPvgCRFeM0EeMw66HnJH-DBsdd9F6yEnqri0FLVALHfA3FA7QGaRDKBBS37B53uK_LSP-ynk4h40Yq8U32p_GG_0mLbquDw-bOyY/s1600/IMG_7039_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="1600" data-original-width="1589" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiXhGtMGoBFb0UBoc7Ap0yYOWD5RM3WqExc-zzRs0lqPvgCRFeM0EeMw66HnJH-DBsdd9F6yEnqri0FLVALHfA3FA7QGaRDKBBS37B53uK_LSP-ynk4h40Yq8U32p_GG_0mLbquDw-bOyY/s400/IMG_7039_m.jpg" title="Ennio Boccacci" width="396" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><i> </i></span><br />Questo il racconto.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br />Ennio ferma la scena in tre fasi diverse. La guerriera con le sue armi, il corpo a corpo, lo slancio di Achille sulla sua vittima ormai inerme. <br />A dispetto della Storia che la presenta allenata, bronzea e fortissima, decisa a vincere e uccidere il nemico senza pietà o esitazione, la guerriera Pentesilea appare qui nuda e fragile, espone il suo corpo diafano e gentile alla incontenibile aggressività del grande Achille.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Or-Ijis3mHDOZVeaPEs8CHXjf50d-n9yLWJhhAr8-t-t4MnPIgpALEUFRB0eMUnVSRgmwOt3M9toMP_F7xDIu07CYG3ynQAVPoXaLvQ-u_rs2r_4u0WNhPo016bymy6mLH2jVcjluUI/s1600/IMG_7083_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci e Rita Castigli" border="0" data-original-height="926" data-original-width="1600" height="370" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4Or-Ijis3mHDOZVeaPEs8CHXjf50d-n9yLWJhhAr8-t-t4MnPIgpALEUFRB0eMUnVSRgmwOt3M9toMP_F7xDIu07CYG3ynQAVPoXaLvQ-u_rs2r_4u0WNhPo016bymy6mLH2jVcjluUI/s640/IMG_7083_m.jpg" title="Ennio Boccacci e Rita Castigli" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il senso profondo che è sotteso a tutto il ciclo pittorico in mostra è la delicata bellezza della donna in contrapposizione all'energia distruttiva dell'uomo. <br />Nel trittico di Pentesilea, che è il dipinto centrale del ciclo, tale contrapposizione è resa tangibile dalla presenza dei due personaggi, mentre nelle altre tele ogni donna è dipinta sola. Sola anche a sottolineare la condizione di solitudine in cui spesso la donna si trova a decidere e lottare, senza violenza ma con fermezza e coraggio per realizzare i suoi desideri o bisogni o idee. <br />Ogni giovane donna è presentata prima che il suo destino prenda la via, in molti casi tragica o violenta, che ognuna di esse ha percorso. <br />Ennio lascia intendere che benché in molti casi la responsabilità di ciò che faranno non sarà la loro, comunque renderà il loro nome funesto e maledetto come quello della Monaca di Monza o di Pandora o di Lucrezia. <br />Questa serie di splendide pitture, dietro alla fresca bellezza, pone il problema del ruolo della fortuna nella vita umana e fa riflettere sul grande tema del libero arbitrio che è rimasto sempre aperto anche a livello giuridico e non solo nel profondo della coscienza. Perfino Gertrude non ha lo stigma della perversione e crudeltà che l'ha marchiata d'infamia facendone un modello di malvagità. <br />Ennio insinua un dubbio di innocenza violata, di ingiustizia subita, di giovinezza sacrificata. Sempre assente è il giudizio morale sulle donne, comunque scrigno di vita e di bellezza, colta nella sua fragilità e fugacità.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrAkKk1Qvr2bm61jfMJUXqdkG9qixwl29wsSWON_J8QJipJFMoaBdHgnZHjSlmG6Gh71WZi4j3yskAmv3Zy8eR2_y8Hzad1thbtxgS2AB1rbS6pMu5cVJJEspSINPMUP-BkDjUdyna1O0/s1600/IMG_7122_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="1033" data-original-width="1600" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrAkKk1Qvr2bm61jfMJUXqdkG9qixwl29wsSWON_J8QJipJFMoaBdHgnZHjSlmG6Gh71WZi4j3yskAmv3Zy8eR2_y8Hzad1thbtxgS2AB1rbS6pMu5cVJJEspSINPMUP-BkDjUdyna1O0/s640/IMG_7122_m.jpg" title="Ennio Boccacci" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgltCBv74Sa0LAUQ4B-pSmlCneqL2QqVeJ8gHlzAJyyxC0fYSAJHrbT2MLiJxbdEgGbqnxUXu71_mIEUDtw_nfioPsegeXUrq7zj64_FrR88KttxIn_ZstCrGC2lvRLJA66i3J5O5sqxeU/s1600/IMG_7126_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="961" data-original-width="1600" height="384" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgltCBv74Sa0LAUQ4B-pSmlCneqL2QqVeJ8gHlzAJyyxC0fYSAJHrbT2MLiJxbdEgGbqnxUXu71_mIEUDtw_nfioPsegeXUrq7zj64_FrR88KttxIn_ZstCrGC2lvRLJA66i3J5O5sqxeU/s640/IMG_7126_m.jpg" title="Ennio Boccacci" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il tono di queste evocazioni richiama la celebre <i>Ballade des dames du temps jadis </i>di François Villon che contiene una serie di dodici ritratti di donne storiche o leggendarie famose ai suoi tempi. <i>Où sont les neiges d'antan?</i> è il ritornello della ballata, dove si associa alla bellezza femminile la neve e il suo effimero candore.<br />Bianco-neve associato alla donna, come il panno bianco è associato nella pittura sacra alla Madonna.<br />Anche Villon non giudica nessuna di loro pur se condannata dalla Storia e ne canta la vicenda con malinconia e rimpianto. Esse hanno in comune, come quelle di Ennio, la bellezza e la morte.<br />Questa combinazione ne fa il simbolo struggente del tempo inarrestabile e fuggitivo.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkNgzzp-PtL8as6Xq3bH64JeFlKo7_wXW7Tb1BRuIUHXHfKVat3AmHmdCHlg_uEGdmASzXxirKGAx-y2KOzI14nvCPt9UO1kQhT58p6VdcCZ25HJ7zWuCHOZduNWpF7amzPFWXONEUcnU/s1600/IMG_7124_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="865" data-original-width="1600" height="344" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkNgzzp-PtL8as6Xq3bH64JeFlKo7_wXW7Tb1BRuIUHXHfKVat3AmHmdCHlg_uEGdmASzXxirKGAx-y2KOzI14nvCPt9UO1kQhT58p6VdcCZ25HJ7zWuCHOZduNWpF7amzPFWXONEUcnU/s640/IMG_7124_m.jpg" title="Ennio Boccacci" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUlAzskg3d3IEH2xNgHwE-oRF2RdDx4rQgrmMwiGSWJGXWmzVniYFsKRbojEf0yuYrePCkR_Aw_t9QS-Ye5BgAJf4xK8XUDqQmoHaz42-FNoJkuwEu5gpRMwSdnywDdPjXYrd_2eVDbO4/s1600/IMG_7142_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="917" data-original-width="1600" height="366" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUlAzskg3d3IEH2xNgHwE-oRF2RdDx4rQgrmMwiGSWJGXWmzVniYFsKRbojEf0yuYrePCkR_Aw_t9QS-Ye5BgAJf4xK8XUDqQmoHaz42-FNoJkuwEu5gpRMwSdnywDdPjXYrd_2eVDbO4/s640/IMG_7142_m.jpg" title="Ennio Boccacci" width="640" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><br />Dopo il dramma di Pentesilea, entriamo in un placido cortile dove dalle finestre si affacciano fanciulle soffuse di luce bianca, una luce che loro stesse sembrano irradiare. Il tenero candore del loro incarnato suscita tenerezza ed evoca tepore di pelle gentile.<br />Incontriamo lo sguardo di <b>Pandora </b>che tiene orgogliosamente il vaso rovinoso, suo destino e suo stigma, con la naturalezza e la grazia di una donna che abbia raccolto l'acqua fresca del pozzo.<br /><b>Saffo </b>"la bella" alza gli occhi dal rotolo sul quale sta incidendo versi e reca tatuata sul braccio una sua strofa perché la poesia è ineluttabile destino di vita e di letteratura per lei.</span><br />
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<tr><td style="text-align: center;"><img alt="Pandora" border="0" data-original-height="1566" data-original-width="1600" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgMNqsMT9sF7sKX-hKZEBkcVsnHMqrjaYeycNMKAlagJDjIj5VHWbQar6clWBpziFB6A7AUx1DVtbnBpvp3xi76WrpZ4nE5n9jQhWLAjwNOKlF8_15KaxRr-TtrbF5hjB9g24cXaOEwLiw/s400/IMG_7078_m.jpg" style="margin-left: auto; margin-right: auto;" title="Ennio Boccacci" width="400" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pandora</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5HrT6ft4axD5eFP-wP4-X1x5-ie_K26TxgvFM-FnrLR1UB0DEMlkbFU_dpdlK5gUOGKfsQqprAeSI93XG0xWdI7qEnVOs54gBiXbasXIcwD3B5qzkeUplX5qqk23XQsDL324bTIJJYiI/s1600/IMG_7077_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Saffo" border="0" data-original-height="1582" data-original-width="1600" height="394" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5HrT6ft4axD5eFP-wP4-X1x5-ie_K26TxgvFM-FnrLR1UB0DEMlkbFU_dpdlK5gUOGKfsQqprAeSI93XG0xWdI7qEnVOs54gBiXbasXIcwD3B5qzkeUplX5qqk23XQsDL324bTIJJYiI/s400/IMG_7077_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Saffo</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il gesto di <b>Frine </b>che ci porge la fibula che Iperide sganciò davanti ai giudici denudandola, evidenzia un valore fondante della pittura di Ennio Boccacci: la bellezza dà senso alla vita e fa vivere il divino nel creato.<br />L'armonia del movimento vorticoso e voluttuoso della danza ci fa assolvere <b>Salomè </b>che sembra inconsapevole della decapitazione del Battista.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHpu32LV8lu2bl8hX38DmPqjJrEIqgjQ_TOcZ4VrCIVGJxQYjKetbQ1XakCc418NDOCZadoTNxZvFvdUvn7zThhatG4h7DlJOs4oWNaMM00DklG_ZULDS4LVj-Wvl4aEc4vzpmFJo-39U/s1600/IMG_7075_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Frine" border="0" data-original-height="1582" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHpu32LV8lu2bl8hX38DmPqjJrEIqgjQ_TOcZ4VrCIVGJxQYjKetbQ1XakCc418NDOCZadoTNxZvFvdUvn7zThhatG4h7DlJOs4oWNaMM00DklG_ZULDS4LVj-Wvl4aEc4vzpmFJo-39U/s400/IMG_7075_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Frine</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVGT6KHykGv1EolQA_Oyb4RKYemHcLUm1CzCcLAQshI5L102Vs3ug-cN_5GnrdSQkMzg2eOiIj7ijS61dY-7avhhzLwMMlqlDRT7tsVxcFsNmDwlwElcYkpfw5yq5VXaFAgKuD0StKWZw/s1600/IMG_7076_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Salomè" border="0" data-original-height="1578" data-original-width="1600" height="393" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVGT6KHykGv1EolQA_Oyb4RKYemHcLUm1CzCcLAQshI5L102Vs3ug-cN_5GnrdSQkMzg2eOiIj7ijS61dY-7avhhzLwMMlqlDRT7tsVxcFsNmDwlwElcYkpfw5yq5VXaFAgKuD0StKWZw/s400/IMG_7076_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Salomè</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><b>Miriam </b>invece non ha colpe, ma la troppa luce, luce ultraterrena, la investe con un'emozione che le provoca un moto di difesa, di ritrosia, come nella tradizione di molte Annunciazioni.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgep7tvmaGwafGHVyysQ7lK7gIWIdy6RVG-aL_W_jWuWB697wx2BS2CTQSOeBjdNF8rKDcshPDwvmM8otD6BO08E1mo-_nnNWWRj9Vc5w5gSmVDOUxtiWO4V6hT9Q14AvtuxqQXlwMwiqc/s1600/IMG_2468_mr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Miriam" border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgep7tvmaGwafGHVyysQ7lK7gIWIdy6RVG-aL_W_jWuWB697wx2BS2CTQSOeBjdNF8rKDcshPDwvmM8otD6BO08E1mo-_nnNWWRj9Vc5w5gSmVDOUxtiWO4V6hT9Q14AvtuxqQXlwMwiqc/s640/IMG_2468_mr.jpg" title="Ennio Boccacci" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Miriam</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><b>Teodora </b>è lontana dall'immagine di lei che i mosaici ravennati ci hanno dato, la Teodora imperatrice, carica di potere. Qui è figura leggiadra e senza peso, la danzatrice non oberata di pietre e diademi, con veli che le danzano addosso senza appoggiarsi sulla pelle luminosa.<br /><b>Francesca da Rimini</b>, indimenticabile per il pathos e la commozione del testo dantesco, qui ha gli occhi sognanti della donna innamorata soffusa languore in una fantasia di bianche lenzuola.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-qUeGXheJ_kakQ97dJw3qeH7DC7s93ubrip1fSkpm3d38lgmvOdMKTF_awJD_aclSUTfM7K0RdOb0S6MozsfiEiFtXXBYO4U4JZ3rcyX16bFKe9W1DWitgK311jGA6f_YZjZafuq4_Mc/s1600/IMG_7074_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Teodora" border="0" data-original-height="1582" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh-qUeGXheJ_kakQ97dJw3qeH7DC7s93ubrip1fSkpm3d38lgmvOdMKTF_awJD_aclSUTfM7K0RdOb0S6MozsfiEiFtXXBYO4U4JZ3rcyX16bFKe9W1DWitgK311jGA6f_YZjZafuq4_Mc/s400/IMG_7074_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Teodora</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiooKWv8JmC5Br4k1GPC_IGadsUSsYpukr4kg-UzdIQJRE8xrwqm4qHpXgkyf5f-7k7nrtcidMmYMvrI2x3Z82tVt9MF8mUiE1Yv7jJz1LcJGhyxkukgCLL_NQuohLp0ErUlOKpYNOOeg/s1600/IMG_7049_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Francesca da Rimini" border="0" data-original-height="1583" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiooKWv8JmC5Br4k1GPC_IGadsUSsYpukr4kg-UzdIQJRE8xrwqm4qHpXgkyf5f-7k7nrtcidMmYMvrI2x3Z82tVt9MF8mUiE1Yv7jJz1LcJGhyxkukgCLL_NQuohLp0ErUlOKpYNOOeg/s400/IMG_7049_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Francesca da Rimini</td></tr>
</tbody></table>
<span style="font-family: "georgia" , "times new roman" , serif;"><b>Lucrezia Borgia </b>ci tende il famoso anello in cui celava il veleno, fatale per molti come la sua bellezza da troppi desiderata mentre <b>Veronica Franco</b>, che ci porge una perla simbolo di innocenza, ha il braccio coperto di una manica fastosa che la colloca nella Venezia cinquecentesca.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnAhtnW8SA2cDOQ-OTUOLu4zgNWetcmhmPpZ9i2THwtXzQbUq6gN1ISR2ufRyn9TU8MxQ3aDZOhhoO7qYljPBHBWAeiazHvQH_4nFVd1eIutlSogPpCzd0djI9McxpKRaXRTamJ8wtk9E/s1600/IMG_7044_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Lucrezia Borgia" border="0" data-original-height="1582" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnAhtnW8SA2cDOQ-OTUOLu4zgNWetcmhmPpZ9i2THwtXzQbUq6gN1ISR2ufRyn9TU8MxQ3aDZOhhoO7qYljPBHBWAeiazHvQH_4nFVd1eIutlSogPpCzd0djI9McxpKRaXRTamJ8wtk9E/s400/IMG_7044_m.jpg" title="Ennio Boccacci" width="400" /> </a></td><td style="text-align: center;"></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Lucrezia Borgia</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWpzxvv6fOx81g4V_JyFek64S_xBfcvl-pVmrioknKJMPx_NcsZI_H-T_OJH_rHJPsNbTUP1V9YJ21_inBFs30pRLFDYRCWteq8urmCMsZ4qvRh7wOfQ7K_0nTE8ltDSJBvus_OKB2hgA/s1600/IMG_7046_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Veronica Franco" border="0" data-original-height="1565" data-original-width="1600" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWpzxvv6fOx81g4V_JyFek64S_xBfcvl-pVmrioknKJMPx_NcsZI_H-T_OJH_rHJPsNbTUP1V9YJ21_inBFs30pRLFDYRCWteq8urmCMsZ4qvRh7wOfQ7K_0nTE8ltDSJBvus_OKB2hgA/s400/IMG_7046_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Veronica Franco</td></tr>
</tbody></table>
<span style="font-family: "georgia" , "times new roman" , serif;">La <b>Monaca di Monza</b>, ribelle al velo impostole, ci gioca lasciando liberi gli splendidi capelli e <b>Artemisia Gentileschi</b>, orgogliosamente, fissa il suo soggetto mentre appoggia l'amato pennello sulla tela.</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7HgWrr1_Fo2ZVFeoDf9twUmy_rzBHVmq3lPeqWhZYFqY7NlNNYlzI1A-u8mLuFucISmv3-huI3yx8-YXWYrQZQxL86AJsJJuQtzvLojrENxragpvXIiJWizQ1372t1l1eKM1828bErDk/s1600/IMG_7043_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Monaca di Monza" border="0" data-original-height="1583" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7HgWrr1_Fo2ZVFeoDf9twUmy_rzBHVmq3lPeqWhZYFqY7NlNNYlzI1A-u8mLuFucISmv3-huI3yx8-YXWYrQZQxL86AJsJJuQtzvLojrENxragpvXIiJWizQ1372t1l1eKM1828bErDk/s400/IMG_7043_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">La Monaca di Monza</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio0g0ZapQDJM0n_Uy8lMELaK-QjzbmtqSlMPdSa_ybW2vKNeayvZWVJ7We7VtJCSBqVD573gA7hzrY5nmjdr0r8DmVA4JygTr3wC7WjxLGvQqziIgcgXbq-oyKxmGJIzfOxuEsy71WyGA/s1600/IMG_7045_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Artemisia Gentileschi" border="0" data-original-height="1563" data-original-width="1600" height="390" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEio0g0ZapQDJM0n_Uy8lMELaK-QjzbmtqSlMPdSa_ybW2vKNeayvZWVJ7We7VtJCSBqVD573gA7hzrY5nmjdr0r8DmVA4JygTr3wC7WjxLGvQqziIgcgXbq-oyKxmGJIzfOxuEsy71WyGA/s400/IMG_7045_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Artemisia Gentileschi</td></tr>
</tbody></table>
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<span style="font-family: "georgia" , "times new roman" , serif;">Infine <b>Mata Hari </b>accentua nello sguardo la lucentezza della collana le cui mille sfaccettature ipnotiche riproducono i tanti volti di lei.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCGb2V66JvOU_zu1hs46AsVphG7TFTC3XGrfUAVdBl0at_YuFML5mcKxUXY4jcvmVWcGPRuQNppzg1WoJIMhBo6GsMFdIyBwmv4rKMCIGMQuNIAhjeSwMgfeqd0Hm9GRrO7rZzpIgd2yE/s1600/IMG_7042_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Mata Hari" border="0" data-original-height="1568" data-original-width="1600" height="391" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCGb2V66JvOU_zu1hs46AsVphG7TFTC3XGrfUAVdBl0at_YuFML5mcKxUXY4jcvmVWcGPRuQNppzg1WoJIMhBo6GsMFdIyBwmv4rKMCIGMQuNIAhjeSwMgfeqd0Hm9GRrO7rZzpIgd2yE/s400/IMG_7042_m.jpg" title="Ennio Boccacci" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mata Hari</td></tr>
</tbody></table>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5GcmRQ0b_JojZuaLqqlLGpLHjX3B8ZeUC9Rm4kOnuChyphenhyphenzFeQiKYo3R-r35VU3IpTSJ4OTQOJ27d3gcveZ2_9LC6xj5bttgaeaWPX99VyPFmdGmDEwihWZw5ANQW-PlLqAwnPMuY3f8FA/s1600/IMG_7089_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="1600" data-original-width="1054" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5GcmRQ0b_JojZuaLqqlLGpLHjX3B8ZeUC9Rm4kOnuChyphenhyphenzFeQiKYo3R-r35VU3IpTSJ4OTQOJ27d3gcveZ2_9LC6xj5bttgaeaWPX99VyPFmdGmDEwihWZw5ANQW-PlLqAwnPMuY3f8FA/s400/IMG_7089_m.jpg" title="Ennio Boccacci" width="262" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4kaMEcYbisfVhQonF2bUJpuXyviXgcgEgiTYIWY86nuW2rgec3FEgfiNxhy-S0ziW4QLpBvmRcLlMdXdP5ik79qDLKp_LqqWB8YQ-B44W3PvssQJNnougLdM05ZEGXv2lzHe_Bk-NcU/s1600/IMG_7093_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Elisa Cecchetti e Luca Tomassi" border="0" data-original-height="1000" data-original-width="1600" height="250" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq4kaMEcYbisfVhQonF2bUJpuXyviXgcgEgiTYIWY86nuW2rgec3FEgfiNxhy-S0ziW4QLpBvmRcLlMdXdP5ik79qDLKp_LqqWB8YQ-B44W3PvssQJNnougLdM05ZEGXv2lzHe_Bk-NcU/s400/IMG_7093_m.jpg" title="Elisa Cecchetti e Luca Tomassi" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrqbj4xKrwzkFOj7rGIemHx8kMFIG03TcQ_nFBPZQXKdB1a6r60bODbVORDx9xiPg74L5LGxt9ZzDHmhSuEzvJNv4HVortDRQJxNNB5Mhi5RTJp2UtRzl48AsQOoswRrvZdCHlVQ9L6E/s1600/IMG_7113_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli" border="0" data-original-height="1600" data-original-width="845" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsrqbj4xKrwzkFOj7rGIemHx8kMFIG03TcQ_nFBPZQXKdB1a6r60bODbVORDx9xiPg74L5LGxt9ZzDHmhSuEzvJNv4HVortDRQJxNNB5Mhi5RTJp2UtRzl48AsQOoswRrvZdCHlVQ9L6E/s400/IMG_7113_m.jpg" title="Rita Castigli" width="211" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jOv3yJCWLkC3fgdXkfPmx3uEeECKkKoASnznRAWHb40RX8HZZzhDphRCmq-LvyycETREyQlBor-43KcNPwCs8cYDTeWpyy3_ZP7EyjPY2eM4PgZbE11pG9OIOV1HeyfBv03kXIcMH2k/s1600/IMG_7140_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ennio Boccacci" border="0" data-original-height="1188" data-original-width="1600" height="296" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jOv3yJCWLkC3fgdXkfPmx3uEeECKkKoASnznRAWHb40RX8HZZzhDphRCmq-LvyycETREyQlBor-43KcNPwCs8cYDTeWpyy3_ZP7EyjPY2eM4PgZbE11pG9OIOV1HeyfBv03kXIcMH2k/s400/IMG_7140_m.jpg" title="Ennio Boccacci" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-67348694352264173992019-01-08T17:52:00.000+01:002019-01-08T18:08:10.120+01:00Il fiume carsico e la meraviglia<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Maria Stefania Fuso e la sua ricerca pittorica</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPldWMZMkQ6LBjzyPg2sZ_oDPGF715JceEqSqHyAD-5cw8C7ZrbriQBmp2N1SNVs2agaHaDjNM9_Mkl5IPjhb30CaqiFijjup57Elgtc8xEEJ0nSy16Hgdw0YHnqp-6CmrCLy-L0hikCs/s1600/IMG_6159.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPldWMZMkQ6LBjzyPg2sZ_oDPGF715JceEqSqHyAD-5cw8C7ZrbriQBmp2N1SNVs2agaHaDjNM9_Mkl5IPjhb30CaqiFijjup57Elgtc8xEEJ0nSy16Hgdw0YHnqp-6CmrCLy-L0hikCs/s640/IMG_6159.JPG" title="Maria Stefania Fuso" width="640" /></a></div>
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<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;">La scuola, la laurea in
architettura, il lavoro. Questa la strada voluta e percorsa con
grande dedizione e affetto. Ma ce n'era un'altra che, come un fiume
carsico, scorreva dentro di lei. Poi arrivò la libertà, il tempo
per disporre di sé e finalmente percorrere quelle gallerie scavate
dal fiume sotterraneo. E' stato un viaggio pieno di sorprese e
meraviglie quello percorso da Stefania in questi suoi anni recenti,
un viaggio fatto su una barca di colori con i pennelli come remi o le
matite come maschera e pinne.</span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;">I primi quadri esposti anni
or sono a Palazzo Trinci avevano infatti la trasparenza dell'acqua e
tinte lacustri. Vi erano immagini di donne che si affacciavano
sorprese alla vita, con occhi stupiti davanti a misteri ancora da
conoscere e da svelare. Donne che, nella successiva mostra di
Spoleto, avevano una nuova sicurezza e fascino. (Qui se ne possono
vedere alcune.) <span style="font-style: normal;"> </span><span style="font-style: normal;">Grandi
cappelli fanno da corona ai loro visi, la sfera della loro coscienza
si espande in quelle ampie aree luminose come in questo "</span><i>Vestita
di cielo</i><span style="font-style: normal;">". </span><span style="font-style: normal;">Richiamano
</span><span style="font-style: normal;">le aureole dei quadri del
'400, preziose e d'oro che significavano la luce divina. Queste hanno
una luce umana ma che raccoglie il volo delle rondini e dei gabbiani
in spazi sempre più alti.</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq56g9YLRWgBscMmInHWUFlDTLRthyCLIACMpxTwAvdi218KmPH-io4ygZdxIepBe_P7A-LIi0AniXgF-13kd_MDmjwPyk19ylllGbieInuiDAz_-f9HneBiesaiDhuGm_jdfdp3YN19I/s1600/IMG_6144.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1533" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq56g9YLRWgBscMmInHWUFlDTLRthyCLIACMpxTwAvdi218KmPH-io4ygZdxIepBe_P7A-LIi0AniXgF-13kd_MDmjwPyk19ylllGbieInuiDAz_-f9HneBiesaiDhuGm_jdfdp3YN19I/s640/IMG_6144.JPG" title="Maria Stefania Fuso" width="612" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<br />
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;">Ma
poi Stefania ha ripreso il viaggio nelle grotte dell'anima, perché
più in basso e in profondità voleva cercare le radici dell'esistere
e del sentire. </span><span style="font-style: normal;">Il prima. Il
punto più antico e profondo cui poter arrivare per esprimerlo.</span><span style="font-style: normal;">Qui
le parole si sgretolano in suoni non più articolati, quelli </span><span style="font-style: normal;">di
emozioni inesprimibili se non con colori</span><span style="font-style: normal;">
</span><span style="font-style: normal;">e spesso con materiali come
sabbia e più lontani dall'accademia e dai libri. Un quadro ha per
titolo "</span><i>Big bang</i><span style="font-style: normal;">"
</span><span style="font-style: normal;">dove</span><span style="font-style: normal;">
sembra proprio che materia si espanda senza ordine, e i due quadri
"</span><i>Magma</i><span style="font-style: normal;">"
danno il senso di un ribollire di materia incandescente.</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvp8Rb9CQgdGEfiGDpiWMtrjls3w2Tf6l-4c_RMm6qQvq_O4bBQqmtaiHmaD3k1ewyPfKA8Bv2pC-9ltWI40PCZKxGiSVtiOSTK_W2K9-Ur6zXpr6_vZmjhOulTfqQchnlCsvTE99LbhI/s1600/IMG_6139.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1525" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvp8Rb9CQgdGEfiGDpiWMtrjls3w2Tf6l-4c_RMm6qQvq_O4bBQqmtaiHmaD3k1ewyPfKA8Bv2pC-9ltWI40PCZKxGiSVtiOSTK_W2K9-Ur6zXpr6_vZmjhOulTfqQchnlCsvTE99LbhI/s640/IMG_6139.JPG" title="Maria Stefania Fuso" width="608" /> </a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;">Nel
suo "viaggio al centro della terra" la pittrice è giunta
alla camera magmatica e oltre non si può andare, ma Stefania ha
voluto contemplarne l'informe dinamismo e viverlo immergendovisi fino
al limite della resistenza. Ché la pittura per lei è un'avventura
febbrile gioiosa e dolorosa insieme, ma irrinunciabile. Una passione
</span><span style="font-style: normal;">accettata, come l'etimologia
implica, subita e vissuta come ineluttabile. E il suo cammino ha
preso altre strade ma sempre verso i limiti dell'esperienza. "</span><i>D'amore
e d'azzurro</i><span style="font-style: normal;">" come pure
"</span><i>T</i><i>sunami</i><span style="font-style: normal;">"
e "</span><i>Mai fermare il vento</i><span style="font-style: normal;">"
tornano nell'aria a respirare le tempeste dell'alta atmosfera dove
"nullo homo vivente pò scappare".</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRksboQ6y362KLyLLgz_9t3Z9qlBtszT_D77zDaJgXSTup12qJOXETkIpKnddY684UCU-OeXVUzwiAi6bOmxujG3UhqikndEEeYAV0K38hDC5rjWLx4e__s8m02dsXwebkXJUUsM6HCo/s1600/IMG_6133.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1023" data-original-width="1600" height="408" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkRksboQ6y362KLyLLgz_9t3Z9qlBtszT_D77zDaJgXSTup12qJOXETkIpKnddY684UCU-OeXVUzwiAi6bOmxujG3UhqikndEEeYAV0K38hDC5rjWLx4e__s8m02dsXwebkXJUUsM6HCo/s640/IMG_6133.JPG" title="Maria Stefania Fuso" width="640" /></a></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"></span>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIPmM9TxlJEbnBQLvBSNLuOLMdTZ25R_3D1HDWAtPTcdxrlqFHJCM6EjeLAJXBKrqUquDhWBpGXorWX6jsJPY73XFB8ZUwrrH8yHDN8YG7Epo79Nx4eYEfrmuyNBOCJL4u1Z70nRHMdBA/s1600/IMG_6137.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1558" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiIPmM9TxlJEbnBQLvBSNLuOLMdTZ25R_3D1HDWAtPTcdxrlqFHJCM6EjeLAJXBKrqUquDhWBpGXorWX6jsJPY73XFB8ZUwrrH8yHDN8YG7Epo79Nx4eYEfrmuyNBOCJL4u1Z70nRHMdBA/s640/IMG_6137.JPG" title="Maria Stefania Fuso" width="620" /> </a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiZPw3FV_cC4xj4frOwuEG_P88ukHzreZn4HI9gm7ngcNQ4c1VOlg0QFMm5lYpML0KrfPGb1hFAU5EQWMBVOGVigXhEGLH8XaVVNQ83xD-DDsrqKxkZ-Dh1WyOpRn2aXt9_WflVrXBvb0/s1600/IMG_6132.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1131" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiZPw3FV_cC4xj4frOwuEG_P88ukHzreZn4HI9gm7ngcNQ4c1VOlg0QFMm5lYpML0KrfPGb1hFAU5EQWMBVOGVigXhEGLH8XaVVNQ83xD-DDsrqKxkZ-Dh1WyOpRn2aXt9_WflVrXBvb0/s640/IMG_6132.JPG" title="Maria Stefania Fuso" width="451" /></a></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;">Ma
vi sono anche momenti di alta contemplazione come "</span><i>Volino
gli uccelli sopra le ac</i><i>q</i><i>ue</i><span style="font-style: normal;">"
e "</span><i>Via Lattea</i><span style="font-style: normal;">"
dove una pace pacata fa sgorgare colori dolci alla vista e l'eternità
dell'oro a chiudere l'orizzonte umano con la percezione del divino.
"</span><i>Le so</i><i>r</i><i>genti</i><span style="font-style: normal;">"
e "I</span><i>l cantico della natura</i><span style="font-style: normal;">"
hanno la stessa atmosfera serena di appagante contemplazione. Il
verde freschissimo investito dal sole primaverile che ne accende
traparenze d'incanto. Poi però "</span><i>L'attrazione del
tempo</i><span style="font-style: normal;">" è un'elegia
delicata dove il velo della nostalgia appanna l'indefinibile colore
del rame vecchio e lo sfrangia senza scampo.</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS1cp7uE9mqrYYU7OakBHTWGZ8LVq7zDjRP9nzJnKibMx3IdlgKQm6DwxzLdvpbNgNN60OM13s87sNPAvHRvSo00-__X2-fMyazDN031HGdH4qMS-u4d2CAf5vC9bPdwkHDX8N0ir1XqM/s1600/IMG_6134.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1282" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS1cp7uE9mqrYYU7OakBHTWGZ8LVq7zDjRP9nzJnKibMx3IdlgKQm6DwxzLdvpbNgNN60OM13s87sNPAvHRvSo00-__X2-fMyazDN031HGdH4qMS-u4d2CAf5vC9bPdwkHDX8N0ir1XqM/s640/IMG_6134.JPG" title="Maria Stefania Fuso" width="512" /> </a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEEUnkZkRWZkq4pimUc17_VvEnntD-WRMJ3uL4gZYdw4apq1CRh8gw_7O76yZuSPu43lv5Dzgcrng-yK4YU60lqCsK4Z0Bx-JxzKY1Yh7Hw4oCSeXW_MesnvTUgizB20BZoKWOcucNLI/s1600/IMG_6127.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1584" data-original-width="1600" height="632" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgaEEUnkZkRWZkq4pimUc17_VvEnntD-WRMJ3uL4gZYdw4apq1CRh8gw_7O76yZuSPu43lv5Dzgcrng-yK4YU60lqCsK4Z0Bx-JxzKY1Yh7Hw4oCSeXW_MesnvTUgizB20BZoKWOcucNLI/s640/IMG_6127.JPG" title="Maria Stefania Fuso" width="640" /></a></span> </div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipCwLE5mf39VkLvMbLBZGuM6A6KWZ9a80qSsnQzg3iyAtQetOCNIqwDFzxRY23lmj_Xi9-h2pDWUOcB9CSxXAQwn_bGuA7tyj6Yr992QJ_Btba8bh2v1PPe7WsK_YBKUmwcJcLj0kuzLI/s1600/IMG_6130.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1295" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipCwLE5mf39VkLvMbLBZGuM6A6KWZ9a80qSsnQzg3iyAtQetOCNIqwDFzxRY23lmj_Xi9-h2pDWUOcB9CSxXAQwn_bGuA7tyj6Yr992QJ_Btba8bh2v1PPe7WsK_YBKUmwcJcLj0kuzLI/s640/IMG_6130.JPG" title="Maria Stefania Fuso" width="518" /> </a></span></div>
<div class="separator" style="clear: both; text-align: left;">
<span style="font-family: "georgia" , "times new roman" , serif;"> </span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;">Ma
</span><i>ruit hora,</i><span style="font-style: normal;"> </span><span style="font-style: normal;">l'urgenza
della ricerca del senso si somma alla sempre sconvolgente percezione
della finitezza della vita e quadri come "</span><i>Mai fermare
il vento</i><span style="font-style: normal;">" e "</span><i>Senza
argini</i><span style="font-style: normal;">" sconvolgono la
superficie della tela con fughe di colori e linee e spessori
stravolti che non hanno inizio e fine, ma entrano correndo e correndo
escono dallo spazio definito del quadro. Così pure è drammatico
"</span><i>L'attesa della pace</i><span style="font-style: normal;">"
dove la disturbante strisciata di rosso nella fuga degli eventi parla
di sangue e violenza.</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFDdmXABL8ei7QJm3ZgsO7BaWZTs2LN-3auLVLvB1IOIf0_1pQxQy1viEOyQO15t3h9rob4e7oHMjOXDc1w7ci0eBn7kIEdVdgrY7MA2IMkk0yM2iVou42z1D-smNtnUoiCQFGWenumNc/s1600/IMG_6151.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1079" data-original-width="1600" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFDdmXABL8ei7QJm3ZgsO7BaWZTs2LN-3auLVLvB1IOIf0_1pQxQy1viEOyQO15t3h9rob4e7oHMjOXDc1w7ci0eBn7kIEdVdgrY7MA2IMkk0yM2iVou42z1D-smNtnUoiCQFGWenumNc/s640/IMG_6151.JPG" title="Maria Stefania Fuso" width="640" /></a></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;"> </span>
</span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;">Scelgo
"</span><i>E poi l'azzurro</i><span style="font-style: normal;">"
per concludere il mio viaggio nella ricerca pittorica di Stefania
Fuso perché qui, negli spessori densi e bui sovrapposti l'uno
all'altro, si scoprono spazi preziosissimi di un blu oltremare che
pone un obiettivo felice in fondo a questa tempestosa avventura. Un
colore che, </span><span style="font-style: normal;">come l'oro,</span><span style="font-style: normal;">
veniva pagato a parte ai pittori di soggetti sacri dove però non
poteva mai mancare, perché parla al cuore di futuro e di spazi
spirituali </span><span style="font-style: normal;">e</span><span style="font-style: normal;">
di riscatto </span><span style="font-style: normal;">da condizioni di
buio e sofferenza. Di gioia pura.</span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyNyj78XmZWY7NBBBpuIEbcicgr8bTVoKkDFguOe1G6LSk7FWuFRAju5mhjY_P6Jn5YhUE5YTty-4oZGKfoTpdnMZfjtrqCWJv4_35aCGK8jlXoZMLZzc67mwG60e3-U4D5BQV61ElO-o/s1600/IMG_6148.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyNyj78XmZWY7NBBBpuIEbcicgr8bTVoKkDFguOe1G6LSk7FWuFRAju5mhjY_P6Jn5YhUE5YTty-4oZGKfoTpdnMZfjtrqCWJv4_35aCGK8jlXoZMLZzc67mwG60e3-U4D5BQV61ElO-o/s640/IMG_6148.JPG" title="Maria Stefania Fuso" width="640" /></a></span> </div>
<div lang="zxx" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;"><br /></span></span></div>
<div lang="zxx" style="margin-bottom: 0cm;">
<div style="text-align: center;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-style: normal;"> </span><br /><iframe allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/hYwaUGNrygw" width="560"></iframe> </span></div>
</div>
<div style="text-align: center;">
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">Presentazione della mostra all'ex Teatro Piermarini, Foligno, novembre 2018 </span></span></span></div>
<div style="text-align: center;">
<span style="font-family: "times" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">(video di Alessandro Mastrini)</span></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">* * *</span></div>
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<i><span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><span class="tlid-translation translation"><span style="font-size: x-large;"><span class="" title="">The Underground River and the Wonder</span></span></span></span></span></i></div>
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<i><span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><span class="tlid-translation translation"><span style="font-size: x-large;"><span class="" title=""> </span></span><br /><span class="" title="">Maria Stefania Fuso and her pictorial research</span></span></span></span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The school, the degree in architecture, the work. This is the road desired and travelled with great dedication and affection. But there was another that, like an underground river, flowed inside her. Then came freedom, time to dispose of herself and finally travel those tunnels dug by the underground river. It has been a journey full of surprises and wonders that Stefania travelled in these recent years, a journey made on a boat of colours with brushes as oars and pencils as a mask and fins.<br />The first paintings exhibited years ago at Palazzo Trinci had in fact the transparency of water and lake colours. There were images of women who were surprised at life, with eyes astonished before mysteries yet to be known and unveiled. Women who, in the subsequent exhibition in Spoleto, had a new security and charm. (Here you can see some.) Large hats are the crown of their faces, the sphere of their consciousness expands in those large areas of light like this "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Dressed in Heaven</span><i><span style="font-family: "georgia" , "times new roman" , serif;">". They recall the haloes of the 15th century paintings, precious and golden which meant divine light. These have a human light which collects the flight of swallows and seagulls in ever higher spaces.<br /><br />But then Stefania resumed her journey in the caves of the soul, because deeper and deeper she wanted to look for the roots of existence and of feeling. The most ancient and profound point where you can arrive to express it. Here words crumble into sounds no longer articulated, those of emotions inexpressible if not by colours and often with materials like sand and others more distant from the academy and books. A painting has the title "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Big Bang</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" where it seems that matter expands without order, and the two paintings "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Magma</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" give the sense of the bubbling of incandescent matter.<br /><br />In her "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Journey to the Center of the Earth</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" the painter has reached the magma chamber and beyond itshe can not go, but Stefania wanted to contemplate its shapeless dynamism and live it immersing herself up to the limit of resistance. Because painting for her is a feverish joyful and painful adventure, but indispensable. An accepted passion, as etymology implies, suffered and lived as ineluctable. And her research has taken other paths but always towards the limits of experience. "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Love and Blue</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" as well as "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Tsunami</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" and "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Never Stop the Wind</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" return to the air to breathe the storms of the upper atmosphere where </span></i><span style="font-family: "georgia" , "times new roman" , serif;">"nullo homo vivente pò scappare"</span><i><span style="font-family: "georgia" , "times new roman" , serif;">.<br /><br />But there are also moments of high contemplation like "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Let the Birds Fly over the Waters</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" and "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Milky Way</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" where a quiet peace makes sweet colours flow out of sight and the eternity of gold closes the human horizon with the perception of the divine . "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">The sources</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" and "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">The Song of Nature</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" have the same serene atmosphere of satisfying contemplation. A fresh green is invested by the spring sun that illuminates enchanting trajectories. Then, however, "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">The Attraction of Time</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" is a delicate elegy where a veil of nostalgia tarnishes the indefinable colour of old fraying copper without any escape.<br /><br />But </span></i><span style="font-family: "georgia" , "times new roman" , serif;">ruit hora</span><i><span style="font-family: "georgia" , "times new roman" , serif;">, the urgency of the search for meaning is added to the always shocking perception of the finiteness of life and paintings like "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Never Stop the Wind</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" and "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Without Banks</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" upset the surface of the canvas with escapes of colours and distorted lines that have no beginning or end, but they enter running and running go out of the defined space of the canvas. Likewise, the "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">Wait for peace</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" is dramatic, where the disturbing streak of red in the flight of events speaks of blood and violence.<br /><br />I choose "</span></i><span style="font-family: "georgia" , "times new roman" , serif;">And Then the Blue</span><i><span style="font-family: "georgia" , "times new roman" , serif;">" to conclude my journey in the pictorial research of Stefania Fuso because here, in the thick and dark layers superimposed one to the other, you will discover very precious spaces of an ultramarine blue that places a happy goal at the bottom to this stormy adventure. A color that, like gold, was paid separately to the painters of sacred subjects where, however, it could never be lacking, because it speaks to the heart about future and spiritual spaces and redemption from conditions of darkness and suffering. About pure joy.</span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ3vQ7INAKYoGCv6J4_4-rz5X8jLh8zaOstxw1tz5zFzB9WejJnz0r-2Djc_tmu8Pog8H69NgSt-b5ZkehuVrEGgX9tojE9-_MDkD5sfpo-aK1pUFZnuF52QEl4ntmpI_4tYU1T7mzCiU/s1600/IMG_6190.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1600" data-original-width="1126" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJ3vQ7INAKYoGCv6J4_4-rz5X8jLh8zaOstxw1tz5zFzB9WejJnz0r-2Djc_tmu8Pog8H69NgSt-b5ZkehuVrEGgX9tojE9-_MDkD5sfpo-aK1pUFZnuF52QEl4ntmpI_4tYU1T7mzCiU/s320/IMG_6190.JPG" title="Maria Stefania Fuso" width="225" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxcXCfGrN4o3PzQfVtvcYmRdr3-WHFTVkuwOBsrSBw14JQb8cnKb5S1dRuolmN9AZ2Hu60ZSoqMtvWPQAdNA1R0WomasPd8cHocpKKt-lywkjJexVo9GXRTZD6TLDsmqloH3ujDufifvE/s1600/IMG_6191.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso con Rita Castigli" border="0" data-original-height="1465" data-original-width="1600" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxcXCfGrN4o3PzQfVtvcYmRdr3-WHFTVkuwOBsrSBw14JQb8cnKb5S1dRuolmN9AZ2Hu60ZSoqMtvWPQAdNA1R0WomasPd8cHocpKKt-lywkjJexVo9GXRTZD6TLDsmqloH3ujDufifvE/s320/IMG_6191.JPG" title="Maria Stefania Fuso con Rita Castigli" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK4CVU0DYxrRnEM-igozPynRXA92NkH0YkSBGMsEdFx7Nc1XZQ4C5S3pb9zSRkmNcmlpHK35IC9MATcRNNkAGxJcPiYh2VvMoOo4_DKuTHOgQFNvwEaphntRpKa5SbYWmkiTkS7p5Lfhw/s1600/IMG_6193.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgK4CVU0DYxrRnEM-igozPynRXA92NkH0YkSBGMsEdFx7Nc1XZQ4C5S3pb9zSRkmNcmlpHK35IC9MATcRNNkAGxJcPiYh2VvMoOo4_DKuTHOgQFNvwEaphntRpKa5SbYWmkiTkS7p5Lfhw/s320/IMG_6193.JPG" title="Maria Stefania Fuso" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sPRvQgpcAZqDZdPABr9GV0vkApdg-ziWUMftgf1SIom__irr1x-lzhwqzQtlv4W-ElzSR7XoAuB_uuTHrCaw1-2B7LsrmHQikrAkK7lPGrjh7Y5xbSwoEikZ3AAyHAz5iYa2bb8-7os/s1600/IMG_6197.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4sPRvQgpcAZqDZdPABr9GV0vkApdg-ziWUMftgf1SIom__irr1x-lzhwqzQtlv4W-ElzSR7XoAuB_uuTHrCaw1-2B7LsrmHQikrAkK7lPGrjh7Y5xbSwoEikZ3AAyHAz5iYa2bb8-7os/s320/IMG_6197.JPG" title="Maria Stefania Fuso" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxEVYGwAe8eqW8m_wubKp9H569keOunu9Et2vgtnv8mJW9tgaCF1a25uIucVR6276MF3QYJWpahbg_nYHlUuOM05vxe3ehY_lBWfECs4-zt6Z0W0RoMBSrcxa4ZAoLzF4lwXszg9R_Zno/s1600/IMG_6200.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso e Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxEVYGwAe8eqW8m_wubKp9H569keOunu9Et2vgtnv8mJW9tgaCF1a25uIucVR6276MF3QYJWpahbg_nYHlUuOM05vxe3ehY_lBWfECs4-zt6Z0W0RoMBSrcxa4ZAoLzF4lwXszg9R_Zno/s320/IMG_6200.JPG" title="Maria Stefania Fuso e Rita Castigli" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IksvqvjDxnDx2yz0GrcHecryfeKUlOf1gO1KrZj5okPxyzm0WoRRx4ciRdy7Wj7sNSbQrDEqB3VEHLm1V66HsYtKticW6mqD290JULpBuRp7w3Gm3oco3C4dEPC9k4t81FHqEaQdpWs/s1600/IMG_6201.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Maria Stefania Fuso e Rita Castigli" border="0" data-original-height="1600" data-original-width="1159" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4IksvqvjDxnDx2yz0GrcHecryfeKUlOf1gO1KrZj5okPxyzm0WoRRx4ciRdy7Wj7sNSbQrDEqB3VEHLm1V66HsYtKticW6mqD290JULpBuRp7w3Gm3oco3C4dEPC9k4t81FHqEaQdpWs/s320/IMG_6201.JPG" title="Maria Stefania Fuso e Rita Castigli" width="231" /></a></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-15208426999629569982018-10-03T22:01:00.001+02:002018-10-05T18:29:23.922+02:00Un ponte tra Assisi e San Pietroburgo<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;">Mostra d'arte internazionale a Palazzo Franchi</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVjVcJNtsN_ry1IseBflcVfoKHBaB_HZ2DFE8vOxG1nq949J0ErHL_PyhX-pfy0kPRA9wJivBgU4hb-cDHPxp2AHcN-z1ivjOlZnrWpKBaRTeV5rGm8djAPOc5dDlFHuoKl-yk_FAoYPQ/s1600/IMG_5876mm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1007" data-original-width="1600" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVjVcJNtsN_ry1IseBflcVfoKHBaB_HZ2DFE8vOxG1nq949J0ErHL_PyhX-pfy0kPRA9wJivBgU4hb-cDHPxp2AHcN-z1ivjOlZnrWpKBaRTeV5rGm8djAPOc5dDlFHuoKl-yk_FAoYPQ/s640/IMG_5876mm.jpg" title="Svetlana Melnichenko" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ci sono luoghi dove l'armonia è nell'aria. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Ci sono luoghi dove ogni cosa ha una storia da raccontare. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Ci sono luoghi dove qualcuno ha lasciato eredità di gioia.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Qui nascono nuove idee che hanno l'armonia della bellezza e lo spessore del tempo.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Questo è Assisi. Non stupisce che qui molti artisti, da Giotto in poi, abbiano trovato un luogo dove dare forma alle proprie emozioni e alle proprie concezioni della vita.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Nell'<a href="http://www.provobisassisi.com/residenza-per-artisti/" target="_blank">Art Residence Pro Vobis</a> ciò concretamente accade. Gli artisti si incontrano in uno spazio affettivo e ideale, ma anche fisico, in un silenzio dove il canto degli uccelli suggerisce sogni e i colli verdi a perdita d'occhio disegnano il morbido confine tra la terra e il cielo.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Qui si genera un senso di fratellanza, di superamento dei confini, nell'incontro cadono barriere linguistiche.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyTSL2hx4_qIBzxNKmt2XsmIO9v44Bj0PJIC1ypTAXYT65jaEOQV38mdvXILxhLz9OXs7dE0JmQ7GZ0bdHs_HA9RrjdOa258IBIAMiIK3DED5XEZXcUpTvxDS3ovJYs5mwwzWCQ6bn9ps/s1600/IMG_5849mm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1336" data-original-width="1600" height="534" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyTSL2hx4_qIBzxNKmt2XsmIO9v44Bj0PJIC1ypTAXYT65jaEOQV38mdvXILxhLz9OXs7dE0JmQ7GZ0bdHs_HA9RrjdOa258IBIAMiIK3DED5XEZXcUpTvxDS3ovJYs5mwwzWCQ6bn9ps/s640/IMG_5849mm.jpg" title="Svetlana Melnichenko" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nel poster della mostra la scultura di </span><b style="font-family: Georgia, "Times New Roman", serif;">Svetlana Melnichenko</b><span style="font-family: "georgia" , "times new roman" , serif;"> ne sintetizza il senso profondo, è il ponte che unisce realtà differenti con uno slancio energico e luminoso. La bellezza dell'arcobaleno resa con la solidità del bronzo, e la luce calda dei tramonti assisani che splende nella pietra rosa del Subasio, sono il prezioso e luminoso simbolo di valori eterni.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">La collaborazione e amicizia con <b>Franco Prosperi</b> ha messo da tempo in moto un progetto di gemellaggio fra Assisi e San Pietroburgo, già divenute sorelle e amiche in campo artistico. Anche la scultura dell'Artista assisano esprime un'energia carica di valori umani oltre che estetici nello slancio verso spazi pieni di bellezza.</span><span style="text-align: center;"> </span><br />
<span style="text-align: center;"><span style="font-family: "georgia" , "times new roman" , serif;">La pietra di Assisi, magnifica ma dura e ostica, è stata trascurata dagli scultori negli ultimi secoli, ma nuovamente imparare a scolpirla sarà lo scopo di corsi internazionali che la Melnichenko e Prosperi terranno presso l'Art Residence Pro Vobis per allievi e docenti dell'Accademia e scultori in genere che aggiungeranno al loro curriculum un titolo e una competenza significativi e rari.</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpBc9CStP-PwMWepG7l0DkwhK3JHFrkbywsZ1WawfE_XeLwDTkjDGA2jUk-FaQrjkvIQr2PS3vi_1wUtKyNVlTL5e60mw6DtqVp4P82wuSizuIVOhkqD0xkIz1Wn4uwWz3DpvB2p57Myw/s1600/IMG_5881mm.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franco Prosperi" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpBc9CStP-PwMWepG7l0DkwhK3JHFrkbywsZ1WawfE_XeLwDTkjDGA2jUk-FaQrjkvIQr2PS3vi_1wUtKyNVlTL5e60mw6DtqVp4P82wuSizuIVOhkqD0xkIz1Wn4uwWz3DpvB2p57Myw/s400/IMG_5881mm.jpg" title="Franco Prosperi" width="266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinb58Rsw72XAphjhKTUwPKwHhG6tIAdrm6UNaAnIppw8ZavnEep11Ft3Q18qSR3KGs8nOqUZlj6qFCv7hyphenhyphenSXShjDeOQlCZZqcXlZwR6yZSL6E-xNnPIDY5xFuU2sC68xE73g5viqQqB2o/s1600/IMG_5862_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinb58Rsw72XAphjhKTUwPKwHhG6tIAdrm6UNaAnIppw8ZavnEep11Ft3Q18qSR3KGs8nOqUZlj6qFCv7hyphenhyphenSXShjDeOQlCZZqcXlZwR6yZSL6E-xNnPIDY5xFuU2sC68xE73g5viqQqB2o/s400/IMG_5862_m.jpg" title="Svetlana Melnichenko" width="266" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Possiamo riconoscerci nel Francesco di <b>Grace Barraza-Vega</b>, ritratto quasi infantile, con le mani che accarezzano un gatto bianco; la pelle del Santo ha il colore del sole e del grano e il viso tende a tingersi del colore del cielo in una metafora dell'identità di uomo e natura. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">L'alba dalle dita di rosa accarezza il mondo, come ha fatto sempre anche molto prima del citato Omero. Il silenzio che si sprigiona dal quadro di </span><b style="font-family: Georgia, "Times New Roman", serif;">Debbie Cannatella</b><span style="font-family: "georgia" , "times new roman" , serif;"> è quello del tempo, dove le grandi rivoluzioni non fanno rumore e ogni cosa, la casa i prati gli alberi i colli, trova posto pacificamente nello spazio infinito.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphen-3TNmZQin9AshnWZTpItpnT4gqx3vUrIutCmeOF_oj3xygmWt7HR_8gQVKwBKv1mMRfbL8D7fyqJrBmoTRd_OdIokP5HMNqOlzikoYEG7_bVYks7sbe3TKNETyWXDToz-kjfMdY230/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Grace Barraza-Vega" border="0" data-original-height="768" data-original-width="609" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhyphenhyphen-3TNmZQin9AshnWZTpItpnT4gqx3vUrIutCmeOF_oj3xygmWt7HR_8gQVKwBKv1mMRfbL8D7fyqJrBmoTRd_OdIokP5HMNqOlzikoYEG7_bVYks7sbe3TKNETyWXDToz-kjfMdY230/s320/1.jpg" title="Grace Barraza-Vega" width="252" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFy9mubCQt1l6bb5vVE6AraLDVTHkxkJRUfoVUyKpSItVmCi6mOVpZ4isRtioIpHqko_Q-AajlhKGUy_QnC10HQWIi9iTai8tSahwVn5ekyGAqInkC7a7gs7S2BonS9O7WmkTmHnhQ14/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Debbie Cannatella" border="0" data-original-height="540" data-original-width="557" height="310" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidFy9mubCQt1l6bb5vVE6AraLDVTHkxkJRUfoVUyKpSItVmCi6mOVpZ4isRtioIpHqko_Q-AajlhKGUy_QnC10HQWIi9iTai8tSahwVn5ekyGAqInkC7a7gs7S2BonS9O7WmkTmHnhQ14/s320/2.jpg" title="Debbie Cannatella" width="320" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Un profondo mistero si cela nel quadro di <b>Claudio Carli</b>. Il pennello lo esplora con mille e mille segni senza riuscire a svelarlo, però facendo percepire la forza della radice antica. È questa che conosce quel mistero e lo racconta nel suo linguaggio facendoci sentire i limiti del nostro.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">I volumi puri di </span><b style="font-family: Georgia, "Times New Roman", serif;">Hisu Choi</b><span style="font-family: "georgia" , "times new roman" , serif;"> ci invitano ad accarezzarli con gli occhi e a percepire con le mani la morbidezza evocata. La femminilità è portata a un'astrazione assoluta fino a diventare la genesi della vita stessa che cresce assorbendo la luce e l'aria.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV7f44sBP46r5V9Qz_8S4tLj4lm_Dc9_seLmwq9THYTS1xXHEm7ZwXcvkZDePoFzjdVTNUHJoDb5xjoc4S1bEt4_msNJL0t99YnKzFlapHW8oxuFgdla954mDxwhDKTJLPuJWxm3Xueos/s1600/IMG_5927_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Claudio Carli" border="0" data-original-height="1600" data-original-width="1216" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhV7f44sBP46r5V9Qz_8S4tLj4lm_Dc9_seLmwq9THYTS1xXHEm7ZwXcvkZDePoFzjdVTNUHJoDb5xjoc4S1bEt4_msNJL0t99YnKzFlapHW8oxuFgdla954mDxwhDKTJLPuJWxm3Xueos/s400/IMG_5927_m.jpg" title="Claudio Carli" width="303" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW1FhgydygoJdzMcpFIgZx6lq0ze7tQtQInz3XOO6yf1-1CcXdt148EcYpTjCOtfVeSAqdctv8DV-RSI5Be27Ja_61OhYvQFFlgqqem6ZekzE04QT9c0zv-x82KAG7hV_inYBj5bWTQHA/s1600/IMG_5908_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Hisu Choi" border="0" data-original-height="1600" data-original-width="1050" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjW1FhgydygoJdzMcpFIgZx6lq0ze7tQtQInz3XOO6yf1-1CcXdt148EcYpTjCOtfVeSAqdctv8DV-RSI5Be27Ja_61OhYvQFFlgqqem6ZekzE04QT9c0zv-x82KAG7hV_inYBj5bWTQHA/s400/IMG_5908_m.jpg" title="Hisu Choi" width="262" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nel muro antico vi sono due aperture, una angusta e bassa e una larga e alta che danno verso l'azzurro. Così <b>Pippo Cosenza</b> dà forma poetica e metaforica alla vita vissuta, dove nel concreto del quotidiano si danno sempre scelte possibili. Le tre figure, come una divinità tripartita, si pongono come enigmi onirici e silenti.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La razionalità di </span><b style="font-family: Georgia, "Times New Roman", serif;">Mariette Egretau</b><span style="font-family: "georgia" , "times new roman" , serif;">, il suo esprit de géometrie, analizza il dettaglio di una prua di barca e delle sue boe colorate, ma è il gioco dei riflessi sull'acqua che riempie la tela, il cangiante percorso dei colori sulla superficie lucida e mobile dell'acqua che richiama l'ipnotico inganno che uccise Narciso.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLBL5BNCw_eBS3UtHMR2YY73VodunX9glC1arnkbwmfCe0_ojiaijpKd36NZwso_QHA9UAwmfq_W14YeIwfyUgevhcHjCkwbHZ8GH6uYHoyk5HZsDSf5u7UVBV-AQMgL3A4FlupitQC-Y/s1600/5.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" data-original-height="608" data-original-width="600" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLBL5BNCw_eBS3UtHMR2YY73VodunX9glC1arnkbwmfCe0_ojiaijpKd36NZwso_QHA9UAwmfq_W14YeIwfyUgevhcHjCkwbHZ8GH6uYHoyk5HZsDSf5u7UVBV-AQMgL3A4FlupitQC-Y/s320/5.jpg" title="Pippo Cosenza" width="315" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTUoGkQoJyAiD7hwsH4BTkAJ1n06ZqcL6j1CaRm2MP8vR6fITH7eAG1DaYFlJNIotNFb2agkH86JF2FSDB1o60pdwqsEY6KlZw-tANfIZ1OA_-Jlmoxlv3CPNXSOmxGcff5OxguinplHA/s1600/6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mariette Egreteau" border="0" data-original-height="540" data-original-width="407" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTUoGkQoJyAiD7hwsH4BTkAJ1n06ZqcL6j1CaRm2MP8vR6fITH7eAG1DaYFlJNIotNFb2agkH86JF2FSDB1o60pdwqsEY6KlZw-tANfIZ1OA_-Jlmoxlv3CPNXSOmxGcff5OxguinplHA/s320/6.jpg" title="Mariette Egreteau" width="241" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La natura morta di <b>Luigi Frappi</b>, nella sua perfezione e bellezza, ha la potenza di un grido. La polpa del cocomero spaccato, così lacerata, emerge da un buio metafisico raccontando di ferite ancora aperte e di solitudini innocenti e orgogliose.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il paesaggio di </span><b style="font-family: Georgia, "Times New Roman", serif;">Barbara Hammond</b><span style="font-family: "georgia" , "times new roman" , serif;">, luogo roccioso e scabro, sembra tremare sotto il cielo perfettamente azzurro. Una vita profonda vi è stata infusa dalla mano appassionata dell'Artista che scolpisce il foglio con spessori dinamici di colore fino ad ottenere riverberi corruschi e misteriosi.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_Nhj8HpGeFHcdNR6N5gvuesWR1V9PWINvP_3BpIxTsdtTyWkFVgyrlc2qhtapXm_JF_3frprGInd_KafvvptJPqiqKIbZ-lciaJ0aElusQtOntDM7YmGnpDqoOVpu0aO-aPFn5TwKHI/s1600/7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Luigi Frappi" border="0" data-original-height="768" data-original-width="802" height="382" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic_Nhj8HpGeFHcdNR6N5gvuesWR1V9PWINvP_3BpIxTsdtTyWkFVgyrlc2qhtapXm_JF_3frprGInd_KafvvptJPqiqKIbZ-lciaJ0aElusQtOntDM7YmGnpDqoOVpu0aO-aPFn5TwKHI/s400/7.jpg" title="Luigi Frappi" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSP18Hzo3Kp-LZxsS-55LzwoHaeUgJsRgiU83mdqlG-JgHlSwStMlEARcwElpFhUdOvFfICc3YARlOxsUglTTfgQ7dZhEzybcIzhm7QWkhoy_b_TwNUO2TrTmjap1Vu4MGVIyo34vI0mI/s1600/8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Barbara Hammond" border="0" data-original-height="537" data-original-width="774" height="277" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSP18Hzo3Kp-LZxsS-55LzwoHaeUgJsRgiU83mdqlG-JgHlSwStMlEARcwElpFhUdOvFfICc3YARlOxsUglTTfgQ7dZhEzybcIzhm7QWkhoy_b_TwNUO2TrTmjap1Vu4MGVIyo34vI0mI/s400/8.jpg" title="Barbara Hammond" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La strada metropolitana di <b>Arnhild Kart</b> conduce verso una destinazione ignota, bianca come il futuro sconosciuto o forse il nulla, aprendo uno squarcio tra muri di vetro altissimi e sfrecciando come la scia luminosa lasciata da una gelida cometa in fuga.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La tela di </span><b style="font-family: Georgia, "Times New Roman", serif;">Bruno Marcelloni</b><span style="font-family: "georgia" , "times new roman" , serif;"> crea uno spazio di buio soffice e profondo. Guardandolo, si perde il senso della dimensione che potrebbe essere immensa come lo spazio cosmico nell'inseguire l'impressione di una luce arcana nascosta dentro.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbFTquRbt9JZXf6HnXSui7DZ_5gUlve7bK6fBxrg-HTynEznlnDXRrAX8y-7ph4EvtjdC0lomPpi2dQCoaOBsvWRTMgzd1X7OFXOd_oTRnzWJhWrXGTlhsTsyHZ8D5hh2tcpjXGCrd6iY/s1600/9.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" data-original-height="768" data-original-width="568" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbFTquRbt9JZXf6HnXSui7DZ_5gUlve7bK6fBxrg-HTynEznlnDXRrAX8y-7ph4EvtjdC0lomPpi2dQCoaOBsvWRTMgzd1X7OFXOd_oTRnzWJhWrXGTlhsTsyHZ8D5hh2tcpjXGCrd6iY/s320/9.jpg" title="Arnhild Kart" width="236" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRCbdpuJ_IKZMEIeIDPtqLI21neO9Z8Mm8Z2yqXSVJ9kUKgyAh7SwPrmpblqW59-7DJ86eCGXneIoYbEk-IdBatoUKoF3JE9lTEt3SvpxX6R-P-Lzony_HdJKBeFj6Cy03wdh4uf3XnAg/s1600/11.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Marcelloni" border="0" data-original-height="768" data-original-width="762" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRCbdpuJ_IKZMEIeIDPtqLI21neO9Z8Mm8Z2yqXSVJ9kUKgyAh7SwPrmpblqW59-7DJ86eCGXneIoYbEk-IdBatoUKoF3JE9lTEt3SvpxX6R-P-Lzony_HdJKBeFj6Cy03wdh4uf3XnAg/s320/11.jpg" title="Bruno Marcelloni" width="317" /></a></div>
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<b style="font-family: Georgia, "Times New Roman", serif;">Franco Prosperi</b><span style="font-family: "georgia" , "times new roman" , serif;"> scatena la sua fantasia barocca creando sensuali volute aeree sulle quali però si appoggiano elmeenti discordi. La base fa pensare alla teca di un reliquiario antico. Ne emana un senso di sacralità, dove lo slancio vitale e fantasioso ha radici consapevolmente mistiche.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj7KWgBw7gRa1q2QeRXzJI0xWmNTlgeFlf0C_W3aAkChqPLO2LNQbf0CQXP6pR7DJmJUQRwza7zXCi2xCFIETDmE2fi18KhW8YPF44K_z7oXFhaJ8ENqBL27zFX0Tey7vn4yEcokCoONI/s1600/IMG_5894_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franco Prosperi" border="0" data-original-height="1600" data-original-width="1081" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj7KWgBw7gRa1q2QeRXzJI0xWmNTlgeFlf0C_W3aAkChqPLO2LNQbf0CQXP6pR7DJmJUQRwza7zXCi2xCFIETDmE2fi18KhW8YPF44K_z7oXFhaJ8ENqBL27zFX0Tey7vn4yEcokCoONI/s640/IMG_5894_m.jpg" title="Franco Prosperi" width="432" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le nuvole di <b>Umberto Raponi</b>, ognuna di un colore diverso e contrassegnata da una lettera alfabetica, si fanno strada nel ritaglio del foglio rivelando la propria natura cartacea. Così i due fiammiferi accesi non sono una minaccia, essendo anch'essi parte del gioco ironico della fantasia. Quel gioco però forse nasconde una minaccia vera.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La donna che </span><b style="font-family: Georgia, "Times New Roman", serif;">Neva Rossi</b><span style="font-family: "georgia" , "times new roman" , serif;"> dipinge è fatta solo dal colore, il suo esistere è dato dalla luce che rimbalza sulle superfici colorate. Esprime una riflessione sulla impalpabile consistenza dell'essere e sulla solidità del sogno.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXRFhiNy_g-8KngLWlvV7XAc1XPRs9Db8sJYQl9NM6sJ0YkJmNylEbLfPvvGqO1n0ty2Imvi1S-vq9krP6lFadA2uYex0jGW9Ts3Yv3xBAenvL8hUvsTRTqXRfZ0RBaticEaQ_W4Npn94/s1600/13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Umberto Raponi" border="0" data-original-height="724" data-original-width="1024" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXRFhiNy_g-8KngLWlvV7XAc1XPRs9Db8sJYQl9NM6sJ0YkJmNylEbLfPvvGqO1n0ty2Imvi1S-vq9krP6lFadA2uYex0jGW9Ts3Yv3xBAenvL8hUvsTRTqXRfZ0RBaticEaQ_W4Npn94/s320/13.jpg" title="Umberto Raponi" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtocwOvCkFmjV9Sp1t5Wsx_aSjSB9hsdpOSdSFw9d6vl4WEppkT75YyzLzZ02j7IbuJzJNbHajEFenrxvFxlhITr_O5c2NKqBAUTA7npnt98p5_XdsZSxbg9r1t3mOWdUYdjCrMQbFcmY/s1600/14+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Neva Rossi" border="0" data-original-height="640" data-original-width="454" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtocwOvCkFmjV9Sp1t5Wsx_aSjSB9hsdpOSdSFw9d6vl4WEppkT75YyzLzZ02j7IbuJzJNbHajEFenrxvFxlhITr_O5c2NKqBAUTA7npnt98p5_XdsZSxbg9r1t3mOWdUYdjCrMQbFcmY/s400/14+%25282%2529.jpg" title="Neva Rossi" width="283" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il paesaggio nella fotografia di <b>Christopher Ryan</b> è così pulito e bello che sembra irreale; le ombre delle nuvole dipingono sulla terra aree di grigio e le loro candide forme fanno percorrere agli occhi l'immensità del cielo.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Anche dopo tanti anni che vive qui, il paesaggio umbro sorprende ancora </span><b style="font-family: Georgia, "Times New Roman", serif;">Alison Ryde</b><span style="font-family: "georgia" , "times new roman" , serif;"> con la sua bellezza: la pietra e le tegole del paesino medievale arrampicato sul colle, il verde scuro del bosco, le sagome snelle dei cipressi, le chiome argentee degli ulivi. Quello in primo piano sembra una luce magica accesa sul verde fresco del prato.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXAQk7uPXkBmJmgfsvzZ-_J387wcOcbJ1_Q-yy-5pGSRk_VFhv9PCL5QHXZdRigI-sui7qTStZ1vgB3teqb2XL3ZtdQJrYao4PlnAvhv58D8m2f3O9f9DrkA9zncGBpjRguWYtc7XsaRQ/s1600/15.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Christopher Ryan" border="0" data-original-height="683" data-original-width="1024" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXAQk7uPXkBmJmgfsvzZ-_J387wcOcbJ1_Q-yy-5pGSRk_VFhv9PCL5QHXZdRigI-sui7qTStZ1vgB3teqb2XL3ZtdQJrYao4PlnAvhv58D8m2f3O9f9DrkA9zncGBpjRguWYtc7XsaRQ/s320/15.jpg" title="Christopher Ryan" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR-rsqp3Qp1ToyjQPRUqxBVg8vo1s3Gcbty4yq1g3O9ZprhAFqzy7CiMSZgp7Eegry_nIfTDCw9vO5fedK7r4avmf85JHbZbT1CtgppAvhK7tFsWisX_n3tkf6A8KEyUgWpFzzRLHO7nk/s1600/16.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Alison Ryde" border="0" data-original-height="480" data-original-width="484" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR-rsqp3Qp1ToyjQPRUqxBVg8vo1s3Gcbty4yq1g3O9ZprhAFqzy7CiMSZgp7Eegry_nIfTDCw9vO5fedK7r4avmf85JHbZbT1CtgppAvhK7tFsWisX_n3tkf6A8KEyUgWpFzzRLHO7nk/s320/16.jpg" title="Alison Ryde" width="320" /></a> </div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le larghe pennellate azzurre di </span><b style="font-family: Georgia, "Times New Roman", serif;">Joycelyn Schedler</b><span style="font-family: "georgia" , "times new roman" , serif;"> percorrono la tela come grandi onde ma l'altissimo abete riconduce alla terra. Il blu crea profili di colli e ombre di valli su una superficie di quell'indefinibile rosa che è tipico della terra arata e asciutta e dei muri di paesi pieni di storia.</span></div>
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<b style="font-family: Georgia, "Times New Roman", serif;">Nina Schenck</b><span style="font-family: "georgia" , "times new roman" , serif;"> condensa la sua esperienza dell'Art Residence nella scaletta del giardino. Una luce carezzevole evidenzia le pietre e i fiori e il legno del corrimano. La freschezza del lavoro fatto en plein air conserva e trasmette i profumi, i suoni e la brezza in un ricordo gioioso.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlwpNFQzoF6MwSZJ_4wEFUOCmUZv-n3DVnnCjoopKYzQZXVOnX9UKezetQ0kJo2FOZ8QSN5M_Gp5EXx-61w7REMgvs9mgbeRsm5tpdNmDQofq10V12IsKfGrp_vxoOJ82fQ88rHvedrmI/s1600/17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Joycelyn Schedler" border="0" data-original-height="728" data-original-width="1024" height="283" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlwpNFQzoF6MwSZJ_4wEFUOCmUZv-n3DVnnCjoopKYzQZXVOnX9UKezetQ0kJo2FOZ8QSN5M_Gp5EXx-61w7REMgvs9mgbeRsm5tpdNmDQofq10V12IsKfGrp_vxoOJ82fQ88rHvedrmI/s400/17.jpg" title="Joycelyn Schedler" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoutw7IEj3UBUwrXkxPti40-lTR0MiV_Dpl9ZI5K63u51F7NakRajwYC98lV5RzhHsxxXWHWniHzk6mXVNUGMFNlLjPdoUDnZUVsrpx_xQOlnht3BXjRg00j9PxED4Lh93u0w9OK3tPoA/s1600/18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Nina Schenk" border="0" data-original-height="555" data-original-width="396" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoutw7IEj3UBUwrXkxPti40-lTR0MiV_Dpl9ZI5K63u51F7NakRajwYC98lV5RzhHsxxXWHWniHzk6mXVNUGMFNlLjPdoUDnZUVsrpx_xQOlnht3BXjRg00j9PxED4Lh93u0w9OK3tPoA/s320/18.jpg" title="Nina Schenk" width="228" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;"><i>A Bridge between Assisi and St. Petersburg</i></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;"><i>International art exhibition at Palazzo Franchi</i></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>There are places where harmony is in the air. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>There are places where everything has a story to tell. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>There are places where someone has left a legacy of joy. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Here new ideas are born that have the harmony of beauty and the thickness of time.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>This is Assisi. No wonder that here many artists, from Giotto on, have found a place to give shape to their emotions and their conceptions of life.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>At <a href="http://www.provobisassisi.com/residenza-per-artisti/" target="_blank">Art Residence Pro Vobis</a> this concretely happens. The artists meet in an emotional and ideal, but also physical space, in a silence where birds' songs suggest dreams and green hills, as far as the eye can see, draw the soft border between earth and sky.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Here a sense of brotherhood is generated, of overcoming the boundaries, language barriers fall. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>In the poster of the exhibition GRAVITY, the sculpture by <b>Svetlana Melnichenko</b> summarizes its profound meaning, the bridge that unites different realities with an energetic and luminous impulse. The beauty of the rainbow, rendered with the solidity of bronze and the warm colour of the pink Assisi stone, is the precious and luminous symbol of eternal values. Svetlana's collaboration and friendship with <b>Franco Prosperi</b> has put in motion a twinning project between Assisi and St. Petersburg, already become sisters and friends in the artistic field. Even the sculpture by the Artist from Assisi expresses a special energy, the Gravity of human as well as aesthetic values in the impulse towards spaces full of beauty.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The pink stone of Mount Subasio, magnificent but hard and difficult, has been neglected by the sculptors in the last centuries, but learning to sculpt it again will be the aim of international courses that Melnichenko and Prosperi will hold at the Art Residence Pro Vobis for students and teachers of Art Academies and sculptors in general who will add to their curriculum a significant and rare title and competence.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>We can recognize ourselves in the image of Francesco by <b>Grace Barraza-Vega</b>, in his boy's features and hands caressing a white cat; the Saint's skin has the color of the sun and of the grain and his face is turning blue, the color of the sky in a metaphor of the identity of man and nature.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The rose-fingered dawn caresses the world, as it has always done long before the quoted Homer. The silence that emanates from <b>Debbie Cannatella</b>'s painting is the silence of time, where the great revolutions make no noise and everything, the house, the lawns, the trees, the hills, find a place peacefully in the infinite space.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>A profound mystery lies within the work by <b>Claudio Carli</b>. His brush explores it by means of thousands and thousands of signs without being able to reveal it, but makes us feel the strength of the ancient root. It is this root that knows that mystery and tells it in its own language making us feel the limits of our own.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The pure volumes of <b>Hisu Choi</b>'s sculpture invite us to caress them by our eyes and to perceive the softness evoked by our hands. Femininity is brought to an absolute abstraction so that it becomes the genesis of life itself which grows by absorbing light and air.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>In the ancient wall there are two doors, a narrow and low one and a wide and high other, which open onto the blue. <b>Pippo Cosenza</b> creates a poetic metaphor of life, the possibility of choices aiming for unknown skies in the concrete of daily life. Three figures, like a tripartite divinity, stand as oneiric and silent enigmas.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The rationality of <b>Mariette Egretau</b>, her esprit de géometrie, analyzes the details of the bow of a boat and its colored buoys, but it is the play of reflections on the water that fills the canvas, the iridescent path of colors on the glossy and mobile surface that recalls the hypnotic deception that killed Narcissus.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The still life by <b>Luigi Frappi</b>, in its perfection and beauty, has the power of a cry. The split watermelon pulp, so torn, emerges from a metaphysical darkness, telling of still open wounds and of innocent proud solitudes.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b>Barbara Hammond</b>'s landscape, a rocky and rough place, seems to tremble under a perfectly blue sky. A profound life has been infused by the passionate hand of the Artist who carves the sheet with dynamic color thicknesses to obtain corrosive and mysterious reverberations.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The metropolitan street painted by <b>Arnhild Kart</b> leads to an unknown destination, as white as the unfathomed future or perhaps as nothingness, opening a chasm between high glass walls and darting like the luminous trail left by an icy fleeing comet.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b>Bruno Marcelloni</b>'s canvas creates a space of soft and deep darkness. Looking at it, one loses the sense of dimension so that it could be as immense as the cosmic space in pursuing the impression of an arcane light hidden inside.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b>Franco Prosperi</b> unleashes his baroque fantasy by creating sensual aerial swirls on which, however, conflicting elements rely. The base suggests the showcase of an ancient reliquary. It radiates a sense of sacredness, where the vital and imaginative energy has consciously mystical roots.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The clouds sketched by <b>Umberto Raponi</b>, each of a different color and marked with an alphabetical letter, make their way into the cutout of a sheet of paper revealing their nature. The two lit matches are not a threat, as they too are part of the ironic game of fantasy. But that game may hide a real threat.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The woman <b>Neva Rossi</b> paints is only made of color, her existence is due to the light that bounces off the colored surfaces. The image expresses a reflection on the impalpable consistency of being or the solidity of dreams.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The landscape in <b>Christopher Ryan</b>'s photography is so clean and beautiful that it seems unreal; the shadows of the clouds depict areas of gray on the earth and their white forms drive our eyes to the immensity of the sky.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Even after so many years living here, Umbrian landscape still surprises <b>Alison Ryde</b> for its beauty: a medieval village climbing a hill, the dark green of the woods, the slender silhouettes of cypress trees, the silvery foliage of olive trees. The one in the foreground looks like a magical light on the fresh green of the lawn.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b>Joycelyn Schedler</b>'s broad blue brushstrokes run along the canvas like big waves, but the tall fir leads back to the earth. The blue creates profiles of hills and shadows of valleys on the surface of an indefinable rose that is typical of dry and plowed land and of walls full of history.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><b>Nina Schenck</b> condenses her experience at Art Residence in the image of the garden staircase. A caressing light emphasizes the stones and flowers and the wood of the handrail. The freshness of the work made </i>en plein air<i> preserves and transmits the scents, the sounds and the breeze in a joyful memory.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMUnTa9Yi8o5H0bK9cEfHn574_GK7MUcjb-uo6pnjMa20Oi__X260m1TKIsd7akxasCDKDXUqKy8nduU-YIPwOf3kYpf_lLP6R8QSCpcNAYS2W2HFbL-NJcUmv79Wt5zv0Ql4pGgTV8mU/s1600/IMG_5949.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMUnTa9Yi8o5H0bK9cEfHn574_GK7MUcjb-uo6pnjMa20Oi__X260m1TKIsd7akxasCDKDXUqKy8nduU-YIPwOf3kYpf_lLP6R8QSCpcNAYS2W2HFbL-NJcUmv79Wt5zv0Ql4pGgTV8mU/s640/IMG_5949.JPG" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMLPchm24L6ZgCOTFUOgiL8C4tg5qwmZ54gO7ukBmiYiFX6ZdGso27ILJWqNNAJN_uRGNktmOHb9AnGrQU9aZTZtsXCfbosNHXf2lxe3a0EQQXcn8aqxRnCm25nUGXXCRyMBMNgBQbj4w/s1600/IMG_5959.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMLPchm24L6ZgCOTFUOgiL8C4tg5qwmZ54gO7ukBmiYiFX6ZdGso27ILJWqNNAJN_uRGNktmOHb9AnGrQU9aZTZtsXCfbosNHXf2lxe3a0EQQXcn8aqxRnCm25nUGXXCRyMBMNgBQbj4w/s400/IMG_5959.JPG" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpUZTRv093oKyTJChUnvW7PdIR0fX1MnRnTtYDXSp0-kTaSL5EWegTYI19vZmCsx_1D6TiQMfmCYQAz5aPDa59F2YcRLgPZX4VTs3rVpOrlx-NK6FWUWYuIE7eadhsZxQ6FtTwI-reeL0/s1600/IMG_5984.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franco Prosperi con Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpUZTRv093oKyTJChUnvW7PdIR0fX1MnRnTtYDXSp0-kTaSL5EWegTYI19vZmCsx_1D6TiQMfmCYQAz5aPDa59F2YcRLgPZX4VTs3rVpOrlx-NK6FWUWYuIE7eadhsZxQ6FtTwI-reeL0/s400/IMG_5984.JPG" title="Franco Prosperi con Rita Castigli" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdlKSJ04jMyKhXhgzrdGcgHoWH9Dwy2Ss3wPAUEWZ_nB3PHHfCC9VfYzTrt1luUgW8gtCdn5ArPrmVrOi3GbYX5UVrWUb6owraPjpoywjKAGjhzagvptBA7Q3a7x1UU3oAlQ4_9lkGh00/s1600/IMG_5991.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnicheno, Rino Della Bina e Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdlKSJ04jMyKhXhgzrdGcgHoWH9Dwy2Ss3wPAUEWZ_nB3PHHfCC9VfYzTrt1luUgW8gtCdn5ArPrmVrOi3GbYX5UVrWUb6owraPjpoywjKAGjhzagvptBA7Q3a7x1UU3oAlQ4_9lkGh00/s400/IMG_5991.JPG" title="Svetlana Melnicheno, Rino Della Bina e Rita Castigli" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfhN1_PZur3zNLgmvGNwnpxP-ixhHK5wGo8KcvBlcmFjuDQcyGTtOtKZX3M-W9XDh7ZxBGubHBwhby4db-Soj2twqqj1rBI2Li54iMuLjy-_661jdW66k8VstdQaHILvjeMWq2D9b35U/s1600/IMG_5993.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1067" data-original-width="1600" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjfhN1_PZur3zNLgmvGNwnpxP-ixhHK5wGo8KcvBlcmFjuDQcyGTtOtKZX3M-W9XDh7ZxBGubHBwhby4db-Soj2twqqj1rBI2Li54iMuLjy-_661jdW66k8VstdQaHILvjeMWq2D9b35U/s400/IMG_5993.JPG" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAmbnfbjSWpnPBv-OaFRHt8cSLMA8Z-RXXPXHVDuvsF85-dLv__JqqbSAo3uUa45RwaCOAAK6IR7bCMzVKQz-gKi9pjlmph71BwUzo0w5RLmylNoeg5VEB7BCd3SuPBnatraPdH3AA9_s/s1600/IMG_5998.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAmbnfbjSWpnPBv-OaFRHt8cSLMA8Z-RXXPXHVDuvsF85-dLv__JqqbSAo3uUa45RwaCOAAK6IR7bCMzVKQz-gKi9pjlmph71BwUzo0w5RLmylNoeg5VEB7BCd3SuPBnatraPdH3AA9_s/s400/IMG_5998.JPG" title="Svetlana Melnichenko" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf0Sth2BLrRDmiFlr8f37Ab42_H2Z2Z5WGW30Pye5VkRqYuEBlL6G2q2gFmFC2GDFwjqiHvhqtgMxGtaoJUmj5_FJUJup2zH3raECoFChKiOr-CO8wh9q1QBBDWbIoHC8wDZpa7gfZ0ac/s1600/IMG_5853.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgf0Sth2BLrRDmiFlr8f37Ab42_H2Z2Z5WGW30Pye5VkRqYuEBlL6G2q2gFmFC2GDFwjqiHvhqtgMxGtaoJUmj5_FJUJup2zH3raECoFChKiOr-CO8wh9q1QBBDWbIoHC8wDZpa7gfZ0ac/s320/IMG_5853.JPG" title="Svetlana Melnichenko" width="213" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfDFRodUp4P2ygEKChPvty0_tRKIzST7h9V4iGkSkKQJP3zwFiErsaS2VkzD_moj3wnlJ1lC4d7wpXULU61k4OBpeJ5ktK3fs6npnAL61Rq600WnU_AqhkopOe9drLpFXCxCjYuXXx0_g/s1600/IMG_5847.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfDFRodUp4P2ygEKChPvty0_tRKIzST7h9V4iGkSkKQJP3zwFiErsaS2VkzD_moj3wnlJ1lC4d7wpXULU61k4OBpeJ5ktK3fs6npnAL61Rq600WnU_AqhkopOe9drLpFXCxCjYuXXx0_g/s320/IMG_5847.JPG" title="Svetlana Melnichenko" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2qX21htaItUgHSzJHYMg5zakI2pjqYebOT4ur0a-WdVKvJFBl-zHQuanJxcPes2aXU8k0SNS4OvlT2drw2zLQ9PhyphenhyphenEgKJOp582gp7XkPnMk8aYeq81kEl4QTpkNTN6j9iAdk7ykzdy2c/s1600/IMG_5873.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2qX21htaItUgHSzJHYMg5zakI2pjqYebOT4ur0a-WdVKvJFBl-zHQuanJxcPes2aXU8k0SNS4OvlT2drw2zLQ9PhyphenhyphenEgKJOp582gp7XkPnMk8aYeq81kEl4QTpkNTN6j9iAdk7ykzdy2c/s320/IMG_5873.JPG" title="Svetlana Melnichenko" width="213" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiectOMiiuiS1eNSONK2o0-08hkyerd00r6zdyb1MqEmvMeNKpakuP0s18fhkZMO8hdG2u4wSsLsDVjNKeLiSvwglRoPX-BoFxNoR0kPH94AdcoRtQS7wIBn8Ypk77B6XobY_g2Km7NnJY/s1600/IMG_5891_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiectOMiiuiS1eNSONK2o0-08hkyerd00r6zdyb1MqEmvMeNKpakuP0s18fhkZMO8hdG2u4wSsLsDVjNKeLiSvwglRoPX-BoFxNoR0kPH94AdcoRtQS7wIBn8Ypk77B6XobY_g2Km7NnJY/s320/IMG_5891_m.jpg" title="Svetlana Melnichenko" width="216" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvcLy5Ba3UDG040doSJr_Ew9X5GNDJoNCmy3hPxU9FlE9tRRyirrMoFHVPQrQEd1NR5Iic6xUc79FkO8AKkxHQ_lhdOyU5AjzfJY5mNa_uQJbJoHFkQ5phqfXfSbLetuSg5hfkPzkxbq8/s1600/IMG_5994.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvcLy5Ba3UDG040doSJr_Ew9X5GNDJoNCmy3hPxU9FlE9tRRyirrMoFHVPQrQEd1NR5Iic6xUc79FkO8AKkxHQ_lhdOyU5AjzfJY5mNa_uQJbJoHFkQ5phqfXfSbLetuSg5hfkPzkxbq8/s320/IMG_5994.JPG" title="Svetlana Melnichenko" width="213" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzVr65As_EKLfFSy0k6DaX0gqnwWCdcLFFzIITkTxUiv93hycUXj5QIgTL3vLmto5BiyGFIx31pjyOEoJKWiUkwBAcWC56JrBGiEHhxsxJO3gxF7-42knneF21i-HH2Q-xGTl7yRwZI-o/s1600/IMG_5895.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Svetlana Melnichenko" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzVr65As_EKLfFSy0k6DaX0gqnwWCdcLFFzIITkTxUiv93hycUXj5QIgTL3vLmto5BiyGFIx31pjyOEoJKWiUkwBAcWC56JrBGiEHhxsxJO3gxF7-42knneF21i-HH2Q-xGTl7yRwZI-o/s320/IMG_5895.JPG" title="Svetlana Melnichenko" width="213" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwNMa6zw3p9O7fSi4ThYcR3-49zn1iCaw6QVx3Kft5SxLxrDsnChomj7gFb8L9sUvu8B4BPHLTtA1-SZcLLsQXUnZ8FzQNhxvyObZi7JUcV66Rx8LixE6r8k0roceERy7ZeVjMVcfYM1M/s1600/IMG_5886m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franco Prosperi" border="0" data-original-height="1600" data-original-width="1091" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwNMa6zw3p9O7fSi4ThYcR3-49zn1iCaw6QVx3Kft5SxLxrDsnChomj7gFb8L9sUvu8B4BPHLTtA1-SZcLLsQXUnZ8FzQNhxvyObZi7JUcV66Rx8LixE6r8k0roceERy7ZeVjMVcfYM1M/s320/IMG_5886m.jpg" title="Franco Prosperi" width="218" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTKsFeMVM1QzkkTqCm0AZqyJJ6QaPqEj-XWH5R0sjOGcgizx45Z5yQ6puEd6ufeUDS-b_hlQF41h-UDnPt25pY3jIYSVAtrfKN9hWv-SKpBIJEkFxDFY31r8QzzNJy8S_9XWrKGvj2Vyg/s1600/IMG_5888.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franco Prosperi" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTKsFeMVM1QzkkTqCm0AZqyJJ6QaPqEj-XWH5R0sjOGcgizx45Z5yQ6puEd6ufeUDS-b_hlQF41h-UDnPt25pY3jIYSVAtrfKN9hWv-SKpBIJEkFxDFY31r8QzzNJy8S_9XWrKGvj2Vyg/s320/IMG_5888.JPG" title="Franco Prosperi" width="213" /></a></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-57383529494522920052018-08-15T18:11:00.000+02:002018-09-09T16:19:58.226+02:00Metafisica al frantoio<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Dipinti e sculture di Silvano D'Orsi all'oleificio Stante e Luciani di Fossacesia</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoOE4aRhwrI2mZ_esKAg_w-ixL6ymRcPN9ruH1PgfaoBg9zhapWwi6BAr6d7l0XtZmcQXHX8lueoF0j63i9b1mTh4o_aT7_kPSmdTuiwzbwVuGKvo2XT9YZN-rSm8OVSsT18JMkO0L_yQ/s1600/IMG_4753_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Frantoio Stante e Luciani Fossacesia" border="0" data-original-height="1257" data-original-width="1600" height="502" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoOE4aRhwrI2mZ_esKAg_w-ixL6ymRcPN9ruH1PgfaoBg9zhapWwi6BAr6d7l0XtZmcQXHX8lueoF0j63i9b1mTh4o_aT7_kPSmdTuiwzbwVuGKvo2XT9YZN-rSm8OVSsT18JMkO0L_yQ/s640/IMG_4753_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Da oltre dieci anni i proprietari dello storico frantoio abruzzese non si limitano alla meticolosa cura dell'eccellenza dei prodotti ma vogliono promuovere la conoscenza di quella che è l'altra grande e ineguagliabile eccellenza del nostro paese, cioè l'arte. In questo agosto 2018, nell'ambito della rassegna "Castelli in Arte", stanno ospitando un'ampia collezione di opere del Maestro Silvano D'Orsi, che comprende un esauriente campionario della sua produzione attuale e alcuni esempi di opere precedenti; la mostra è stata curata da Pippo Cosenza e presentata dallo stesso Cosenza con Rita Castigli.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvAdBVnT-63D8LdqioAb7oOfe8jNEFnfbkNZFBkWngQ_Ghyphenhyphenq6FEhvLDwkiYFIbxmyohBUxBYcVUZdvXJ_Z-f4gaiSSNli3R8DRL0CLx8ONHK1hyQS8tau-qvNHiZ7LFOwPhRJmYRMHyGM/s1600/IMG_4715_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1038" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvAdBVnT-63D8LdqioAb7oOfe8jNEFnfbkNZFBkWngQ_Ghyphenhyphenq6FEhvLDwkiYFIbxmyohBUxBYcVUZdvXJ_Z-f4gaiSSNli3R8DRL0CLx8ONHK1hyQS8tau-qvNHiZ7LFOwPhRJmYRMHyGM/s640/IMG_4715_m.jpg" title="Silvano D'Orsi" width="414" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Uomo del Sud, di Gioia Sannitica, discendente di quella popolazione italica che importava opere d'arte dalla Grecia e dalla Magna Grecia, ha ereditato quella perfezione innata del segno, quella magia di bellezza che gli intellettuali della fine del '600, anche dopo geni indiscussi come Leonardo e Raffaello, Michelangelo e Caravaggio, ritenevano tale che mai si era raggiunta nuovamente quella naturale perfezione di umanità divinizzata, quella sintesi che sembrava scritta nel cielo, con le forme delle nuvole, con i rivoli dei ruscelli, con le trine dei fiori e delle foglie. La stessa magia ha il segno di Silvano D'Orsi, ma la bellezza non basterebbe a spiegare il fascino che esso suscita.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK_D3hbly-TV8H9qudESx1O5WnpwcT19_RCGfLEBL35u-awNvxRR4orm3Qzr_dNnkbAz2sl6U0CdRFPjtkN3YPDgmtW35qV1a-unZy9F4ZNKrwFsu9sGYPl6oVENsRy4nf6aWQ-v3jW-k/s1600/IMG_4919_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1025" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK_D3hbly-TV8H9qudESx1O5WnpwcT19_RCGfLEBL35u-awNvxRR4orm3Qzr_dNnkbAz2sl6U0CdRFPjtkN3YPDgmtW35qV1a-unZy9F4ZNKrwFsu9sGYPl6oVENsRy4nf6aWQ-v3jW-k/s640/IMG_4919_m.jpg" title="Silvano D'Orsi" width="410" /> </a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le sue opere di oltre 40 anni fa sono già sicure e dense di significato, ma la prima che mi sono trovata a studiare è un dipinto murale a <a href="http://artenellavita.blogspot.com/2013/07/notturno-mugnano.html" target="_blank">Mugnano</a> (PG) del 1983: due donne che hanno già un'intrigante combinazione di astrazione e sensualità, combinazione così difficile che ancora caratterizza le donne di D'Orsi. Dicendo "donne" non tengo conto della loro evoluzione successiva: hanno perso la testa sostituita da grandi elegantissimi cappelli. Così quei corpi sinuosi, gambe lunghissime e seni turgidi sono tremendamente attraenti ma anche ambigui. In realtà non dipingere o scolpire i visi è anche il modo di non caratterizzare come individualità riconoscibili i personaggi. Così essi diventano ognuno e chiunque, ciascuno di noi, pirandellianamente identificati da abiti e maschere. La metafisica assenza dell'individuo si veste di bellezza.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK5HTjDfuUYWUYqCVMnItUCbU367LtFDgUx9z03-HlZE_PJ1jaXxaoSdb7wqSFcSDgd7KG7HCrEFehnjhvwsBr7gzraVLf0KNCwxErdd4FbVuIZZ8pR5MainXgXv-eJqqcbwvGUDiKukw/s1600/IMG_4735_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1108" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiK5HTjDfuUYWUYqCVMnItUCbU367LtFDgUx9z03-HlZE_PJ1jaXxaoSdb7wqSFcSDgd7KG7HCrEFehnjhvwsBr7gzraVLf0KNCwxErdd4FbVuIZZ8pR5MainXgXv-eJqqcbwvGUDiKukw/s640/IMG_4735_m.jpg" title="Silvano D'Orsi" width="442" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Si è parlato molto di ironia per i quadri e sculture del Maestro, ma io colgo dietro alla riflessione ironica sul culto dell'apparenza nella società contemporanea, un senso di struggimento, di anelito ad un'integrità perduta. Ma posseduta mai davvero? Forse il ruolo dell'arte è sempre stato quello di costruire quell'identità e armonia che l'umanità ha intravisto e desiderato ma alle quali si è sentita vicina solo in momenti speciali. L'arte di D'Orsi, attraverso la grazia implacabile delle forme, crea questi momenti ma contemporaneamente ne svela l'inganno.<br />Un elemento ricorrente sono le maschere, volti perfetti da teatro greco, a volte indossate dai suoi pigri Pulcinella, stanchi forse di tarantellare a vuoto, o appoggiate a terra con il nastrino a ghirigoro. Mettono in guardia dalle illusioni ma con un sorriso che stempera il messaggio con grazia.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Silvano lavora per temi che approfondisce e sui quali elabora magnifiche varianti: le moto, i fiori, le famiglie, le metafisiche, le attese, le coppie. In ordine di tempo l'ultima filtra le scene attraverso una tessitura raffinatissima di grigi sfumati d'argento e immersi in una foschia dorata preziosissima; le scene richiamano fotografie di altri tempi, elaborate ai sali d'argento, o la tavolozza lucente e iridescente del Guido Reni maturo nel cosiddetto periodo argenteo. Infatti l'arte di Silvano si inserisce con diritto nella storia dell'arte, ne è una colta erede che non ricorre a citazioni ruffiane né a subdoli calchi. La sua originalità si nutre di cultura, di storia e di studio assiduo senza sfoggi pedanti.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le sculture in bronzo addensano lo spazio sulle loro superfici lucide e articolate dove il ricco panneggio viene creato e sospinto da un vento immaginario a evidenziare le forme eleganti e dinamiche delle figure femminili. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb27jdcFIk7I194JUAsltN6IQjHkrAgX8FzFTEwmCycJNMGDdD-0N5euU52WoBng7SbeBsy2lKo_hSz9qm186uo6Rv4_q5gPRRBfKy8r5YkQAuqVjK792LNBkxQDcerX04XLq05wNBilY/s1600/20180804_202412.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUwZo8sSvDb_ynAGvTHUMfnxhy87lvCmwxTLEN4Arb6th8zi_t9kAC7hMCdDmvA9DYrHB3sBkRPyEKH2A0iVEid3B7M9EKdyZSLV1F5lUvQxTGr7ZvtUs8wnQG-SRye6PLxhhc6A02Uy8/s320/20180804_231350.jpg" title="Silvano D'Orsi" width="240" /> <img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhb27jdcFIk7I194JUAsltN6IQjHkrAgX8FzFTEwmCycJNMGDdD-0N5euU52WoBng7SbeBsy2lKo_hSz9qm186uo6Rv4_q5gPRRBfKy8r5YkQAuqVjK792LNBkxQDcerX04XLq05wNBilY/s320/20180804_202412.jpg" title="Silvano D'Orsi" width="240" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtABtMCv5KFx7Vws9HegusNHAzxniU5kTz0fRbTzyIWk15ymgwMUu6HlLw7PvFsC_qHx2SwLSmUqoVLtuFqYK8-FGxP5YzYFedwqctq8m-oDuQNMoqgSUT0WbwvakdSgKpe1b3lf294Zs/s1600/IMG_4708.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqOGTJj4JmqFUk9wj-3mhIGBvriuI1D1X4Hp8D4OGaXc8z2Ytwse8M6cMZ2cD54BeVcc8ixGZ17nVQ746PlVwyHG_3Ji1PhTL9I0S_S-IVqZdWRsi-OI-b_sbpNuI2SBRq-ABo8mOF_ao/s320/IMG_4935.JPG" title="Silvano D'Orsi" width="213" /> <img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtABtMCv5KFx7Vws9HegusNHAzxniU5kTz0fRbTzyIWk15ymgwMUu6HlLw7PvFsC_qHx2SwLSmUqoVLtuFqYK8-FGxP5YzYFedwqctq8m-oDuQNMoqgSUT0WbwvakdSgKpe1b3lf294Zs/s320/IMG_4708.JPG" title="Silvano D'Orsi" width="213" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG13B5vMKc4MQITtFx6wie_tHAsShVn2LDWT4X3Zn-6gUAYrw5S2We4qZuks7upWD94y0w2qKLryrG3K9F0RsZhbgO5AekPIy9vcR576Xtqu5Ps3dQZPDImlyz9qY_LGN76PJejPtDHJU/s1600/IMG_4716.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc1oTrAyyL7cCMu1fdWRgmS9IPX0w9LQn8O49VkWyJ8Qy3LCCl4-65GtSBLyvyLtyaTnXSDcYFcOWiUUr1Pe60QuVU3f1s2vqgZjErDu1kyhVcTRoWVFfKVc5QXNZn3Llxuxnspt6_2GI/s320/20180804_230703.jpg" title="Silvano D'Orsi" width="240" /> <img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1067" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG13B5vMKc4MQITtFx6wie_tHAsShVn2LDWT4X3Zn-6gUAYrw5S2We4qZuks7upWD94y0w2qKLryrG3K9F0RsZhbgO5AekPIy9vcR576Xtqu5Ps3dQZPDImlyz9qY_LGN76PJejPtDHJU/s320/IMG_4716.JPG" title="Silvano D'Orsi" width="213" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;">I gruppi raccolti dentro una grande vasca da bagno sottolineano dietro l'apparente giocosità quanto in realtà il mondo stia diventando troppo piccolo. Un remo appoggiato da una parte fa credere all'illusione di poterci navigare, quasi la vasca fosse una barca, comunque inadeguata per stare a galla. Una scacchiera inserita nello scafo sottolinea l'elemento di gioco nella vita senza il quale però si affonderebbe. Ognuno si tiene stretti i suoi giocattoli o feticci paludandosi di un'eleganza che l'esiguità dello spazio comunque contraddice. Sembra una riflessione sulla precarietà della condizione umana che cerca di nascondere ai propri occhi dietro le sue convenzioni la realtà vera del suo essere. Forse vi si può leggere un invito alla solidarità umana e alla sincerità.<br />Saper esprimere un giudizio di valore così problematico in forme di irresistibile bellezza è la magia dei quadri e delle sculture di Silvano D'Orsi.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8hhkVb1cwju9l8Q50X9SDaSGcLCMHhfD0_WGXYO0civuQn3jTEOH5Ous_5FGhhA42BAkZUO4J6-qwkCh1eYNsF5Bc78WkD9s96MmggO-35EG8rWSE13ENWzoA3rTr5YGSu9-ywweSGNk/s1600/IMG_4744_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1222" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8hhkVb1cwju9l8Q50X9SDaSGcLCMHhfD0_WGXYO0civuQn3jTEOH5Ous_5FGhhA42BAkZUO4J6-qwkCh1eYNsF5Bc78WkD9s96MmggO-35EG8rWSE13ENWzoA3rTr5YGSu9-ywweSGNk/s640/IMG_4744_m.jpg" title="Silvano D'Orsi" width="488" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il fiscolo dipinto da Pippo Cosenza esprime il senso profondo dell'iniziativa del frantoio Stante e Luciani, trasformando uno strumento di lavoro in un'opera d'arte nella quale fasci di colore creano illusori lampi di luce sui cerchi dell'antica fibra che sembrano ruotare come i solchi di un disco musicale o forse disegnano una mappa stellare.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFrFR6IoYU8aqP2NKnBNQBONSXEgvNqgz_ghBBjzZJLIRiBnnRkvIb9NBu9dAayi3WN635J1Xoan7i1BaI8kFL09bDbg9wVZxsbcONuugIqM12xnqvlSJu4XtAarBPSwcU3ObdsOwrDF4/s1600/IMG_4768_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" data-original-height="1522" data-original-width="1600" height="380" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFrFR6IoYU8aqP2NKnBNQBONSXEgvNqgz_ghBBjzZJLIRiBnnRkvIb9NBu9dAayi3WN635J1Xoan7i1BaI8kFL09bDbg9wVZxsbcONuugIqM12xnqvlSJu4XtAarBPSwcU3ObdsOwrDF4/s400/IMG_4768_m.jpg" title="Pippo Cosenza" width="400" /> </a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Altre informazioni e immagini di opere si trovano nel sito web dell'artista: <a href="https://www.silvanodorsi.it/">https://www.silvanodorsi.it/</a></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-family: "georgia" , "times new roman" , serif;">La
mostra resta aperta fino al 19 agosto 2018. Di seguito, prima della
traduzione inglese dell'articolo, abbiamo inserito una carrellata di
immagini dell'evento.</span> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjq_bhhb6FW4nHfAULDDONPXxiO69a_waLwnQiUY4MHQN_HSsAW6AJFzCuLVqdhVK-5kje3W4bdsboItR_0XK2GU4TTrRpD5wfLt6IyX3FirHdmMuO-p6Nh8aID6-FogLJQg4Sv37OI_Q/s1600/IMG_4865_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1353" data-original-width="1600" height="540" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjq_bhhb6FW4nHfAULDDONPXxiO69a_waLwnQiUY4MHQN_HSsAW6AJFzCuLVqdhVK-5kje3W4bdsboItR_0XK2GU4TTrRpD5wfLt6IyX3FirHdmMuO-p6Nh8aID6-FogLJQg4Sv37OI_Q/s640/IMG_4865_m.jpg" title="Stante e Luciani" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8BluQvDPaGotYsZcZg10ME3lRZuC6MukqIN8ncMb6sZ9988BbPiqA8so9wRohPUhDiVyQH_RrF8EfSWAA5_0IYDFZpEHZY9zrNNtUBSxPcj-KWHugTmDfJYzR0MP84lZoMQ7anVsGw2Q/s1600/IMG_4755_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiejz1_1GsDQa9m-KQAT-DF-jUWnrcoZqgeRv1b7w0005bbBJpRyuBgJWScDdm4UO0tOsdQ22cFNlvtLVc0Fzt48T2-4urU8aEaHcKy8nKqjwq-mv2PqIs5frfD6mTzmCtSk5IJg5OJK0w/s640/IMG_4782_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8BluQvDPaGotYsZcZg10ME3lRZuC6MukqIN8ncMb6sZ9988BbPiqA8so9wRohPUhDiVyQH_RrF8EfSWAA5_0IYDFZpEHZY9zrNNtUBSxPcj-KWHugTmDfJYzR0MP84lZoMQ7anVsGw2Q/s1600/IMG_4755_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1249" data-original-width="1600" height="498" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8BluQvDPaGotYsZcZg10ME3lRZuC6MukqIN8ncMb6sZ9988BbPiqA8so9wRohPUhDiVyQH_RrF8EfSWAA5_0IYDFZpEHZY9zrNNtUBSxPcj-KWHugTmDfJYzR0MP84lZoMQ7anVsGw2Q/s640/IMG_4755_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSYRwezLcNAmf9nOJ80yA2jfHJr6ZZEXxOM9SgWwg8fOO2gvPydNFCdpJz8ebp7VoOPEtAr2C-6PvgogN52fr2v-qomYgFpLvElpS8vGCrkuaEWVk5MZbB94K3EvQ3k3ZUMrUOAKs78zA/s1600/IMG_4843_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli con un'opera di Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1091" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSYRwezLcNAmf9nOJ80yA2jfHJr6ZZEXxOM9SgWwg8fOO2gvPydNFCdpJz8ebp7VoOPEtAr2C-6PvgogN52fr2v-qomYgFpLvElpS8vGCrkuaEWVk5MZbB94K3EvQ3k3ZUMrUOAKs78zA/s640/IMG_4843_m.jpg" title="Rita Castigli con un'opera di Silvano D'Orsi" width="436" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMFJA82AXNJ6-ZdR_xViVRujEKOQfSq5mB02hlVkcDnRszCQkb0eiq7vDbB4IC_wwkpXS7h66pT1o4yQNMABevPLtY_-cA8bqvMsYyL1FosV6-ASHp-JEKAQ48lZWPHHDo8bEqo9rE_LQ/s1600/IMG_4747_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="924" data-original-width="1600" height="368" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMFJA82AXNJ6-ZdR_xViVRujEKOQfSq5mB02hlVkcDnRszCQkb0eiq7vDbB4IC_wwkpXS7h66pT1o4yQNMABevPLtY_-cA8bqvMsYyL1FosV6-ASHp-JEKAQ48lZWPHHDo8bEqo9rE_LQ/s640/IMG_4747_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA2jRcKHi6033J2axZVbMp0Cpm0VDLFUhMN6htUgxpBQxeutuV4nmiu62HlSG4TkgllGk4l9yKCd26TFli_7BchfcgnlsKmBydjh-r0B92ig_AHK_U6o37J0-lr-E4YXM23XacFXDll1A/s1600/IMG_4892_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stante e Luciani" border="0" data-original-height="1600" data-original-width="1100" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhA2jRcKHi6033J2axZVbMp0Cpm0VDLFUhMN6htUgxpBQxeutuV4nmiu62HlSG4TkgllGk4l9yKCd26TFli_7BchfcgnlsKmBydjh-r0B92ig_AHK_U6o37J0-lr-E4YXM23XacFXDll1A/s640/IMG_4892_m.jpg" title="Stante e Luciani" width="438" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgulU7wKwR4lTc4dio4GGATvJfYch6jOhQqvv6F2uJ_OSJPhHsxVozGtXmU9MRo1dG3uwxGBz9cA8AkspiXltyIS78z1nPyMv4ACP3JSpLXLLjipIjMb31oGQR46HYHfAZl9Ww8N_9xSts/s1600/IMG_4896_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1165" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgulU7wKwR4lTc4dio4GGATvJfYch6jOhQqvv6F2uJ_OSJPhHsxVozGtXmU9MRo1dG3uwxGBz9cA8AkspiXltyIS78z1nPyMv4ACP3JSpLXLLjipIjMb31oGQR46HYHfAZl9Ww8N_9xSts/s640/IMG_4896_m.jpg" title="Silvano D'Orsi" width="464" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiood0OcDmTonj6AEszTncAUzcKh6YLiZXE4vNoXa0FAHRlFg560eK0SBuLVv8o6Y1I7QuRaYtwzu5NR6iZiY7zWhyphenhyphenn5TYKBm3OHtTRJgJEeJ5smel3oz9venM_G4wjsFwZehOzqsKM20/s1600/IMG_4898_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1070" data-original-width="1600" height="428" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiood0OcDmTonj6AEszTncAUzcKh6YLiZXE4vNoXa0FAHRlFg560eK0SBuLVv8o6Y1I7QuRaYtwzu5NR6iZiY7zWhyphenhyphenn5TYKBm3OHtTRJgJEeJ5smel3oz9venM_G4wjsFwZehOzqsKM20/s640/IMG_4898_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbZ6N420QqWyCv_FzV-Jho1LnFxbIrhtfKH9VR3CR1Y1eMc73tEC7RFloipxP2PMLPWVYdCujHNnI2k3gr7LC0cO_ajdDtYTb_WsLOadtG8jJ0rMyAK_90iQMYnflPct7SNBrxHox4QYE/s1600/IMG_4883_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stante e Luciani" border="0" data-original-height="1029" data-original-width="1600" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbZ6N420QqWyCv_FzV-Jho1LnFxbIrhtfKH9VR3CR1Y1eMc73tEC7RFloipxP2PMLPWVYdCujHNnI2k3gr7LC0cO_ajdDtYTb_WsLOadtG8jJ0rMyAK_90iQMYnflPct7SNBrxHox4QYE/s640/IMG_4883_m.jpg" title="Stante e Luciani" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY1etn5YyUfC17Vs1Uo8n9Q314N5DnC-kzqzjYoqMUDcCMJ0YvHg-mjN3LNCCB8WhYCbB7C27C4z0Vc4sBSkyFxvdC9v4uz6rvpvgiw2YZrFskwNmAmT3PuYcW_wriew2Ly9FAulE8Grg/s1600/IMG_4907.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli con Nicola Priori e Pippo Cosenza" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgY1etn5YyUfC17Vs1Uo8n9Q314N5DnC-kzqzjYoqMUDcCMJ0YvHg-mjN3LNCCB8WhYCbB7C27C4z0Vc4sBSkyFxvdC9v4uz6rvpvgiw2YZrFskwNmAmT3PuYcW_wriew2Ly9FAulE8Grg/s640/IMG_4907.JPG" title="Rita Castigli, Nicola Priori e Pippo Cosenza" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDlyb7KPt9rxG7a-H1HMcGy9qfil2qycN21k86OVgUB9GYtGTnnJjixe9DbpC2OT0nk9bZMDrv4pMb5DrJFQnOhAeHKRqUtnK72HYBuIP6SQHbe9eTrkFra3premJnjNLlio_UH8uEu8/s1600/IMG_4827_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1152" data-original-width="1600" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDlyb7KPt9rxG7a-H1HMcGy9qfil2qycN21k86OVgUB9GYtGTnnJjixe9DbpC2OT0nk9bZMDrv4pMb5DrJFQnOhAeHKRqUtnK72HYBuIP6SQHbe9eTrkFra3premJnjNLlio_UH8uEu8/s640/IMG_4827_m.jpg" title="Silvano D'Orsi" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsvAgW3lv7zQqFq9ioBMQ9fFqrWLAb7UhrQhzW-92AAA3u3q0jH869piYH3jzVe7wB8WhwS-z9hNTrFwN4CFUMu5xlQ89J0SfhqHaQ78AJBgxwZQHub7klIuwlcOCXz0NWMS9rhq4yGPk/s1600/IMG_4861_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fossacesia" border="0" data-original-height="825" data-original-width="1600" height="328" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsvAgW3lv7zQqFq9ioBMQ9fFqrWLAb7UhrQhzW-92AAA3u3q0jH869piYH3jzVe7wB8WhwS-z9hNTrFwN4CFUMu5xlQ89J0SfhqHaQ78AJBgxwZQHub7klIuwlcOCXz0NWMS9rhq4yGPk/s640/IMG_4861_m.jpg" title="Stante e Luciani" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_AtqD2m47cxRKDDHtRVpYtVzU5_O06wMIFjgJSlAZvis8DjzZ2lG4S3CIp8ZCoeIoQG_v_HDSIw9tkv3IJRlZOLEL7wk7UkQVK7tu67QEBJ8Ahh44jbmI2DVrg36oeXLESYM3FC_v0Oc/s1600/IMG_4890_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stante e Luciani" border="0" data-original-height="1600" data-original-width="1095" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_AtqD2m47cxRKDDHtRVpYtVzU5_O06wMIFjgJSlAZvis8DjzZ2lG4S3CIp8ZCoeIoQG_v_HDSIw9tkv3IJRlZOLEL7wk7UkQVK7tu67QEBJ8Ahh44jbmI2DVrg36oeXLESYM3FC_v0Oc/s640/IMG_4890_m.jpg" title="Stante e Luciani" width="438" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;"><i><span style="font-size: small;">* * *</span></i></span></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;"><i><span style="font-size: small;"> </span> </i></span></b></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b><span style="font-size: x-large;"><i>Metaphysics at the olive press</i></span></b></span></div>
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<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;"><i>Paintings and sculptures by Silvano D'Orsi at the Stante and Luciani ancient mill in Fossacesia</i></span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>For over ten years the owners of the historic Abruzzo mill have not been contented only with the meticulous care of the excellence of their products, but have promoted the knowledge of the other great and incomparable excellence of our country, that is Art. In August 2018, as part of the "Castelli in Arte" exhibition, they are hosting a large collection of works by Maestro Silvano D'Orsi, which includes a comprehensive sample of his current production and some examples of previous works; the exhibition is curated by Pippo Cosenza and presented by him with Rita Castigli.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Man from the South, from Gioia Sannitica, descendant of that Italic population who imported works of art from Greece and Magna Graecia, he inherited that innate perfection of sign, that magic of beauty that the intellectuals of the late 1600s, even after undisputed geniuses like Leonardo and Raphael, Michelangelo and Caravaggio, believed so that the natural perfection of divinized humanity had never been reached again, that synthesis that seemed written in the sky, by shapes of clouds, by streams of water, by laces of flowers and of leaves. The same magic is in the style of Silvano D'Orsi, but beauty would not suffice to explain the charm that it arouses.<br />His works of 40 years ago are already recognisably his. The first one I have studied is a mural painting in Mugnano (PG) of 1983: two women who already have an intriguing combination of abstraction and sensuality , a difficult combination that still characterizes the women of D'Orsi. When I say "women" I do not take account of their subsequent evolution: they have lost their heads and replaced them by large elegant hats. So those sinuous bodies, long legs and turgid breasts are tremendously attractive but also ambiguous. Not actually painting or sculpting faces is also the way of not creating recognisable individualities. So they become each and everyone, each of us, only identified by clothes and masks. The metaphysical absence of the individual is dressed in beauty.<br />There has been much talk of irony for D'Orsi's paintings and sculptures, but I feel, behind the ironic reflection on the cult of appearance in contemporary society, a sense of yearning, of yearning for lost integrity. But ever really possessed? Perhaps the role of art has always been to build that identity and harmony that humanity has always glimpsed and desired but felt close only in special moments. D'Orsi's art, through the implacable grace of shapes, creates those moments but at the same time reveals their deception.<br />A recurrent element is the presence of masks, perfect faces from the Greek theatre, sometimes worn by a lazy Pulcinella, tired perhaps of jumping for nothing, or placed on the ground with their curled ribbons. They warn against illusions but with a smile that smoothes the message gracefully.<br />Silvano works on themes that he deepens and on which he elaborates magnificent variations: motorcycles, flowers, families, metaphysics, expectations, couples. In order of time, his latest scenes are filtered through a refined texture of silver gray and immersed in a very precious golden mist; the canvases recall photographs of other times, elaborated with silver salts, or the bright and iridescent palette of Guido Reni in the so-called silver period. In fact D'Orsi's art fits in the history of art, he is a cultured heir who does not use quotations nor subtle casts. His originality is nourished by culture, history and assiduous study without pedantic flaunts.<br />The bronze sculptures fill the space around them by their shiny and articulated surfaces where the rich drapery is pushed by an imaginary wind to highlight the elegant and dynamic shapes of the female figures.<br />Groups of people gathered in a large bathtub underline the apparent playfulness of a human condition of precariousness. An oar leaning on one side makes believe the illusion of being able to navigate, as though the tub was a boat, however too small to stay afloat. A chessboard inserted into the hull emphasizes the element of game in life without which it would sink. Everyone keeps his toys or fetishes tight, holding on to an elegance that the smallness of the space contradicts. The scene seems a reflection on the precariousness of human beings who try to hide </i></span><span style="font-family: "georgia" , "times new roman" , serif;"><i><span style="font-family: "georgia" , "times new roman" , serif;"><i>the true reality</i></span> behind conventions. Perhaps you can feel an invitation to human solidarity and sincerity.<br />The magic of Silvano D'Orsi's paintings and sculptures is able to express a deep and problematic judgment of value in forms of irresistible beauty.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdvB7a9l6D5I-kM67-c_x5bmZW4ew6PNby1Upqi8dwoJOdL-_nCMiu_iu_9g9n_eYPGE7d1DOVx-tWOwGDSQg8RIup56G3UcIthHMAl-zlopAPdZK57ik91ScKct8u-ALH_KX4Nm9UfJ4/s1600/locandina.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1121" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdvB7a9l6D5I-kM67-c_x5bmZW4ew6PNby1Upqi8dwoJOdL-_nCMiu_iu_9g9n_eYPGE7d1DOVx-tWOwGDSQg8RIup56G3UcIthHMAl-zlopAPdZK57ik91ScKct8u-ALH_KX4Nm9UfJ4/s400/locandina.jpg" title="Stante e Luciani" width="280" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnvgJBEPwlAQHrmNNxeCIV80oGs0MhuwU6YwuDDN4vGJhonCNxxBREJIU6TI5k3Z5nmI-UpGZYYzh-rCOS8d8T2wxgCroAooL1NqEthA_SNbHFG_0lLUZFkmiSeeVQsHHZKhArBWlQubk/s1600/nike.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1143" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnvgJBEPwlAQHrmNNxeCIV80oGs0MhuwU6YwuDDN4vGJhonCNxxBREJIU6TI5k3Z5nmI-UpGZYYzh-rCOS8d8T2wxgCroAooL1NqEthA_SNbHFG_0lLUZFkmiSeeVQsHHZKhArBWlQubk/s400/nike.jpg" title="Silvano D'Orsi" width="285" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXMs6xsntWmFI3ydm8z27WmDZB284ApSrRfVN-fYD8XRAPU8hYf1c_Uh-D5n7jItBRfjYKoYh3HT0E5e9fuVojNRZf84w-MYKZo45lgXS2CCudsdmaXD2vKGgpUrAn0ZXUDjI4USHS-Y/s1600/sculture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1162" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqXMs6xsntWmFI3ydm8z27WmDZB284ApSrRfVN-fYD8XRAPU8hYf1c_Uh-D5n7jItBRfjYKoYh3HT0E5e9fuVojNRZf84w-MYKZo45lgXS2CCudsdmaXD2vKGgpUrAn0ZXUDjI4USHS-Y/s400/sculture.jpg" title="Silvano D'Orsi" width="290" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiThTuTqsC1rd888DtVRqLbJrse0p7L_ijLtaH_1xGDYgECt0T46XFmFhV03WHTihFqk_4MWVytjtC1vyLBkGYKBvvJOgY414sSWBRYMo_PmVZnm7N-eA675Cd2b6t3JANQ6pEowp3DKq0/s1600/sgarbi1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1154" data-original-width="1600" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiThTuTqsC1rd888DtVRqLbJrse0p7L_ijLtaH_1xGDYgECt0T46XFmFhV03WHTihFqk_4MWVytjtC1vyLBkGYKBvvJOgY414sSWBRYMo_PmVZnm7N-eA675Cd2b6t3JANQ6pEowp3DKq0/s400/sgarbi1.jpg" title="Rita Castigli" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHs0nMlO2V2HeiAtpRBYe467AJeV2CoH9qrh-HYIJq-5ptrJ79dn5ZnTp66VYox1yei1Ki5PRTKI35vV8J120yKjXOFugabXHEgud9JJoCG4ZTpem4Tpn_p-dKXxqnwHiH7-Rb9C1Rmvg/s1600/sgarbigirl.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1229" data-original-width="1600" height="306" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHs0nMlO2V2HeiAtpRBYe467AJeV2CoH9qrh-HYIJq-5ptrJ79dn5ZnTp66VYox1yei1Ki5PRTKI35vV8J120yKjXOFugabXHEgud9JJoCG4ZTpem4Tpn_p-dKXxqnwHiH7-Rb9C1Rmvg/s400/sgarbigirl.jpg" title="Rita Castigli" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-76310913769988406662018-07-01T19:18:00.002+02:002018-07-02T17:07:24.057+02:00Il Palazzo e il Pozzo<span style="font-size: large;"><span style="font-family: "georgia" , "times new roman" , serif;">Giuseppe Fioroni tra presente, passato e sogni</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXmu9RHVnRjaUVVifvtmNIEq78eScdf_d6RqFbpm-XMZOj3ohQfdv4ifZUI2GDCEWtrN2qrXRxG9RCKdPEWeP-njlDrjfsEYtyNZMeah4bK23nmXpzBdGU0hnz1fcODO2saHEf7RWjAI/s1600/IMG_4288_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirXmu9RHVnRjaUVVifvtmNIEq78eScdf_d6RqFbpm-XMZOj3ohQfdv4ifZUI2GDCEWtrN2qrXRxG9RCKdPEWeP-njlDrjfsEYtyNZMeah4bK23nmXpzBdGU0hnz1fcODO2saHEf7RWjAI/s640/IMG_4288_m.jpg" title="Giuseppe Fioroni" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Per raccontare la lunga carriera di questo artista occorrerebbero molte ore e libri ponderosi. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Mi limiterò qui ad accennare alle sue mostre ospitate da sedi di altissimo prestigio a Washington, Potsdam, Madrid e Londra oltre che in Italia; citerò soltanto quella <a href="http://artenellavita.blogspot.com/2014/07/onirica.html" target="_blank">del 2014</a> a Palazzo Medici Riccardi a Firenze e quella appena conclusa </span><span style="font-family: "georgia" , "times new roman" , serif;">nella Sala Vasariana </span><span style="font-family: "georgia" , "times new roman" , serif;">del palazzo della Cancelleria Apostolica Vaticana a Roma, alla quale si riferiscono le immagini della prima parte di questo articolo.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br />Della sua pittura hanno parlato grandi nomi della critica d'arte come Vittorio Sgarbi e Philippe Daverio, e invitiamo tutti ad accedere al <a href="http://www.gfioroni.it/" target="_blank">sito web </a>dell'artista per conoscere la sua ricchissima bibliografia, o a sfogliare i suoi splendidi cataloghi.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijGgEfoi5CkykSg_tyD0eJURmtfIy6TPmJVGQvJQnLDUmljMQVnuV2wbEK_gklN14DxCz72NGnVf1nvl60Ng7J1ILAkDv7x9uIqKxwP9EVwShc92hLxzAqnXOApSsWUgVoHZhthbcZBVk/s1600/IMG_4202.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijGgEfoi5CkykSg_tyD0eJURmtfIy6TPmJVGQvJQnLDUmljMQVnuV2wbEK_gklN14DxCz72NGnVf1nvl60Ng7J1ILAkDv7x9uIqKxwP9EVwShc92hLxzAqnXOApSsWUgVoHZhthbcZBVk/s640/IMG_4202.JPG" title="Giuseppe Fioroni" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8JpbOhjO9cE0kuyfG6YhmPIlFXW9wQ5sbEP81yrYqVpl0pbgjINEl7M3nabdiQLrKCq0fUmDf3dB7S2ElbJqmeHHyccAUBhnGsRkaRsOutVtsKy_8ynX5DYfP50zHT4Q67mg6XaP5B0U/s1600/IMG_4210.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni con Philippe Daverio" border="0" data-original-height="1109" data-original-width="1600" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8JpbOhjO9cE0kuyfG6YhmPIlFXW9wQ5sbEP81yrYqVpl0pbgjINEl7M3nabdiQLrKCq0fUmDf3dB7S2ElbJqmeHHyccAUBhnGsRkaRsOutVtsKy_8ynX5DYfP50zHT4Q67mg6XaP5B0U/s640/IMG_4210.JPG" title="Giuseppe Fioroni con Philippe Daverio" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDCCh4JUlnl_Dkp2Zwvr9e8XjvwKGblwAWSjwnR-WfACPN5v5e8VaUtIzfCV6WXSJLbaMw9cbd29FUid-5Lqi-DMTzL7WJJkNWsPUcKgT61Zp4qhNYCE5urqTWM0yQ7ZNe005MYnu5kOs/s1600/IMG_4227.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cancelleria Apostolica, Sala Vasariana" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDCCh4JUlnl_Dkp2Zwvr9e8XjvwKGblwAWSjwnR-WfACPN5v5e8VaUtIzfCV6WXSJLbaMw9cbd29FUid-5Lqi-DMTzL7WJJkNWsPUcKgT61Zp4qhNYCE5urqTWM0yQ7ZNe005MYnu5kOs/s640/IMG_4227.JPG" title="Cancelleria Apostolica, Sala Vasariana" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBe3HNPRk-3wvlWp4rV5NOZuT8CLoX_5xAanQ_AMYJaLHMy8RwTRa2uNGA21mI_U6eIsRS9OLRK1f772wBHrf1DwpdKtJ9ovWN1PWBDAxmKrtlEotOVOxUVbb7ZPiC8DWLujKWwDcffLw/s1600/IMG_4247.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBe3HNPRk-3wvlWp4rV5NOZuT8CLoX_5xAanQ_AMYJaLHMy8RwTRa2uNGA21mI_U6eIsRS9OLRK1f772wBHrf1DwpdKtJ9ovWN1PWBDAxmKrtlEotOVOxUVbb7ZPiC8DWLujKWwDcffLw/s640/IMG_4247.JPG" title="Giuseppe Fioroni" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Perché tanto interesse e tanto amore? Ovviamente non può essere solo il fascino del personaggio che con la fisarmonica fa rivivere gustose tradizioni popolari umbre e anche celtiche, o la simpatia e la curiosità che Fioroni suscita dal primo incontro, o l'impressione che sia un mago, come scrive D'Averio. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sono proprio le sue opere che accolgono gioiosamente lo spettatore nel loro spazio emozionale, uno spazio esuberante e tenero che sa risvegliare in noi la meraviglia dell'infanzia. Personaggi affascinanti si fanno strada nel colore venendo incontro allo spettatore attraverso uno spazio denso di presenze misteriose e fluide. Il loro movimento è dall'invisibile al visibile, dal passato al presente, dal sogno alla realtà, ma senza mai varcarne la soglia. Ne restano sempre al di là, come trattenuti dalle trame del colore, trame anche di storie, di racconti, di poesie.<br />Fioroni è fedele a un linguaggio che è comprensibile e insieme complesso, pieno di affettività e di rimandi alle favole e al circo dove la fantasia spazia e gioca, dove tutto è familiare e insieme sorprendente.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYANph7tkBPqjnEJ5ms1SJMAaQMxUwDDXhH194_NoucuQJUQSFE453m3-9u4N2bzdLxtdjlsf_qAAd5nGyjRgmcB65mFGTghkgtU5Fgan0t34OoFGNnWsedOUZu2uENt61dT7f9Sl4DI/s1600/IMG_4259_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1097" data-original-width="1600" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiZYANph7tkBPqjnEJ5ms1SJMAaQMxUwDDXhH194_NoucuQJUQSFE453m3-9u4N2bzdLxtdjlsf_qAAd5nGyjRgmcB65mFGTghkgtU5Fgan0t34OoFGNnWsedOUZu2uENt61dT7f9Sl4DI/s640/IMG_4259_m.jpg" title="Giuseppe Fioroni" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdHMRJ3cLW3A2_PJxNMP3p0cZvRQc1CkN8TG-GOIR8g59KtnxYRefdNQ3oF3TXST25yNyTK1FNlMHKKLobNOs8UWL4fGjf5RCjsJk-9ERSHlVaBuUqOnKQUOQU2fMP1fJYuxXy-SBM9o/s1600/IMG_4301_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgTdHMRJ3cLW3A2_PJxNMP3p0cZvRQc1CkN8TG-GOIR8g59KtnxYRefdNQ3oF3TXST25yNyTK1FNlMHKKLobNOs8UWL4fGjf5RCjsJk-9ERSHlVaBuUqOnKQUOQU2fMP1fJYuxXy-SBM9o/s640/IMG_4301_m.jpg" title="Giuseppe Fioroni" width="425" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIpM7PtUh-s4Pcf59Bm81LFapiP2KqpQXyXbGdQZnqPU4DQCR4XD5pO8phyphenhyphen9AEJdx3Xr3dzpryazjmOX5HF48TjbAwkMqSie77MrqLPqnLEhyPk8oYUJenh66uiY0TzrOa2lWNNbOggrM/s1600/IMG_4299_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1082" data-original-width="1600" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIpM7PtUh-s4Pcf59Bm81LFapiP2KqpQXyXbGdQZnqPU4DQCR4XD5pO8phyphenhyphen9AEJdx3Xr3dzpryazjmOX5HF48TjbAwkMqSie77MrqLPqnLEhyPk8oYUJenh66uiY0TzrOa2lWNNbOggrM/s640/IMG_4299_m.jpg" title="Giuseppe Fioroni" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUnUvrjrh_2RpdD6Fp_dupk9lB0VwZUW1D74zZq8tRpgvMTm0XVS8idDEcAbqTW511eYUmswSEeZ4HYEsfR1rapuXuu0QzOX7GtYdwBZembRtd6lav926LI99g5ah2WmxVsrG130XUROs/s1600/IMG_4272_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1067" data-original-width="1600" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUnUvrjrh_2RpdD6Fp_dupk9lB0VwZUW1D74zZq8tRpgvMTm0XVS8idDEcAbqTW511eYUmswSEeZ4HYEsfR1rapuXuu0QzOX7GtYdwBZembRtd6lav926LI99g5ah2WmxVsrG130XUROs/s640/IMG_4272_m.jpg" title="Giuseppe Fioroni" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDFp8leaf69W-dU5meKlmJEgG9-GrCx270py7jPgbM-MisZtc_VvXhGeSXMoCTCohOoFLw_GBEwBXf78NzosFbRgXD8Anz4w39l8O_ouc6nefV-v9r7_vMLll95hI9HtkyZ_aFp4QUZNM/s1600/IMG_4273_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDFp8leaf69W-dU5meKlmJEgG9-GrCx270py7jPgbM-MisZtc_VvXhGeSXMoCTCohOoFLw_GBEwBXf78NzosFbRgXD8Anz4w39l8O_ouc6nefV-v9r7_vMLll95hI9HtkyZ_aFp4QUZNM/s400/IMG_4273_m.jpg" title="Giuseppe Fioroni" width="266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwQYY4nUTLoeDnDaV2SJUYMI8RkBdarnJKyl7yi8aycTpBknO4L1l8K9ntMhQ7fjcLqsav_dTCdmFCnjSqvAfsIM1bKXIKTEyck8AsgNcUVel1gje2HgKSqfyUyr6QR6fphu7ffGB3DQ4/s1600/IMG_4296_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwQYY4nUTLoeDnDaV2SJUYMI8RkBdarnJKyl7yi8aycTpBknO4L1l8K9ntMhQ7fjcLqsav_dTCdmFCnjSqvAfsIM1bKXIKTEyck8AsgNcUVel1gje2HgKSqfyUyr6QR6fphu7ffGB3DQ4/s400/IMG_4296_m.jpg" title="Giuseppe Fioroni" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfhPow7kJhUoPtXYYVjVmLCBUG65eTWkTQ1UsvMZ0jr2N-Was4mEdX1LaCKbeOrr68MRW0QKekOeAE1fvyKu9iUQnewS9M8amd3H4BgeqK_lZRZX0vLId4vc-FFUtuJ9w2kUnwViBBebI/s1600/IMG_4303_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1063" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfhPow7kJhUoPtXYYVjVmLCBUG65eTWkTQ1UsvMZ0jr2N-Was4mEdX1LaCKbeOrr68MRW0QKekOeAE1fvyKu9iUQnewS9M8amd3H4BgeqK_lZRZX0vLId4vc-FFUtuJ9w2kUnwViBBebI/s400/IMG_4303_m.jpg" title="Giuseppe Fioroni" width="265" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs27TZCDgxpKthg2hk8GEcPkHwOWj3TpasNefLfR31boHKIanyyBLmq1tx_RZZG55VBztXbkxRk4OTQ1y9NIc1mIQLS7KM91zCEZ6WXd2Xw52W5ieO7EVLsYnuVs7XyYzpteQKPmxljA8/s1600/IMG_4264_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjs27TZCDgxpKthg2hk8GEcPkHwOWj3TpasNefLfR31boHKIanyyBLmq1tx_RZZG55VBztXbkxRk4OTQ1y9NIc1mIQLS7KM91zCEZ6WXd2Xw52W5ieO7EVLsYnuVs7XyYzpteQKPmxljA8/s400/IMG_4264_m.jpg" title="Giuseppe Fioroni" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj569RKB34XA2abF8CShlhGR-1EOl1GCw9hh1fKpw2vaEUj164FoQYPNLbCUsYuLqxbWhgmi3VNrtf3wEg-7vmXQlik90B7PphyphenhyphenSpCucpxvjkD31-leapsBeyUfajZ0veZVeZloxi6asJs/s1600/IMG_4306_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1045" data-original-width="1600" height="418" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj569RKB34XA2abF8CShlhGR-1EOl1GCw9hh1fKpw2vaEUj164FoQYPNLbCUsYuLqxbWhgmi3VNrtf3wEg-7vmXQlik90B7PphyphenhyphenSpCucpxvjkD31-leapsBeyUfajZ0veZVeZloxi6asJs/s640/IMG_4306_m.jpg" title="Giuseppe Fioroni" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Se nei lavori su tela colpisce l'avventura e la libertà del colore che si addensa a dare apparente concretezza alle figure e che poi intorno si allarga in trasparenze come vapori e nuvole, nelle ceramiche l'espressività di Fioroni agisce sui volumi, tanto che nei piatti e nelle formelle li evidenzia con tratti che incidono la superficie.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">La Torre di Babele diventa la grande metafora del mondo di oggi, con la scala che in un crescendo di solitudine e di violenza la percorre verso la cima dove la ferita delle Torri Gemelle marca l'orrore cui si può giungere.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">I Presepi raccontano la storia della Nascita nelle lingue più varie ma sempre fresca e commovente. Nei piatti la bizzarria giocosa di Fioroni trova un altro campo di espressione originale ed estroso.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2D0kYmKWSiqqmc2RwZM1Bo5GX4qzLgFq3DN3Rec6OqnN3ZFRBBgIyq4aJL9ssgPaRGIoSZ64uMt3h_VByfUkhirsq-SFobI3B0Q5KDMxuWlMaGz0sZimdYfyT80JZKKK8d5kQYIMbeGU/s1600/IMG_4274_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="987" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2D0kYmKWSiqqmc2RwZM1Bo5GX4qzLgFq3DN3Rec6OqnN3ZFRBBgIyq4aJL9ssgPaRGIoSZ64uMt3h_VByfUkhirsq-SFobI3B0Q5KDMxuWlMaGz0sZimdYfyT80JZKKK8d5kQYIMbeGU/s640/IMG_4274_m.jpg" title="Giuseppe Fioroni" width="394" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53ju0a84vkGFEMjkVkASfFML3nhfOAbBWVjivB2S1JF4PrlhH0fcIC7os35WCMWjzXZnXkCcYIPL3IA_5SQAoPwtLx_5KNpIawNbhJSQcET6ThiAXRX1L_xOW7C671f-RSF51Ge8-BwU/s1600/IMG_4297_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi53ju0a84vkGFEMjkVkASfFML3nhfOAbBWVjivB2S1JF4PrlhH0fcIC7os35WCMWjzXZnXkCcYIPL3IA_5SQAoPwtLx_5KNpIawNbhJSQcET6ThiAXRX1L_xOW7C671f-RSF51Ge8-BwU/s400/IMG_4297_m.jpg" title="Giuseppe Fioroni" width="266" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJY71NCwGvDVF5S845wGE4_7QHvLkDIteP-V1xJDYgmd8ptSiuCHqLw3dN_xmS43FimOz9IsH9QK2q_JJas-SZP7sUkh1KXid3TkUmLzMmMaJQGC2GKwmq7CTuKzocC-7aWQdGvN6kTLM/s1600/IMG_4298_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="1600" data-original-width="972" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJY71NCwGvDVF5S845wGE4_7QHvLkDIteP-V1xJDYgmd8ptSiuCHqLw3dN_xmS43FimOz9IsH9QK2q_JJas-SZP7sUkh1KXid3TkUmLzMmMaJQGC2GKwmq7CTuKzocC-7aWQdGvN6kTLM/s400/IMG_4298_m.jpg" title="Giuseppe Fioroni" width="242" /></a></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjByptweYdmkoe95JcMF-S6R6xyuHyEPDpaMFCZBH_j8kFp53A4LzCVHprzv_-_NqEh5t_3SrhEjsAh5KUR42kYj7Ty00hRaK0jDNGyh1myAW8ZcFdjvJOTF1_shc5YMW4DP4i0OOm_YzQ/s1600/007.jpeg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Giuseppe Fioroni" border="0" data-original-height="600" data-original-width="800" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjByptweYdmkoe95JcMF-S6R6xyuHyEPDpaMFCZBH_j8kFp53A4LzCVHprzv_-_NqEh5t_3SrhEjsAh5KUR42kYj7Ty00hRaK0jDNGyh1myAW8ZcFdjvJOTF1_shc5YMW4DP4i0OOm_YzQ/s640/007.jpeg" title="Giuseppe Fioroni" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(Foto Paolo Ficola)</td></tr>
</tbody></table>
<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxxYjj24Q5WPZl4kMUzkYKd5Ihk7tnL2-NVrmNDRLPUXrJK03fdCzYqObw8qE8I-qfsnX3DmDXxM95a3QWLuW1aaDW-mutRepp8d6fmY3GGQb_8EDJt8iIptcqaIk_FWYJL9pU29PfvRU/s1600/0040160214.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Giuseppe Fioroni" border="0" data-original-height="675" data-original-width="650" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjxxYjj24Q5WPZl4kMUzkYKd5Ihk7tnL2-NVrmNDRLPUXrJK03fdCzYqObw8qE8I-qfsnX3DmDXxM95a3QWLuW1aaDW-mutRepp8d6fmY3GGQb_8EDJt8iIptcqaIk_FWYJL9pU29PfvRU/s640/0040160214.jpg" title="Giuseppe Fioroni" width="616" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(Foto Paolo Ficola)</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">A conclusione di questa prima parte, vorrei citare i due grandi critici che ho menzionato all'inizio: secondo </span><span style="font-family: "georgia" , "times new roman" , serif;">Vittorio Sgarbi Fioroni “è al
confine tra reale e irreale, storia e metastoria, dipinto e ceramica,
fra astrazione e figurazione. È in questo azzardo continuo, all'interno
di una poesia che riscontra la magia nelle cose semplici, che va cercata
la radice più autentica dell'arte di Giuseppe Fioroni”.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Philippe Daverio suggerisce che Fioroni riprende il corso
della storia dell'arte dalla sospensione che la prima guerra mondiale
aveva provocato, e lo avvicina a James Ensor e a Maurice de Vlaminck
prima che “il fango delle trincee rendesse cupa la sua tavolozza”; lo
accosta “agli arlecchini rosa del primo Picasso e agli svolazzi celesti
di Marc Chagall”. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Non si tratta certo di imitazione, ma del riscoprire
una freschezza espressiva ricca di evocazioni e di vibrazioni che
imprimono alle sue opere un denso e intenso valore poetico.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">* * * </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfihOVwm884T4JeX3WJzjFm_VqyQYoDY9UaYE77jkdWoO5Ep0sgtS6EGv30qpjtzueUrYAuAjx1u7xzalhCkBcFHT40SFFke8VSkAz7v6OkHcWz1byvn7tOoLTaVSl68_CkUALS4OYemU/s1600/IMG_4676.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni a Mugnano" border="0" data-original-height="1155" data-original-width="1600" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjfihOVwm884T4JeX3WJzjFm_VqyQYoDY9UaYE77jkdWoO5Ep0sgtS6EGv30qpjtzueUrYAuAjx1u7xzalhCkBcFHT40SFFke8VSkAz7v6OkHcWz1byvn7tOoLTaVSl68_CkUALS4OYemU/s640/IMG_4676.JPG" title="Giuseppe Fioroni a Mugnano" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhInV1w4uEnlL8EagCKojD9F4R9jy8g9bA4ZCF-FHR2a5MOG21jcVeF7AbYIZkYyRuTwUN0q0IaAFURYJ_gq3RVcEnH1qK1JQ03dVhvSQinLt0-KygQwXOMjvU8Vg8zSLSZ7Ruj2TzIV7k/s1600/IMG_4677.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni a Mugnano" border="0" data-original-height="1151" data-original-width="1600" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhInV1w4uEnlL8EagCKojD9F4R9jy8g9bA4ZCF-FHR2a5MOG21jcVeF7AbYIZkYyRuTwUN0q0IaAFURYJ_gq3RVcEnH1qK1JQ03dVhvSQinLt0-KygQwXOMjvU8Vg8zSLSZ7Ruj2TzIV7k/s640/IMG_4677.JPG" title="Giuseppe Fioroni a Mugnano" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ma Giuseppe Fioroni è noto anche per la generosità e l'amore per la sua terra.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Il suo più recente regalo è un'opera di grande fascino e poesia donata a <a href="http://artenellavita.blogspot.com/2013/07/notturno-mugnano.html" target="_blank">Mugnano</a>, il paese dei Muri Dipinti tra Perugia e il lago Trasimeno.<br />Sette formelle in ceramica si incastonano nel pozzo della Piazza del Castello al centro del paese, facendone un gioiello lucido e brillante. Nel realizzarle l'artista ha obbedito al sentimento di affetto che lo lega a Mugnano, paese da lui frequentato tanto tempo fa e del quale ricorda personaggi e amici cari.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6l-6CVtrmM3cTNjMPd6DS4vddP-nrBkGeitSjJaxfCEjjts-olUGLCmDQCeezQw0cH_YEDgcJqWaUOE7_GIydpZe_1zrWaz8rFWlPxgY6Ks-6wq_l4fhZvQgumt2r07gx7JHDdSZkRhc/s1600/35972884_1714138518666118_8463824984865767424_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="927" data-original-width="642" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6l-6CVtrmM3cTNjMPd6DS4vddP-nrBkGeitSjJaxfCEjjts-olUGLCmDQCeezQw0cH_YEDgcJqWaUOE7_GIydpZe_1zrWaz8rFWlPxgY6Ks-6wq_l4fhZvQgumt2r07gx7JHDdSZkRhc/s400/35972884_1714138518666118_8463824984865767424_n.jpg" title="Giuseppe Fioroni" width="276" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1fM-9s0ur0SWWsPTfkpmuMeY71XaAFChj0aLsAq9Oj3mUgrfWYLkCFSs5NtFh1vHueF2jZIT4ikVh_jK9TgwHfmd5igyjov-jIVSqx2U9UukosDjCFjRBillt3UPIvIYNDE_MYcx640U/s1600/36114140_1714138515332785_2600348362649632768_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="942" data-original-width="642" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1fM-9s0ur0SWWsPTfkpmuMeY71XaAFChj0aLsAq9Oj3mUgrfWYLkCFSs5NtFh1vHueF2jZIT4ikVh_jK9TgwHfmd5igyjov-jIVSqx2U9UukosDjCFjRBillt3UPIvIYNDE_MYcx640U/s400/36114140_1714138515332785_2600348362649632768_n.jpg" title="Giuseppe Fioroni" width="272" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKGUoLYZMFPtsnas0d-Kw2LzWH_-sW12poAM5O6FnhXxStPxhnZOj6WBBraV4TLgdBwQrNhMHmngr3_XFyy24JmEY4LEvLxXxPepbkv7aaxAFu1N8i6DBU1xv6jhsCOW9KJECcL03lEeM/s1600/35128942_1714138661999437_3052673242859831296_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni" border="0" data-original-height="960" data-original-width="655" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKGUoLYZMFPtsnas0d-Kw2LzWH_-sW12poAM5O6FnhXxStPxhnZOj6WBBraV4TLgdBwQrNhMHmngr3_XFyy24JmEY4LEvLxXxPepbkv7aaxAFu1N8i6DBU1xv6jhsCOW9KJECcL03lEeM/s400/35128942_1714138661999437_3052673242859831296_n.jpg" title="Giuseppe Fioroni" width="272" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ogni formella è parte di un racconto che suona come un canto epico, alto, dove i personaggi sono protagonisti di una grande avventura spirituale e storica. Questo è vero per i cavalieri rappresentati, ma vale anche per gli artigiani e i contadini. C'è il richiamo a fatti reali ma questi sembrano sognati, prendono forme e colori che la fantasia ha trasformato e cosparso di magia, come nei dipinti medievali dove il mondo sensibile si sublima verso l'astrazione.<br />Cavalieri di Malta, Templari e monaci Benedettini richiamano la storia di Mugnano e le sue origini e ci proiettano nel mito e nel Medioevo. Il Medioevo è anche e soprattutto una dimensione dello spirito, la possibilità della verità del sogno, la fantasia che trasfigura la realtà. Nel percorrere i vicoli del paese si può sentire che ci sono quei personaggi che nei loro nobili costumi, come numi tutelari, vegliano da una distanza stellare e celeste sulla cinta muraria antica sette secoli e sulle sue torri belle e possenti.<br />L'arte di Fioroni realizza questa magia perché parla al cuore spingendo l'immaginazione a prendere il volo. Il tempo fermato nelle formelle riprende il suo cammino portando con sé quei valori e quei miti che diventano parte dell'oggi e ne illuminano il senso con richiami ancestrali.<br />Quella vera di pozzo, proprio come una vera nuziale, sposa due universi, passato e presente, realtà e fantasia, storia e mito, in una gioiosa armonia che l'arte di Fioroni sa creare.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">* * * </span></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: x-large;">The Palace and the Well</span><br /><br /><span style="font-size: large;">Giuseppe Fioroni between present, past and dreams</span><br /><br />To tell the long career of this artist would take many hours and ponderous books.<br />I will limit myself here to mentioning his exhibitions hosted by highly prestigious locations in Washington, Potsdam, Madrid and London as well as in Italy; I will mention only the one in <a href="http://artenellavita.blogspot.com/2014/07/onirica.html" target="_blank">2014 at Palazzo Medici Riccardi</a> in Florence and the one just concluded in the Sala Vasariana of the building of the Vatican Apostolic Chancery in Rome, to which the images of the first part of this article refer.<br />His works have been described by the great names of art critics such as Vittorio Sgarbi and Philippe Daverio, and we invite everyone to access <a href="http://www.gfioroni.it/" target="_blank">the artist's website</a> to learn about his rich bibliography, or to leaf through his splendid catalogs.<br />Why so much interest and so much love? Obviously it can not be just the charm of the character that with the accordion brings back to life tasty Umbrian and Celtic folk traditions, or the sympathy and curiosity that Fioroni raises from the first meeting, or the impression that he is a magician, as Daverio writes .<br />It is precisely his works that joyfully welcome the spectator in their emotional space, an exuberant and tender space that awakens in us the wonder of childhood. Fascinating characters make their way into color by coming to meet the viewer through a space full of mysterious and fluid presences. Their movement is from the invisible to the visible, from the past to the present, from dream to reality, but without ever crossing its threshold. They always remain beyond it, as if held back by the plots of color, also plots of stories, stories, poems.<br />Fioroni is faithful to a language that is comprehensible and at the same time complex, full of affection and references to fairy tales and the circus where fantasy spans and plays, where everything is familiar and at the same time surprising.<br />If in the works on canvas you are srticken by the adventure and the freedom of colours that thicken to give apparent concreteness to the figures and then spread in transparencies like vapor and clouds, in the ceramics the expressiveness of Fioroni acts on the volumes, so that in plates and in panels he highlights them with incisions that affect the surface.<br />The Tower of Babel becomes the great metaphor of today's world, with the ladder that in a crescendo of loneliness and violence travels it to the top where the wound of the Twin Towers marks the horror that can be reached.<br />The Cribs tell the story of the Birth in the most varied languages but always fresh and moving. In the dishes Fioroni's playful quirk finds another field of original and fanciful expression.<br />At the end of this first part, I would like to mention the two great critics I mentioned at the beginning: according to Vittorio Sgarbi, Fioroni " is on the border between real and unreal, history and metahistory, painting and ceramics, between abstraction and figuration. It is in this continuous gamble, within a poem that finds magic in simple things, that the most authentic root of the art of Giuseppe Fioroni should be sought ".<br />Philippe Daverio suggests that Fioroni takes up the course of art history from the suspension that the First World War had caused, and brings his work close to James Ensor and Maurice de Vlaminck before "the mud of the trenches darkened his palette"; he compares it "to the pink harlequins of the first Picasso and to the celestial flourishes of Marc Chagall".<br />It is certainly not an imitation, but a rediscovery of an expressive freshness rich in evocations and vibrations that give a dense and intense poetic value to his works.<br /><br />But Giuseppe Fioroni is also known for his generosity and love for his land.<br />His most recent gift is a work of great charm and poetry donated to <a href="http://artenellavita.blogspot.com/2013/07/notturno-mugnano.html" target="_blank">Mugnano, the Village of Painted Walls</a> between Perugia and Lake Trasimeno.<br />Seven ceramic tiles are set in the well of the Piazza del Castello in the center of the village, making it a shiny and brilliant jewel. In creating them the artist obeyed the feeling of affection that binds him to Mugnano, a village he frequented a long time ago and of which he recalls dear personalities and friends.<br />Each tile is part of a story that sounds like an epic, high song, where the characters are protagonists of a great spiritual and historical adventure. This is true for the knights represented, but also applies to craftsmen and peasants. There is a reference to real facts but these seem to be dreamed, take shapes and colors that fantasy has transformed and sprinkled with magic, as in medieval paintings where the perceptible world is sublimated towards abstraction.<br />Knights of Malta, Templars and Benedictine monks recall the history of Mugnano and its origins and project us into myth and the Middle Ages. The Middle Ages are also and above all a dimension of the spirit, the possibility of the truth of dream, fantasy that transfigures reality. As you walk through the narrow streets of the village you can feel that there are those characters who, in their noble costumes, like guardian gods, watch from a stellar and celestial distance on the ancient city walls of seven centuries and on its beautiful and mighty towers.<br />The art of Fioroni realizes this magic because it speaks to the heart pushing the imagination to take flight. The time stopped in the tiles resumes its journey bringing with it those values and myths that become part of the present and illuminate its meaning with ancestral references.<br />That true of well, just like a real wedding ring, marries two universes, past and present, reality and fantasy, history and myth, in a joyful harmony that the art of Fioroni can create.</span></i><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtDimcQqCOsLqauz5yypqP0ffm2UQVTpmMvE9fnsKgdrViwCoKfbbg3VIssISCkZHybNoUTX7BEpUyUNzcjZr-LY-D13sXfQye6yXthevA8wPQx6uvst9whcP3thXZmoqyqIrk6Wa8Uv8/s1600/36114122_1712871525459484_6303768129344372736_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Giuseppe Fioroni a Mugnano" border="0" data-original-height="589" data-original-width="960" height="392" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtDimcQqCOsLqauz5yypqP0ffm2UQVTpmMvE9fnsKgdrViwCoKfbbg3VIssISCkZHybNoUTX7BEpUyUNzcjZr-LY-D13sXfQye6yXthevA8wPQx6uvst9whcP3thXZmoqyqIrk6Wa8Uv8/s640/36114122_1712871525459484_6303768129344372736_n.jpg" title="Giuseppe Fioroni a Mugnano" width="640" /></a></div>
Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-34003539779636935612018-03-03T19:25:00.000+01:002018-03-03T20:03:57.597+01:00Il foco, le nuvole e i fanghi<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Visioni poetiche di Fausto Minestrini </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiRQwZpGkH2OvjfjrBg49dyDTSLpICXnowMSTy2V59QBsq1RDQJEB5S7wqNisXz79jDwFu5Ei-S3LRaqtpZmjB8L_FhyphenhyphentBjpFlRFelUsdRwUsuBQn6HStTVeMeTuttkRTc4gzfJXo-PK8/s1600/IMG_3719_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fausto Minestrini" border="0" data-original-height="831" data-original-width="1024" height="518" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiRQwZpGkH2OvjfjrBg49dyDTSLpICXnowMSTy2V59QBsq1RDQJEB5S7wqNisXz79jDwFu5Ei-S3LRaqtpZmjB8L_FhyphenhyphentBjpFlRFelUsdRwUsuBQn6HStTVeMeTuttkRTc4gzfJXo-PK8/s640/IMG_3719_m.jpg" title="Fausto Minestrini" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Tanto tempo fa Fausto Minestrini dipingeva paesaggi con maestria e grazia, e incontrava il favore del pubblico vendendo alla grande. Ma un giorno incontrò Burri e questi gli chiese se non si annoiava... Così iniziò il suo percorso informale ed ogni suo quadro è stato un'avventura, un viaggio fatto con curiosità e sospinto da passione costante. La sua ricerca nuova e libera si è espressa in cicli di approfondimento instancabile da un lato di tecniche e materiali, dall'altro di temi. Anche se Fausto riconosce un debito di gratitudine a Burri e a De Gregorio, suo caro e compianto amico, la sua strada è totalmente originale. Fausto cerca sempre nuove vie, come uno scalatore, e le percorre con grande rigore, ma anche con gioia infantile e direi quasi incoscienza.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br />Mette anima mediterranea in una concezione americana dell'arte informale che lui supera con un romanticismo di fondo che gli fa riversare sulla tela emozioni intense. Un dettaglio ricordato o presente, un merletto femminile, una rosa in boccio, una lettera antica danno l'avvio ad onde di emozioni colorate che investono la tela sovrapponendosi e infrangendosi, ma sempre creando armonia ed equilibrio.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJRa8okZNTpeP72zHQnkubeape37LCTBCu6gEGGqWNDtNYwr81OLbPCBWO7SYGitQoLytP3cAMNOFtZ3YSKtVdMH05-3Tn92HKAbGmoB3RKw9civNwZtR-5YY-oxBagH3XTCclTR0k1-U/s1600/IMG_3664_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fausto Minestrini, Rita Castigli, Stefano Chiacchella" border="0" data-original-height="683" data-original-width="1024" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJRa8okZNTpeP72zHQnkubeape37LCTBCu6gEGGqWNDtNYwr81OLbPCBWO7SYGitQoLytP3cAMNOFtZ3YSKtVdMH05-3Tn92HKAbGmoB3RKw9civNwZtR-5YY-oxBagH3XTCclTR0k1-U/s640/IMG_3664_m.jpg" title="Fausto Minestrini, Rita Castigli, Stefano Chiacchella" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Fondamentale è il suo rapporto con la natura, suggeritrice sempre di colori e di forme, maestra di bellezza. Con lei c'è anche una intesa magica e,quasi stregone, Fausto coltiva fiori e piante antiche e officinali, vivendo le miracolose metamorfosi delle stagioni.<br />Il passato che continua a vivere nel presente dell' antico mulino, La Roscia, in cui vive crea il fondo fertile e intrigante delle sue opere. Alcuni critici hanno citato in proposito Leonardo e gli alchimisti:<br /><i>...le machie de' muri, la cenere del foco, le nuvole e i fanghi che destano l'ingegno a nove inventioni.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMk9YQURU1F3_jMn6aQ5wq_j-ksqDYAp1dTW4-5Or366O8ZNbg1FqwJfKP8zgzrDHVh_E7KNGqYskibQYT7RRQfYGNcoc51b8imiCrXIATvlGZ0TVU0Zz8ER_I8xCRIt1GpQkDDLss_8/s1600/IMG_3649_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fausto Minestrini" border="0" data-original-height="941" data-original-width="1024" height="588" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhfMk9YQURU1F3_jMn6aQ5wq_j-ksqDYAp1dTW4-5Or366O8ZNbg1FqwJfKP8zgzrDHVh_E7KNGqYskibQYT7RRQfYGNcoc51b8imiCrXIATvlGZ0TVU0Zz8ER_I8xCRIt1GpQkDDLss_8/s640/IMG_3649_m.jpg" title="Fausto Minestrini" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">E Fausto ne trae ispirazione anche grazie all'uso raffinatissimo e brillante della tecnica mista: inserzioni di carte antiche, oggetti evocativi, frammenti di sacco, scritte sottratte al loro contesto, metalli e vetri, superfici riflettenti, limature, terre e oro. Ogni elemento è manipolato dall'artista-<i>faber </i>perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario. <br />Nelle miniere di sogni e di ricordi l'oro trova significati molteplici, un tesoro prezioso da raggiugere che richiama le pratiche alchemiche come pure le combustioni che del passato gli permettono di esorcizzare l'indicibile.<br />Guardando le sue opere, dobbiamo avventurarci come Alice lasciandoci cadere nella cavità del tronco e accettando di abbandonare i nostri punti fermi, i riferimenti consueti, per affrontare un viaggio-scoperta. Come ad Alice vengono offerti biscottini e bottigliette, a noi vengono offerti indizi, tracce da seguire... Ma un'ambiguità sommessa s'insinua nella lettura dei quadri che sono sempre più complessi di quanto appare inizialmente.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Per esempio, in <i>Passaje para tu corazon </i>una chiave di antica foggia ci invita quasi rassicurandoci, ma troppe storie dolorose iniziarono con tanta semplicità...</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1W_nryS5ajbG-a8EoWPAv6vxTdLAkk3QpEkVjmULB_lBlA_UDHUwyRsU4uS_aPG_LHW3bM0febL2PehJer7OinkmVCbtNB98VugU4HoRrdbjbtKp5iVuQLUc76L2f9EIcDoRyjI8lwNk/s1600/IMG_3629_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="983" data-original-width="1024" height="612" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1W_nryS5ajbG-a8EoWPAv6vxTdLAkk3QpEkVjmULB_lBlA_UDHUwyRsU4uS_aPG_LHW3bM0febL2PehJer7OinkmVCbtNB98VugU4HoRrdbjbtKp5iVuQLUc76L2f9EIcDoRyjI8lwNk/s640/IMG_3629_m.jpg" title="Fausto Minestrini" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Passaje para tu corazon</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlX3iCTVRh_hMjVrZP450YmetYaPg6J37PbmFuEQqlTiXXvuX0A0UYTPXr3SyIsYcrVkqeapNZMkhmvpaI-aVIOx3uC1xAJK2W7DtHqPhULwy-OkFSxA1ELbdSAPGq5c7AFd2ModFJdsI/s1600/20180130_182332_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="981" data-original-width="1024" height="381" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlX3iCTVRh_hMjVrZP450YmetYaPg6J37PbmFuEQqlTiXXvuX0A0UYTPXr3SyIsYcrVkqeapNZMkhmvpaI-aVIOx3uC1xAJK2W7DtHqPhULwy-OkFSxA1ELbdSAPGq5c7AFd2ModFJdsI/s400/20180130_182332_m.jpg" title="Fausto Minestrini" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Per vederti meglio</i></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Per vederti meglio </i>cita la favola di Cappuccetto Rosso, espressione piena di amore da parte della nonna ma carica di minaccia da parte del lupo camuffato. E' una frase d'amore che richiama anche l'inquietudine della famosa canzone dei Police: <i>Every breath you take, I'll be watching you</i> (Ti terrò d'occhio).<br /> </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9j-_MVk-1nW2CNduyUTsjvgQ7rvnFDB-o02FlYM0dkcL2iYU_10O5fzPbm4x7hDiicY5inC09Ac2prRWcxQbdQUQUURXuOGvyF9uCaJykNwn8s3jYc7gu8SaYovZuEM2Ixkhow7JGd14/s1600/IMG_3634_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="689" data-original-width="1024" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9j-_MVk-1nW2CNduyUTsjvgQ7rvnFDB-o02FlYM0dkcL2iYU_10O5fzPbm4x7hDiicY5inC09Ac2prRWcxQbdQUQUURXuOGvyF9uCaJykNwn8s3jYc7gu8SaYovZuEM2Ixkhow7JGd14/s640/IMG_3634_m.jpg" title="Fausto Minestrini" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Vento tiepido</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMmtnPVZmKJ4mUvhtzwevycjqHKWTp4HEN-Ta0QKzAjN7Rq3kDrgL-hmk__k47KwE6SVB0IHJOaHeu4Kh4-m0M7sRcLTpfEuVHZfppOZ4qG87ndLknmiLD-LWeJPREu_ES_8UscrKxuzM/s1600/IMG_3632_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="1024" data-original-width="1024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMmtnPVZmKJ4mUvhtzwevycjqHKWTp4HEN-Ta0QKzAjN7Rq3kDrgL-hmk__k47KwE6SVB0IHJOaHeu4Kh4-m0M7sRcLTpfEuVHZfppOZ4qG87ndLknmiLD-LWeJPREu_ES_8UscrKxuzM/s640/IMG_3632_m.jpg" title="Fausto Minestrini" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Tango</i></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">Così in <i>Vento tiepido </i>si richiama l'attimo fuggente della giovinezza e la musica lontana di Battisti. <br />In <i>Tango </i>una rosa ancora in boccio reca promesse mentre i colori si scatenano tra la passione e la violenza, un tuffo nell'ambiguità dei sentimenti primigeni.<br /><i>Faro spento </i>è il punto alto dal quale esplorare un mondo di nostalgia. E' spento ma la luce ancora viva dei ricordi aleggia intorno dolce e acre insieme.</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFFLm61vNvDpwbr-3WnTBlDzXVrQ5QhTNidrXWUWYEyeHFc3_x2d7cJZzMikvqWOM_6dFFUaOaxyBD-GhcviFxypKxyhIMempLyKLe7HkLqMTb2EppZ-Hniwk9Qz-DwqGyUEec737NvO0/s1600/IMG_3635_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="1600" data-original-width="1487" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFFLm61vNvDpwbr-3WnTBlDzXVrQ5QhTNidrXWUWYEyeHFc3_x2d7cJZzMikvqWOM_6dFFUaOaxyBD-GhcviFxypKxyhIMempLyKLe7HkLqMTb2EppZ-Hniwk9Qz-DwqGyUEec737NvO0/s640/IMG_3635_m.jpg" title="Fausto Minestrini" width="594" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Faro spento</i></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKtIuAtTMex_oh2-C_v_eiAQrjklJIAjJMjRukNLAIuCURTnTPxTSg_xWrQlEwA6CR6_KrNmtwhBSHZQF2cLLLot1gELlcVBaNd-bBRF-9MqFN6YPos6Oyg4ymra-r3eb4-xhmRKiQMeo/s1600/IMG_3622_m.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Fausto Minestrini" border="0" data-original-height="1024" data-original-width="1024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKtIuAtTMex_oh2-C_v_eiAQrjklJIAjJMjRukNLAIuCURTnTPxTSg_xWrQlEwA6CR6_KrNmtwhBSHZQF2cLLLot1gELlcVBaNd-bBRF-9MqFN6YPos6Oyg4ymra-r3eb4-xhmRKiQMeo/s640/IMG_3622_m.jpg" title="Fausto Minestrini" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Notte del serpente</i></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Africa</i></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Notte del serpente </i>ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in <i>Africa </i>espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura e saturi di gridi e fruscii. Ma non è questo il mondo primitivo dentro di noi?</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Tuono di luce </i>esperimenta, come altre opere recenti, l'uso di luci interne all'opera stessa e il sentimento potente che le ispira trova ulteriore energia.<br /><i> </i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Fausto sintetizza la sua poetica con una frase semplice ma immensa: scrive che semplicemente cerca di dipingere <i>il calore del sole, il colore del vento, il silenzio della luna.</i><br /> </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Ma Fausto è anche generoso e ama tenere corsi ad aspiranti pittori per offrire loro le competenze tecniche necessarie perché possano esprimersi. I corsi, tenuti nel suo laboratorio (antro di Mago) sono amichevoli e pieni di allegria contagiosa. L'impegno è intenso ma gioioso. <br />Un'atmosfera di complicità, quasi di congiura, per arrivare lontano nella via della conoscenza e della bellezza.</span><br />
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<tr><td style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/MINESTRINI%202018/album/index.html" imageanchor="1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" data-original-height="681" data-original-width="668" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEizsAuGN6X5xcHXqOgwOQSzwjmYVc9xnNs707rZup9oSoMd5gtb8gzDAJajX3c1gZTt502XVlbHg15rkpTDThRnSsp9rm7AVdTAZmkyK5A9KGFbwstgsKPBJnVRLkGljtH9jOXMqBvLfYM/s640/screenshot--2018-03-01-19-32-19.png" width="625" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/MINESTRINI%202018/album/index.html" target="_blank"><span style="font-family: "georgia" , "times new roman" , serif;">Collegamento all'Album con tutte le foto della mostra e dell'atélier dell'Artista</span></a></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><br /></span></span></div>
<div style="text-align: center;">
<a href="http://minestrini.com/home/" target="_blank"><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;">Collegamento al sito web di Fausto Minestrini</span></span></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">* * *</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"></span></h2>
<h2 style="text-align: left;">
<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><i><b>F</b><b>ire, Clouds and Mud</b></i></span></h2>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: large;">Fausto Minestrini's Poetic Visions</span></span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Tanto tempo fa Fausto Minestrini dipingeva paesaggi con maestria e grazia, e incontrava il favore del pubblico vendendo alla grande.">A long time ago Fausto Minestrini painted landscapes with skill and grace, and met the favor of the public by selling successfully. </span><span title="Ma un giorno incontrò Burri e questi gli chiese se non si annoiava... Così iniziò il suo percorso informale ed ogni suo quadro è stato un'avventura, un viaggio fatto con curiosità e sospinto da passione costante.">But
one day he met Burri, who asked him if he was not bored ... </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ma un giorno incontrò Burri e questi gli chiese se non si annoiava... Così iniziò il suo percorso informale ed ogni suo quadro è stato un'avventura, un viaggio fatto con curiosità e sospinto da passione costante.">So Fausto started his informal journey and every painting has been an adventure, a
travel made with curiosity and driven by constant passion. </span><span title="La sua ricerca nuova e libera si è espressa in cicli di approfondimento instancabile da un lato di tecniche e materiali, dall'altro di temi.">His
new and free research has been expressed in cycles of tireless research,
on one hand on techniques and materials, and on the other on
themes. </span><span title="Anche se Fausto riconosce un debito di gratitudine a Burri e a De Gregorio, suo caro e compianto amico, la sua strada è totalmente originale.">Even if Fausto recognizes a debt of gratitude to Burri and De Gregorio, his dear and late friend, his path is totally original. </span><span title="Fausto cerca sempre nuove vie, come uno scalatore, e le percorre con grande rigore, ma anche con gioia infantile e direi quasi incoscienza.
">Fausto always looks for new ways, like a climber, and runs them with
great rigor, but also with childish joy and a sort of recklessness.</span><span title="Mette anima mediterranea in una concezione americana dell'arte informale che lui supera con un romanticismo di fondo che gli fa riversare sulla tela emozioni intense."> </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Mette anima mediterranea in una concezione americana dell'arte informale che lui supera con un romanticismo di fondo che gli fa riversare sulla tela emozioni intense.">He
puts mediterranean soul in an american conception of informal art that
he overcomes with a background of romanticism that makes him pour intense
emotions onto the canvas. </span><span title="Un dettaglio ricordato o presente, un merletto femminile, una rosa in boccio, una lettera antica danno l'avvio ad onde di emozioni colorate che investono la tela sovrapponendosi e infrangendosi, ma sempre creando armonia ed equilibrio.
">A remembered or present detail, a feminine lace, a bud rose, an
ancient letter give rise to waves of colored emotions that invest the
canvas overlapping and breaking, but always creating harmony and
balance.</span><span title="Fondamentale è il suo rapporto con la natura, suggeritrice sempre di colori e di forme, maestra di bellezza."> </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Fondamentale è il suo rapporto con la natura, suggeritrice sempre di colori e di forme, maestra di bellezza.">Its relationship with nature is fundamental, always a suggestion of colors and shapes, a beauty teacher. </span><span title="Con lei c'è anche una intesa magica e,quasi stregone, Fausto coltiva fiori e piante antiche e officinali, vivendo le miracolose metamorfosi delle stagioni.
">With nature there is also a magical agreement and, almost a sorcerer,
Fausto cultivates ancient and medicinal flowers and plants, living the
miraculous metamorphosis of the seasons.</span><span title="Il passato che continua a vivere nel presente dell' antico mulino, La Roscia, in cui vive crea il fondo fertile e intrigante delle sue opere."> </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Il passato che continua a vivere nel presente dell' antico mulino, La Roscia, in cui vive crea il fondo fertile e intrigante delle sue opere.">The
past that continues in the present of the ancient mill, </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Il passato che continua a vivere nel presente dell' antico mulino, La Roscia, in cui vive crea il fondo fertile e intrigante delle sue opere.">La
Roscia</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Il passato che continua a vivere nel presente dell' antico mulino, La Roscia, in cui vive crea il fondo fertile e intrigante delle sue opere.">, in which he lives, creates the fertile and intriguing background
of his works. </span><span title="Alcuni critici hanno citato in proposito Leonardo e gli alchimisti:
">Some critics have quoted Leonardo and the alchemists about it:</span><span title="...le machie de' muri, la cenere del foco, le nuvole e i fanghi che destano l'ingegno a nove inventioni.
">...</span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="...le machie de' muri, la cenere del foco, le nuvole e i fanghi che destano l'ingegno a nove inventioni.
"> the stains on the walls, the ash of the fire, the clouds and the muds that arouse the talent to new inventions</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="...le machie de' muri, la cenere del foco, le nuvole e i fanghi che destano l'ingegno a nove inventioni.
">.</span><span title="E Fausto ne trae ispirazione anche grazie all'uso raffinatissimo e brillante della tecnica mista: inserzioni di carte antiche, oggetti evocativi, frammenti di sacco, scritte sottratte al loro contesto, metalli e vetri, superfici riflettenti , limature, terre e oro."> </span></span></span></i><br />
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="E Fausto ne trae ispirazione anche grazie all'uso raffinatissimo e brillante della tecnica mista: inserzioni di carte antiche, oggetti evocativi, frammenti di sacco, scritte sottratte al loro contesto, metalli e vetri, superfici riflettenti , limature, terre e oro.">And
Fausto draws his inspiration also thanks to the refined and brilliant
use of mixed techniques: insertions of ancient papers, evocative
objects, sack fragments, writings subtracted from their context, metals
and glass, reflecting surfaces, filings, sands and gold. </span><span title="Ogni elemento è manipolato dall'artista-faber perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario.
">Each element is manipulated by the artist-</span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ogni elemento è manipolato dall'artista-faber perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario.
">faber </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ogni elemento è manipolato dall'artista-faber perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario.
">because it </span></span></span></i><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ogni elemento è manipolato dall'artista-faber perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario.
">takes meaning </span></span></span></i><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ogni elemento è manipolato dall'artista-faber perché solo attraverso il processo creativo prende significato e si carica di senso nel suo mondo visionario.
">only through
the creative process and is charged with sense in his
visionary world.</span><span title="Nelle miniere di sogni e di ricordi l'oro trova significati molteplici, un tesoro prezioso da raggiugere che richiama le pratiche alchemiche come pure le combustioni che del passato gli permettono di esorcizzare l'indicibile.
"> </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Nelle miniere di sogni e di ricordi l'oro trova significati molteplici, un tesoro prezioso da raggiugere che richiama le pratiche alchemiche come pure le combustioni che del passato gli permettono di esorcizzare l'indicibile.
">In the mines of dreams and memories gold finds multiple meanings, a
precious treasure to be reached that recalls alchemical practices as
well as the combustions that allow him to exorcise the
unspeakable of the past.</span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Guardando le sue opere, dobbiamo avventurarci come Alice lasciandoci cadere nella cavità del tronco e accettando di abbandonare i nostri punti fermi, i riferimenti consueti, per affrontare un viaggio-scoperta.">Looking
at his works, we must venture like Alice letting ourselves fall into the
trunk cavity and agreeing to abandon our fixed points, the usual
references, to face a journey-discovery. </span><span title="Come ad Alice vengono offerti biscottini e bottigliette, a noi vengono offerti indizi, tracce da seguire... Ma un'ambiguità sommessa s'insinua nella lettura dei quadri che sono sempre più complessi di quanto appare inizialmente.
">As Alice is offered biscuits and bottles, we are offered clues, traces
to follow... But a subdued ambiguity insinuates in the reading
of the paintings that are always more complex than initially appears.</span></span></span></i><br />
<br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Per esempio, in Passaje para tu corazon una chiave di antica foggia ci invita quasi rassicurandoci, ma troppe storie dolorose iniziarono con tanta semplicità...
">For example, in </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Per esempio, in Passaje para tu corazon una chiave di antica foggia ci invita quasi rassicurandoci, ma troppe storie dolorose iniziarono con tanta semplicità...
">Passaje para tu corazon</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Per esempio, in Passaje para tu corazon una chiave di antica foggia ci invita quasi rassicurandoci, ma troppe storie dolorose iniziarono con tanta semplicità...
">, an old-fashioned key invites
us almost reassuringly, but too many painful stories began with such
simplicity...</span><span title="Per vederti meglio cita la favola di Cappuccetto Rosso, espressione piena di amore da parte della nonna ma carica di minaccia da parte del lupo camuffato."> </span></span></span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Per vederti meglio cita la favola di Cappuccetto Rosso, espressione piena di amore da parte della nonna ma carica di minaccia da parte del lupo camuffato.">To
see you better</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Per vederti meglio cita la favola di Cappuccetto Rosso, espressione piena di amore da parte della nonna ma carica di minaccia da parte del lupo camuffato."> cites the tale of Little Red Riding Hood, an
expression full of love by her grandmother but full of threat from the
camouflaged wolf. </span><span title="E' una frase d'amore che richiama anche l'inquietudine della famosa canzone dei Police: Every breath you take, I'll be watching you.(Ti terrò d'occhio)
">It is a phrase of love that also recalls the restlessness of the famous
Police song: </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="E' una frase d'amore che richiama anche l'inquietudine della famosa canzone dei Police: Every breath you take, I'll be watching you.(Ti terrò d'occhio)
">Every breath you take, I'll be watching you</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="E' una frase d'amore che richiama anche l'inquietudine della famosa canzone dei Police: Every breath you take, I'll be watching you.(Ti terrò d'occhio)
">. </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Così in Vento tiepido si richiama l'attimo fuggente della giovinezza e la musica lontana di Battisti.
">Likewise in </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Così in Vento tiepido si richiama l'attimo fuggente della giovinezza e la musica lontana di Battisti.
">T</span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Così in Vento tiepido si richiama l'attimo fuggente della giovinezza e la musica lontana di Battisti.
">he lukewarm wind </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Così in Vento tiepido si richiama l'attimo fuggente della giovinezza e la musica lontana di Battisti.
">the fleeting moment of youth and the distant music of Lucio Battisti are recalled.</span><span title="In Tango una rosa ancora in boccio reca promesse mentre i colori si scatenano tra la passione e la violenza, un tuffo nell'ambiguità dei sentimenti primigeni.
"> In </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="In Tango una rosa ancora in boccio reca promesse mentre i colori si scatenano tra la passione e la violenza, un tuffo nell'ambiguità dei sentimenti primigeni.
">Tango </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="In Tango una rosa ancora in boccio reca promesse mentre i colori si scatenano tra la passione e la violenza, un tuffo nell'ambiguità dei sentimenti primigeni.
">a rose still in bloom brings promises while the colors are
unleashed between passion and violence, a dip in the ambiguity of
primitive feelings.</span></span></span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Faro spento è il punto alto dal quale esplorare un mondo di nostalgia.">Off lighthouse </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="E' spento ma la luce ancora viva dei ricordi aleggia intorno dolce e acre insieme.
">is the high point from which to explore a world of nostalgia. It is off but the still vivid light of memories hovers around sweet and sour at one time.</span><span title="Notte del serpente ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in Africa espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura"> </span></span></span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Notte del serpente ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in Africa espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura">Night
of the snake </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Notte del serpente ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in Africa espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura">plunges us into the abysses of the unconscious, liquid
azurness full of vitality and tricks, while in </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Notte del serpente ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in Africa espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura">Africa </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Notte del serpente ci immerge negli abissi dell'inconscio, liquide azzurrità piene di vitalità e di tranelli, mentre in Africa espode la fantasia infinita della natura nei suoi colori e disegni bizzarri: si aprono spazi d'infanzia e d'avventura, adrenalinici di paura">the infinite
fantasy of nature expires in its bizarre colors and designs: spaces of
childhood and adventure, adrenaline of fear open up </span><span title="e saturi di gridi e fruscii.">and saturated with shouts and rustles. </span><span title="Ma non è questo il mondo primitivo dentro di noi?
">But is this not the primitive world within us?</span><span title="Tuono di luce esperimenta, come altre opere recenti, l'uso di luci interne all'opera stessa e il sentimento potente che le ispira trova ulteriore energia.
"> </span></span></span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Tuono di luce esperimenta, come altre opere recenti, l'uso di luci interne all'opera stessa e il sentimento potente che le ispira trova ulteriore energia.
">Thunder of light </span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Tuono di luce esperimenta, come altre opere recenti, l'uso di luci interne all'opera stessa e il sentimento potente che le ispira trova ulteriore energia.
">experiences, like other recent works, the use of
lights inside the work itself and the powerful feeling that inspires
them finds further energy.</span><span title="Fausto sintetizza la sua poetica con una frase semplice ma immensa: scrive che semplicemente cerca di dipingere il calore del sole, il colore del vento, il silenzio della luna.
"> </span></span></span></i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Fausto sintetizza la sua poetica con una frase semplice ma immensa: scrive che semplicemente cerca di dipingere il calore del sole, il colore del vento, il silenzio della luna.
">Fausto summarizes his poetics with a simple but immense sentence: he
writes that he simply tries to paint </span></span></span></i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Fausto sintetizza la sua poetica con una frase semplice ma immensa: scrive che semplicemente cerca di dipingere il calore del sole, il colore del vento, il silenzio della luna.
">the heat of the sun, the color of
the wind, the silence of the moon</span></span></span><i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Fausto sintetizza la sua poetica con una frase semplice ma immensa: scrive che semplicemente cerca di dipingere il calore del sole, il colore del vento, il silenzio della luna.
">.</span><span title="Ma Fausto è anche generoso e ama tenere corsi ad aspiranti pittori per offrire loro le competenze tecniche necessarie perché possano esprimersi."> </span></span></span></i><br />
<br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Ma Fausto è anche generoso e ama tenere corsi ad aspiranti pittori per offrire loro le competenze tecniche necessarie perché possano esprimersi.">But
Fausto is also generous and likes to teach lessons to aspiring painters,
to offer them the technical skills necessary to express
themselves. </span><span title="I corsi, tenuti nel suo laboratorio (antro di Mago) sono amichevoli e pieni di allegria contagiosa.">The courses, held in his laboratory (Wizard's cave) are friendly and full of contagious happiness. </span><span title="L'impegno è intenso ma gioioso.
">The commitment is intense but joyous in a</span><span title="Un'atmosfera di complicità, quasi di congiura, per arrivare lontano nella via della conoscenza e della bellezza.">n atmosphere of complicity, almost of conspiracy, to get far in the path of knowledge and beauty.</span></span></span></i><br />
<br />
<br />
<div style="text-align: center;">
<i><span style="font-family: "georgia" , "times new roman" , serif;"><span class="" id="result_box" lang="en"><span title="Un'atmosfera di complicità, quasi di congiura, per arrivare lontano nella via della conoscenza e della bellezza."><a href="http://minestrini.com/home/" target="_blank">Link to Fausto Minestrini's web site </a></span></span></span></i></div>
</div>
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-84508322822844808202017-08-08T23:02:00.000+02:002017-08-10T16:17:30.522+02:00Dissolvenze Incrociate<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Una mostra itinerante di lavori a quattro mani e due anime</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBhFepIdf4yl9HG4u9BF6zoQLBY7cfTBgzv5-n-U4nBqEypAwnbAl1mYBTuC8ZYbj8skLgRhcmnpo8rhCfD3PjQmvrg6TKXN24iWxfnoKeJURZscLSabcmWeuAUSdeKxK1ZeLeuuhpi-k/s1600/IMG_2734_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cecilia Piersigilli e Rita Castigli" border="0" data-original-height="1006" data-original-width="1600" height="402" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBhFepIdf4yl9HG4u9BF6zoQLBY7cfTBgzv5-n-U4nBqEypAwnbAl1mYBTuC8ZYbj8skLgRhcmnpo8rhCfD3PjQmvrg6TKXN24iWxfnoKeJURZscLSabcmWeuAUSdeKxK1ZeLeuuhpi-k/s640/IMG_2734_r.jpg" title="Cecilia Piersigilli e Rita Castigli" width="640" /></a> </div>
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<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><i>Dissolvenze
Incrociate</i> espone i lavori di coppie di artisti invitati da Giuseppe Salerno a costruire un percorso che nell'arco di quattro tele va dal
mondo espressivo dell'uno a quello dell'altro, nella “modalità del
linguaggio cinematografico… dove una realtà lentamente svanisce e
una nuova emerge… Un sovrapporsi momentaneo di fotogrammi, una
sequenza di atmosfere...”
</span></span></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">
</span></span>
<br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Gli
artisti hanno accolto l'invito di Giuseppe con impegno e
generosità e i risultati sono bellissimi. Hanno aper</span><span style="font-style: normal;">t</span><span style="font-style: normal;">o
le barriere entro le quali germogliava la loro energia creativa
accogliendo la linfa estranea. Hanno costruito dei lavori simbiotici
di splendida qualità estetica, </span><span style="font-style: normal;">avvincenti</span><span style="font-style: normal;">
e sorprendenti. </span>La mostra vuole raccontare storie come film e
costruire metafore liberando sogni e simboli che viaggiano da una
tela all'altra.</span></span></div>
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<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"></span></span></div>
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<span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBp7hSkqUYBRWZ-FTOiUrDTROu7hSvJ30DplSmMRqysIrN_4zYXbs83MwSSBIZSskAFhFDO_OVnfCnLblhmunSnIXA870sYh5HlXEVgdzGQ4OiTNGn2WVtbIafQCzcP-qBvoktMKc7TE/s1600/IMG_2732_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Anna Massinissa e Massimo Melchiorri" border="0" data-original-height="994" data-original-width="1600" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhdBp7hSkqUYBRWZ-FTOiUrDTROu7hSvJ30DplSmMRqysIrN_4zYXbs83MwSSBIZSskAFhFDO_OVnfCnLblhmunSnIXA870sYh5HlXEVgdzGQ4OiTNGn2WVtbIafQCzcP-qBvoktMKc7TE/s640/IMG_2732_r.jpg" title="Anna Massinissa e Massimo Melchiorri" width="640" /></a></span></div>
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<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">Inevitabile guardare il
flusso dei pensieri, dei segni e dei colori da sinistra verso destra
come è abituale per noi, ma alla fine del percorso si torna a
ritroso a cogliere l'insinuarsi e il sovrapporsi dei segni
interpretando forse una storia più complessa e non rettilinea<span style="font-style: normal;">.</span></span></span><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">
</span></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Il
tranello in cui gioiosamente cade lo spettatore è proprio il
desiderio di individuare una cronologia, una catena di eventi in
ciascuna delle </span><span style="font-style: normal;">opere</span><span style="font-style: normal;">
in quattro parti. Ogni opera ha una dialettica </span><span style="font-style: normal;">circolare,
non aristotelica, per cui ad ogni passaggio dello sguardo nuovi
significati vanno a investire </span><span style="font-style: normal;">le
altre parti</span><span style="font-style: normal;">. Il risultato</span><span style="font-style: normal;">
intriga chi guarda e l'insieme è molto di più della somma delle
quattro tele, perché in ognuna si riverberano le altre tre. E benché
le due centrali siano quelle in cui materialmente si realizza la
sintesi, anche le altre ne traggono luce.</span></span></span></div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQtVOoNViP6j8Q-WrGbHNro2OHN5FQkSDXicITU34hUqJykPNkzt1zbK2sAgZiADmMie0mjldwnqJHGaiJWCcNfDA8GxCoyiQG2-4M7XgAr5rR6g3mPo8SXTyvn_LxXr3CbYkj5f2kmw/s1600/IMG_2735_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cecilia Piersigilli e David Urru" border="0" data-original-height="1083" data-original-width="1600" height="432" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJQtVOoNViP6j8Q-WrGbHNro2OHN5FQkSDXicITU34hUqJykPNkzt1zbK2sAgZiADmMie0mjldwnqJHGaiJWCcNfDA8GxCoyiQG2-4M7XgAr5rR6g3mPo8SXTyvn_LxXr3CbYkj5f2kmw/s640/IMG_2735_r.jpg" title="Cecilia Piersigilli e David Urru" width="640" /></a><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;"> </span></span></span><br />
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Così
l</span><span style="font-style: normal;">a ballerina di Angelisa Bertoloni si
trova a ballare sulle pericolose schiume blu ribollenti di David Urru
e tutto diventa danza. </span><span style="font-style: normal;">La
forma al suo massimo di definizione estetica sembra lottare contro il
suo rivale in quello che pare un combattimento e ricorda la lotta dei
carto</span><span style="font-style: normal;">ons</span><span style="font-style: normal;">
contro la “salamoia” nel film di </span><i>Roger Rabbit</i><span style="font-style: normal;">.</span></span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFOecA6Ls-u3OiaeRH_CKFi3Q9brBs7v1TkaWLenEMO21OQ8O5kCBLb9Ge_1-jLG70RXjf46wOFz7rSxu1HD2u1pP9QCHf_vPAQbscgucCb4NR_4mMZzUZM3SPozdnB9JaXsBKJ6Ojhps/s1600/IMG_2771_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza e Achille Quadrini" border="0" data-original-height="1143" data-original-width="1600" height="456" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFOecA6Ls-u3OiaeRH_CKFi3Q9brBs7v1TkaWLenEMO21OQ8O5kCBLb9Ge_1-jLG70RXjf46wOFz7rSxu1HD2u1pP9QCHf_vPAQbscgucCb4NR_4mMZzUZM3SPozdnB9JaXsBKJ6Ojhps/s640/IMG_2771_r.jpg" title="Pippo Cosenza e Achille Quadrini" width="640" /></a></div>
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">Le
strutture urbane assolate, i muri antichi meridionali grondanti di
storia e ricordi di Pippo Cosenza si frantumano nei mosaici spaziali
di Achille Quadrini e vanno a sospendersi in un etere luminescente.</span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">
</span></span>
<br />
<div class="western" style="font-style: normal; margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">Le
aree di colori contrastanti simili a collage di Riccardo Fioretti si
riempiono a poco a poco di oggetti, ma si potrebbe dire che il mondo
sovraccarico di cose, persone e ricordi di Maria Silvia Orlandini si
va semplificando verso la purezza del colore privo di volume.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGMP6xLFy-NM36X-BB5ppc8bwAkIMwK7IA-Jl-ZKVx7vXr_MqtqGGL5LsQbVa4LoG-S1JxiglkzwbVHo7YrLrJVHikFDxuQZNpa0IlYllwdlCvZi07M7rEzIts144SoTPmhRqVrevHGI/s1600/IMG_2743_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Albertini e Arnhild Kart" border="0" data-original-height="1237" data-original-width="1600" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigGMP6xLFy-NM36X-BB5ppc8bwAkIMwK7IA-Jl-ZKVx7vXr_MqtqGGL5LsQbVa4LoG-S1JxiglkzwbVHo7YrLrJVHikFDxuQZNpa0IlYllwdlCvZi07M7rEzIts144SoTPmhRqVrevHGI/s640/IMG_2743_r.jpg" title="Rita Albertini e Arnhild Kart" width="640" /></a></div>
<div class="western" style="font-style: normal; margin-bottom: 0cm;">
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">Il
mondo onirico e angoscioso di Rita Albertini, chiuso dentro una
stanza senza finestre o porte, viene penetrato da coni di luce fino a
perdere le pareti mentre i personaggi escono dalla prigionia e
scompaiono nelle trame geometriche create da Arnhild Kart.</span></span></div>
<div class="western" style="font-style: normal; margin-bottom: 0cm;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
</div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_oIjcEaK5xtxdXaGSH77uOxh8e_disN20h9jpM0qpSjYQoVsGgkoKBLibD2Tw-53XKwKVoi7CSH-VRotUzm_0SomsFbPEb5gc0Y6v-bgJEytdMDFvp4h3sHX6_UXLGaMQVhquz1OlV8/s1600/IMG_2777_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Lughia e Caterina Prato" border="0" data-original-height="836" data-original-width="1600" height="334" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjI_oIjcEaK5xtxdXaGSH77uOxh8e_disN20h9jpM0qpSjYQoVsGgkoKBLibD2Tw-53XKwKVoi7CSH-VRotUzm_0SomsFbPEb5gc0Y6v-bgJEytdMDFvp4h3sHX6_UXLGaMQVhquz1OlV8/s640/IMG_2777_m.jpg" title="Lughia e Caterina Prato" width="640" /></a></div>
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Lughia
e C</span><span style="font-style: normal;">aterina </span><span style="font-style: normal;">Prato
</span><span style="font-style: normal;">si </span><span style="font-style: normal;">sono
legate </span><span style="font-style: normal;">tramite</span><span style="font-style: normal;">
un antico viottolo di cipressi che si snoda </span><span style="font-style: normal;">da
una</span><span style="font-style: normal;"> tela all'altra
serpeggiando. È percorso a piedi nudi da una donna diretta al
campanile nel blu, elegantissimo colore ricorrente che dal vestito
della prima scena </span><span style="font-style: normal;">fa intuire
</span><span style="font-style: normal;">la rete </span><span style="font-style: normal;">simboli</span><span style="font-style: normal;">ca</span><span style="font-style: normal;">
di un percorso esistenziale e spirituale.</span></span></span><br />
<div class="western" style="margin-bottom: 0cm;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-y4bhjDdFeV3TPoqkCLEBqp4Oo_E-NRnhvYS7969d2YpvuLuwMRSuchXrCozJHhqIQztiV0ikDj3dg5bb2cikRjGAV-OYeX_6xTm62Xb_uGjiU2G5-ptS9xH5mDV0cnp3ZK6c_LrGP3M/s1600/IMG_2736_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Enrico Miglio e Fabio Grassi" border="0" data-original-height="1600" data-original-width="1008" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj-y4bhjDdFeV3TPoqkCLEBqp4Oo_E-NRnhvYS7969d2YpvuLuwMRSuchXrCozJHhqIQztiV0ikDj3dg5bb2cikRjGAV-OYeX_6xTm62Xb_uGjiU2G5-ptS9xH5mDV0cnp3ZK6c_LrGP3M/s640/IMG_2736_r.jpg" title="Enrico Miglio e Fabio Grassi" width="402" /></a></div>
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">
</span></span> <br />
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Il
passaggio dalle </span><span style="font-style: normal;">minute</span><span style="font-style: normal;">
articolazioni del legno finemente lavorate in una struttura di apparente complessa funzionalità alla uniforme pace della terracotta </span><span style="font-style: normal;">verso la concretezza ruvida di sagome elementari affascinano nel lavoro di </span><span style="font-style: normal;">Enrico
Miglio e Fabio Grassi.</span></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdXve6EJl0eaIkwwpuqVKx1ZN0ZKVWTd0puhem6qQEmop6cgQJj9_qkvR4QNKoHXJFNtFCTLVRyS_AX0qH3YGfXlObVXAMAsgX2nGsMJpUy9DSI1Yukf6XnPw76zS53U-HyKQoJ1j4eLU/s1600/IMG_2755_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cecilia Piersigilli e Mario Boldrini" border="0" data-original-height="567" data-original-width="1600" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdXve6EJl0eaIkwwpuqVKx1ZN0ZKVWTd0puhem6qQEmop6cgQJj9_qkvR4QNKoHXJFNtFCTLVRyS_AX0qH3YGfXlObVXAMAsgX2nGsMJpUy9DSI1Yukf6XnPw76zS53U-HyKQoJ1j4eLU/s640/IMG_2755_r.jpg" title="Cecilia Piersigilli e Mario Boldrini" width="640" /></a><span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"><span style="font-style: normal;"> </span></span></span><br />
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Lo
schema forse della terra, forse della coscienza di Mario Boldrini si
insinua nel paesaggio di Cecilia Piersigilli </span><span style="font-style: normal;">arricchendolo
ancora di mistero.</span></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD1qYcIszgHm0t77rVPyw3MGcCIAWbPTAXR2fKSOY7LZCfIQnfboQ4jdMcrxOqO4B5nctKVGRwgu4gK-zk1xZM53TqV_7TOf_0r_JTazNSR8bPc-R6Yc0mKgWEyB_SDHnr_lH0joSvWp0/s1600/IMG_2746_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stefano Chiacchella e Ferruccio Ramadori" border="0" data-original-height="567" data-original-width="1600" height="226" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgD1qYcIszgHm0t77rVPyw3MGcCIAWbPTAXR2fKSOY7LZCfIQnfboQ4jdMcrxOqO4B5nctKVGRwgu4gK-zk1xZM53TqV_7TOf_0r_JTazNSR8bPc-R6Yc0mKgWEyB_SDHnr_lH0joSvWp0/s640/IMG_2746_m.jpg" title="Stefano Chiacchella e Ferruccio Ramadori" width="640" /></a></div>
<div class="western" style="margin-bottom: 0cm;">
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">La
spazialità coloratissima di Ferruccio </span><span style="font-style: normal;">Ramadori</span><span style="font-style: normal;">,
impressione di un cosmo in disordinata evoluzione, irrompe nelle
forme chiuse e smaltate di Stefano Chiacchella, insinuando dubbi e
corrodendo le superfici fino a ritornare all'illusione di una
rappresentazione della realtà subito contraddetta da un simbolo di
</span><i>play.</i></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHKVwcVBg_7KNHSm0BWIIk7O5GelEVftckccFLSQfaMBAfOFHRU0Q8zxguMP4qLITLfFupWrXw0YEFwvQrJeV3YaUTADG2fLiNvGcFjX7TZWcKjfAj1AXNyyfupzorqvvfixD6ewrRlPk/s1600/IMG_2727_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mauro Tippolotti e Chigusa Kuraishi" border="0" data-original-height="1169" data-original-width="1600" height="466" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHKVwcVBg_7KNHSm0BWIIk7O5GelEVftckccFLSQfaMBAfOFHRU0Q8zxguMP4qLITLfFupWrXw0YEFwvQrJeV3YaUTADG2fLiNvGcFjX7TZWcKjfAj1AXNyyfupzorqvvfixD6ewrRlPk/s640/IMG_2727_r.jpg" title="Mauro Tippolotti e Chigusa Kuraishi" width="640" /></a></div>
<div class="western" style="margin-bottom: 0cm;">
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;">Due
culture si sono incontrate infrangendosi l'una nell'altra. La ricerca
di Mauro Tippolotti di rendere le dinamiche interiori del tempo ha
incontrato l'onda primigenia della giapponese </span><span style="font-style: normal;">Ch</span><span style="font-style: normal;">igusa
Kuraishi per la quale la tensione lineare si incurva dissolvendosi in
spuma.</span></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDNvyxj-6s2CFkDeDdM-V_oeZWfxYZymVA1W-XVXEDVs64yzE9GPjfQFXqw8z1EqwC_SBwYEIZddgdch9E-1BbkWGcC-qBFaxtO6UL7HQ6903L1DzgPOTDCEINC79RPfcjWPJJSpowMtg/s1600/IMG_2760_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Michela Meloni e Veronica Severi" border="0" data-original-height="1075" data-original-width="1600" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDNvyxj-6s2CFkDeDdM-V_oeZWfxYZymVA1W-XVXEDVs64yzE9GPjfQFXqw8z1EqwC_SBwYEIZddgdch9E-1BbkWGcC-qBFaxtO6UL7HQ6903L1DzgPOTDCEINC79RPfcjWPJJSpowMtg/s640/IMG_2760_r.jpg" title="Michela Meloni e Veronica Severi" width="640" /></a></div>
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<br /></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"><span style="font-style: normal;"></span></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: small;"></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;"></span></span></div>
<div class="western" style="margin-bottom: 0cm;">
<span style="font-family: "georgia" , "times new roman" , serif;"><span style="font-size: normal;">Il lavoro di Michela Meloni e Veronica Severi si può considerare paradigmatico per la complessità del processo di avvicinamento, fusione e recupero identitario di ciascuna delle coppie di artisti: un paesaggio d'anima si va arricchendo di illusionistiche concretezze in direzione del paesaggio scabro, terrestre e insieme simbolico, delle piramidi di erosione, punto d'arrivo ma sempre provvisorio di un lavoro di scavo e di umana ricerca.</span></span><span style="font-size: small;">
</span></div>
<span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU95HYtlH_jWvybHnAL3-jy_KdUtISYR3sxYDJCmwXBaL0n2GA5qS4fbQRkhjtV3lndzMJeEqdexLAZSQquV65O3POIy7PFJf7u37ACmwVQp5iO7913FlJTYYy-A88-ymQ3oekn6hvhIQ/s1600/IMG_2713_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Villa Graziani a San Giustino (PG)" border="0" data-original-height="1600" data-original-width="1088" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgU95HYtlH_jWvybHnAL3-jy_KdUtISYR3sxYDJCmwXBaL0n2GA5qS4fbQRkhjtV3lndzMJeEqdexLAZSQquV65O3POIy7PFJf7u37ACmwVQp5iO7913FlJTYYy-A88-ymQ3oekn6hvhIQ/s320/IMG_2713_r.jpg" title="Villa Graziani a San Giustino (PG)" width="217" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLxz41x4_50Flp4UQPlcMBYcbd6XUUYBiKEV88VKrqwuBGqa520cG91_FYIGyp_g7P93p1h3pAgpo7O7uV0AeEsPcfAa5i6-J1i4FapGwuWWRddiCFdV0o1TlfVLbtTipIkMHj91xjdqc/s1600/IMG_2717_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Villa Graziani a San Giustino (PG)" border="0" data-original-height="1106" data-original-width="1600" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLxz41x4_50Flp4UQPlcMBYcbd6XUUYBiKEV88VKrqwuBGqa520cG91_FYIGyp_g7P93p1h3pAgpo7O7uV0AeEsPcfAa5i6-J1i4FapGwuWWRddiCFdV0o1TlfVLbtTipIkMHj91xjdqc/s320/IMG_2717_r.jpg" title="Villa Graziani a San Giustino (PG)" width="320" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DRhW4BAAgpkPKa_P9cUsw8mDqFFg79slbBtsHv6Z-4ncVr8JCQDBndhD0oKS6JWtPmnDyEABXcwCVjwmCyMRweQqxqakxZVSxj60yqQzwbHdyUSitr1T6jZEqzuFEuHkum5zur-jfyY/s1600/IMG_2720_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Villa Graziani a San Giustino (PG)" border="0" data-original-height="1526" data-original-width="1600" height="305" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6DRhW4BAAgpkPKa_P9cUsw8mDqFFg79slbBtsHv6Z-4ncVr8JCQDBndhD0oKS6JWtPmnDyEABXcwCVjwmCyMRweQqxqakxZVSxj60yqQzwbHdyUSitr1T6jZEqzuFEuHkum5zur-jfyY/s320/IMG_2720_r.jpg" title="Villa Graziani a San Giustino (PG)" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU65NDUmK08kP_GoSQuK4yBhG2NNgZTdJYO3ec04_DUzrXdf2GobVN3yJjptzlOgVOoCNfittca-p20yuN7vxkZguV78pOI7BHxJHptnZM-60LH1XUfpedb2K64psToBGUMIT22hXSjhc/s1600/IMG_2752_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stefano Chiacchella" border="0" data-original-height="923" data-original-width="1600" height="184" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjU65NDUmK08kP_GoSQuK4yBhG2NNgZTdJYO3ec04_DUzrXdf2GobVN3yJjptzlOgVOoCNfittca-p20yuN7vxkZguV78pOI7BHxJHptnZM-60LH1XUfpedb2K64psToBGUMIT22hXSjhc/s320/IMG_2752_r.jpg" title="Stefano Chiacchella" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3xUhH7REgiXT7AHZ-NPMZueVMZSrVAWgh6j7Ux2q1Ez0j7rsArsgj40wS-fEgZJ4bWaZcB1rSH2nYelpwmcx6c7cUmcjG0Pq1V8_OrRhOq4Y2HNJpZA-lBGrmzFsgkGg5rGmh5hefXjI/s1600/IMG_2767_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Omero Angerame e Toni Bellucci" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3xUhH7REgiXT7AHZ-NPMZueVMZSrVAWgh6j7Ux2q1Ez0j7rsArsgj40wS-fEgZJ4bWaZcB1rSH2nYelpwmcx6c7cUmcjG0Pq1V8_OrRhOq4Y2HNJpZA-lBGrmzFsgkGg5rGmh5hefXjI/s320/IMG_2767_r.jpg" title="Omero Angerame e Toni Bellucci" width="320" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3itKTtP5UmdP9Cp47ZLR2JFGR7kof01JJyktZWOzyQk-pUVaqDVixKjZnWlxuTvrpaqm8dSPemqw-5X8sP7b_j7hRiiyfiSPzB3mbKkGW-zX7jRqjKxXdZogjAsYfJRqtpJLrjw29M5Y/s1600/IMG_2773_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Achille Quadrini e Pippo Cosenza" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3itKTtP5UmdP9Cp47ZLR2JFGR7kof01JJyktZWOzyQk-pUVaqDVixKjZnWlxuTvrpaqm8dSPemqw-5X8sP7b_j7hRiiyfiSPzB3mbKkGW-zX7jRqjKxXdZogjAsYfJRqtpJLrjw29M5Y/s320/IMG_2773_r.jpg" title="Achille Quadrini e Pippo Cosenza" width="320" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA2xAd5L18Tqe12yMMTvnVocdNyxbFhF-Ez0Q9L2aZWxs7bVpQ258YDTCh2qwCqike56LYBKEV1Kzdmf_inz0f1j4214ZQyziOWuCTIigDPB4sLG9PRE-VxBT9BA3RamxZSQy50luoN7k/s1600/IMG_2780_r.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Villa Graziani a San Giustino (PG)" border="0" data-original-height="1067" data-original-width="1600" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiA2xAd5L18Tqe12yMMTvnVocdNyxbFhF-Ez0Q9L2aZWxs7bVpQ258YDTCh2qwCqike56LYBKEV1Kzdmf_inz0f1j4214ZQyziOWuCTIigDPB4sLG9PRE-VxBT9BA3RamxZSQy50luoN7k/s320/IMG_2780_r.jpg" title="Villa Graziani a San Giustino (PG)" width="320" /></a></div>
<div style="text-align: center;">
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span></span></div>
<div style="text-align: left;">
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">La mostra <i>Dissolvenze Incrociate </i>è stata allestita nel suggestivo spazio di Villa Graziani a San Giustino (</span></span><span style="font-size: small;"><span style="font-family: "georgia" , "times new roman" , serif;">a cui si riferiscono le immagini</span></span><span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">) dal 18 giugno al 30 luglio 2017, e verrà ospitata in altre location secondo il seguente programma:</span></span><br />
<br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="_5yl5">- dal 2 settembre al 15 ottobre Fabriano, Complesso San Benedetto</span></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><span class="_5yl5">- dal 28 ottobre al 26 novembre Terni, Palazzo Primavera</span></span></div>
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<br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-71276609689683793212017-08-06T17:27:00.003+02:002017-08-10T16:23:01.094+02:00Il pensiero, il segno e la luce<span style="font-size: x-large;"><span style="font-family: "georgia" , "times new roman" , serif;">Tre artisti nella suggestiva cornice dell'antico frantoio</span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01UON26rH5Qm1Qc956D7mD_hrQNMjpbkctqgz1LL8Jd2shyBvV3o4TGgcQKS_FxnNdoeuaN5ORMweaQSU2qRor48DYD62_VMAZySknmTtBfsOpXjlA07qOuradGOudUaqNnqfc0Vgx20/s1600/20170805_223008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Fossacesia" border="0" data-original-height="1600" data-original-width="1278" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj01UON26rH5Qm1Qc956D7mD_hrQNMjpbkctqgz1LL8Jd2shyBvV3o4TGgcQKS_FxnNdoeuaN5ORMweaQSU2qRor48DYD62_VMAZySknmTtBfsOpXjlA07qOuradGOudUaqNnqfc0Vgx20/s640/20170805_223008.jpg" title="Frantoio Stante" width="510" /></a></div>
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<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;"><b>Pippo Cosenza </b>è di
Palermo e laureato in ingegneria nucleare. Incarna nell'attualità
l'uomo della Magna Grecia, dove il culto creativo della bellezza si
associava a quello della razionalità, tanto che la lussuosa
intelligenza di un suo antenato di 2500 anni fa poteva dimostrare che
in una gara di velocità tra la tartaruga e la lepre non avrebbe
vinto la lepre. Pippo crea strutture razionali perfette e complesse e
poi vi esercita il potere di Kronos, il più potente degli dei, anche
più di Zeus, e, come il dio che detta le regole, consuma sbiadisce
logora modifica, fa come mille e mille nascite e morti e
sovrapposizioni di genti e di culture. Il suo sogno astratto si
arrende al tempo e sulla scacchiera il re vinto si adagia. Lo fa con
un sorriso dove la malinconia è intrisa di dolci struggenti ricordi.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCC0PR6VAXXJqBh52xSydtGK_LHqd85fXtjDyzbl0FYCEjUkDz3rxXNI9NKfE1wS3_Zv7S28SX7JcA9hh-ZHYNOxhi6J6Nd3QSg9FTMXzFLIQR7Wd8bGLFUFrd05jagf3pF2oNg6EABmc/s1600/IMG_3082.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" data-original-height="1600" data-original-width="1558" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCC0PR6VAXXJqBh52xSydtGK_LHqd85fXtjDyzbl0FYCEjUkDz3rxXNI9NKfE1wS3_Zv7S28SX7JcA9hh-ZHYNOxhi6J6Nd3QSg9FTMXzFLIQR7Wd8bGLFUFrd05jagf3pF2oNg6EABmc/s640/IMG_3082.JPG" title="Pippo Cosenza" width="620" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVslhujZsNb5O41NCZnxF6qnH-ZSzbHh7QpNC5tX_kq-hBL74rchKgKoLyxG7qt3o8kOxqjM3vtHxEko4Km-Ek5SMhn3QtD_sVY0atbGdoweZYuYvHCkSXersNccGjtSVKAaXK8ZyQrQ/s1600/IMG_3079.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" data-original-height="1080" data-original-width="1600" height="270" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWVslhujZsNb5O41NCZnxF6qnH-ZSzbHh7QpNC5tX_kq-hBL74rchKgKoLyxG7qt3o8kOxqjM3vtHxEko4Km-Ek5SMhn3QtD_sVY0atbGdoweZYuYvHCkSXersNccGjtSVKAaXK8ZyQrQ/s400/IMG_3079.JPG" title="Pippo Cosenza" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6faiYJ1fHCYePJLz343IJfsTflLvvCzCa4U6SReSEhPS-_aTGgwHE6uNJr61QkHWG_DvtXNBBGtxyCQccBsKjaxq0nxs4VTGPmnlEjKYiPTSpDcxlnb37i6NhuHlZM13Xw0bhsWZ0UE/s1600/IMG_3136.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli e Pippo Cosenza" border="0" data-original-height="1600" data-original-width="1067" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEin6faiYJ1fHCYePJLz343IJfsTflLvvCzCa4U6SReSEhPS-_aTGgwHE6uNJr61QkHWG_DvtXNBBGtxyCQccBsKjaxq0nxs4VTGPmnlEjKYiPTSpDcxlnb37i6NhuHlZM13Xw0bhsWZ0UE/s400/IMG_3136.JPG" title="Pippo Cosenza e Rita Castigli" width="266" /></a></div>
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<span style="font-size: normal;"></span></div>
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<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;"></span></span></div>
<br />
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">Il disegno è il suo
punto di partenza, come Giorgio Vasari sosteneva fosse necessario alla
creazione artistica, ed è la matrice anche nei lavori di <b>Silvano
D'Orsi</b>. Nativo di Gioia Sannitica, ha sempre fatto l'artista
obbedendo a una vocazione incontenibile ed esuberante. Anche lui uomo
del sud, discendente di una popolazione italica che importava arte
dalla Grecia e dalla Magna Grecia, sembra aver ereditato la
perfezione innata del segno, quella misteriosa magia di bellezza che
faceva ancora sostenere alla maggioranza in pieno seicento, dopi i
geni indiscussi del Rinascimento e anche dopo star internazionali
come Caravaggio e Guido Reni, Velazquez e Bernini, che l'arte greca
non era stata mai eguagliata e che mai si era ricreata quella
naturale perfezione di umanità divinizzata e quella sintesi che
sembrava scritta nel cielo.</span></span><br />
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">
</span></span>
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<div class="western" style="margin-bottom: 0cm;">
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">Il segno di Silvano
sembra avere la stessa misteriosa storia. Il fatto, come lui direbbe,
di aver sempre lavorato moltissimo, non basta a spiegarla. Il suo
lavoro più vecchio che io conosco è un dipinto murario del 1983 che
io mi trovai a commentare anni or sono scrivendo la guida ai “muri
dipinti” di Mugnano. Le figure femminili avevano già quella
ineffabile mistura di sensualità e di astrazione che continua ad
ammaliare in quelle di oggi. Il simbolismo della situazione, il loro
stare nel chiuso di una stanza con una finestra che si apriva sulla
minaccia di un mondo degradato, si può rileggere alla luce degli
sviluppi successivi dell'arte di Silvano. Quelle due donne erano
ancora integre, mentre quelle degli anni successivi sono diventate
incantevoli manichini e non hanno più una testa e un volto, ma
magnifici grandi cappelli. Corpi torniti, con abiti lussuosi e
lunghissime gambe sensuali attraggono e incantano ambiguamente, il
dramma si veste di un sorriso, la mutilazione si veste di bellezza.
Non c'è un volto dietro la maschera malinconica di Pulcinella,
l'uomo si è perso dietro le sue apparenze in un gioco, però, fatto
di forme elegantissime.</span></span></div>
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</span></span>
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<div class="western" style="margin-bottom: 0cm;">
<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">Saper esprimere un
giudizio di valore così amaro in forma di irresistibile bellezza è
la magia che emana dai quadri e dalle sculture di Silvano.</span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMIURf7jtJmuRDan8JJka2-Vca-usq8LJG6odntjXBGaTihEsEVEyf7lR2h_O9J2rJkC-PFlAwSQ-a-dmoXebag3xIowOoH2GkSDJP1Sy-uiO0XzAyyj5dxABfHI6MbQJph2vaYC9ApWw/s1600/IMG_3097.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="673" data-original-width="1600" height="267" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMIURf7jtJmuRDan8JJka2-Vca-usq8LJG6odntjXBGaTihEsEVEyf7lR2h_O9J2rJkC-PFlAwSQ-a-dmoXebag3xIowOoH2GkSDJP1Sy-uiO0XzAyyj5dxABfHI6MbQJph2vaYC9ApWw/s640/IMG_3097.JPG" title="Silvano D'Orsi" width="640" /></a></div>
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<span style="font-size: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wvx1Jr9RpQDiFPRwFjRaUjcahczQ-WFOhfKnXMAqhvccRl86WSMDiy6H6GNBFZi79I5XnlIuxk9J5nv3UJxvqTA1k1NzJSG8h8XMek2F4-IAqnHfg87Fbc1o-0zY21Ywaa-AAZjbA6w/s1600/IMG_3088.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="751" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7wvx1Jr9RpQDiFPRwFjRaUjcahczQ-WFOhfKnXMAqhvccRl86WSMDiy6H6GNBFZi79I5XnlIuxk9J5nv3UJxvqTA1k1NzJSG8h8XMek2F4-IAqnHfg87Fbc1o-0zY21Ywaa-AAZjbA6w/s640/IMG_3088.JPG" title="Silvano D'Orsi" width="299" /></a></span></div>
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<span style="font-size: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBEWWIwr8gX4uRj6NEM_ZVijnXwdlZZJ2xSUyteYOCHh3r0jENXEbRYLeUlrVQyb35g5_np4dpPE58H-GJmd5erHwe7_l1M-V_wd4padPa9ALawpk6VpMtKIIN5GK7i6W3ShZu7sO6Iag/s1600/IMG_3100.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1383" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBEWWIwr8gX4uRj6NEM_ZVijnXwdlZZJ2xSUyteYOCHh3r0jENXEbRYLeUlrVQyb35g5_np4dpPE58H-GJmd5erHwe7_l1M-V_wd4padPa9ALawpk6VpMtKIIN5GK7i6W3ShZu7sO6Iag/s400/IMG_3100.JPG" title="Silvano D'Orsi" width="345" /></a></span></div>
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<span style="font-size: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIFQeEIQskrsnMMm8AqOkaOLRjnmESpJ8mvMRK1MxIc7Tfypnavuyk_lYQiJvbIxJKO4B_9nYBDPOzFlw9gY_iNmkvQTMDFcrKtBM4cd_k9GoUyC-6rhhwv1haSxOvhgTt7CV4gl19FaE/s1600/IMG_3108.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" data-original-height="1600" data-original-width="1079" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIFQeEIQskrsnMMm8AqOkaOLRjnmESpJ8mvMRK1MxIc7Tfypnavuyk_lYQiJvbIxJKO4B_9nYBDPOzFlw9gY_iNmkvQTMDFcrKtBM4cd_k9GoUyC-6rhhwv1haSxOvhgTt7CV4gl19FaE/s640/IMG_3108.JPG" title="Silvano D'Orsi" width="428" /></a></span></div>
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<span style="font-size: normal;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifbh2tV01ipOOB8E9hHt8NPSOBcaDwf7wnc54jmaF2AKtL4RP7HuGdEVivZG7VZf7FqG7rdG8UcdbTxIMQs0ulOKZFAUVyzWg9b9DnQRwoIroOCgfc1CnXXMCFclQFyu4FQti0ypQlxHk/s1600/IMG_3148.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi e Rita Castigli" border="0" data-original-height="1067" data-original-width="1600" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifbh2tV01ipOOB8E9hHt8NPSOBcaDwf7wnc54jmaF2AKtL4RP7HuGdEVivZG7VZf7FqG7rdG8UcdbTxIMQs0ulOKZFAUVyzWg9b9DnQRwoIroOCgfc1CnXXMCFclQFyu4FQti0ypQlxHk/s640/IMG_3148.JPG" title="Silvano D'Orsi e Rita Castigli" width="640" /></a></span></div>
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<span style="font-size: normal;"><span style="font-family: "georgia" , "times new roman" , serif;">Se Pippo e Silvano
hanno come matrice comune il disegno e la ricerca metafisica, <b>Matteo
Fiorentino </b>è invece poeta del colore e della luce, ricercatore
dell'incanto nel paesaggio. È un impressionista che vuole rendere
quell'attimo fuggente in cui ogni cosa si esprime nella perfetta
bellezza di una luce che non durerà e che è irripetibile. Vuole
afferrare ed esprimere quell'istante come un'epifania di perfezione
da far durare invece per sempre, quell'attimo che deve diventare
infinito. Ci riesce con una tavolozza ricca di mille colori preziosi
e cangianti. L'emozione del colore proietta quel frammento di tempo e
di spazio in un infinito fatto di sentimento dove il soggetto perde i
suoi connotati di concretezza e si fa vibrazione e luce.</span></span><br />
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com2tag:blogger.com,1999:blog-5305799304571024123.post-49119156374021590172017-02-08T18:07:00.002+01:002017-08-06T17:45:35.803+02:00I gatti e la metropoli<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Nella casa-studio di Arnhild Kart</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0F7mdPmv5CKL-qlgKaauDsRhTaPPji-gwohefX8yfDjcm4A8ikNR7IFut5oYwGDDxYUZeFK7n-3OL1iv9fVK_sy73FEdrDk5_JTVsmDIJ4fyvC63EYbp7CzS8QCyz6Vkfgq-mEur2ujU/s1600/IMG_2424_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="438" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0F7mdPmv5CKL-qlgKaauDsRhTaPPji-gwohefX8yfDjcm4A8ikNR7IFut5oYwGDDxYUZeFK7n-3OL1iv9fVK_sy73FEdrDk5_JTVsmDIJ4fyvC63EYbp7CzS8QCyz6Vkfgq-mEur2ujU/s640/IMG_2424_m.jpg" title="Arnhild Kart" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Arnhild è irrimediabilmente un'artista. Lo si capisce anche solo guardando i suoi lavori senza conoscere la sua storia, una biografia improntata alla ricerca artistica che l'ha portata in Umbria, sull'argine dell'incessante fluire metropolitano, su un'altura dalla quale guardarlo scorrere. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Le sue sculture concentrano il frutto del suo silenzioso osservare. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Il personaggio agile e nervoso che si arrampica su una pertica è forse la sintesi più intensa della sua poetica: è una solitudine tappezzata di frammenti di giornale, i fatti del suo tempo. Brani di carta strappati irregolarmente ne costruiscono l'orizzonte imprimendosi sulla sua pelle e diventando il suo spazio interiore.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Vano è il suo tentativo di sfuggirlo andando oltre, arrampicandosi verso un cielo irraggiungibile. Ma egli non rinuncia e con tenacia contorce acrobaticamente le membra nude. Il suo futuro è nel presente del suo sforzo e non ha compagnia nell'ascesa in solitaria. <i>Free climber</i> dell'anima, non ha strumenti o sicure contro le possibili cadute.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih1kXVx5nw1iVxYnM3FerdPA1qSlYU5DXVAz66gmmvCMlFInh3rS-oBu8rxrDTXUoGfGBy1Wmv4JyY_EcgSUBqPuq_HaGHyni457GDJ8RAKwwsjLeQSXTsCbf3pSV1U59Of-SdA5rrpWU/s1600/IMG_4758.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih1kXVx5nw1iVxYnM3FerdPA1qSlYU5DXVAz66gmmvCMlFInh3rS-oBu8rxrDTXUoGfGBy1Wmv4JyY_EcgSUBqPuq_HaGHyni457GDJ8RAKwwsjLeQSXTsCbf3pSV1U59Of-SdA5rrpWU/s400/IMG_4758.JPG" title="Arnhild Kart" width="315" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il senso della vita, creazione unica e continua, da inventare con i propri mezzi e i propri limiti, con soluzioni provvisorie come un appoggio precario o una presa insicura, è il tema poetico delle creazioni di Arnhild. Suscita un sorriso stupito, ma induce chi guarda anche alla riflessione sul proprio agire, sulle proprie responsabilità e innocenza. Perché appare innocente e fragile il personaggio di cartapesta, ferito dal vento, inseguito dalle luci della notte artificiale e dal giorno costante dei media.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnWqIo8LlN1b5i_-7Q1vhRlZWkYhmiAEBgwZy2vt5ZvkqAgGcHc5foDiM4RiEgmNbRvlpm0gM6sC4m-QnxH4QU7l0zq2N4jIez_KcKwYPWPEDv8c9DguAXdQC0q6iYj00S98U30qq0U7k/s1600/IMG_2401_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnWqIo8LlN1b5i_-7Q1vhRlZWkYhmiAEBgwZy2vt5ZvkqAgGcHc5foDiM4RiEgmNbRvlpm0gM6sC4m-QnxH4QU7l0zq2N4jIez_KcKwYPWPEDv8c9DguAXdQC0q6iYj00S98U30qq0U7k/s400/IMG_2401_m.jpg" title="Arnhild Kart" width="266" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nelle tele recenti però anche quello spazio di possibile movimento si chiude e la libertà del tentare si restringe ancora. Quegli spazi acrobatici e pericolosi di ironia sono ingabbiati in una rete di angoli retti, come la grata di una prigione di pensieri in cui la realtà si nasconde e si perde. Fasce di bianco e di indifferenza coprono la fantasia fino alla sua resa e ogni gioco finisce.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAfjv7dF_Ig6YAGQXunx7dZ-kN8l7Dhp_LA-0C8YOwzF0Mu3xm-_ZMNzK9AKMdGUVY87NMdKuzEBwKMBRt9MwHJD5FAxgONS0hSlGAKTPZLwypUrFUGe0tjyCeVe3BkOncyazYaxxpB14/s1600/IMG_1906.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAfjv7dF_Ig6YAGQXunx7dZ-kN8l7Dhp_LA-0C8YOwzF0Mu3xm-_ZMNzK9AKMdGUVY87NMdKuzEBwKMBRt9MwHJD5FAxgONS0hSlGAKTPZLwypUrFUGe0tjyCeVe3BkOncyazYaxxpB14/s400/IMG_1906.jpg" title="Arnhild Kart" width="300" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ma questo è un punto di arrivo della ricerca pittorica di Arnhild, una nuova tappa di un percorso intenso partito da lontano. Dipinse la città metropolitana e grattacieli che fanno dimenticare la loro destinazione utilitaria, ergendosi a strutture autonome, spettri di pensiero immensamente rigidi e inumani. Sono vicini alla sensibilità che generò il film <i>Metropolis</i>, e talora sembrano flettersi come scossi da una forza distruttrice in un lago di blu che impone la notte finale.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimrpn6pBVJKHpuuYKdixJ7bI-bqRV3Bk3SLCCEkmAQ6nSm6c0srLlz3w0qO3AtlWnGfY8Dq1OlFyYV9OHOgjqcGwP4n0Jl4RnisQdsgud1vXLEOLNBfqvRLv0iDbUN2mjhsHfBWYGsq08/s1600/IMG_2479_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimrpn6pBVJKHpuuYKdixJ7bI-bqRV3Bk3SLCCEkmAQ6nSm6c0srLlz3w0qO3AtlWnGfY8Dq1OlFyYV9OHOgjqcGwP4n0Jl4RnisQdsgud1vXLEOLNBfqvRLv0iDbUN2mjhsHfBWYGsq08/s400/IMG_2479_m.jpg" title="Arnhild Kart" width="392" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Altrove i colori si contrappongono in drammatiche tensioni e fissano momenti di lotta violenta ed estrema tra i sessi o per la sopravvivenza di sé o della specie.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Nella produzione più recente le figure danzano in gabbie o su scacchiere, sintesi delle geometrie urbane che le coreografie di Pina Bausch animavano illuminando di grazia e colori strade pilastri e muri.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Queste figure marcano un momento in cui l'ironia subentra al dramma e un tenue sorriso al grido.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxc3TsGk9TVxTO5XQA74ZGrvY2Bze_3biZQC1JGBiNFuFcBwix5zdYQJfFumqS2A3n2M7GYR0Boygxk_kPjRCWPb9YY8FWxvcREBaUllJJUnbZ4aky5TkZXT63NqBz2dUTdxXqrtDsx0g/s1600/IMG_2383_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxc3TsGk9TVxTO5XQA74ZGrvY2Bze_3biZQC1JGBiNFuFcBwix5zdYQJfFumqS2A3n2M7GYR0Boygxk_kPjRCWPb9YY8FWxvcREBaUllJJUnbZ4aky5TkZXT63NqBz2dUTdxXqrtDsx0g/s320/IMG_2383_m.jpg" title="Arnhild Kart" width="315" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS3mswdIr2TBh4TLd8sUZLywLeAc2om5aLc7ppKF6TImB80dUhFwTX6ZZ8jVcoALN-5wgLtu5uRT_99uLMjmDSXrYC7fUxe1vO1jEYKvM6IqJMiNw6-3QHPupss4SN1LW2ifL9Ag_yNe8/s1600/IMG_2476_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS3mswdIr2TBh4TLd8sUZLywLeAc2om5aLc7ppKF6TImB80dUhFwTX6ZZ8jVcoALN-5wgLtu5uRT_99uLMjmDSXrYC7fUxe1vO1jEYKvM6IqJMiNw6-3QHPupss4SN1LW2ifL9Ag_yNe8/s320/IMG_2476_m.jpg" title="Arnhild Kart" width="318" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">L'impressione di gioco crea una poesia insidiosa nel suo personaggio: il corpo sottile e nervoso, agile e dinoccolato, vestito di azzurro festoso o di toppe di giornale come un arlecchino fuori posto, tenta equilibrismi disperati e viaggi incompiuti verso mete indefinite. Indossa la sua solitudine come una calzamaglia colorata, mostra i muscoli per nascondere la sua fragilità. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Ci induce alla tenerezza e al sorriso, ma questi si spengono a mano a mano che la riflessione riconosce in quei delicati equilibri e sforzi la condizione umana, la nostra, il nostro stare sospesi tra la terra troppo pesante e il cielo troppo infinito.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Arnhild cerca nelle tante modalità artistiche la sintesi di questa insanabile contraddizione ed in ogni opera infonde la sua profonda commozione e sofferta simpatia.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-id5rq_VSH69HY5DDip55k03cVbv-s_Y8ORJUyRF63P5_Sa8B0kMjhGp_l3cU-hI_UqxlODrUQv0ta683V64r3ulPfT2hS7G0E5IhYbfqqLz6TYrIY78UkgcqHvvVkN0jAGD7acPrKzg/s1600/IMG_2427_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-id5rq_VSH69HY5DDip55k03cVbv-s_Y8ORJUyRF63P5_Sa8B0kMjhGp_l3cU-hI_UqxlODrUQv0ta683V64r3ulPfT2hS7G0E5IhYbfqqLz6TYrIY78UkgcqHvvVkN0jAGD7acPrKzg/s400/IMG_2427_m.jpg" title="Arnhild Kart" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIKu7FRwbo5ZK9YaKNFj1SBE_xeS844wcF1BKJJm6PYfoZk2P4AWrws5TGSCuhaYo4x1gkaOuN6FV0TCYB_ECjY8qFrC0cBHBzlotsS_rjXB274feu_i7gdzFpo2q6NEKuMpHrhE3Yuo/s1600/IMG_2413_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmIKu7FRwbo5ZK9YaKNFj1SBE_xeS844wcF1BKJJm6PYfoZk2P4AWrws5TGSCuhaYo4x1gkaOuN6FV0TCYB_ECjY8qFrC0cBHBzlotsS_rjXB274feu_i7gdzFpo2q6NEKuMpHrhE3Yuo/s640/IMG_2413_m.jpg" title="Arnhild Kart" width="392" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Arnhild Kart vive e lavora in Umbria (Via Clausura 16, 06054 Fratta Todina PG)</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Collegamento al sito web di Arnhild:</span><br />
<a href="http://www.arnhildkart.de/" style="font-family: georgia, "times new roman", serif;">http://www.arnhildkart.de/</a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Collegamento all'</span><a href="http://www.artenellavita.com/ALBUM/Arnhild%20Kart's%20home/album/index.html" style="font-family: Georgia, "Times New Roman", serif;" target="_blank">ALBUM</a><span style="font-family: "georgia" , "times new roman" , serif;"> con le foto di opere e della casa-studio di Arnhild Kart:</span><br />
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<a href="http://www.artenellavita.com/ALBUM/Arnhild%20Kart's%20home/album/index.html" target="_blank"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsg1zqacuwbKwZq4ky5PI9zicHOvEBzPllhmSaRbcu0bfbEwH5zOOlJIe8jxhqpVgFH4GsdvZ33a4lgZJPTkUav7xe2-43COeo8bj6MgWGluXimaomdFTCuagGayXK0V_7EZobEOLb8wU/s400/Album.jpg" title="Arnhild Kart" width="376" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><span style="font-size: x-large;">Cats and Metropolis</span></i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>A visit to Arnhild Kart's home/atelier</i></span></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Arnhild is hopelessly an artist. You can tell just by looking at her work without knowing her history, a biography marked by the artistic research that brought her into Umbria, on the bank of the metropolitan endless flowing, on a high ground from which she can watch it scroll.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Her sculptures concentrate the fruit of her silent watching. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The agile and nervous character who climbs a pole is perhaps the most intense synthesis of her poetry: it is a solitude carpeted of newspaper fragments, the events of his time. Pieces of paper torn irregularly build an horizon imprinted on his skin and becoming his interior space.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Fruitlessly he attempts to run away, going over, climbing toward an unattainable sky. But he does not give up and with tenacity wriths acrobatically his bare limbs. His future is in the present of this effort and there is no companion in his solo ascent. Free climber of the soul, he has no tools or safety latch against possible falls.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The meaning of life, unique creation that everyone continues to invent by one's own means and limits, with temporary solutions like a precarious support or an insecure grip, is the poetic theme of Arnhild's creations, and raises a smile in amazement.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">But it also induces the viewers to a reflection on their actions, on their own responsibility and innocence because the fragile paper character on the run seems innocent, being hurt by the wind and chased by the lights of the artificial night and constant day of the media.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">But in Arnhild's recent paintings that space of possible movement closes and that freedom of trying narrows. Those acrobatic and dangerous areas of irony are trapped in a network of right angles, similar to the grating of a prison of thoughts where reality is hidden and lost. Bands of white and indifference cover the fantasy until it surrenders and all game ends.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">But this is a landmark of Arnhild's pictorial research, a new stage of an intense path from afar. She used to paint metropolis skyscrapers that make you forget their utilitarian target, rising to autonomous structures, immensely rigid and inhuman spectres of thought. They are close to the sensibility that produced the Fritz Lang's Metropolis, and somewhere they seem to be bent and shaken by a destructive force in a pool of blue which marks the final night. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Elsewhere colours are contrasted in dramatic tension and fix moments of extreme and violent struggle between the sexes, or for one'own survival or for the species. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">In more recent production, human figures are dancing in cages or on the chessboard, a synthesis of the urban geometry choreographed by Pina Bausch who filled roads pillars and walls with grace and colours. These figures mark a moment where irony replaces drama and a faint smile succeeds to a cry. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">The impression of playing creates a rather insidious poetry in the climbing character: the thin, nervous body, lithe and lanky, dressed in festive blue or newspaper patches as a harlequin out of place, attempts desperately to balance and to travel towards undefined goals. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">He is wearing his loneliness as a colored maillot, flexing his muscles to hide his fragility. </span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">You feel tenderness and you smile, but a little at a time you recognize in those efforts and delicate balances the human condition, your condition, the human suspension between too heavy an earth and too infinite a sky.</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;">Arnhild looks for the synthesis of this irreconcilable contradiction in many artistic ways and infuses her deep emotion and experienced sympathy in every work.</span></i></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br class="Apple-interchange-newline" /><i>Arnhild Kart lives and works in Umbria, Italy</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>(Via Clausura 16, 06054 Fratta Todina, Perugia)</i></span></div>
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<i style="font-family: georgia, "times new roman", serif;"><span style="font-family: "georgia" , "times new roman" , serif;">Link to a </span><a href="http://www.artenellavita.com/ALBUM/Arnhild%20Kart's%20home/album/index.html" style="font-family: Georgia, "Times New Roman", serif;" target="_blank">PHOTOALBUM</a><span style="font-family: "georgia" , "times new roman" , serif;"> of Arnhild's works and home/atelier:</span></i></div>
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<i><span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://www.artenellavita.com/ALBUM/Arnhild%20Kart's%20home/album/index.html" target="_blank">http://www.artenellavita.com/ALBUM/Arnhild%20Kart's%20home/album/index.html</a></span></i></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ25AZUt47nDAragMf9ddsVBAUGFtZ459TDMg3sTwmpqtgOgb8c-RKOB6-1NR_MdbwvS9VRNTAaeQR6hV3RT-PN-CHjlmZrtfkS6q4na0Hu_2qoHf8ftL1-2U3sKYdlRK4pCcdsLQsG4s/s1600/IMG_2356_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZ25AZUt47nDAragMf9ddsVBAUGFtZ459TDMg3sTwmpqtgOgb8c-RKOB6-1NR_MdbwvS9VRNTAaeQR6hV3RT-PN-CHjlmZrtfkS6q4na0Hu_2qoHf8ftL1-2U3sKYdlRK4pCcdsLQsG4s/s400/IMG_2356_m.jpg" title="Arnhild Kart" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KkMY8QdPj9jA6tXt_zcLEg8iSMAdC9TtU9qAhbzfU8SJhgVoRNmKASsBPHfkwApmmNrXuI_KGM8-QmKKrD30gC42H9Qf2i3ZB0RnV9-Y1JBntIqfn6lDZbdONnAU9I__iXc4VER0eH0/s1600/IMG_2357_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_KkMY8QdPj9jA6tXt_zcLEg8iSMAdC9TtU9qAhbzfU8SJhgVoRNmKASsBPHfkwApmmNrXuI_KGM8-QmKKrD30gC42H9Qf2i3ZB0RnV9-Y1JBntIqfn6lDZbdONnAU9I__iXc4VER0eH0/s400/IMG_2357_m.jpg" title="Arnhild Kart" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5CvwMPG-T5I5sGXeX6BJ_XnqZdlveBQSbLND5aYd9lfP_QWytQujibWwp_YMaQ2z-YAWXhkGmWGqhmKrHPVekz_oZ-P-mP_9W3Nj3sLzwpUwASeN_FxanhIsPC0l76-h0DESwtMVVcS4/s1600/IMG_2444_m.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5CvwMPG-T5I5sGXeX6BJ_XnqZdlveBQSbLND5aYd9lfP_QWytQujibWwp_YMaQ2z-YAWXhkGmWGqhmKrHPVekz_oZ-P-mP_9W3Nj3sLzwpUwASeN_FxanhIsPC0l76-h0DESwtMVVcS4/s640/IMG_2444_m.jpg" title="Arnhild Kart" width="425" /></a></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-36504814278157609592016-08-16T23:16:00.000+02:002016-08-26T10:37:03.930+02:00Officina d'arte al Castello<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Nove artisti a Roccascalegna per il Rotary Campus</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgyi3o3R30QfUmHtBKz_I45zrcqbHYVin0LR4o4uBkAFLJhJQE4S5LRVyqov9Rj3_1gVqtPfXGAMWvdcuUrrFyokXZMzxOc7Xb_uVRjzRobiWE7OvhvA8Z7vq8c9HR6HIqtzTQrjrAPZE/s1600/IMG_1830.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Eccellenze ed arte sotto le stelle" border="0" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgyi3o3R30QfUmHtBKz_I45zrcqbHYVin0LR4o4uBkAFLJhJQE4S5LRVyqov9Rj3_1gVqtPfXGAMWvdcuUrrFyokXZMzxOc7Xb_uVRjzRobiWE7OvhvA8Z7vq8c9HR6HIqtzTQrjrAPZE/s640/IMG_1830.jpg" title="Roccascalegna" width="640" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Sotto le stelle e molto vicino alle stelle, sui bastioni del castello di Roccascalegna (Chieti), l'arcigna struttura di pietra che prolunga verso il cielo un inaccessibile sperone di roccia, circondati da un infinito allargarsi di colli e valli verdissime cui il masso della Maiella impone un limite bruno e immenso ad ovest, nove artisti hanno lavorato alle loro tele con lo scopo di aiutare il Rotary Club di Atessa ad offrire un campus estivo ai bambini disabili del Distretto.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Oltre ai diciotto dipinti, sono state create alcune raffinate ceramiche con la tecnica <i>raku</i>, uno spettacolo di fiamme e fumo che ha lasciato sulla superficie dei pezzi un lustro particolare, quasi che il cielo cangiante o la Maiella vi si riflettessero.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">L'iniziativa ha visto convergere l'energia del Presidente del Rotary Club di Atessa, di Pippo Cosenza e di Silvano D'Orsi, che insieme hanno coinvolto gli artisti in una intensa kermesse di tre giorni.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">ANDREA BAFFONI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">L'immaginazione di Andrea è stata soggiogata dal castello: minacce spettrali vi aleggiano, un buio denso vi cola sopra come un sudario liquido. La torre, bianca come un fantasma in cui si concentrano tutti gli incubi notturni di un bambino, cattura Andrea. Egli si difende con il peso dei suoi studi e la leggerezza della sua fantasia che gioca con le percezioni di un passato arcano.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Mail: <a href="mailto:andrea.ba76@gmail.com">andrea.ba76@gmail.com</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS16M_kOWDJKjRm6a8B3kmL9591n-k_aA6aAO3QsryCKhKL56ImD7p-6VvdZNABQVpAWABvp8QDI0ek2UVdlqDH-_0_oL3gyLIn2KMKWxpI9VtYxzs9ewg3hqewQcnJxlgJPlTUCnggww/s1600/IMG_1819.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Andrea Baffoni" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjS16M_kOWDJKjRm6a8B3kmL9591n-k_aA6aAO3QsryCKhKL56ImD7p-6VvdZNABQVpAWABvp8QDI0ek2UVdlqDH-_0_oL3gyLIn2KMKWxpI9VtYxzs9ewg3hqewQcnJxlgJPlTUCnggww/s400/IMG_1819.jpg" title="Andrea Baffoni" width="268" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaAp9iUrL2BGFWWvjzwW9Akz3YcmUBBTmNFjya2AWw6o-osJ5IHjT5v0DSrPGR2vszKYp99NnQi5TqHBQsAwDKF_HqymW7M1hW4rroRwZNQ_KxTbyHuiPEgXrhgXD2NsUpJQNyqMyIU58/s1600/IMG_1823.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Andrea Baffoni" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhaAp9iUrL2BGFWWvjzwW9Akz3YcmUBBTmNFjya2AWw6o-osJ5IHjT5v0DSrPGR2vszKYp99NnQi5TqHBQsAwDKF_HqymW7M1hW4rroRwZNQ_KxTbyHuiPEgXrhgXD2NsUpJQNyqMyIU58/s400/IMG_1823.JPG" title="Andrea Baffoni" width="266" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">ANGELISA BERTOLONI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Senza subire la suggestione del luogo, Angelisa resta coerente alla sua ricerca della grazia sempre diversa delle ballerine classiche. Le fissa nelle “attitude” e negli “arabesque”, sagome preziose come merletti su sfondi d'argento o neri che le collocano in uno spazio che è solo del pensiero e del cuore, lo spazio immateriale che l'artificio del “danser aux pointes” riempie di bellezza rarefatta e fuori dal tempo.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.angelisabertoloni.it/">www.angelisabertoloni.it/</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7aha6xum8dX3xbQferDlGDqLMJDK5ozTtJYM4zgBgpuHuxvT2fcS3hUy1sX0zM3G_lZ14ut86yeNP7FWOcmoTZb2KyRfSwxm7rGsU9bR3WpY1KImDcybK3Bv1Ju9cRTZMjqZn_JqInTs/s1600/IMG_1727.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Angelisa Bertoloni" border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7aha6xum8dX3xbQferDlGDqLMJDK5ozTtJYM4zgBgpuHuxvT2fcS3hUy1sX0zM3G_lZ14ut86yeNP7FWOcmoTZb2KyRfSwxm7rGsU9bR3WpY1KImDcybK3Bv1Ju9cRTZMjqZn_JqInTs/s400/IMG_1727.JPG" title="Angelisa Bertoloni" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_8hrjG9GzLvK5EHNX3PZtleIiFN0yzgObESqIxvAmA-ZoNf3OqtTXdrB978XGxc1OTW8BmLvKGzA2JJTvYlKYKCpDAW3ZMWCmsoPcruREFnfZGoY7sxl32ykW5XvElKgV1g1TUtJnOY/s1600/IMG_1731.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Angelisa Bertoloni" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0_8hrjG9GzLvK5EHNX3PZtleIiFN0yzgObESqIxvAmA-ZoNf3OqtTXdrB978XGxc1OTW8BmLvKGzA2JJTvYlKYKCpDAW3ZMWCmsoPcruREFnfZGoY7sxl32ykW5XvElKgV1g1TUtJnOY/s400/IMG_1731.JPG" title="Angelisa Bertoloni" width="283" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">PIPPO COSENZA</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">L'artista siciliano costruisce strutture affascinanti in rilievo sulle tele con grazia geometrica e vi inserisce immagini suggestive velate da reti di ricordi. Poi le sommerge con colori di intonaci antichi di paesi </span><span style="font-family: "georgia" , "times new roman" , serif;">lontani</span><span style="font-family: "georgia" , "times new roman" , serif;"> </span><span style="font-family: "georgia" , "times new roman" , serif;">e assolati cari alla sua infanzia. Forse per una specie di pudore, Pippo nasconde la sua fantasia superba e rigorosa e la fa calare in una realtà più modesta dove il tempo scorre e consuma e conferisce una diversa tenera bellezza.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.cosenzainarte.it/">www.cosenzainarte.it</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtQBK1cjhpiimQymx6UubD391yKg5BY4wVOhCcVkiHsMIffNdiQ3jOWQoomR7m976iKQqC0fsuU_npmQHrZQ-eGcT89-6fzJtlY3y5s1iJI123Dz5hBN6N6ybPvV11Z9pH9QD6JWmEYf0/s1600/IMG_1645.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtQBK1cjhpiimQymx6UubD391yKg5BY4wVOhCcVkiHsMIffNdiQ3jOWQoomR7m976iKQqC0fsuU_npmQHrZQ-eGcT89-6fzJtlY3y5s1iJI123Dz5hBN6N6ybPvV11Z9pH9QD6JWmEYf0/s400/IMG_1645.JPG" title="Pippo Cosenza" width="266" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6gIwaNWTwN0MSwDf4LGMJPceGiUFwi3MacGdfKERRbiYXm5jbDX2-zR3PsV7ajySBkyD-0Ipn8gYb3U5m8DVYKrlW3SaliKXhguHXIyJ-EeVwAO4rSUAH7b-wXUFz0wD-U6fMXCrLEmU/s1600/IMG_1781.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="271" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6gIwaNWTwN0MSwDf4LGMJPceGiUFwi3MacGdfKERRbiYXm5jbDX2-zR3PsV7ajySBkyD-0Ipn8gYb3U5m8DVYKrlW3SaliKXhguHXIyJ-EeVwAO4rSUAH7b-wXUFz0wD-U6fMXCrLEmU/s400/IMG_1781.JPG" title="Pippo Cosenza" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlreYUkdhbPUtpvRfyW9HSJqQZIRuhR7Di4b85XYE2xFkSJetDCRqGkJWBETjoca7NQDn3huRhCC-RROCTxbetP8NZ_PbyhnidF9HFsdAQ-mF_EcqHAt1SYqZ79fgmqMTVH8guhxCJe0A/s1600/IMG_1814.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlreYUkdhbPUtpvRfyW9HSJqQZIRuhR7Di4b85XYE2xFkSJetDCRqGkJWBETjoca7NQDn3huRhCC-RROCTxbetP8NZ_PbyhnidF9HFsdAQ-mF_EcqHAt1SYqZ79fgmqMTVH8guhxCJe0A/s400/IMG_1814.JPG" title="Pippo Cosenza" width="266" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">SILVANO D'ORSI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Silvano ha un suo mondo d'ironia e di grazia che dà vita alle sue tele. Vivi sono i suoi incantevoli manichini, elegantissimi e malinconici. Pulcinella, tolta la maschera carica di pathos, non ha un volto e pensosamente lascia che il grigio consumi inesorabilmente i suoi contorni. Lo spazio uniforme e argenteo evoca un silenzio implacabile intorno a queste bellissime creature, prototipi di sogni e di emozioni che tendono a diventare evanescenti e luminose, attimi struggenti di nostalgia senza scampo.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.sangiorgioarte.it/it/artisti/dorsi-silvano">www.sangiorgioarte.it/it/artisti/dorsi-silvano</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAaVzAlOVqKMMKICpo83Iqq6IvDGqMINGDZ5eFz9LMBGuG9F3TB5AF7dLjidqSXTzFBKd_MO8rA8Uoz0OJAjGpJYlmOwl9thwj6_5eYsEHJQMQW1w5Dmbq0_w8KyC3wgMfCSpGIvhmDso/s1600/IMG_1689.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAaVzAlOVqKMMKICpo83Iqq6IvDGqMINGDZ5eFz9LMBGuG9F3TB5AF7dLjidqSXTzFBKd_MO8rA8Uoz0OJAjGpJYlmOwl9thwj6_5eYsEHJQMQW1w5Dmbq0_w8KyC3wgMfCSpGIvhmDso/s400/IMG_1689.JPG" title="Silvano D'Orsi" width="265" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU-bniyZduhquLFsU_LNYrYi64U6jfdUngK6UcEGyE1VmQPzFTeLn1Hp8xII_t8v-hNM3ZapEKC9F6aYumb-mmSrfDDk7b3aDR8Ygy5qR-ovZhf8WXNx1IIn602nDR3s9gBSnCN96vMJY/s1600/IMG_1709.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU-bniyZduhquLFsU_LNYrYi64U6jfdUngK6UcEGyE1VmQPzFTeLn1Hp8xII_t8v-hNM3ZapEKC9F6aYumb-mmSrfDDk7b3aDR8Ygy5qR-ovZhf8WXNx1IIn602nDR3s9gBSnCN96vMJY/s400/IMG_1709.jpg" title="Silvano D'Orsi" width="393" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-PRmRr61OfkNAxPttRsJNdBGV7w1VKK8fXQ60wESi2o5DuUlwoPgEXkt9Lj6-zTjzw0dcLNzAmByrV9Xzl9-FEF6n0yl649O4C57EDdQkLLJGZ3NqUg_5hl3zo6GceW65mUvKuLMfDpQ/s1600/IMG_1926.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-PRmRr61OfkNAxPttRsJNdBGV7w1VKK8fXQ60wESi2o5DuUlwoPgEXkt9Lj6-zTjzw0dcLNzAmByrV9Xzl9-FEF6n0yl649O4C57EDdQkLLJGZ3NqUg_5hl3zo6GceW65mUvKuLMfDpQ/s400/IMG_1926.jpg" title="Silvano D'Orsi" width="393" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-o_qSHowHqLR9rbRhVW8Elso4xJDlQsW_09ToXdsa307uWJR3NcIhzROjEF_QOpPSKmW5R-OvpdFpUs1i0z_Afb7HFUNz3hiVX3o8AWCPPXw3xygc14oCx_4t65oieRJxfVLR8BlIkGM/s1600/IMG_1790.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi e Pippo Cosenza" border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-o_qSHowHqLR9rbRhVW8Elso4xJDlQsW_09ToXdsa307uWJR3NcIhzROjEF_QOpPSKmW5R-OvpdFpUs1i0z_Afb7HFUNz3hiVX3o8AWCPPXw3xygc14oCx_4t65oieRJxfVLR8BlIkGM/s400/IMG_1790.JPG" title="Silvano D'Orsi e Pippo Cosenza" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">ARNHILD KART</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">La poliedrica artista, che nelle sue sculture crea figure umane in isolamenti acrobatici e in spazi pericolosi di ironia e tenerezza, qui nelle tele intrappola la percezione in una rete di angoli retti, come una gabbia di pensieri in cui la realtà si nasconde e si perde. Il gioco è finito, l'esprit de géometrie prende il sopravvento e chiude a poco a poco la fantasia.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.arnhildkart.de/">http://www.arnhildkart.de/</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__ehONrfq2ADrs3ZKQBi9RXOC66wX8V9wc-YS8KM2bm6k362e7M3-M2cHZkoo_DpiZZm7D4grrqdBKhPXCpxJpiQNyUfb6ffSOjlx2PcJDFwWIzVzZ2zpr2qgAjVzGoAxyI0wTXyB85Y/s1600/IMG_1663.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi__ehONrfq2ADrs3ZKQBi9RXOC66wX8V9wc-YS8KM2bm6k362e7M3-M2cHZkoo_DpiZZm7D4grrqdBKhPXCpxJpiQNyUfb6ffSOjlx2PcJDFwWIzVzZ2zpr2qgAjVzGoAxyI0wTXyB85Y/s400/IMG_1663.jpg" title="Arnhild Kart" width="280" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEzEYUz3Ft-3WzBrlLd1DTMnQJJ6k2GSMeuSG-X6-TImeAgnUXySM97JTOJAS1QbpXfziHC5X7D1hn5uTV0xcSCqRCdOW_Aj5GUdQL68DJdnrf8f075vhYfBucgaT7TkXf1M0y-OW3x8/s1600/IMG_1770.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="293" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjhEzEYUz3Ft-3WzBrlLd1DTMnQJJ6k2GSMeuSG-X6-TImeAgnUXySM97JTOJAS1QbpXfziHC5X7D1hn5uTV0xcSCqRCdOW_Aj5GUdQL68DJdnrf8f075vhYfBucgaT7TkXf1M0y-OW3x8/s400/IMG_1770.jpg" title="Arnhild Kart" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">CECILIA PIERSIGILLI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Cecilia si innamora del paesaggio e lo sommerge nei colori vaghi del tramonto. Ma il cielo si accende delle tinte di quegli squarci di nubi barocche che erano popolati di cherubini, appena individuati nell'arancio, ed è incorniciato da un buio che sfuma di blu qualche parete. Il colore cola dal disegno a sospenderlo su una zona della tela e dell'immaginazione e a farne un luogo nascosto nel cuore.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.ceciliapiersigilli.it/">www.ceciliapiersigilli.it/</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1a5NlHiDQ-eoDlyvfwW6AUAO5PHn7h7XJYnsC_itLOGScX0pBwo8Xq4baGTjObzxZwBmPg-oADXas5rU_Xd6_lbMpI1qNsR_UMdQfV1mEE5-girm5sqYEMUbxXlyQGCvGXpsLaskR12A/s1600/IMG_1605.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cecilia Piersigilli" border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1a5NlHiDQ-eoDlyvfwW6AUAO5PHn7h7XJYnsC_itLOGScX0pBwo8Xq4baGTjObzxZwBmPg-oADXas5rU_Xd6_lbMpI1qNsR_UMdQfV1mEE5-girm5sqYEMUbxXlyQGCvGXpsLaskR12A/s400/IMG_1605.jpg" title="Cecilia Piersigilli" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDBczpAoelzUPZ-Z33EIGhQxkQMrY5CASPo9lO4A05OQuUuUmMynRUGS_wlsM5VkyhXcMTUSql7YJJXTEYbp7FYGghLCm5nqbaz7XPmhO0klJ9obmIZmIFGT2LX1-jRXf4R7r9MQUjvM/s1600/IMG_1738.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cecilia Piersigilli" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVDBczpAoelzUPZ-Z33EIGhQxkQMrY5CASPo9lO4A05OQuUuUmMynRUGS_wlsM5VkyhXcMTUSql7YJJXTEYbp7FYGghLCm5nqbaz7XPmhO0klJ9obmIZmIFGT2LX1-jRXf4R7r9MQUjvM/s400/IMG_1738.jpg" title="Cecilia Piersigilli" width="306" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">ACHILLE QUADRINI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Un viaggio all'interno dell'anima umana è una tela di Achille Quadrini. Il pensiero si inabissa in un buio antico dove non c'è linguaggio né possibilità di raccontare un ricordo. La luce si fa strada baluginando come un pesce abissale, come un lampo nella notte, come un volo di lucciole in un campo a giugno, come un fremito della coscienza.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.achillequadrini.it/">www.achillequadrini.it</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqQcGKirrvRstmPGypLr3nKduQZ11wTcKoqNHcuJ_8EgA0vpC4nbeiRlBgtgrcgpaHnMc-G0lPbA39zGiVfAUGz0KPfG1ZKVoHucvqjNRiHkzOpx331xSHL2heiKxqILG8ftVh2d42ywg/s1600/IMG_1877.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Achille Quadrini" border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqQcGKirrvRstmPGypLr3nKduQZ11wTcKoqNHcuJ_8EgA0vpC4nbeiRlBgtgrcgpaHnMc-G0lPbA39zGiVfAUGz0KPfG1ZKVoHucvqjNRiHkzOpx331xSHL2heiKxqILG8ftVh2d42ywg/s400/IMG_1877.jpg" title="Achille Quadrini" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3gHocjWGHHEcfz-hR3Efb1MK8bDj01Q2xQbjOCdgtlpyllV5pecZKfYKrk757aPCT6sGHgnPA1hGM36y0zPQByubLm_jC_M9i-aHUfv6rq-iAmt3dd4fcpkUuCtNKpAu8uO8CgOrYWhI/s1600/IMG_1766.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Achille Quadrini e Rita Castigli" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3gHocjWGHHEcfz-hR3Efb1MK8bDj01Q2xQbjOCdgtlpyllV5pecZKfYKrk757aPCT6sGHgnPA1hGM36y0zPQByubLm_jC_M9i-aHUfv6rq-iAmt3dd4fcpkUuCtNKpAu8uO8CgOrYWhI/s400/IMG_1766.jpg" title="Achille Quadrini e Rita Castigli" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">MAURO TIPPOLOTTI</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Mauro vuole esprimere il respiro dell'universo con quei mille e mille colpi di pennello, con quei mille e mille colori simili a particelle elementari, coinvolte in un moto perpetuo e frenetico. La realtà è il fuoco secondo Eraclito che Tippolotti cita quale ispiratore del suo trittico dall'andamento ciclico.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.maurotippolotti.com/">www.maurotippolotti.com</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisL1SkaMse2pNaKN-7JMlXlmfUgQxwnfcH6U6-K18fJKHka1Cv_2azYVqeY3OdnNkZpu63uR-pFzX5W2WPpTNuy-zC_yA4HFDfpfshjvF8a-ET8fw99dy62gCBivPf3_lUdMzY-4UOyHY/s1600/IMG_1641.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mauro Tippolotti" border="0" height="266" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisL1SkaMse2pNaKN-7JMlXlmfUgQxwnfcH6U6-K18fJKHka1Cv_2azYVqeY3OdnNkZpu63uR-pFzX5W2WPpTNuy-zC_yA4HFDfpfshjvF8a-ET8fw99dy62gCBivPf3_lUdMzY-4UOyHY/s400/IMG_1641.jpg" title="Mauro Tippolotti" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZZw-jB_vk-C6DS3U7b4OU8ex2O-hsvOWhW5oy6VC0FqE23GGERkt8WArzmnMk6q0PGqTD8R13RhmwHEFMGKZM42yey8z1BLBx9X2DxWsfQQDpveATGhFKQ-Cpc9lubGBN6Px-6hw3_Y/s1600/IMG_1824.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mauro Tippolotti" border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsZZw-jB_vk-C6DS3U7b4OU8ex2O-hsvOWhW5oy6VC0FqE23GGERkt8WArzmnMk6q0PGqTD8R13RhmwHEFMGKZM42yey8z1BLBx9X2DxWsfQQDpveATGhFKQ-Cpc9lubGBN6Px-6hw3_Y/s400/IMG_1824.jpg" title="Mauro Tippolotti" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">DAVID URRU</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Anche David subisce l'incantesimo del castello di Roccascalegna. La tela si increspa nei moti del vento e il cielo è percorso da fuggiasche nubi bianche. I monti si inerpicano selvatici e caparbi sulla tela, mentre i colori sfuggono al richiamo della realtà accendendosi di spruzzi rossi come ferite nascoste nella storia e il sole è un cerchio vuoto come la corona di un'eclissi incompleta.</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Sito web: <a href="http://www.davidurru.it/">www.davidurru.it/</a></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgefnmr5EP5OkIXDpgmamdO_TwK6TXqC-8ao2sZJlu7xtAwHzMO0zLwMzhfcnHwGeaGsJdxVzptybqszgA6vARX7pRBDUIy0ncXJYT2YShjD-GX6tSvh6VDogs8jAOul5x4wJCJeLbm2Ow/s1600/IMG_1668.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="David Urru" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgefnmr5EP5OkIXDpgmamdO_TwK6TXqC-8ao2sZJlu7xtAwHzMO0zLwMzhfcnHwGeaGsJdxVzptybqszgA6vARX7pRBDUIy0ncXJYT2YShjD-GX6tSvh6VDogs8jAOul5x4wJCJeLbm2Ow/s400/IMG_1668.jpg" title="David Urru" width="282" /></a></div>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.artenellavita.com/ALBUM/ROCCASCALEGNA%202016/album/index.html" target="_blank"><img border="0" height="539" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEius19YvEcFj59Gp4P7Bvu3eQyoNCudQoofjAQiZzjB7F4o4KHv55sAGSC4lL974Gtf_ZbghHZz9PWQ8ee9GbhZnrLolCdUdiACb6y848cvsClAlGxlhzX7O4sR8Oz7gxuI-Peax0BPcCc/s640/album.jpg" width="640" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/ROCCASCALEGNA%202016/album/index.html" target="_blank">Collegamento all'ALBUM con tutte le foto di Aurelio</a></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br />Sito web del Rotary Club di Atessa:</span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://www.rotaryclubatessa.it/">www.rotaryclubatessa.it</a></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span><span style="font-family: "georgia" , "times new roman" , serif;">______________________________________________________</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><i>Art laboratory at the Castle</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Nine artists at Roccascalegna helping the Rotary Campus</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifbrobu_ZED8UwdhtBEnkzCaShLKo6ZPaI0L9-wzqHpayvuC4ogc9BsbYYJ10UXpY4ocH1pfj89IN9KR0x_Uk9D2DjOFux7-E3HBQF27u0cNum8nwiuDblKB1lMtqyYK4h8iJJKYinHU0/s1600/IMG_1875.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza, Silvano D'Orsi e Achille Quadrini" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifbrobu_ZED8UwdhtBEnkzCaShLKo6ZPaI0L9-wzqHpayvuC4ogc9BsbYYJ10UXpY4ocH1pfj89IN9KR0x_Uk9D2DjOFux7-E3HBQF27u0cNum8nwiuDblKB1lMtqyYK4h8iJJKYinHU0/s640/IMG_1875.JPG" title="Roccascalegna" width="426" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Under the stars and very close to the stars, on the ramparts of the castle of Roccascalegna, the grim stone structure, which extends to the sky an inaccessible spur of rock, surrounded by an endless widening of green hills and valleys where the Maiella stone imposes an immense dusky limit towards the west, nine artists worked on their canvases with the aim to help the Rotary Club of Atessa to offer a summer camp for disabled children in the District.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>In addition to the eighteen paintings, some fine ceramics have been created with the </i>raku <i>technique, a sensational show of flames and smoke that left on the surface of the pieces a particular lustre, as if the ever-changing sky or the Maiella were reflected.</i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The initiative has been the result of the converging energies of the President of the Rotary Club of Atessa, of Pippo Cosenza and of Silvano D'Orsi, who together have involved </i></span><i style="font-family: georgia, "times new roman", serif;">the artists </i><i style="font-family: georgia, "times new roman", serif;">in an intense three-day festival.</i><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">ANDREA BAFFONI</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Andrea's imagination has been subjugated by the castle, spectral threats lurk there, a dense dark pours slowly over it like a liquid shroud. The tower, a white ghost's face where all a child's nightmares are concentrated, captures Andrea. He defends himself using the weight of his studies and the lightness of his imagination and gambling with the perceptions of a mysterious spooky past.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Mail: andrea.ba76@gmail.com</i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">ANGELISA BERTOLONI</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Without undergoing the influence of the place, she remains coherent in her pursuit of the ever-changing grace of classical dancers. She fixes them in arabesques, precious shapes like lace on silver or black backgrounds that place them in a space that is only in the mind and the heart, the immaterial space that the artifice of "danser aux pointes" fills with rarefied and timeless beauty.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.angelisabertoloni.it/">www.angelisabertoloni.it</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">PIPPO COSENZA</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>The Sicilian artist constructs fascinating structures in relief on the canvases with geometric grace and inserts evocative images veiled by networks of memories. Then he floods them with the colours of the old plastered walls of his infancy. Maybe for some sort of shyness, he covers his superb and rigorous fantasy and makes it fall into a more modest reality where time passes and consumes conferring a different tender beauty.</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.cosenzainarte.it/">www.cosenzainarte.it</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">SILVANO D'ORSI</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Silvano has a world of humor and grace that gives life to his paintings. His charming elegant and melancholic mannequins are alive and impressive. Pulcinella has removed his pathetic mask and has no face. He thoughtfully lets the gray inexorably consume his contours. The flat and silver </i></span><i style="font-family: georgia, "times new roman", serif;">space </i><i style="font-family: georgia, "times new roman", serif;">evokes an implacable silence around these beautiful creatures, prototypes of dreams and emotions that tend to become evanescent and bright, moving moments of nostalgia with no escape.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.sangiorgioarte.it/it/artisti/dorsi-silvano">www.sangiorgioarte.it/it/artisti/dorsi-silvano</a></i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">ARNHILD KART</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>The multifaceted artist in her sculptures creates human figures in acrobatic isolation and in hazardous areas of irony and tenderness. Here </i></span><i style="font-family: georgia, "times new roman", serif;">in the paintings </i><i style="font-family: georgia, "times new roman", serif;">she traps the perception in a network of right angles, like a cage of thoughts where reality is hidden and somehow lost. The game is over, the esprit de géometrie wins and </i><i style="font-family: georgia, "times new roman", serif;">gradually </i><i style="font-family: georgia, "times new roman", serif;">closes down imagination.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.arnhildkart.de/">www.arnhildkart.de</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">CECILIA PIERSIGILLI</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Cecilia falls in love with the landscape around her and submerges it in the blurred colors of sunset. But the sky lights up the shades of those baroque clouds that were populated by cherubs, barely identified in the orange, and is framed by a darkness that blends some walls </i></span><i style="font-family: georgia, "times new roman", serif;">in blue</i><i style="font-family: georgia, "times new roman", serif;">. The colour drains from the image and suspends it on an area of the canvas and of the imagination until it becomes a place hidden in the heart.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.ceciliapiersigilli.it/">www.ceciliapiersigilli.it</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">ACHILLE QUADRINI</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>A </i></span><i style="font-family: georgia, "times new roman", serif;">painting by Achille Quadrini </i><i style="font-family: georgia, "times new roman", serif;">is a </i><i style="font-family: georgia, "times new roman", serif;">journey into the human soul. Your mind sinks in an ancient darkness where there is no language or possibility to tell a memory. The light makes its way flickering like a deep-sea fish, like a flash in the night, like a flight of fireflies in a field in June, like a quiver of consciousness.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.achillequadrini.it/">www.achillequadrini.it</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">MAURO TIPPOLOTTI </span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Mauro wants to express the breath of the universe through thousands and thousands of brush strokes, through thousands and thousands of colours like elementary particles involved in perpetual and frenetic </i></span><i style="font-family: georgia, "times new roman", serif;">motion</i><i style="font-family: georgia, "times new roman", serif;">. Reality is symbolized by the fire according to Heraclitus that Tippolotti quotes as inspiration for his </i><i style="font-family: georgia, "times new roman", serif;">cyclical </i><i style="font-family: georgia, "times new roman", serif;">triptych.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="http://www.maurotippolotti.com/">www.maurotippolotti.com</a></i></span><br />
<i><span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>
<span style="font-family: "georgia" , "times new roman" , serif;">DAVID URRU</span></i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>David undergoes the spell of Roccascalegna castle. The canvas ripples in the movements of the </i></span><i style="font-family: georgia, "times new roman", serif;">wind </i><i style="font-family: georgia, "times new roman", serif;">and the sky is crossed by fugitive white clouds. The </i><i style="font-family: georgia, "times new roman", serif;">wild and stubborn </i><i style="font-family: georgia, "times new roman", serif;">mountains </i><i style="font-family: georgia, "times new roman", serif;">climb up on the canvas</i><i style="font-family: georgia, "times new roman", serif;">, while the colours are beyond the call of reality and red </i><i style="font-family: georgia, "times new roman", serif;">wounds </i><i style="font-family: georgia, "times new roman", serif;">open in the hidden story. The sun is an empty circle like the </i><i style="font-family: georgia, "times new roman", serif;">crown of </i><i style="font-family: georgia, "times new roman", serif;">an incomplete eclipse.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site: <a href="https://www.blogger.com/%C2%A0http://www.davidurru.it" target="_blank"> www.davidurru.it</a></i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Web site of Atessa Rotary Club:</i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://www.rotaryclubatessa.it/"><i>www.rotaryclubatessa.it</i></a></span>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-6383011033307080722016-02-07T19:52:00.001+01:002016-02-09T19:39:24.707+01:00Il nuovo Grande Museo del Duomo di Firenze<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Splendori e misteri tra Gotico e primo Rinascimento</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">A leggere la storia del Duomo di Firenze si resta stupiti: sembra che lì si sia concentrata la creatività artistica italiana per due secoli. La visita alla cattedrale la racconta solo in parte perché nel lungo arco di tempo che corre dalla sua fondazione tanti capolavori sono stati “accantonati”, nel senso stretto del termine, in quello che è diventato nel 1891 il museo dell'Opera del Duomo. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La storia ha inizio nel 1296 con l'istituzione dell'Opera di Santa Maria del Fiore con la benedizione e posa della prima pietra. Creatura dei Fiorentini, curata dalle Arti e dalle istituzioni ecclesiastiche, affidata ai più grandi architetti del tempo: prima Arnolfo di Cambio, Giotto, Andrea Pisano, e poi avanti fino a Filippo Brunelleschi che la corona con la straordinaria e rivoluzionaria cupola.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nel tempo la Signoria medicea acquistò una crescente ingerenza sulla gestione del Duomo tanto che nel 1587 Francesco I poté decidere di demolire la facciata arnolfiana per aggiornare la chiesa alla moda del tempo. Ma a sostituire quella gotica fu un trompe-l'oeil che solo nel 1887 venne eliminato a favore di una vera facciata architettonica che riprendeva e completava quella originale. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Anche gli interni del duomo sono stati rimaneggiati in modo impressionante, fortunatamente senza buttare via tutto: per esempio le cantorie scolpite da Donatello e Luca della Robbia sono visibili nel Museo come pure i bassorilievi di Baccio Bandinelli per il coro. Un meraviglioso patrimonio di sculture è collocato finalmente in un Museo degno di tanta grandezza e di Firenze. E' stato progettato da Mons. Timothy Verdon che inquadra i tanti capolavori in un contesto nuovo e prestigioso che li rende pienamente fruibili. Così reinventato, sfiderei anche una neghittosa classe di scuola media ad annoiarsi visitandolo.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Appena entrati ci si para davanti una grandissima lastra di marmo candido e lucido con incisi alla rinfusa i nomi degli artisti che lavorarono alla cattedrale, un impressionante brainstorming... </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Nella prima sala un video racconta la storia del Duomo ma già gli occhi corrono verso la facciata ricostruita a grandezza naturale. L'impianto riproduce quella originale disegnata da Arnolfo di Cambio che realizzava una sinossi dei fatti e personaggi della fede importanti per i Fiorentini: le storie di Maria, i dottori della chiesa, gli evangelisti, i santi preferiti e gli angeli musicanti o protettivi, così il fedele poteva cogliere con un colpo d'occhio la bellezza della fede nella grazia e solidità della struttura e si sentiva fortificato. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Non vi sono i gargoyle delle facciate gotiche del nord e un sentimento di serenità pervade tutto. Tra gli angeli ve n'è perfino uno che sorride apertamente, felice, come divinamente inebriato, e crea una nota quasi rivoluzionaria che anticipa gli angioletti giocosi del '500 e del '600. Di fronte alla facciata sono esposti gli originali delle porte del Battistero con la possibilità di sedersi per guardare con calma. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le due balconate che si affacciano sulla facciata sono percorse da una processione di statue candide e perfette esaltate dalla luce che circonfonde tutte le opere di malioso silenzio e mistero. Di fronte ad esse, le formelle trecentesche e quattrocentesche con le rappresentazioni di storie bibliche, arti e mestieri piene di grazia e superba maestria. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Ma davanti alla Pietà Bandini di Michelangelo tutti si fermano. Un pathos profondo effonde dalla pietra neanche disturbato dall'assenza di una gamba del Cristo né dalla figura della Maddalena scolpita tardivamente da Tiberio Calcagni, quasi una spettatrice del dramma. Il viso di Nicodemo è l'autoritratto del settantenne Michelangelo in silenziosa meditazione sulla morte. Un'opera concepita per la propria tomba, che egli cercò di distruggere a martellate per la sofferenza che gli provocava quel blocco di pietra durissima e irregolare e che lasciò incompiuta, estrema nella essenzialità dei tratti distillati nella pietà e nel dolore.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Altrettanto drammatica è la Maddalena Penitente di Donatello scarnificata dalla sofferenza e dal tempo, un'opera eseguita cento anni prima della Pietà. Poco distante, in una falsa finestra rotonda che è in realtà uno schermo scorrono le vetrate dipinte da Donatello, da Lorenzo Ghiberti, Paolo Uccello e Andrea del Castagno. Giustamente il Berenson scrive che solo gli artisti fiorentini avevano una personalità talmente ricca che nessuna arte ne esauriva l'espressione, riferendosi ai geni da Giotto a Michelangelo la cui grandezza in questo Museo si respira.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Benché io spesso guardi con una certa superficialità le opere di oreficeria pur bellissime dei Musei Diocesani, qui l'altare di San Giovanni, Patrono di Firenze, ha il prestigio di un'opera d'arte. Vi hanno lavorato i grandi orafi-scultori e architetti di Firenze per oltre due secoli e non basterebbero molte ore per osservare l'incredibile molteplicità dei capolavori che ne fanno parte.</span></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT3Xo4ERh9C4-cKBZUrb3IfcWLFLyhgGCNYKL63YQIwsHZ3LDbfcy0LD3ePI5yauGRM0r3LGC7YP13-hZ9O4zFd9-ibTKiflalIAA2lhUZOfDX61nDpLIwsy8dVnVF233oNIcsZLdLPt0/s1600/Betto_di_francesco_betti%252C_antonio_pollaiolo_e_domenico_dei%252C_croce_1457-59_01.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT3Xo4ERh9C4-cKBZUrb3IfcWLFLyhgGCNYKL63YQIwsHZ3LDbfcy0LD3ePI5yauGRM0r3LGC7YP13-hZ9O4zFd9-ibTKiflalIAA2lhUZOfDX61nDpLIwsy8dVnVF233oNIcsZLdLPt0/s640/Betto_di_francesco_betti%252C_antonio_pollaiolo_e_domenico_dei%252C_croce_1457-59_01.JPG" width="250" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Croce del Tesoro di San Giovanni<br />
(da <a href="https://it.wikipedia.org/wiki/Croce_del_Tesoro_di_San_Giovanni" target="_blank">Wikipedia</a>)</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">La croce astile poi presenta un interrogativo suggestivo: ai due lati opposti del tempietto sottostante il Golgota su cui poggia la Croce (dentro le mura turrite d'una calligrafica Gerusalemme popolata di serpenti e teschi) siedono due San Giovanni in ricchi mantelli, su due faldistori, senza aureola, senza croce e con il viso volto di lato. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">L'opera è di una estrema complessità e come tutte le croci del tempo presenta un fronte e un retro differenti: la statuetta del Cristo è solo sul lato anteriore. Anche le figure dei Dolenti sono rivolte in avanti, come pure gli angeli del segmento inferiore dell'opera. Perché invece c'è un secondo San Giovanni rivolto all'indietro?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4vR1qIu0mbkQHm6NOicVfY9X8hTZpvL-diDnnWBO4WiHEUfwP6PcOpjuZFqA-_5hT-rpq0Rh5ZInWkWG8dPqeMbuF75AhBu01iJ-jwq2iD053DumkOOzo-UzVTPhvOWJmgw4c3mH6frQ/s1600/20151208_173632.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4vR1qIu0mbkQHm6NOicVfY9X8hTZpvL-diDnnWBO4WiHEUfwP6PcOpjuZFqA-_5hT-rpq0Rh5ZInWkWG8dPqeMbuF75AhBu01iJ-jwq2iD053DumkOOzo-UzVTPhvOWJmgw4c3mH6frQ/s400/20151208_173632.jpg" width="400" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">La cronologia darebbe ragione al competente e appassionato custode che ci ha semplicemente risposto che era una Croce processionale e anche il retro aveva dunque un San Giovanni in trono perché tutto il popolo lo potesse vedere. Ma questo tipo di simmetria non vale per il resto dell'opera come per le altre croci astili del tempo. Gli autori, Antonio del Pollaiolo e Betto di Francesco Betti, vennero pagati (rispettivamente 2002 e 1030 fiorini) nel 1459, ma risulta che l'opera venne modificata successivamente dal Pollaiolo che vi lavorò nuovamente nel 1468 per trasformarla da reliquiario alla croce attuale. Si ritiene che in questa occasione vennero aggiunti il crocifisso (in sostituzione della teca di cristallo che conteneva la reliquia) e le figure laterali, e comunque l'opera venne radicalmente trasformata. Perché non supporre che la committente Arte di Calimala o dei Mercatanti non pensasse alla imminente signoria di Lorenzo e Giuliano, i figli di Piero dei Medici detto il Gottoso, notoriamente già ammalato tanto che morirà l'anno seguente, anticipandone la gloria?</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">I due San Giovanni appaiono ben diversi da quello del vicino e contemporaneo paliotto d'argento, scolpito secondo Vasari dallo stesso Pollaiolo: questi guarda avanti cioè ai fedeli, in piedi, vestito di vello di pecora, con una croce sottile in mano e l'aureola, tratti peculiari del Santo: tratti che sono tutti assenti dalle due figure maschili assise su faldistori. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Va aggiunto che </span><span style="font-family: "georgia" , "times new roman" , serif;">la committente</span><span style="font-family: "georgia" , "times new roman" , serif;"> del paliotto, completato nel 1483, era la stessa Arte di Calimala. Non è strano che volesse il Santo così differente?</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOwXMsi6Toi-0fUVfPAqrexC-_n4x75aUMzGERQkWp70W1mZvqOP-hZ9g2t-MPgoUk3j3FuPY1ivORAwAlbOb6hmWLx38f6Dtv9QtcRRkpRbhvJPXo43M6d7xoBNRXf8Mnnat1VncF1zA/s1600/20151208_172333.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOwXMsi6Toi-0fUVfPAqrexC-_n4x75aUMzGERQkWp70W1mZvqOP-hZ9g2t-MPgoUk3j3FuPY1ivORAwAlbOb6hmWLx38f6Dtv9QtcRRkpRbhvJPXo43M6d7xoBNRXf8Mnnat1VncF1zA/s400/20151208_172333.jpg" width="253" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Michelangelo nelle tombe medicee a San Lorenzo raffigura Giuliano e Lorenzo de' Medici seduti alla stessa maniera dei due San Giovanni, con le gambe rilassate e divaricate e il capo girato da un lato... Non si può pensare che il Buonarroti citasse consapevolmente quella loro precedente raffigurazione?</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Lascio la mia ipotesi ad indagini più accurate...</span></div>
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<tr><td class="tr-caption" style="text-align: center;">(da <a href="https://aspasiascircle.wordpress.com/category/arte-2/" target="_blank">Aspasia</a>)</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdn8MYPoYqjwrTmyfEUYQLNSoNUkvbdyWeb8AuPT5WwLj25MJ6JeaNAnE0oSiGQNu8iDyilMPg7sbTcawIiakgGBT5chGaGbnPCqwHM2wa_fTqWvZbkNs3LY3OotuKZzm37pKo7k45OjE/s1600/n2n8GDTRZYjEZw8R7eoKFcts.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdn8MYPoYqjwrTmyfEUYQLNSoNUkvbdyWeb8AuPT5WwLj25MJ6JeaNAnE0oSiGQNu8iDyilMPg7sbTcawIiakgGBT5chGaGbnPCqwHM2wa_fTqWvZbkNs3LY3OotuKZzm37pKo7k45OjE/s320/n2n8GDTRZYjEZw8R7eoKFcts.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">(da <a href="https://www.thinglink.com/scene/646484019256492034" target="_blank">Thinglink</a>)</td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il Grande Museo del Duomo è il risultato di un immenso e brillante sforzo per dare la degna cornice ad uno stupefacente numero di capolavori ed ha coinvolto nel lavoro di pulizia e restauro di ben 700 opere un gran numero di tecnici esperti per tre anni. E' uno scrigno grandioso di bellezza, cultura e civiltà, un'esperienza dalla quale si esce arricchiti e più fiduciosi nell'umanità, e raggiunge lo stesso scopo di crescita edificante per il quale quella facciata era stata concepita e creata nei secoli dal XIII al XV.</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Collegamento:</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="http://www.ilgrandemuseodelduomo.it/museo" target="_blank">Sito web del Grande Museo del Duomo di Firenze</a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><i>The New Great Cathedral Museum of Florence</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>Splendor and mysteries between Gothic and early Renaissance</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>In reading the history of Florence Cathedral, one is struck: it seems that there was concentrated the Italian artistic creativity for two centuries. The visit to the cathedral tells it only partly because in the long arc of time that runs from its foundation many masterpieces have been "stored", in the strict sense of the term, in what became in 1891 the </i>Museo dell'Opera del Duomo<i>. </i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The story begins in 1296 with the establishment of the </i>Opera di Santa Maria del Fiore<i> with the blessing and the laying of the cornerstone. Creature of the Florentines, curated by the Arts and by the ecclesiastical institutions, entrusted the greatest architects of the time: first, Arnolfo di Cambio, Giotto, Andrea Pisano, and then forward until Filippo Brunelleschi crowned it with the extraordinary and revolutionary dome. Over time, the Medici Signoria acquired a growing interference in the Duomo management so much that in 1587 Francesco I was able to decide to demolish Arnolfo's façade to update the church to the fashion of the time. But the Gothic façade was replaced by a trompe-l'oeil that only in 1887 was eliminated in favor of an architectural façade that resumed and completed the original. The interior of the cathedral was also restructured at various times, fortunately without throwing away everything: for example the balconies carved by Donatello and Luca della Robbia are visible in the Museum as well as Baccio Bandinelli's bas-reliefs for the choir.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>A wonderful heritage of sculptures is finally placed in a museum worthy of such greatness and of Florence. It was designed by Msgr. Timothy Verdon framing the many masterpieces in a new and prestigious environment which makes them fully accessible. Thus reinvented, I would challenge an indolent middle school class of being bored visiting it.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>As soon as you enter, you find yourself in front of a great candid and shiny marble slab inscribed with the names of the great artists who worked at the cathedral, an impressive brainstorming...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>In the first room, a video tells the history of the Cathedral but your eyes run towards the façade rebuilt life size. The plant reproduces the original one designed by Arnolfo di Cambio who allegedly made a synopsis of the facts and the faith characters relevant to the Florentines: the stories of Mary, the doctors of the church, evangelists, saints and musicians or protective angels, so the faithful could catch at a glance the beauty of faith in the grace and strength of the structure and felt fortified.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>There are not the gargoyles of the Gothic façades of the North and a feeling of serenity pervades everything. Among the angels there is even one who smiles broadly, happy, as divinely intoxicated, and it creates a note almost revolutionary that anticipates the little angels frolicking in the XVI and XVII centuries. In front of the façade they are exposed the originals of the doors of the Battistero with the chance to sit and watch quietly.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The two balconies that overlook the façade are lined by a procession of white statues and perfectly sublimated by the light that circumfuses all the works of magic silence and mystery. In front of them , the fourteenth and fifteenth-century panels with depictions of biblical stories , arts and crafts filled with grace and superb craftsmanship.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>But before the Pietà Bandini by Michelangelo everybody stops. A deep pathos infuses the stone not even disturbed by the absence of a leg in the figure of Christ or by the Magdalene carved belatedly by Tiberio Calcagni, almost a spectator of the drama. The Nicodemus' face is the self-portrait of ageing Michelangelo in silent meditation on death. A work he conceived for his own tomb and which he tried to destroy with a hammer for the suffering that resulted from the hard and irregular stone block and that he left unfinished, in the extreme synthesis of the traits distillated in piety and in pain.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Equally dramatic is the Penitent Magdalene by Donatello, lacerated by suffering and by the time, a work carried out one hundred years before the Pietà. Nearby, in a false round window that is actually a screen, scroll through the painted glasses by Donatello, Lorenzo Ghiberti, Paolo Uccello and Andrea del Castagno. Rightly Berenson writes that only the Florentine artists had such a rich personality that no art could express exhaustively, referring to the geniuses from Giotto to Michelangelo whose magnitude in this Museum is breathed.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Although I often look with a certain superficiality at the works of jewellery in many beautiful Diocesan Museums, here the altar of St. John, Patron Saint of Florence, has the prestige of an artwork. There have worked great goldsmiths, sculptors and architects of Florence for over two centuries and many hours would not be enough to see the incredible diversity of the masterpieces that belong to it.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The processional cross exposed in front of it presents a fascinating question: the two opposite sides of the temple below Golgotha on which the Cross stands ( in the turreted walls of a calligraphic Jerusalem populated by snakes and skulls ) sit two San Giovanni in rich cloaks, on two thrones (</i>faldistori<i>) without an aureole, without a cross, and with their faces turned sideway.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>All the crosses of the time have a different front and rear: so the statue of Christ and the figures of the Mourners and the angels are facing forward. Why is there is a second St. John turned backwards?</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>History would give reason to the competent and passionate guardian who just replied that it was a processional cross and all the people had the possibility to see San Giovanni. But this kind of symmetry does not apply to the rest of the work as for other processional crosses of the time. The authors, Antonio Pollaiuolo and Betto di Francesco Betti, were paid (respectively 2002 and 1030 florins) in 1459 for the creation of a reliquary, but it was changed later by Pollaiolo who worked on it again in 1468 to transform it from a reliquary to the current cross. It is believed that on this occasion were added the crucifix (replacing the glass case containing the relic) and the side figures, and in any case the work was radically transformed. Why not assume that the Art Calimala or Mercatanti that paid for it did not think about the upcoming lordship of Lorenzo and Giuliano de' Medici, the sons of Piero il Gottoso, lord of Florence, (notoriously already ill so that he died the following year) anticipating their glory?</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The two San Giovanni appear very different from that of the nearby contemporary silver altarpiece, carved, according to Vasari, by the same Pollaiolo: he looks ahead to the faithful, standing, dressed in sheepskin, with a thin cross in his hand and the aureole, the peculiar traits of the Saint: they are all absent from the two male figures sitting on faldistori of the cross. It should be added that the purchaser of the altarpiece, completed in 1483, was the same Art Calimala. Isn't it strange that it wanted a so different Saint?</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Michelangelo in the Medici's tombs in San Lorenzo depicts Giuliano and Lorenzo de' Medici sitting in the same way as the two St. John, with their legs apart and relaxed and their heads turned sideways... Why can we not think that Buonarroti quoted consciously their previous portrayal ?</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>I leave my hypothesis to a more thorough investigation ...</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>The Great Cathedral Museum is the result of an immense and brilliant effort to give a fitting background to an amazing number of masterpieces and involved for three years a large number of experienced technicians in the cleaning and restoration of 700 works. It's a great treasure of beauty, culture and civilization, an experience from which you come out enriched and more confident in humanity, and achieves the same purpose of uplifting and growth for which the façade was designed and created in the extraordinary centuries from the thirteenth to the fifteenth.</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>Link:</i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><i><a href="http://www.museumflorence.com/" target="_blank">Web site of the Great Florence Opera Museum</a></i></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><br /></span>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com1tag:blogger.com,1999:blog-5305799304571024123.post-23181159043553354642015-12-12T23:10:00.003+01:002015-12-12T23:39:55.256+01:00Due percorsi diversi nell'arte e nell'esistenza<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;">Le opere di Giorgio Maddoli e Antonio Ranocchia alla Fondazione CariPerugia Arte</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5CCibyJuaUMbWwQR7YDLNeSdq9quUcqpZJDPINM4BZfZH4oNm-JO8-ST1DVKQGv6V6tZ9O9JOAm2mfZ2yzOnskoiEJ_f-MTjLkYYWr4JHJ4YK_Qb5EOLMMJCWf_oXioZF1AXFh8l1fE/s1600/IMG_0748.JPG" imageanchor="1"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilASeHVhmsWNnWJrR4plGvVRsryuR1gBESCZg5iqrQPj1iDG2j5CWc46-t5g7KWVPND2uJWeJ45YOk4N3Gj4zAyPbaLqTcw-kCWUEKZIn4qf6PdC3-GSvd0WU9SirJGaUBDLZXnI5UHgg/s1600/IMG_0751.JPG" imageanchor="1"><img alt="Giorgio Maddoli" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilASeHVhmsWNnWJrR4plGvVRsryuR1gBESCZg5iqrQPj1iDG2j5CWc46-t5g7KWVPND2uJWeJ45YOk4N3Gj4zAyPbaLqTcw-kCWUEKZIn4qf6PdC3-GSvd0WU9SirJGaUBDLZXnI5UHgg/s400/IMG_0751.JPG" title="Giorgio Maddoli" width="302" /></a> <img alt="Antonio Ranocchia" border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjF5CCibyJuaUMbWwQR7YDLNeSdq9quUcqpZJDPINM4BZfZH4oNm-JO8-ST1DVKQGv6V6tZ9O9JOAm2mfZ2yzOnskoiEJ_f-MTjLkYYWr4JHJ4YK_Qb5EOLMMJCWf_oXioZF1AXFh8l1fE/s400/IMG_0748.JPG" title="Antonio Ranocchia" width="268" /></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Un'importante donazione è stata fatta alla Fondazione Unicredit e pertanto alla città di Perugia. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Le famiglie Maddoli e Ranocchia hanno donato le collezioni di quadri l'una e di sculture l'altra per lasciare un segno definitivo del lavoro di due artisti accomunati dalle inestirpabili radici perugine. </span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>Giorgio Maddoli </b>(1916-1978) in particolare non si è mai staccato da questa città e dai suoi valori antichi e profondi come la pietra che ne costituisce il cuore. Un sentimento di quiete e serenità pervade ogni suo dipinto. L'armonia gentile dei colori crea una soffusa impressione di gioia tenue, di grazia illuminata. A questi sentimenti ha dato voce in tutta la sua produzione solidamente appoggiata al curriculum accademico e non si è lasciato tentare dalle sperimentazioni che nell'arco della sua carriera avevano agitato l'orizzonte pittorico anche perugino.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqzHrLVFs_10oKSqlToskIu1DyObzaHAGZl2_XWgBgPkKLkRrcLvwUizA84Ro0ezOIY2oMoUl1ESwrFJcLZpvZC1g2vU-lkLUv7HOwr6925Lx2uGpTIOT_dYB49f3uKLa13MKNoQlNBD4/s1600/IMG_0758.JPG" imageanchor="1"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQiR36HH-_uuSRghIPFQzu6dSmzCqpxH3NuWEgLFvXuarBuS9lmuhaWsKnMWkWJULeUZTZDjPA_xm01w5Z6w12m2aXeGYBkV3GzQytjYjJcz8vpsolXSRWYkz0gKYYRK1JEw96N0WIzfA/s1600/IMG_0753.JPG" imageanchor="1"><img alt="Giorgio Maddoli" border="0" height="488" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQiR36HH-_uuSRghIPFQzu6dSmzCqpxH3NuWEgLFvXuarBuS9lmuhaWsKnMWkWJULeUZTZDjPA_xm01w5Z6w12m2aXeGYBkV3GzQytjYjJcz8vpsolXSRWYkz0gKYYRK1JEw96N0WIzfA/s640/IMG_0753.JPG" title="Giorgio Maddoli" width="640" /></a> </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqzHrLVFs_10oKSqlToskIu1DyObzaHAGZl2_XWgBgPkKLkRrcLvwUizA84Ro0ezOIY2oMoUl1ESwrFJcLZpvZC1g2vU-lkLUv7HOwr6925Lx2uGpTIOT_dYB49f3uKLa13MKNoQlNBD4/s1600/IMG_0758.JPG" imageanchor="1"><img alt="Giorgio Maddoli" border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqzHrLVFs_10oKSqlToskIu1DyObzaHAGZl2_XWgBgPkKLkRrcLvwUizA84Ro0ezOIY2oMoUl1ESwrFJcLZpvZC1g2vU-lkLUv7HOwr6925Lx2uGpTIOT_dYB49f3uKLa13MKNoQlNBD4/s640/IMG_0758.JPG" title="Giorgio Maddoli" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp2QGCOmPQRBzzhyphenhyphenjhAvzcdG7AmLj3IPi1vl4IuvH_1PU2nKymkO4CCnZFFD-1P1TPeVmOHs8_IK4TzGD6gcNR1TPGVJahxrdX68i0OGgLX4ZUlvWKqoOdJazIMG3MjWW3YrLQRiAV2sA/s1600/IMG_0755.JPG" imageanchor="1"><img alt="Giorgio Maddoli" border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgp2QGCOmPQRBzzhyphenhyphenjhAvzcdG7AmLj3IPi1vl4IuvH_1PU2nKymkO4CCnZFFD-1P1TPeVmOHs8_IK4TzGD6gcNR1TPGVJahxrdX68i0OGgLX4ZUlvWKqoOdJazIMG3MjWW3YrLQRiAV2sA/s640/IMG_0755.JPG" title="Giorgio Maddoli" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzhNYwq1a93roz-KHU5aKjmKhsjksnSTyjjFZBedUIVK2ebn_lcixpj0sGnbNw8yVxPyksYWH_TueUOoMtT0-UKSWCjK7mTdeDV_J3c6qhWp6KtUxrn_cq7K381rp8xZkk3tg8MPP_jaA/s1600/IMG_0752.JPG" imageanchor="1"><img alt="Giorgio Maddoli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzhNYwq1a93roz-KHU5aKjmKhsjksnSTyjjFZBedUIVK2ebn_lcixpj0sGnbNw8yVxPyksYWH_TueUOoMtT0-UKSWCjK7mTdeDV_J3c6qhWp6KtUxrn_cq7K381rp8xZkk3tg8MPP_jaA/s640/IMG_0752.JPG" title="Giorgio Maddoli" width="624" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Era nato nel 1915 e aveva conosciuto gli orrori della guerra, ma alla pittura aveva assegnato il ruolo non di sfogo all'aggressività e al dolore, ma di eternazione di visioni tenere e gioiose. I ritratti sono pervasi di luce carezzevole come i paesaggi amati dalla brezza del tramonto.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0YQ3lIRT536hgl8tkJDZAxz9ZjIa4X1Ne3OxQhungn-z00VcymfjU-vSktXyqUaKZNXpZ7Y0t9ki2zNlaKHlotKTku8ej3I8T72g6SRBN4fV7eCuf5PHbay8H2Q8b9Ij7OCT3U6czVHw/s1600/IMG_0750.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0YQ3lIRT536hgl8tkJDZAxz9ZjIa4X1Ne3OxQhungn-z00VcymfjU-vSktXyqUaKZNXpZ7Y0t9ki2zNlaKHlotKTku8ej3I8T72g6SRBN4fV7eCuf5PHbay8H2Q8b9Ij7OCT3U6czVHw/s640/IMG_0750.JPG" title="Antonio Ranocchia" width="424" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><b>Antonio Ranocchia</b> (1915-1989) invece ha cercato di uscire da Perugia e raccogliere stimoli soprattutto dalla Francia e Firenze. Era andato a Firenze per imparare come lo spirito diventa pietra o bronzo nelle opere dei più grandi e certamente aveva amato l'ultimo Donatello tragico e scarnificato. </span><br />
<span style="font-family: "georgia" , "times new roman" , serif;">Le metope ad altorilievo non lasciano spazio ad altro che a figure umane e vi manca il respiro, vi manca l'aria. Si coglie l'ispirazione della filosofia esistenzialista (così popolare all'epoca da meritarsi anche una parodia di Totò) centrata solo sull'esistenza dell'uomo, abbandonato sulla Terra senza cielo senza spazio e senza Dio.</span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEPumy3wBqKxFKpYyX21LhUp6nWkUifHXLu6zKreNA9pSRAZHtRCrZfqNGz_Ht_enoeUi3PnZ0E9-nFFdKaemq5FUv4B8w0wYMbya8USE3aE_P5kZphAVjU0EYOBq7SwfPcME4-A-4b4/s1600/IMG_0731.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAEPumy3wBqKxFKpYyX21LhUp6nWkUifHXLu6zKreNA9pSRAZHtRCrZfqNGz_Ht_enoeUi3PnZ0E9-nFFdKaemq5FUv4B8w0wYMbya8USE3aE_P5kZphAVjU0EYOBq7SwfPcME4-A-4b4/s640/IMG_0731.JPG" title="Antonio Ranocchia" width="430" /></a></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4vSapLby2x0e-qGfJ6B2uFjiDjrSnMEVECbdNbMn8grOsoJ1ZsTAlZrWvJMCA4EthShAkg2O8HLbZPc1T62AZobKk7lUVDn8IXZ3_qCb25YwlelbRWEuPulIcWX96IOdjR02Fxn4T1GY/s1600/IMG_0736.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj4vSapLby2x0e-qGfJ6B2uFjiDjrSnMEVECbdNbMn8grOsoJ1ZsTAlZrWvJMCA4EthShAkg2O8HLbZPc1T62AZobKk7lUVDn8IXZ3_qCb25YwlelbRWEuPulIcWX96IOdjR02Fxn4T1GY/s640/IMG_0736.JPG" title="Antonio Ranocchia" width="528" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Il dramma è nella struttura stessa delle opere. Il dolore è il tema più ricorrente, dolore che incide le carni e spalanca le bocche in urli senza suono. A me ricorda il contemporaneo pittore francese Rouault che scava le sue tele col nero grosso e crudo del suo pennello per rendere una condizione esistenziale di sofferenza infinita. Come questo, anche Ranocchia lavora molto a soggetti religiosi, in particolare per tre stazioni della Via Crucis di Collevalenza, centro di misticismo di assoluta importanza e visibilità, nonché per opere alla Pro Civitate Cristiana di Assisi.</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3ILiBopLJ2Fcz-y63vjN6Zn6UXAk2M8il9KvCWOE6eGgIzy0_7yCYGs25dQN7Wg0lg7XOavmcB1l3Nxjv852H4qj0UXvGRSxj7T6fm05b4o-2qimosER9zOIXxdV9Oijw1TXcIJA89k/s1600/IMG_0742.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQ3ILiBopLJ2Fcz-y63vjN6Zn6UXAk2M8il9KvCWOE6eGgIzy0_7yCYGs25dQN7Wg0lg7XOavmcB1l3Nxjv852H4qj0UXvGRSxj7T6fm05b4o-2qimosER9zOIXxdV9Oijw1TXcIJA89k/s640/IMG_0742.JPG" title="Antonio Ranocchia" width="428" /></a></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdxBCTHuFpNQ0lpLQVBDhNjdAQsv44zUzCJXbiScE0XTDIzQ0FHAvrzVoeb1Iios7E5iqyL4v5z_8pPmaSa-9DbJpGEzRbDKh7PruKHZwD0qPbU6cdJcq_cvWJNS5cDsE4RIDpGVfjuRA/s1600/IMG_0728.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdxBCTHuFpNQ0lpLQVBDhNjdAQsv44zUzCJXbiScE0XTDIzQ0FHAvrzVoeb1Iios7E5iqyL4v5z_8pPmaSa-9DbJpGEzRbDKh7PruKHZwD0qPbU6cdJcq_cvWJNS5cDsE4RIDpGVfjuRA/s640/IMG_0728.JPG" title="Antonio Ranocchia" width="388" /></a></span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqhBdQD2IqoJwRijjgqVNgxydGydiu3z50adrpGXlT-8PJLvhVgB2jen0F_9MALPqDsohXoMRmFGo2uWMJ5mhRhwlhePL5ilyH4hynPHWb56gn_azDbD458DaSYJFsLQA3g4kWD-mFk-4/s1600/IMG_0722.JPG" imageanchor="1"><img alt="Antonio Ranocchia" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiqhBdQD2IqoJwRijjgqVNgxydGydiu3z50adrpGXlT-8PJLvhVgB2jen0F_9MALPqDsohXoMRmFGo2uWMJ5mhRhwlhePL5ilyH4hynPHWb56gn_azDbD458DaSYJFsLQA3g4kWD-mFk-4/s640/IMG_0722.JPG" title="Antonio Ranocchia" width="390" /></a></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;">Entrambi gli artisti hanno insegnato professionalmente la loro arte e, con le tecniche, anche i loro valori di dignità e modestia. Non hanno mai abbandonato la figura e questo non è certo un demerito in un periodo in cui la moda andava in direzione opposta. La loro fedeltà è stata anche fedeltà ai temi del loro “canto”, ai loro sentimenti e valori, ritenendo che l'arte debba essere espressione autentica di questi e non ricerca pura di forma, materiali ed esperimenti, che le opere debbano avere un significato comprensibile benché complesso e non lanciare dei segni ambigui e casuali lasciando che sia lo spettatore a inventare un significato valido per sé e per sé solo. Loro avevano messaggi da comunicare e volevano che fossero capiti. Non lasciarono ai critici la possibilità di costruire castelli e costellazioni ingegnose di idee: forse per aver tarpato loro le ali non sono stati molto amati...</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">Perugia, Palazzo Baldeschi</span></div>
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<span style="font-family: "georgia" , "times new roman" , serif;">21 novembre 2015 - 21 febbraio 2016</span></div>
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<a href="http://www.fondazionecariperugiaarte.it/esposizioni/in-corso/a-gerusalemme-immagini-dei-francescani-in-terra-santa/" target="_blank"><span style="font-family: "georgia" , "times new roman" , serif;">Link al sito web della mostra</span></a></div>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.artenellavita.com/ALBUM/MOSTRA%20RANOCCHIA-MADDOLI/album/index.html" target="_blank"><img alt="Giorgio Maddoli - Antonio Ranocchia" border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_cKXXMq2xZ8DiNQaPU58lwVZp6l79k5XxVzDIwqz9cYgUvwdQZZHkjUW6SLaqUick3aLtjjdqOTt-n7z8HeFcyzlyp75nINKPPj11L_5AqK_i09ebq3ZwvViyQfXFrByyhVrnaDrKukg/s400/Album.jpg" title="Giorgio Maddoli - Antonio Ranocchia" width="400" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/MOSTRA%20RANOCCHIA-MADDOLI/album/index.html" target="_blank">Clic per accedere all'Album di immagini della mostra</a></td></tr>
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: x-large;"><i>Two different ways in art and existence</i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif; font-size: large;"><i>The works of Giorgio Maddoli and Antonio Ranocchia at the Foundation CariPerugia Arte</i></span><br />
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<span style="font-family: "georgia" , "times new roman" , serif;"><i>An important donation has been made to the Unicredit Foundation and therefore to the city of Perugia. Maddoli and Ranocchia Families have donated their collections of paintings and sculptures to leave a definitive sign of two artists who shared their ineradicable roots in Perugia. </i></span><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Maddoli in particular never detached from this city and its ancient values deeply rooted in the stones that form the heart of Perugia. A feeling of peace and serenity pervades every painting. The gentle harmony of colours creates a soft impression of joy and tenuous grace. These sentiments were voiced throughout his career firmly resting on the academic curriculum which was never involved in the experiments that during his career shook the pictorial horizon everywhere. He was born in 1915 and knew the horrors of war, but he didn't assign art the role of venting aggression and pain, but of creating visions of joy and tenderness. The portraits are infused with caressing light like his beloved landscapes at sunset.</i></span><br />
<i style="font-family: georgia, 'times new roman', serif;">Antonio Ranocchia instead tried to get out from Perugia and collect stimuli mainly from France and Florence. He had gone to Florence to learn how the spirit becomes stone or bronze in the works of the greatest and certainly had loved Donatello's latest creations. The high-relief metopes leave no room for anything but human figures and you can not breathe. Drama is in the very structure of the works. It would seem that it is pain the most recurrent theme, pain that affects the bodies and opens the mouths for screams without sound. I remember the contemporary French painter Rouault digging his paintings with big black brushes to make an existential condition of endless suffering. Like him, Ranocchia works on religious subjects, in particular for three Stations of the Cross of Collevalenza, center of mysticism of absolute importance and visibility, as well as works for the Pro Civitate Cristiana in Assisi.</i><br />
<span style="font-family: "georgia" , "times new roman" , serif;"><i>Both Maddoli and Ranocchia never abandoned the </i>figura <i>and this is certainly not a demerit in a period where fashion was going in the opposite direction. Their loyalty was also faithful to the themes of their inspiration, their feelings and values, believing that art should be an authentic expression of this search and not pure form and experiments, that the works should have a meaning understandable although complex and shouldn't launch ambiguous signs at random leaving it to the viewer to invent a valid meaning for him and him alone. They had messages to communicate and wanted them to be understood and didn't ask the critics to build castles and constellations of ingenious ideas about them: perhaps, guilty to have clipped their wings, they were not very popular among them...</i></span>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-28821779451447340242015-10-05T22:48:00.003+02:002015-10-05T22:55:51.421+02:00Dialoghi d'arte nella natura<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">Creatività e amicizia all'Agriturismo Benedetti</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimcKYr7CimSiKRnRcuZpaS8w_kb-efdgqDpB2DQgPdBMCCWD_bC5B3CjUdCcriz7rDBv0fbyGsZHYeQDih_DqwQDLKRonz2g_kxiseH3q2CrUk2qKviWvpimaFOSJM2jaMXgjth0QsyCs/s1600/71.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Agriturismo Benedetti" border="0" height="442" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimcKYr7CimSiKRnRcuZpaS8w_kb-efdgqDpB2DQgPdBMCCWD_bC5B3CjUdCcriz7rDBv0fbyGsZHYeQDih_DqwQDLKRonz2g_kxiseH3q2CrUk2qKviWvpimaFOSJM2jaMXgjth0QsyCs/s640/71.jpg" title="Luigi Virili" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Il lavoro ai pennelli, spatole, dita, coperchi, barattoli, legni e creta ferve con gli artisti intorno ai tavoli di lavoro, ai cavalletti e nei prati.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Noi ci siamo confusi tra di loro osservando senza interferire, ma partecipando ai colloqui e alle libagioni. L'ospitalità di Cristina, che ti accoglie sempre con un sorriso irresistibile e un calice di Prosecco anch'esso irresistibile, ti avvolge come una carezza delicata e amorevole.</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">La musica sempre bella riempie l'aria di suoni che sembrano nascere qui, entrando sotto la pelle a far vibrare le corde dell'anima. E il lavoro sembra seguirne il ritmo che armonizza i movimenti dei pennelli come danzanti sulle tele.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwOH3jAYRHT5JO7sN3nXI2hSjX9prprEnhZNCS7aFUfCcJ825J6b9U_stKNVVsvrvRnGTQlSQxNgAnygeeGDMM1EBQJyRhm1OZY1qG7rW0YOjrT1ihamwcPi9_22HxVPnaC3MgnXu_a_A/s1600/12.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Gianni Mastrantoni" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwOH3jAYRHT5JO7sN3nXI2hSjX9prprEnhZNCS7aFUfCcJ825J6b9U_stKNVVsvrvRnGTQlSQxNgAnygeeGDMM1EBQJyRhm1OZY1qG7rW0YOjrT1ihamwcPi9_22HxVPnaC3MgnXu_a_A/s640/12.jpg" title="Cristina Manukyan" width="640" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">Ma l'armonia era già nell'aria.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Era nell'amicizia trasparente senza ombre sui visi degli artisti. Era visibile nella voglia di giocare, nelle prese in giro affettuose e piene in realtà di rispetto, ma era anche visibile nella possibilità di inseguire il proprio fantasma creativo isolandosi in disparte nel giardino.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">La si poteva cogliere pure negli sguardi gettati sull'opera del vicino di cavalletto e poi nelle domande e nella collaborazione senza timore.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisTQFave1SAt9njqnzeCS9j7uLEoc8_rUErnC7yz3A7ARUzULCPzNy0Wl1IPERZDGd7zkldhp7REAegp2joaVTK2htID8WpQdFuQYksNkh8zZjqyrHJeKaobvYOAGPiDHhlKXjB0uBEkQ/s1600/18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Elvio Marchionni" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisTQFave1SAt9njqnzeCS9j7uLEoc8_rUErnC7yz3A7ARUzULCPzNy0Wl1IPERZDGd7zkldhp7REAegp2joaVTK2htID8WpQdFuQYksNkh8zZjqyrHJeKaobvYOAGPiDHhlKXjB0uBEkQ/s640/18.jpg" title="Elvio Marchionni" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Stare qui è scrostarsi di dosso la città e gli anni, vivendo un'infanzia del cuore che rende tutto possibile.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">La cena squisita e con i vini della casa versati a profusione vede ancora tutti a tavola a conoscersi in una dimensione di autenticità e spontaneità.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">E poi c'è ancora musica e la danza delle note sulla pista del tempo e dei colori sulla tela o la carta.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">C'è chi ha ballato il tango con una maestra ispirata e direi ipnotica come Donatella che ti fa sentire capace di armonia anche nel corpo.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Fuggivano le ore senza stanchezza, ché anzi varcare la mezzanotte era come l'inizio di un giorno nuovo con nuova energia. L'arte sembra nutrirsi della luce assorta delle stelle, il giardino perde i limiti spaziali, cadono i recinti della realtà e la fantasia domina.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbx6OOCo0jzKXWVoMCqJHyOMwZMQ6fMBkXEsYn2PAm6dUAlyux7T11AJENzerIn9T6sbIoJTyDv4k3cdxIi25e1WMPupD1v2C225dwA8_gUYY5sVzBMJnFk1qoYMlQJaQi5O0DZzMyL7M/s1600/23.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Agriturismo Benedetti" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbx6OOCo0jzKXWVoMCqJHyOMwZMQ6fMBkXEsYn2PAm6dUAlyux7T11AJENzerIn9T6sbIoJTyDv4k3cdxIi25e1WMPupD1v2C225dwA8_gUYY5sVzBMJnFk1qoYMlQJaQi5O0DZzMyL7M/s640/23.jpg" title="Rita Castigli" width="640" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">C'è chi ha cullato il suo blocco di refrattario crudo divenuto cavallo o nudo femminile o torso maschile con carezze delicate delle dita o colpi di spatola tagliente, e chi vi ha conficcato le dita per dar forma al proprio demone e contemplarlo come altro da sé.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Le notti hanno visto Cristina lottare con una tela per farne il supporto di una sua fantasia, ora più pacata e saggia di quella che improntava le sue prime prove come pittrice.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Le notti hanno visto Achille indurre velleitari e velleitarie ad impugnare un pennello per essere, per una notte, Matisse o Mondrian ...</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">E Gigi Virili fare intensi ritratti tra le macchie di sugo sulle tovaglie, e poi strapparli via e donarli ai soggetti ritratti. Il ritratto sulla tovaglia è poi diventato un'attività diffusa e reciproca, e quanto mai saporita visto il supporto.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Nei pomeriggi in cui il sole non è stato avaro di calore e di luce gli artisti trovavano collocazioni dipendenti dalle ore che giocavano a modificare ombre e luci.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMudltpSCIr2UVwH1Mj35Bwvgu9aA61luVr76ByGYzkhZzJMz2M9n6SACv3ci7e5d3e_wKERtJEh9klf51C7AcvCPMWs_LcxXjIKINlmJib7wpNZ2Cek-s_zkyCpyrvbVBRQoh34e7b9c/s1600/8.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paola Pagnotta" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMudltpSCIr2UVwH1Mj35Bwvgu9aA61luVr76ByGYzkhZzJMz2M9n6SACv3ci7e5d3e_wKERtJEh9klf51C7AcvCPMWs_LcxXjIKINlmJib7wpNZ2Cek-s_zkyCpyrvbVBRQoh34e7b9c/s640/8.jpg" title="Paola Pagnotta" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMvLBK52pwkdJTLd-NyJui9FzLxWoyrIkOjpEi5puMRl_nrHQnvxo79AVaGaSm4speA0LGOIF-kFdL35wMEbM_Tt5x8lm9VOsGdGlAn4blK4eyUWNUpiyO98JmtfBRmZygxD8rVrF6rBs/s1600/13.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cristina Manukyan" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMvLBK52pwkdJTLd-NyJui9FzLxWoyrIkOjpEi5puMRl_nrHQnvxo79AVaGaSm4speA0LGOIF-kFdL35wMEbM_Tt5x8lm9VOsGdGlAn4blK4eyUWNUpiyO98JmtfBRmZygxD8rVrF6rBs/s640/13.jpg" title="Cristina Manukyan" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2A7cBhGT2_NEsttrV2ObubJU8Oitve3WIPOShMPOTeXU96-RF0KD_aVyDDFVXeIGL7PX430ppEhdJYz2w6xEz4yT6NV06vi1Bxep3KV13p4viZfJdAMTtI3hgOBq4z0I4ITKyc_NV828/s1600/65.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli" border="0" height="430" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2A7cBhGT2_NEsttrV2ObubJU8Oitve3WIPOShMPOTeXU96-RF0KD_aVyDDFVXeIGL7PX430ppEhdJYz2w6xEz4yT6NV06vi1Bxep3KV13p4viZfJdAMTtI3hgOBq4z0I4ITKyc_NV828/s640/65.jpg" title="Achille Quadrini" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOf5YIzCbWjo36eBdIWtiFkc49Ypk7uuvNCENCZtonyUe0hXrydS0iT25BUSSUaUnEBgJxqPX55dMxiYwzUF4ARkKkuLg1ZK0rdz8E1bw_7oMsKliY1CmIhJ4kASJn7i2TB5t80ozfX7s/s1600/17.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOf5YIzCbWjo36eBdIWtiFkc49Ypk7uuvNCENCZtonyUe0hXrydS0iT25BUSSUaUnEBgJxqPX55dMxiYwzUF4ARkKkuLg1ZK0rdz8E1bw_7oMsKliY1CmIhJ4kASJn7i2TB5t80ozfX7s/s640/17.jpg" title="Luigi Virili" width="426" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">La natura ispiratrice da sempre degli artisti si riversava trasformata in sistemi di simboli arcani sulle tele complesse di Alvaro Caponi dove si scavavano spazi senza limiti e senza tempo.</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">Elvio Marchionni, maestro dell'illusione, ha creato dipinti che sembrano affreschi antichi sopravvissuti al quotidiano andirivieni di facce e faccende ma anche a momenti importanti impressi sull'intonaco come su una lastra sensibile.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Cristina Manukyan raccoglie le lacrime delle donne e, facendole attraversare dalla luce, le scompone nei colori dell'iride. Con esse sulle sue tele racconta storie intense, vissute e ascoltate, e pone domande aperte e mai pienamente risposte.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Osservando la tela di Luigi Virili, si avverte che un crepuscolo senza fine versa malinconia implacabile in una tazzina solitaria, sospesa nel silenzio, mentre solo sommessamente dialogano i colori.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXmC05wmKTWUDKgMHepHxVee2sVX3Gt-58YeT0clk-xvewR983XiY_W7b9rRGGasaT8Yo6QGzI9jXQ3sVK_HudiNYfFy56k0Sqvj9h4b1wufgzOZHSKKmnvpAQ2YqT8sfjrEgx4QmOyHE/s1600/42.jpg" imageanchor="1"><img alt="Alvaro Caponi" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXmC05wmKTWUDKgMHepHxVee2sVX3Gt-58YeT0clk-xvewR983XiY_W7b9rRGGasaT8Yo6QGzI9jXQ3sVK_HudiNYfFy56k0Sqvj9h4b1wufgzOZHSKKmnvpAQ2YqT8sfjrEgx4QmOyHE/s640/42.jpg" title="Alvaro Caponi" width="470" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOPbFsyD-cd_VdKvTFfpwLFGsQr5kNeZzUnpDx_LMpgDR8DWBWGS8oQAeETjdyf96U3RBZYsYN8B8dloXHtdqvCBCDxd8auV_6KD_9h95Gf-Fi54Vrylrvm23HEa84_U1gwc-LWviz93U/s1600/39.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Elvio Marchionni" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOPbFsyD-cd_VdKvTFfpwLFGsQr5kNeZzUnpDx_LMpgDR8DWBWGS8oQAeETjdyf96U3RBZYsYN8B8dloXHtdqvCBCDxd8auV_6KD_9h95Gf-Fi54Vrylrvm23HEa84_U1gwc-LWviz93U/s640/39.jpg" title="Elvio Marchionni" width="490" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhstLpuLLMvp3KiRYTCWGoNy1imCzOOPXSEvO26YduEJmfHt7IO_I-hsMLY9BfkvOs9vmUQlPfAw8VzcDQeTVZH-4WRrO9TE8aTiGE7srKAeLC5WKYElzkCpVYVn1pzWKZp2e9Ieyr2FfA/s1600/74.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cristina Manukyan" border="0" height="468" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhstLpuLLMvp3KiRYTCWGoNy1imCzOOPXSEvO26YduEJmfHt7IO_I-hsMLY9BfkvOs9vmUQlPfAw8VzcDQeTVZH-4WRrO9TE8aTiGE7srKAeLC5WKYElzkCpVYVn1pzWKZp2e9Ieyr2FfA/s640/74.jpg" title="Cristina Manukyan" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTSwjb1RXPSqBPjWVbkczLC4k2apEOOcsCGHcRl-HNk-mvkhJ4AKG70mZT_O_DHUgjc6tQI4_QWM8f8c-TyApAGD9JM84FqMpWlvaJDKl-EIr0HHrJ8vNO47veSeFIklGp3T8h42CKN3Q/s1600/4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Luigi Virili" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhTSwjb1RXPSqBPjWVbkczLC4k2apEOOcsCGHcRl-HNk-mvkhJ4AKG70mZT_O_DHUgjc6tQI4_QWM8f8c-TyApAGD9JM84FqMpWlvaJDKl-EIr0HHrJ8vNO47veSeFIklGp3T8h42CKN3Q/s640/4.jpg" title="Luigi Virili" width="426" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">La Spello che staglia le sue strutture elegantissime sullo sfondo del quadro di Gianni Mastrantoni non ha il peso dei muri di pietra: ne ha la bellezza e l'armonia spontanea di porte storiche e case, ne ha la capacità di evocare la storia e vicende umane che lasciano segni consumati. Qui si muovono figure fragili evanescenti e umanissime accomunate dal colore rosso del sangue e delle passioni.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Angelo Fornaciari stupiva e preoccupava il resto della compagnia inforcando la bicicletta e avventurandosi per le stradine di campagna sul fare della sera. Poi colori e riflessi marini si riverberavano sulle barche vuote nel porticciolo delle sue tele.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Pensai che perle e gocce di rugiada rendevano splendenti i fiori di Achille Quadrini, ma poi ipotizzai che fossero giostre del luna park disegnate da cordoli di luci che tentavano il giovane Pippo Cosenza, studioso e nascostamente ribelle, che ora annaffia di vinavil i suoi interminabili e precisissimi esercizi di un tempo. Pippo così recupera e distrugge la sua storia nel sorriso dolce e aristocratico delle sue tele.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_lWaliFhrTzRJk9Dp64Rem7nmd6PojEiXwxnFoaEdpMm04vCeflQ5H7dg8pJt_FPievo5LF61FuJfT6FX-Yphk3qj9vzQSVM_VCH0tyuhiYa3WueOAh9IMo-0ocOoFKJV4MLvGi0LcKw/s1600/44.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Gianni Mastrantoni" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_lWaliFhrTzRJk9Dp64Rem7nmd6PojEiXwxnFoaEdpMm04vCeflQ5H7dg8pJt_FPievo5LF61FuJfT6FX-Yphk3qj9vzQSVM_VCH0tyuhiYa3WueOAh9IMo-0ocOoFKJV4MLvGi0LcKw/s640/44.jpg" title="Gianni Mastrantoni" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJstShfelGFvMMSxXyE9Xeot7kiyJ79wB6bBYgtYQTp-8pGViVugkgrA2A0yVoQ8QPGAI7RK2Iop2Mu9N3cUCapmdHfWC0Tjtez5jFXzzFNrtWKR3p1bYJ9g8N34NrvSMB4qDyzcEyvc0/s1600/21.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Angelo Fornaciari" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJstShfelGFvMMSxXyE9Xeot7kiyJ79wB6bBYgtYQTp-8pGViVugkgrA2A0yVoQ8QPGAI7RK2Iop2Mu9N3cUCapmdHfWC0Tjtez5jFXzzFNrtWKR3p1bYJ9g8N34NrvSMB4qDyzcEyvc0/s640/21.jpg" title="Angelo Fornaciari" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5KXHV6ozQuOHZ9SM6QBrp5xTLxsgVBblfaw3gkoJgGDbfJagf30qIGgKFRe8qYLhuknl8w9dUumTbRQ2tiRAY2lzp1-3BoRrrLzbH-ikNCxH61Z_dG1g_iNXhRR0df0xLNJPK3PomHkg/s1600/104.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Achille Quadrini" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5KXHV6ozQuOHZ9SM6QBrp5xTLxsgVBblfaw3gkoJgGDbfJagf30qIGgKFRe8qYLhuknl8w9dUumTbRQ2tiRAY2lzp1-3BoRrrLzbH-ikNCxH61Z_dG1g_iNXhRR0df0xLNJPK3PomHkg/s640/104.jpg" title="Achille Quadrini" width="410" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVmhakNXq5UKK2sSQkzcYF36XJWNztC002ZUjwJH4ztLSsW2juJfeWQ1P8zLjnZ50Ip2kZmJFbDMgBO419J6ZfMfksOf7EyApg8Xf9pNwhyphenhyphenJFYhTK4Em6yCO36NPZWkhY5uQfMdpCH-SA/s1600/64.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgVmhakNXq5UKK2sSQkzcYF36XJWNztC002ZUjwJH4ztLSsW2juJfeWQ1P8zLjnZ50Ip2kZmJFbDMgBO419J6ZfMfksOf7EyApg8Xf9pNwhyphenhyphenJFYhTK4Em6yCO36NPZWkhY5uQfMdpCH-SA/s640/64.jpg" title="Pippo Cosenza" width="426" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Paola Pagnotta invece scatena la sua energia in risate travolgenti e tele coloratissime, giocose e coraggiose insieme. Ancora profondità di colori, anzi colore come linguaggio e filosofia, colpisce nel lavoro di Graziano Marini, in realtà un incontenibile ballerino, mentre ombre e luci scolpiscono i fantasmatici sfumati di Sergej Glinkov.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Un grosso blocco di creta si è sottoposto docile alle mani degli artisti mentre due interessanti creazioni venivano installate nel giardino, forme rigorose e possenti da Paolo Massei, colorate trasparenze senza peso da Arnhild Kart.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVRpY1j4pK6tVCzWv7uP-z35zVPvckcU7ju5ISwaXl_NnPSnqSuKXOprC0V6zQC0zJKyytmZD1hB1Bn9EiGxkSlrGK-Pn-ih8xyu9Z0q7HusxfuiLReg3H2n_Zm6uIdvA0AIg5ZZQXNMM/s1600/37.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paola Pagnotta" border="0" height="494" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiVRpY1j4pK6tVCzWv7uP-z35zVPvckcU7ju5ISwaXl_NnPSnqSuKXOprC0V6zQC0zJKyytmZD1hB1Bn9EiGxkSlrGK-Pn-ih8xyu9Z0q7HusxfuiLReg3H2n_Zm6uIdvA0AIg5ZZQXNMM/s640/37.jpg" title="Paola Pagnotta" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtEP-nGEKAnZ8wnEU1LTBxcV4RctAZKHitXi1IpTUrEhUJL8N911LetzEGGzEZD_iU_kQMlch3V1ReNw0uHJaPtPjDIv4aW9j-8QU6auoDhh6bgxWGQE-sh5HaA-8gtrsdNOc3qHrrQSs/s1600/10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Graziano Marini" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtEP-nGEKAnZ8wnEU1LTBxcV4RctAZKHitXi1IpTUrEhUJL8N911LetzEGGzEZD_iU_kQMlch3V1ReNw0uHJaPtPjDIv4aW9j-8QU6auoDhh6bgxWGQE-sh5HaA-8gtrsdNOc3qHrrQSs/s640/10.jpg" title="Graziano Marini" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQPpwx5dAaO2-ACWSEaamsTFnvIdV58vhAawdm01GFZFa7rRrpMqFKXfTzgDiHtNpvJmmCcTV0oDiRNhwbRZJ2GVwb6OL2329cgn5BQEuMzmNH8gZZ4t9iaI4euHReNhU_0fk4ISeWtk/s1600/63.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Sergej Glinkov" border="0" height="450" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOQPpwx5dAaO2-ACWSEaamsTFnvIdV58vhAawdm01GFZFa7rRrpMqFKXfTzgDiHtNpvJmmCcTV0oDiRNhwbRZJ2GVwb6OL2329cgn5BQEuMzmNH8gZZ4t9iaI4euHReNhU_0fk4ISeWtk/s640/63.jpg" title="Sergej Glinkov" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZd0NJE4mA-MZBSM75vSVXtiV551lPHU5VKKmHDd0nUBVWbPEuZZox5xbGz12xeSYTxJkjOzsqCaRY3_tN2vlGWUOkVuc3xrp5JCgNsRYatkQ0_x3OLuwvLqxp9RjuTK0JBcDqzD1U8E/s1600/107.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Paolo Massei" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgqZd0NJE4mA-MZBSM75vSVXtiV551lPHU5VKKmHDd0nUBVWbPEuZZox5xbGz12xeSYTxJkjOzsqCaRY3_tN2vlGWUOkVuc3xrp5JCgNsRYatkQ0_x3OLuwvLqxp9RjuTK0JBcDqzD1U8E/s640/107.jpg" title="Paolo Massei" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5LUTxiwV12ztn4WZl6mTINvOZbdUQnGE1jP4yNCPZra_IXm_hUW2EVBhIHy41BjW_C6NhAj8jt7YF9sri_bX9_Hzpubwx1sZdBMKfmGxPUT7hQlcGmjc6eaNHVj0hArwhPgCRTKdbr8U/s1600/81.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Arnhild Kart" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5LUTxiwV12ztn4WZl6mTINvOZbdUQnGE1jP4yNCPZra_IXm_hUW2EVBhIHy41BjW_C6NhAj8jt7YF9sri_bX9_Hzpubwx1sZdBMKfmGxPUT7hQlcGmjc6eaNHVj0hArwhPgCRTKdbr8U/s640/81.jpg" title="Arnhild Kart" width="410" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">I giorni di questo bellissimo settembre 2015 lasciano segni non solo nel cuore e nella memoria ma anche nella grandi mattonelle che andranno a comporre due grandi tavoli. Su questi si rinnoveranno chiacchiere e libagioni in mezzo ai colori e alle vernici in un futuro che Cristina ha già annunciato e che si prevede radioso.</span><br />
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<a href="http://www.agribenedetti.it/" style="font-family: Georgia, 'Times New Roman', serif;" target="_blank">Link: Agriturismo Benedetti, Spello (PG)</a><span style="font-family: Georgia, 'Times New Roman', serif;"><br /></span>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1uFTP7i2n79mvRJSimZBskOqD-UuYlLxT-RrguyrCwAA_mV4-Vq-6X8OgfI5WTdcbn8JCNKhWrvrHHxhQ_Vm55pyv-snw_CyLuJUZ07d7HOThaWAabXUmT-zGtC6P5ObUHrKTCkjg8QE/s1600/43.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Elvio Marchionni" border="0" height="500" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1uFTP7i2n79mvRJSimZBskOqD-UuYlLxT-RrguyrCwAA_mV4-Vq-6X8OgfI5WTdcbn8JCNKhWrvrHHxhQ_Vm55pyv-snw_CyLuJUZ07d7HOThaWAabXUmT-zGtC6P5ObUHrKTCkjg8QE/s640/43.jpg" title="Cristina Manukyan" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdSYcTbmWi2JX_T9SMm3EwWPcrj2_uVEa9sAUqQL9xBVz_G8KeK_uuqZnVnU9hyphenhyphenEcVHBRQBKjF8GNI1mW72yrX0KlaB0kV9e88jX3VBXc6elA1knKnnT_UHqhgvV1ttou9ynuUhuOCMvI/s1600/6.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli e Pippo Cosenza" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdSYcTbmWi2JX_T9SMm3EwWPcrj2_uVEa9sAUqQL9xBVz_G8KeK_uuqZnVnU9hyphenhyphenEcVHBRQBKjF8GNI1mW72yrX0KlaB0kV9e88jX3VBXc6elA1knKnnT_UHqhgvV1ttou9ynuUhuOCMvI/s640/6.jpg" title="Rita Castigli e Pippo Cosenza" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZs-xC65chIFkt82zc3XsZaUAT12z2Rr3bkvOEyrzN77TJWQEHI9aYnm91nmjvTJqX32adYIzSf-HdUljcCWWPP3sePTuc_AZxzPp_L2ZchvHsnChk6wlrM0tCoC5t_tP0DlS4ApWGh4I/s1600/96.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Agriturismo Benedetti" border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZs-xC65chIFkt82zc3XsZaUAT12z2Rr3bkvOEyrzN77TJWQEHI9aYnm91nmjvTJqX32adYIzSf-HdUljcCWWPP3sePTuc_AZxzPp_L2ZchvHsnChk6wlrM0tCoC5t_tP0DlS4ApWGh4I/s640/96.jpg" title="Agriturismo Benedetti" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpTQ7msVzFdAPZR4-5QXFsPZgwdqPTNr-CXaCT2zqDfpjVZraaC25r-XvOFw7E-ETYDz1-tcGbcE9M6B2QsTBnm39DMmakwUmufC73ilT0x7RIR9ET2Ek89FahnW3_yrSt6LTHN9jUJCo/s1600/78.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpTQ7msVzFdAPZR4-5QXFsPZgwdqPTNr-CXaCT2zqDfpjVZraaC25r-XvOFw7E-ETYDz1-tcGbcE9M6B2QsTBnm39DMmakwUmufC73ilT0x7RIR9ET2Ek89FahnW3_yrSt6LTHN9jUJCo/s640/78.jpg" title="Rita Castigli" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYQnlLMo6xeNQqadqKdXrt-ntnTTCwaMJO4TeAPF1vfHjwHW8VHYdLqDfin_G1c_LEtQNQpkYH_5OsS7uqxlb32VvaU4pOukwqB2wTNb7pSwG6nIpbQ4NGRAOsc8YP-E9TyvkPho-gsnw/s1600/52.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Agriturismo Benedetti" border="0" height="426" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYQnlLMo6xeNQqadqKdXrt-ntnTTCwaMJO4TeAPF1vfHjwHW8VHYdLqDfin_G1c_LEtQNQpkYH_5OsS7uqxlb32VvaU4pOukwqB2wTNb7pSwG6nIpbQ4NGRAOsc8YP-E9TyvkPho-gsnw/s640/52.jpg" title="Agriturismo Benedetti" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIcrovzxnIDqI6S0-5RjdTro0v3uNXD4Q89KhBVuXSPZyBTrs4htwaXP2I2qz99WhmSDhsUZ5BN_FM9Bjc-vd-AjDyLUoBXovzA-GLLyn9jG0uAuXuRBED2_63nxTgnFHobHYJbXrWRuE/s1600/62.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cristina Manukyan e Rita Castigli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIcrovzxnIDqI6S0-5RjdTro0v3uNXD4Q89KhBVuXSPZyBTrs4htwaXP2I2qz99WhmSDhsUZ5BN_FM9Bjc-vd-AjDyLUoBXovzA-GLLyn9jG0uAuXuRBED2_63nxTgnFHobHYJbXrWRuE/s640/62.jpg" title="Cristina Manukyan e Rita Castigli" width="508" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;"><i>Dialogues of art in nature</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><i>Creativity and friendship at Agriturismo Benedetti (Spello, PG)</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The artists were busy with brushes, spatulas, fingers, lids, cans, wood and clay around tables, stands and in the meadows.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>We joined and observed them without interfering, but taking part in talks and libations. Cristina's hospitality, who always greets you with an irresistible smile and an irresistible glass of Prosecco, surrounded us like a gentle caress.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Music always filled the air with sounds that got under your skin on the strings of your soul. And the work seemed to follow the rhythm that harmonizes the movement of brushes dancing on the canvases.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>But harmony was already in the air.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>It was clear on the friendly faces of the artists. It was visible in the desire to play, to laugh without offense, but it was also visible in the possibility of pursuing one's own creative ghost in solitude in the garden.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>It could be noticed in the looks thrown on somebody else's work and in the consequent collaboration.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Staying here is flaking off the city and the years, experiencing a childhood of heart that makes everything possible.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>The delicious dinner and the house wines served in profusion still saw everyone at the table to know each other in a dimension of authenticity and spontaneity.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>And then there was music and notes dancing on the track of time and the colours dancing on canvas or paper.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Some people danced the tango with an inspired teacher like Donatella who makes you feel capable of harmony.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Hours flew without fatigue, and midnight was like the beginning of a new day with new energy. Art seems to be fed by the thoughtful light of the stars, the garden loses its spatial limits, fences of reality fall and fantasy dominates.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>A block of raw clay becomes a horse or a woman's nude or a male torso while somebody stuck his fingers in it to shape his daemon and contemplate it as something else .</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Cristina struggled with a canvas to make it the support of her imagination, now calmer and wiser than before.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Achilles invited hopeless people to hold a brush to be, for one night, Matisse or Mondrian ...</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>And Gigi Virili made intense portraits on tablecloths stained with gravy, which he then tore away and donated to the subjects portrayed. Portraying people on the tablecloth became a mutual activity.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Nature that has always inspired artists is transformed into systems of arcane symbols on the complex canvases by Alvaro Caponi, turning limitless and timeless spaces.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Elvio Marchionni, master of illusion, creates paintings that seem ancient frescoes. They have survived the daily comings and goings of faces and affairs but also important moments etched on the plaster as on a sensitive plate.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Cristina Manukyan collects the tears of women and, making the light shine through, breaks them into the colours of the rainbow. With them she tells intense stories she lived and heard, and she asks open and never fully answered questions.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>In Luigi Virili's painting, dusk pours endless melancholy in a lonely cup, suspended in silence, while colours quietly converse.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>The Spello that stands in the elegant background of Gianni Mastrantoni's painting doesn't have the weight of the stone walls: it has the beauty and harmony of spontaneous historical doors and houses and the ability to evoke history and human affairs. Here fragile evanescent figures move and share the red color of blood and passion.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Angelo Fornaciari surprised and concerned the rest of the company getting on a bicycle and venturing on country lanes at dusk. Then the colours of the sea reverberate on empty boats in his marine landscapes.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>I thought that pearls and drops of dew made bright the flowers painted by Achille Quadrini, but then I assumed that they were rides in a fairground park designed by flashing lights. They maybe tried the young Pippo Cosenza, zealous and secretely rebel student who now watered vinavil on his endless and very precise old maths exercises. Pippo so recovers and destroys his story in the sweet and aristocratic smile of his paintings.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Paola Pagnotta instead unleashes her energy into overwhelming laughter and colourful paintings, playful and brave at the same time. Depth of colour or colour as language and philosophy, Graziano Marini's work, actually an irrepressible dancer, while light and shadow sculpt the ghostly hazy figures by Sergei Glinkov.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>A big block of clay underwent docile in the artists' hands while two interesting creations were installed in the garden, strict and powerful forms by Paolo Massei, coloured weightless transparencies by Arnhild Kart.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>The days of this beautiful September 2015 leave marks not only in the hearts and memory but also in the large tiles that will make up two large tables. On these talks and libations will be renewed amidst colours and paints in a future that Cristina has already announced and which is expected beaming and joyful.</i></span><br />
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<tr><td style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/Dialoghi%20Spello%202015/album/index.html" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqJDjqrLSmysHEa_bDdjJ6ERd2pLNN0bzcgNPxpXKu2fRbhmEXfhA3hBH9vwHGBf9SCPBFmmYtzCyQ58AqyMc4JT6FZktfC_46LGJlVIl4o_7A-9L8dNTGdi7z1SeBXDNW85p67c5sdOo/s320/Album.jpg" width="312" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Clic per visualizzare tutte le foto in un Album</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://www.agribenedetti.it/" target="_blank"><i>Link: Agriturismo Benedetti, Spello (PG), Italy</i></a></span>Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-47008064690341877362015-09-09T16:43:00.002+02:002015-09-11T00:08:12.141+02:00Artisti nel golfo di Venere<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">Incontri d'arte e solidarietà in Abruzzo</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Il 2090° Distretto del Rotary Club sta portando avanti un progetto di campus estivo al mare per bambini portatori di handicap. A questo scopo ha coinvolto sette artisti di chiara fama e grande sensibilità che hanno lavorato con entusiasmo nella splendida cornice del Parco dei Priori di Fossacesia (CH). </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Qui, all'ombra della solenne mole di pietra dell'Abbazia di San Giovanni in Venere e sovrastando il lucente semicerchio del mare, hanno realizzato 21 lavori che di tanta bellezza si sono alimentati oltre che del desiderio di dare una mano a bambini meno fortunati di altri.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">I risultati del loro lavoro sono magnifici: guizzi luminosi e tramonti incendiari di Matteo Fiorentino, caligini misteriose e dolci di Esilde Rendina, millenari simboli e temi di ornati mediterranei di Pippo Altomare, struggenti misurati silenzi di Pippo Cosenza, consistenze sognanti negli scogli e barche di Giustino Novelli, trasparenti emozionate presenze di Gianni Mastrantoni e elegantissimi manichini metafisici di Silvano D'Orsi. </span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">Lavori che continueranno a parlare di amicizia e d'amore per la vita a chi condividerà la gioia di queste emozioni fissate sulla tela.
Le 21 opere che i Maestri hanno donato al Rotary per il campus sono messe in vendita ad un prezzo inferiore del 35% rispetto al prezzo di mercato e questo per offrire una motivazione in più oltre alla soddisfazione di aiutare la difficile infanzia di bambini disabili.</span><br />
<span style="font-family: Georgia, 'Times New Roman', serif;">Inseriamo nel nostro blog alcune immagini della bella manifestazione, che si è deciso di ripetere nella prossima estate.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Rotary District 2090 is carrying out a project of a seaside summer campus for handicapped children. For this reason it has engaged seven famous artists of great sensitivity to work in the beautiful surroundings of Fossacesia in the Parco dei Priori.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Here, in the shadow of the massive stone building of the Abbey of San Giovanni in Venere and overlooking the semicircle shining sea, they created 21 works that were nourished with such beauty as well as with the desire to help the less fortunate children.</i></span><br />
<i style="font-family: Georgia, 'Times New Roman', serif;">The results of their enthusiast effort are remarkable: flashes of light and incendiary sunsets by Matteo Fiorentino, mysterious misty and sensuous landscapes by Esilde Rendina, age-old themes of Mediterranean ornate and symbols by Pippo Altomare, measured but poignant silences by Pippo Cosenza, dreamy textures of rocks and boats by Giustino Novelli, transparent excited appearances by Gianni Mastrantoni and elegant metaphysical mannequins by Silvano D'Orsi.</i><br />
<i style="font-family: Georgia, 'Times New Roman', serif;">They will always speak of friendship and love for life to those who will share the joy of these emotions laid down on canvas. </i><i style="font-family: Georgia, 'Times New Roman', serif;">The 21 works that the Masters have donated for the projected campus are offered for sale at a price 35% lower than the market price in order to add a further motivation to the satisfaction of helping the difficult life of children with disabilities.</i><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>We show in our blog some pictures of the beautiful event, which will be replicated next summer</i></span><i style="font-family: Georgia, 'Times New Roman', serif;">.</i><br />
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Pippo Altomare</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Kij7-AhXw4noa3-6H_eWcjlq9bu1vH_om3acrJVA3TR2J920KulyBmcz6K_wZVFjiWqKg5dT_zLDpWBCwXGF8sMR_5K5EBeK8fI8iswF82ODGBrkV1_N9Vqb5UNKUTlfhg1b_01-5RI/s1600/IMG_8619.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Altomare" border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj9Kij7-AhXw4noa3-6H_eWcjlq9bu1vH_om3acrJVA3TR2J920KulyBmcz6K_wZVFjiWqKg5dT_zLDpWBCwXGF8sMR_5K5EBeK8fI8iswF82ODGBrkV1_N9Vqb5UNKUTlfhg1b_01-5RI/s640/IMG_8619.JPG" title="Pippo Altomare" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0-C6b_rwJiTp-0CQwclrf8DXagRNGSCk63rf7ZGDQZBUCLFks-_1C4RFMfqY470Rw4unzdWg5wsjnv8fwH_uVuHxnLrYsdRtVWaxE_J_8ImJRsSG6-UvSAL4d6VtsOGKmcVtuClRNalQ/s1600/IMG_8696_bn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Altomare" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0-C6b_rwJiTp-0CQwclrf8DXagRNGSCk63rf7ZGDQZBUCLFks-_1C4RFMfqY470Rw4unzdWg5wsjnv8fwH_uVuHxnLrYsdRtVWaxE_J_8ImJRsSG6-UvSAL4d6VtsOGKmcVtuClRNalQ/s640/IMG_8696_bn.jpg" title="Pippo Altomare" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0fcrdkNBe56l2bIOXPlVd6QetuWoxu0h1HDwnA8bFVD6JtlyLdFHOUN1NKfAkb6hwveI81Oq6gW8XKpm2OzDrFCiHJXpVVqKU_OZYM5dyr_lMIXue7pF9hyGPAWHZ-kDwv9bUn15tFu4/s1600/Altomare_2_IMG_8840.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Altomare" border="0" height="460" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0fcrdkNBe56l2bIOXPlVd6QetuWoxu0h1HDwnA8bFVD6JtlyLdFHOUN1NKfAkb6hwveI81Oq6gW8XKpm2OzDrFCiHJXpVVqKU_OZYM5dyr_lMIXue7pF9hyGPAWHZ-kDwv9bUn15tFu4/s640/Altomare_2_IMG_8840.jpg" title="Pippo Altomare" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://www.altomarte.it/pippo.asp" target="_blank">http://www.altomarte.it/pippo.asp</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Pippo Cosenza</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluh5JUYMCTfFrI_K5S2TeCR4Xkpa6gGWF2aFcrQZoQ1895vfg8DXbLFbiP8e_aubZsEqFV0l8u_3Yj2Upvn8ebN6s-zTMu031qZ22MpkA4se4NmMv89ZI3GhdR5LDP3HisqFRZWsh7sY/s1600/IMG_8614.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="634" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhluh5JUYMCTfFrI_K5S2TeCR4Xkpa6gGWF2aFcrQZoQ1895vfg8DXbLFbiP8e_aubZsEqFV0l8u_3Yj2Upvn8ebN6s-zTMu031qZ22MpkA4se4NmMv89ZI3GhdR5LDP3HisqFRZWsh7sY/s640/IMG_8614.JPG" title="Pippo Cosenza" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhguz4luGgRNvLsUUlPoEtzOusY4dULw1ryUL8dC-K4BxoL8YMve_ksNQcPYawiZhkzCHi7sGXiKqlX1JG2VZcgH2U_CdtX8ZLJSB8m10ibOh5aAPOJvirK0fXkd48R8xsja73Q0ZmsHU4/s1600/IMG_8627_bn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhguz4luGgRNvLsUUlPoEtzOusY4dULw1ryUL8dC-K4BxoL8YMve_ksNQcPYawiZhkzCHi7sGXiKqlX1JG2VZcgH2U_CdtX8ZLJSB8m10ibOh5aAPOJvirK0fXkd48R8xsja73Q0ZmsHU4/s640/IMG_8627_bn.jpg" title="Pippo Cosenza" width="426" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjovRkkBIgqqGR0jJEwQuAwAdHONlzEPMxY6lyBcrfxdHf8aw7DhRTPCD2thG_kYGY2-VLRrfnndTD2lHuxwqjgWJ1rI6juJGUyxu5tkovYanFKHTb16aXTNW5htLlVV1DqrH2xXjwwx8/s1600/Cosenza_2_IMG_8845.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pippo Cosenza" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjovRkkBIgqqGR0jJEwQuAwAdHONlzEPMxY6lyBcrfxdHf8aw7DhRTPCD2thG_kYGY2-VLRrfnndTD2lHuxwqjgWJ1rI6juJGUyxu5tkovYanFKHTb16aXTNW5htLlVV1DqrH2xXjwwx8/s640/Cosenza_2_IMG_8845.jpg" title="Pippo Cosenza" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://www.spazio121.it/artisti/pippo-cosenza/" target="_blank">http://www.spazio121.it/artisti/pippo-cosenza/</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Silvano D'Orsi</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxHUb6PkqL6wz2v1Oco9W-G_on9_MLQ5MrYQz8ERSJI3rWrUIERLzXzmLU7l41Tf_kRfkid_zPpO-y2MvTbZQv5gVgn1AVykxGbrG90T45rV2dFdqQC-nW66ETuRCB-IwZR-plAIYt0mA/s1600/IMG_8591_bn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Silvano D'Orsi con Rita Castigli" border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxHUb6PkqL6wz2v1Oco9W-G_on9_MLQ5MrYQz8ERSJI3rWrUIERLzXzmLU7l41Tf_kRfkid_zPpO-y2MvTbZQv5gVgn1AVykxGbrG90T45rV2dFdqQC-nW66ETuRCB-IwZR-plAIYt0mA/s640/IMG_8591_bn.jpg" title="Silvano D'Orsi con Rita Castigli" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://www.movimentodegliarcani.it/site/artisti/silvano-dorsi.html" target="_blank">http://www.movimentodegliarcani.it/site/artisti/silvano-dorsi.html</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://www.sangiorgioarte.it/it/artisti/dorsi-silvano" target="_blank">http://www.sangiorgioarte.it/it/artisti/dorsi-silvano</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Matteo Fiorentino</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXRI0lRy9ZysE7DnTPXrEotEREk3Arcl8JznzZ8xCHQUqamPwnggR6pkfI9VYXc7IeUav24kUlWt-JP7N9hucYpaTxXra2el3HVLaSIi8OZqb_kXSb_vr2ODZacRdZ85r7Ww4jh_RjiU/s1600/IMG_8612.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Matteo Fiorentino" border="0" height="560" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjXRI0lRy9ZysE7DnTPXrEotEREk3Arcl8JznzZ8xCHQUqamPwnggR6pkfI9VYXc7IeUav24kUlWt-JP7N9hucYpaTxXra2el3HVLaSIi8OZqb_kXSb_vr2ODZacRdZ85r7Ww4jh_RjiU/s640/IMG_8612.JPG" title="Matteo Fiorentino" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://www.gigarte.com/maffi/home" target="_blank">http://www.gigarte.com/maffi/home</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Gianni Mastrantoni</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="https://www.facebook.com/gianni.mastrantoni.9?fref=ts" target="_blank">https://www.facebook.com/gianni.mastrantoni.9?fref=ts</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Giustino Novelli</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://giustinonovelli.blogspot.it/p/palmares.html" target="_blank">http://giustinonovelli.blogspot.it/p/palmares.html</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="https://www.facebook.com/giustino.novelli" target="_blank">https://www.facebook.com/giustino.novelli</a></span></div>
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<span style="font-family: Georgia, 'Times New Roman', serif; font-size: x-large;">Esilde Rendina</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Web site: <a href="http://www.esilderendina.it/" target="_blank">http://www.esilderendina.it/</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><span style="font-size: large;">Artisti al lavoro</span><span style="font-size: large;">/<i>Artists at work</i></span><span style="font-size: x-large; font-style: italic;"> </span></span></div>
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<span style="font-family: Georgia, Times New Roman, serif; font-size: large;">Opere realizzate durante il workshop/<i>Works created during the 3-days workshop</i></span></div>
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<a href="http://www.artenellavita.com/ALBUM/Opere%20Workshop/album/index.html" target="_blank"><img border="0" height="287" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimuI6iIfcDMLcpyobzKYXsyaeQF7qo8JEJ0qYAhT89zJNhyNNCARk-R_n6ljyiP6INjfYku8eKNlZ3INUBohTQKLozs7ITIPomOdFF0jR92KUEWlY62YfYF3nj8ZLmXQ20f6Ow4IqgVEU/s320/Opere+Workshop.jpg" width="320" /></a></div>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com1tag:blogger.com,1999:blog-5305799304571024123.post-56455624900934054002015-06-04T23:09:00.002+02:002015-06-05T12:07:22.447+02:00La tavolozza e l'amore impossibile<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">Bruno Donzelli in mostra al "Gianicolo"</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UQeqlYS-1dahyZmAyUaRuG1YdWBPtV1pKnWFTbL4EeX-XIWUULv_YdUm7oaq2hTr7VD8bBay_9MJN9d2EsK2Ff4or63_xstnPhJJXaCrkuioLSX9PdxY6G1Xx3NV7tjGNhBL3wDzXFM/s1600/IMG_8075.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0UQeqlYS-1dahyZmAyUaRuG1YdWBPtV1pKnWFTbL4EeX-XIWUULv_YdUm7oaq2hTr7VD8bBay_9MJN9d2EsK2Ff4or63_xstnPhJJXaCrkuioLSX9PdxY6G1Xx3NV7tjGNhBL3wDzXFM/s640/IMG_8075.JPG" title="Bruno Donzelli" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Se c'è un pittore originale, questo è Bruno Donzelli.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Si dice, da parte di moltissimi, che ormai tutto è stato tentato nel campo della pittura e non ci sono più possibilità di fare qualcosa di nuovo e originale, e questo a dispetto delle tante avanguardie che si sono rubate la scena nell'arco di tutto il XX secolo. È anche tipico da parte dei critici d'arte di ricollegare ogni pittore a una corrente o a un'altra, a un caposcuola o a un altro e comunque individuare l'iniziatore di una determinata tecnica, facendo a gara nel risalire la scala filogenetica il più indietro possibile. Non si discute nemmeno più la legittimità di una tendenza alla citazione, godendo della caccia ai rimandi quasi fosse una sfida tra pittori e critici.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">In questo quadro culturale c'è un pittore che spunta le armi a tutti dichiarando apertamente le sue fonti d'ispirazione. Donzelli non imita nessuno né segue una corrente, Donzelli fa. Il suo percorso si svolge solo sopra alle tele dei famosi pittori del '900, ci cammina sopra con i suoi colori e i suoi pennelli, rifugiandosi nei loro stilemi e segni caratteristici. Donzelli denuncia lo stato di fine millennio e di esaurimento delle possibilità espressive. Sembra dire che ormai si può prescindere dal senso profondo esistenziale delle opere d'arte per navigare sulle loro forme. Strappa i segni dal momento storico e psicologico che li hanno generati e li ripropone come feticci culturali. Subito riconoscibili. E, a scanso di ogni dubbio, scrive grandissimo e più volte il nome del pittore cui il suo quadro si riferisce rendendo anche quelle lettere, scritte in un frettoloso stampatello, un luogo comune. </span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZbvfp-UMeyPmnlQgllPW0gurSinqTuSZvVwYyWCD60PJubTL6WGRDs12__o5jOcPwjqtE2u5qA52eQSdEgJl6D-Rj1ba-5_ZmtLwzjP253M-VBL2S7jIoRqYkmn6Woo1qHDpnfN6rOY/s1600/IMG_8069.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="505" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdZbvfp-UMeyPmnlQgllPW0gurSinqTuSZvVwYyWCD60PJubTL6WGRDs12__o5jOcPwjqtE2u5qA52eQSdEgJl6D-Rj1ba-5_ZmtLwzjP253M-VBL2S7jIoRqYkmn6Woo1qHDpnfN6rOY/s640/IMG_8069.JPG" title="Bruno Donzelli" width="640" /></a></div>
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<span style="font-family: Georgia, 'Times New Roman', serif;">La citazione è così esplicita da essere sfacciata e perfino sguaiata. Una micidiale aggressività traspare dai colori e dai segni decisi e netti, un'energia tribale guida il pennello quasi fosse un'arma durante un rito totemico. Il pittore si riconosce membro di una tribù i cui totem sono i celebri antenati. Da questi si riconosce <i>posseduto</i>. Ma nella stessa possessione trova il suo riscatto, la liberazione. I suoi Picasso, i suoi Dine, Burri o Fontana sono semplici icone che richiamano il passato e ne denunciano la lontananza, hanno perso l'aggancio rivoluzionario al presente, sono una galleria di ritratti di famiglia ben spolverati e lucidi.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXoGYm9j8vVa5NeC_GYhDOUjCIKHa1JEKxB_KyqhvlqbkBXOTZ_wlWK6_zdLpNe_rPpgUBP4qNGOKrsWmy04btPHv55T8ySqmGjIad42HqFDbaY28yOvhGz5SO-opsbKtBd9PUhwnQU8/s1600/IMG_8079.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="614" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFXoGYm9j8vVa5NeC_GYhDOUjCIKHa1JEKxB_KyqhvlqbkBXOTZ_wlWK6_zdLpNe_rPpgUBP4qNGOKrsWmy04btPHv55T8ySqmGjIad42HqFDbaY28yOvhGz5SO-opsbKtBd9PUhwnQU8/s640/IMG_8079.JPG" title="Bruno Donzelli" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Mi ha colpito un'affermazione che Bruno Donzelli ha fatto a Eligio Fulli e che cito liberamente: se non dipingessi, starei in manicomio. La necessità dell'arte per sopravvivere e per leggere il senso del vivere spiega la tremenda energia che si coglie nei quadri di Donzelli. C'è un bisogno assoluto di trovare forme sintetiche attraverso le quali interpretare il mondo e c'è l'ammissione, senza possibilità di repliche, che queste forme sono già state create e non se ne possono inventare altre. Così la palese aggressività dei suoi dipinti si può interpretare come amore, l'amore impossibile di Cervantes per i poemi cavallereschi in Don Chisciotte o la passione letteraria e suicida di Emma Bovary.</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguhMiliU3I0ZE8ft9HL1j0bKYnlIghxZlsSsRKSAh6px07kS0g_JJGuuQpWxp_HpECE2AsxAC4TT2q4fXbxiXuD7poVV9NvU_Az0FdvVj6XOIeXbcovHmvEo7P3u_5KQb2oRRI-4GXqj4/s1600/IMG_8073.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguhMiliU3I0ZE8ft9HL1j0bKYnlIghxZlsSsRKSAh6px07kS0g_JJGuuQpWxp_HpECE2AsxAC4TT2q4fXbxiXuD7poVV9NvU_Az0FdvVj6XOIeXbcovHmvEo7P3u_5KQb2oRRI-4GXqj4/s640/IMG_8073.JPG" title="Bruno Donzelli" width="464" /></a></div>
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<i><span style="font-family: Georgia, Times New Roman, serif; font-size: large;"><br /></span></i>
<i><span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">The Palette and the impossible Love</span></i><br />
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<i><span style="font-family: Georgia, Times New Roman, serif; font-size: large;">Bruno Donzelli's exhibition at "Il Gianicolo", Perugia</span></i><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>If there is an original painter, this is Bruno Donzelli.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>It is usually said, by many, that everything has been tried in the field of painting and there are no more opportunities to do something new and original, and this in spite of the many avant-garde that have stolen the scene during the whole XX century. It is also typical by art critics to reconnect every painter to a current or another, to a master or another, and to identify the initiator of a particular technique, competing in tracing the phylogenetic scale as far back as possible. There is no disputing the legitimacy of the tendency to quote, enjoying the hunt for references as if it were a contest between painters and critics.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>In this cultural context there is a painter who blunts their weapons, openly declaring his sources of inspiration. Donzelli does not imitate anyone or follow a current, Donzelli makes. His journey takes place only on the paintings of famous painters of the '900, walks on them with his colors and paintbrushes and finds refuge in their stylistic and characteristic signs. Donzelli complaints the end of the millennium and the exhaustion of expressive possibilities. He seems to say that now we can ignore the profound existencial sense of artworks to navigate on their forms. Ripping the signs away from the historical and psychological condition that generated them, he proposes them as cultural fetishes. Immediately recognizable. And, for the avoidance of any doubt, he writes big and repeatedly the name of the painter referred to in his work making even those words, written in hurried block letters, a commonplace.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The quote is so explicit as to be bold and even coarse. A deadly aggressiveness is reflected by the determined colors and signs, a tribal energy guides Donzelli's brush as if it were a weapon during a totemic ritual. The painter recognizes himself a member of a tribe whose totems are its famous ancestors. By these he feels </i>possessed<i>. But in the same possession he finds his redemption, liberation. His Picasso, his Dine, Fontana or Burri are simple icons that recall the past and denounce the distance, they have lost the revolutionary grip to the present, they form a gallery of well-dusted and polished family portraits.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>I was struck by a statement that Bruno Donzelli made to Eligio Fulli and I quote freely: had I not been a painter, I would have been in a mental hospital. The necessity of art to survive and to read the meaning of life through it explains the tremendous energy that we find in the paintings of Donzelli. There is an absolute need to find synthetic forms through which to interpret the world. There is also the admission without the possibility of any reply that these forms have already been created and that no new ones can be invented. So the blatant aggression of his paintings can be explained as love, like Cervantes' impossible love for the poems of chivalry in Don Quixote, or Emma Bovary's literary passion and suicide.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy2VnqfRViZPjVG5QHK_Q8_JNDQthS6je6JWEA6c4ZS_aBHjgeitp6FZhzc0zV26OKK5AV8MmZZJTolDXgRtsIt2lKhZHZ7eBQNXuIK4FIx-J3eRMl3s65Uk-Frn3RJCGHkNEMyJtD9yE/s1600/IMG_8043.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Eligio Fulli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhy2VnqfRViZPjVG5QHK_Q8_JNDQthS6je6JWEA6c4ZS_aBHjgeitp6FZhzc0zV26OKK5AV8MmZZJTolDXgRtsIt2lKhZHZ7eBQNXuIK4FIx-J3eRMl3s65Uk-Frn3RJCGHkNEMyJtD9yE/s640/IMG_8043.JPG" title="Bruno Donzelli" width="506" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy84RbLv2hSGWq5cBltW2z2bQmzQNeCTQIHS1jDQS1pPt0bXUBdoz4_yrFsOj0G0fDe_mV0V9xtDykpTfJdLP3eWh1zGmuLYvlCAbwMSgXdS41kcwjQ4H4hKSdcEZxA3oG3q3lJfcsFfw/s1600/IMG_8056.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="524" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy84RbLv2hSGWq5cBltW2z2bQmzQNeCTQIHS1jDQS1pPt0bXUBdoz4_yrFsOj0G0fDe_mV0V9xtDykpTfJdLP3eWh1zGmuLYvlCAbwMSgXdS41kcwjQ4H4hKSdcEZxA3oG3q3lJfcsFfw/s640/IMG_8056.JPG" title="Bruno Donzelli" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWhB7skkvmk3DNDjVFU8_p5Y1XZFM40whrwIpVotYW-JJCXStLcswB6bj1ujX5IgKnIrkCKjeo_Ar9S1vU_usAUerJWXuoWDqXYw3v6AQLyooN_ntvJ3aDrkLV1EhXTVapLgfznzVzM8/s1600/IMG_8082.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Bruno Donzelli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhZWhB7skkvmk3DNDjVFU8_p5Y1XZFM40whrwIpVotYW-JJCXStLcswB6bj1ujX5IgKnIrkCKjeo_Ar9S1vU_usAUerJWXuoWDqXYw3v6AQLyooN_ntvJ3aDrkLV1EhXTVapLgfznzVzM8/s640/IMG_8082.JPG" title="Bruno Donzelli" width="364" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7JgdkpyO_aFwA5Bn6gm1XlzZWLhkiaAp0pz6SzOEDJVjrsKAWr7ZieF5XP3FyzJlL3-l5KwpmZPsotce7xP3y4mzqAkbLrb6DAPBlhhOi34DYGJ8exs77i_N2vbeaOUsNpfMLu_EhBww/s1600/IMG_8088.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7JgdkpyO_aFwA5Bn6gm1XlzZWLhkiaAp0pz6SzOEDJVjrsKAWr7ZieF5XP3FyzJlL3-l5KwpmZPsotce7xP3y4mzqAkbLrb6DAPBlhhOi34DYGJ8exs77i_N2vbeaOUsNpfMLu_EhBww/s640/IMG_8088.JPG" width="638" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7dNsQJLwncU8gFVRTz_8eZowymnJhFfAM91VLOnkIseKalvJ-I_M-SMgzoRNndjb556C02me-V8Phiraz9ojCLU9eLlj1OrBHJkm3v_x-bCBrqRAtaAoHj7W4_4hIcyL4Q33NxBruITU/s1600/IMG_8096.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Galleria Il Gianicolo" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7dNsQJLwncU8gFVRTz_8eZowymnJhFfAM91VLOnkIseKalvJ-I_M-SMgzoRNndjb556C02me-V8Phiraz9ojCLU9eLlj1OrBHJkm3v_x-bCBrqRAtaAoHj7W4_4hIcyL4Q33NxBruITU/s640/IMG_8096.JPG" title="Bruno Donzelli" width="443" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZdH6PfcxSwn08kWugBnVKRxRQyA16cGMOItEl0J6J1gOAGhlCPwMpXMx7Pa0_c-b31QqwHr_SEmOONZ9eaJhRGNdf7KP4XchScostjvJ6HrDsLZVbHAU1JWMHOJGTNaLlioXcqxMQ5s/s1600/IMG_8106.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Eligio Fulli" border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguZdH6PfcxSwn08kWugBnVKRxRQyA16cGMOItEl0J6J1gOAGhlCPwMpXMx7Pa0_c-b31QqwHr_SEmOONZ9eaJhRGNdf7KP4XchScostjvJ6HrDsLZVbHAU1JWMHOJGTNaLlioXcqxMQ5s/s640/IMG_8106.JPG" title="Bruno Donzelli" width="427" /></a></div>
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<tr><td style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/Bruno%20Donzelli%202015/album/index.html" style="margin-left: auto; margin-right: auto;" target="_blank"><img alt="Bruno Donzelli" border="0" height="401" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxrb6rGQlrKC1ZJkBuyLEjydsezUzf1iEvrwPGKsr9xjx-M4vABtHOCFa8eBACdD8PUuz8KF0cw0GYNc9MTWbvaUGZicA4o-AgkYPjvU4e0Hm_JRre2LVra5VHqPMQIC_lvgQAlJ51k2E/s640/Album.jpg" title="Bruno Donzelli" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cliccare sul mosaico per accedere all'<a href="http://www.artenellavita.com/ALBUM/Bruno%20Donzelli%202015/album/index.html" target="_blank">ALBUM</a> della mostra / <i>Clic on the mosaic to get a <a href="http://www.artenellavita.com/ALBUM/Bruno%20Donzelli%202015/album/index.html" target="_blank">photo album</a> of the exhibition</i> </td></tr>
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<b><span style="font-family: Georgia, Times New Roman, serif;">Collegamenti\<i>Links</i> :</span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://ilgianicolo.com/" target="_blank">Galleria <i>Il Gianicolo</i> - Perugia</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://www.brunodonzelli.it/index2.html" target="_blank">Sito web di Bruno Donzelli</a></span></div>
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<br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-87253881187353191162015-04-10T19:45:00.000+02:002015-04-13T09:15:55.655+02:00Otto Artisti alla Rocca<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">Brillante esordio del gruppo "ARTPERUGIA"</span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSw8wugfcBDcFodBmKEXqDmsSpzoQVqnc4S1Tv7IFIpj4fXyxHX95NUcp_tFjd9aFvjU8RD5TDlCzk5A6OwcOu2qKvTVeLrP4_pkJ5czEgdTN1FrAlA_EZiOUvK0gQN07Mb6NlC0dBvo/s1600/IMG_6678.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="ArtPerugia" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsSw8wugfcBDcFodBmKEXqDmsSpzoQVqnc4S1Tv7IFIpj4fXyxHX95NUcp_tFjd9aFvjU8RD5TDlCzk5A6OwcOu2qKvTVeLrP4_pkJ5czEgdTN1FrAlA_EZiOUvK0gQN07Mb6NlC0dBvo/s1600/IMG_6678.JPG" height="426" title="CERP - Rocca Paolina" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">L'inaugurazione, con presentazione di Sandro Allegrini</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">Il CERP della Rocca Paolina è uno spazio impegnativo. Non si possono esporre lì opere che non abbiano una forza tale da reggere il contatto con le volte e quei muri in laterizio antico che raccontano da soli tante cose con voce potente.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Otto artisti perugini si sono associati per condividere questo spazio così articolato da permettere a ognuno la sua sfera ma per ricordare insieme il comune amico <a href="http://www.enzobarbacci.it/" target="_blank"><b>Enzo Barbacci</b></a>, pittore anch'egli di grande sensibilità. A lui è stato lasciato lo spazio all'ingresso della mostra e la grazia dei suoi paesaggi parla al cuore con i colori mobili e vivi sui muri della città.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The Rocca Paolina CERP in Perugia is a challenging space. You cannot expose art works there that do not have enough force to face those ancient brick walls that tell so many things with a powerful voice.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Eight artists from Perugia have joined forces to share this space in order to remember together their common friend <b><a href="http://www.enzobarbacci.it/" target="_blank">Enzo Barbacci</a></b>, who was also a painter of great sensitivity. His paintings are exposed at the entrance of CERP and the grace of its landscapes speaks to your heart with moving colours and shadows on the city walls.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEHHddtwXi2Z-uNr43Rmpqwqy9UQRj5WWIWZQBb7xvt0GhofFoiJ3H6jpECvPsZ84Fq1g_gkpuX4tMkdVWOY0C-we7HFO45wONPr1FLDST25pyelgRshYqEYUCwL-5bn70HkbJ-VDXx6U/s1600/IMG_6766.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Enzo Barbacci" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEHHddtwXi2Z-uNr43Rmpqwqy9UQRj5WWIWZQBb7xvt0GhofFoiJ3H6jpECvPsZ84Fq1g_gkpuX4tMkdVWOY0C-we7HFO45wONPr1FLDST25pyelgRshYqEYUCwL-5bn70HkbJ-VDXx6U/s1600/IMG_6766.JPG" height="640" title="Enzo Barbacci" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Opera di Enzo Barbacci</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaJHJkM7tk36kbDRsUk0H-wi3ZeGY4UAH26mZoC2a7rp-TmPyUaaDXDWg51WTk-lRlawjDpdo63BjNHo8gUXZHtcW_aW_pDc5zF6oqKnuIb-gxuyC85eYkKGAy64k8O-y_7bDftPek3lo/s1600/IMG_6860.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="ArtPerugia" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaJHJkM7tk36kbDRsUk0H-wi3ZeGY4UAH26mZoC2a7rp-TmPyUaaDXDWg51WTk-lRlawjDpdo63BjNHo8gUXZHtcW_aW_pDc5zF6oqKnuIb-gxuyC85eYkKGAy64k8O-y_7bDftPek3lo/s1600/IMG_6860.JPG" height="416" title="CERP - Rocca Paolina" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Incontro con gli artisti</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="https://www.youtube.com/watch?v=vQla7NQurfM" target="_blank">Mauro Tippolotti</a></b> è affascinato dal mistero dell'esistenza e la meraviglia è resa con la gioia dei colori. Questi si organizzano in una scala cromatica come a comporre una musica ricca e avvolgente, esperienza consapevole della tradizione umbra da Giotto a D'Orazio. </span><span style="font-family: Georgia, 'Times New Roman', serif;">Mette nei quadri i temi importanti e amati da uomo che non si rifugia nella pittura per non guardare alla realtà.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="https://www.youtube.com/watch?v=vQla7NQurfM" target="_blank">Mauro Tippolotti</a></b> is fascinated by the mystery and wonder of existence which he renders through joyful colours. He organizes them in a chromatic scale, creating a rich and captivating music and expresses conscious experience of the Umbrian tradition from Giotto to D'Orazio in important topics, as a man who did not take refuge in painting to forget reality.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1GEV7cNrSoRrIT9Ubf3BlD_CQPh1MQdtbXtO9puYzySoaVrz_6zudpqMDdBb-X0jWynzetsgsYdSXDlSOvYSh0ux-VoqXoyG171SpTyGIk8Dcb8nmr_Eslc0BNpkzHH0vCTRQzzu5sQE/s1600/IMG_6660.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Mauro Tippolotti ritratto da Enzo Barbacci" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1GEV7cNrSoRrIT9Ubf3BlD_CQPh1MQdtbXtO9puYzySoaVrz_6zudpqMDdBb-X0jWynzetsgsYdSXDlSOvYSh0ux-VoqXoyG171SpTyGIk8Dcb8nmr_Eslc0BNpkzHH0vCTRQzzu5sQE/s1600/IMG_6660.JPG" height="640" title="Mauro Tippolotti ritratto da Enzo Barbacci" width="467" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Mauro Tippolotti ritratto da Enzo Barbacci</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifSEN95HkxIndzo2y3qsyBvI3cOlEM50dPZzAlmr7Tmx3lnbc1GpUbUTcpEA-HvzyLbsC4SIeJhRlkaBFTALUTPRnNNn6iBDFQpQnujCTOKv2wWsrFT5L5nL6uyDRXXIQvUKaNCtzbF1A/s1600/IMG_6831.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mauro Tippolotti" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifSEN95HkxIndzo2y3qsyBvI3cOlEM50dPZzAlmr7Tmx3lnbc1GpUbUTcpEA-HvzyLbsC4SIeJhRlkaBFTALUTPRnNNn6iBDFQpQnujCTOKv2wWsrFT5L5nL6uyDRXXIQvUKaNCtzbF1A/s1600/IMG_6831.JPG" height="422" title="Mauro Tippolotti" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwNhh-R5KRkkp4M-Kb8gNY5JXG6uYCEaOTQK2DSIWF_aQ_l-fNXNEIK5CIJe8ps3yf2XQ210NVGBvelqR1B9JkBZZUldB4ocbt0eMhCRoyUANuAO-ESnFOHIxzSZb7ky35GMi7Mjk5zJI/s1600/IMG_6835.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Mauro Tippolotti" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwNhh-R5KRkkp4M-Kb8gNY5JXG6uYCEaOTQK2DSIWF_aQ_l-fNXNEIK5CIJe8ps3yf2XQ210NVGBvelqR1B9JkBZZUldB4ocbt0eMhCRoyUANuAO-ESnFOHIxzSZb7ky35GMi7Mjk5zJI/s1600/IMG_6835.JPG" height="640" title="Mauro Tippolotti" width="622" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Più sognante è l'atteggiamento di <b><a href="https://www.facebook.com/cristina.staffolani.5" target="_blank">Cristina Staffolani</a></b> che dà spazio ad un mondo fantastico e aggraziato dove le forme giocano ai fiori e i colori vi danzano sopra.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Creature delicate e senza peso sembrano abitare questo mondo in cui sono i colori stessi a costruire il proliferare dei racemi e dei tralci che si intrecciano emergendo da uno sfondo buio e scuro: il mondo dei colori non esaurisce la realtà ma ne è la parte più bella e gioiosa.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="https://www.facebook.com/cristina.staffolani.5" target="_blank">Cristina Staffolani</a></b>'s attitude is dreamy: she evokes a fantasy graceful world where flowers fill the imaginary space and colours dance around them.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Delicate weightless creatures live here where colours themselves build branches and shoots intertwine coming to light from a dark background: the coloured world doesn't complete reality but is the most beautiful and joyous part of it.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF0oOAi2N7HvUuKpCvI7pB2Bcolo3BSHhkUGt5Y-_PNVy2e0Zj-FemqqKeLd1WKRb-O6LeCtK98lTxXjrZSiYvJY4fIaitKZymMP3_vw_29UU9S3BOmUNkhR65mm-kfpjTsgAkb5dujoE/s1600/IMG_6822.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Cristina Staffolani" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgF0oOAi2N7HvUuKpCvI7pB2Bcolo3BSHhkUGt5Y-_PNVy2e0Zj-FemqqKeLd1WKRb-O6LeCtK98lTxXjrZSiYvJY4fIaitKZymMP3_vw_29UU9S3BOmUNkhR65mm-kfpjTsgAkb5dujoE/s1600/IMG_6822.jpg" height="640" title="Cristina Staffolani" width="478" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cristina Staffolani</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0CBoFWEh19VLZ5XvsZyb5u8DQw0bcOl8rNiDBVkw76rERQhx85qv1uTqSNrmQzYrPsVMV4873mNnSJYuInHTum43nLIha2-Q95LQzD37jFY7R92j7vva8PH3hO-Xke3gt4MvrYKWmRes/s1600/IMG_6838.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Cristina Staffolani" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0CBoFWEh19VLZ5XvsZyb5u8DQw0bcOl8rNiDBVkw76rERQhx85qv1uTqSNrmQzYrPsVMV4873mNnSJYuInHTum43nLIha2-Q95LQzD37jFY7R92j7vva8PH3hO-Xke3gt4MvrYKWmRes/s1600/IMG_6838.JPG" height="426" title="Cristina Staffolani" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="https://www.facebook.com/profile.php?id=100005527486769" target="_blank">Patrizio Roila</a> </b>riversa sulle tele le vibrazioni di un universo mosso da forze impetuose. Ne effonde il senso di una ineluttabile cosmogonia all'inverso come in balia del risucchio di un black hole.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i>On his canvases <b><a href="https://www.facebook.com/profile.php?id=100005527486769" target="_blank">Patrizio Roila</a></b> pours vibrations of a universe driven by impetuous forces. He infuses a sense of inescapable reverse cosmogony at the mercy of the backwash of a black hole.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_SGaWnFeOV6JcDwqgtNjhd5DnkPEsDDUtoHK_qeNlFrUUZ99RRCM_Et558F6i9YJfIHSRROEF01tysHQHao2KYeswZmpWxydxTiK6zyzm1-fSnomxGtslP4af-4U2UCtiQ-L48gj50ek/s1600/IMG_6875.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Patrizio Roila" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi_SGaWnFeOV6JcDwqgtNjhd5DnkPEsDDUtoHK_qeNlFrUUZ99RRCM_Et558F6i9YJfIHSRROEF01tysHQHao2KYeswZmpWxydxTiK6zyzm1-fSnomxGtslP4af-4U2UCtiQ-L48gj50ek/s1600/IMG_6875.JPG" height="640" title="Patrizio Roila" width="426" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Patrizio Roila</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq0M7hJJ-YPgQ4MI6Npfk4CwdkmChl9igJQpS5Va7Nphv7qx7K-Tlw88qksbBYzNTwOP0DknT5HwqSqbqRIvhx9GKNFUUiRLmNB6OusPs_EpHKlPnQwV33nldUOEEcDz3Ltx6X-g55MU8/s1600/IMG_6730.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Patrizio Roila" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhq0M7hJJ-YPgQ4MI6Npfk4CwdkmChl9igJQpS5Va7Nphv7qx7K-Tlw88qksbBYzNTwOP0DknT5HwqSqbqRIvhx9GKNFUUiRLmNB6OusPs_EpHKlPnQwV33nldUOEEcDz3Ltx6X-g55MU8/s1600/IMG_6730.JPG" height="612" title="Patrizio Roila" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhikFLHCUY6CV59JItS4uUfLxowoPE9UPd9mjx61v8651m4M2D_zUv-zL-v7-v5r8fNgBcsVR15yrqN4tRg09RBgqqvTU1x6ynGqZ-h-52BPHu4xLROjiWja5jCAuDfwdJNVDQMosTyMGI/s1600/IMG_6731.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Patrizio Roila" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhikFLHCUY6CV59JItS4uUfLxowoPE9UPd9mjx61v8651m4M2D_zUv-zL-v7-v5r8fNgBcsVR15yrqN4tRg09RBgqqvTU1x6ynGqZ-h-52BPHu4xLROjiWja5jCAuDfwdJNVDQMosTyMGI/s1600/IMG_6731.JPG" height="638" title="Patrizio Roila" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="http://www.tarpani.com/www.tarpani.com/homepage.html" target="_blank">Raffaele Tarpani</a></b> interpreta il paesaggio umbro sospingendo gli spazi verso profondità metafisiche, abissi nei quali si individuano le forme care e inconfondibili dei colli e del lago. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Soprattutto nei notturni affiorano vene d'oro simboli della sacralità che i luoghi della memoria sempre conservano.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="http://www.tarpani.com/www.tarpani.com/homepage.html" target="_blank">Raffaele Tarpani</a></b> interprets Umbrian landscapes pushing them to deep metaphysical depths where you can recognise unmistakably hills and Trasimeno lake. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Especially in the night images gold veins emerge, symbols of sacredness that the places of memory always keep.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBRlkG6LCcpbK7Q4eXZjd5k5ite00caFYQqe2ZOl3pAR8UnJV6ChhIVD5sBptJGG9fh3yP4HEG_BhlflUV_oVLt2UPoROQZOq-guxATW3fiKgnyR2TbvN3UNALQBHjq_dCYlWO72L9_Y/s1600/IMG_6760.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Raffaele Tarpani" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieBRlkG6LCcpbK7Q4eXZjd5k5ite00caFYQqe2ZOl3pAR8UnJV6ChhIVD5sBptJGG9fh3yP4HEG_BhlflUV_oVLt2UPoROQZOq-guxATW3fiKgnyR2TbvN3UNALQBHjq_dCYlWO72L9_Y/s1600/IMG_6760.JPG" height="430" title="Raffaele Tarpani" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Raffaele Tarpani</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPMap2uf6CkT-M54a49bPPFVvXA4nfbGLZtvly1x2T6DkmvFvJ6rLHoSJrx07ltwwEItoREsiTRlyTm3UkKeGCaO2RvmfGFq19BslhUArwE3Vn0SCUvq0HN1nmiHjnuZv10hSc4T0eaU/s1600/IMG_6852.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Raffaele Tarpani" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiPMap2uf6CkT-M54a49bPPFVvXA4nfbGLZtvly1x2T6DkmvFvJ6rLHoSJrx07ltwwEItoREsiTRlyTm3UkKeGCaO2RvmfGFq19BslhUArwE3Vn0SCUvq0HN1nmiHjnuZv10hSc4T0eaU/s1600/IMG_6852.JPG" height="640" title="Raffaele Tarpani" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">L'esuberanza di <b><a href="http://www.chiacchella.com/" target="_blank">Stefano Chiacchella</a></b> carica le sue tele con un impatto di bellezza e di forza impressionanti che però poi danno luogo alla riflessione e all'analisi. Magnifici sono i ritratti che non si limitano a riprodurre le fattezze, ma sintetizzano anche elementi salienti della vita del soggetto in figurazioni sempre elaborate ed espressione di grande consapevolezza artistica.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="http://www.chiacchella.com/" target="_blank">Stefano Chiacchella</a></b>'s exuberance charge his canvases with an impressive impact of beauty and strength but then elicits reflection and analysis. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>His magnificent portraits do not only reproduce faces, but also summarize the main features of the subject's life in increasingly elaborate figurations expressing great artistic consciousness.</i></span><br />
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<tr><td style="text-align: center;"><img alt="ArtPerugia" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpzf91_6N1aNoMJyRU10CT2Eyuh66dPgIcwd10ygQ9engYX5r2r7wDbqAuriqHInZDThk5GQjdKfFNtzeFYnj7uKhX2RJQC7K7pQ0-0YXszBnasO2mDu1abG_jua7JJk5-XagvdAvb1AM/s1600/IMG_6864.JPG" height="448" style="margin-left: auto; margin-right: auto;" title="Stefano Chiacchella and friends" width="640" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Stefano Chiacchella, al centro, con Tippolotti, Skizzo e Tarpani</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpzf91_6N1aNoMJyRU10CT2Eyuh66dPgIcwd10ygQ9engYX5r2r7wDbqAuriqHInZDThk5GQjdKfFNtzeFYnj7uKhX2RJQC7K7pQ0-0YXszBnasO2mDu1abG_jua7JJk5-XagvdAvb1AM/s1600/IMG_6864.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span id="goog_294981169"></span><span id="goog_294981170"></span></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCVWzY7-4s_kGMp-Pzh-2Ym_4o_z9panlB9LJWCffbvK_4gh3S9u0j87f7TUMdkXlDzJHJRtena0xYTKXdfdQOyVq3JW4yEvZyi6hAFRagIVpULBx2XUNK3aKrI9T1_XmbFhv9qAFu4M/s1600/IMG_6661.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stefano Chiacchella" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYCVWzY7-4s_kGMp-Pzh-2Ym_4o_z9panlB9LJWCffbvK_4gh3S9u0j87f7TUMdkXlDzJHJRtena0xYTKXdfdQOyVq3JW4yEvZyi6hAFRagIVpULBx2XUNK3aKrI9T1_XmbFhv9qAFu4M/s1600/IMG_6661.JPG" height="516" title="Stefano Chiacchella" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOlz81KN3bbmO1FpqT-UvkO0os-brZidebaJmmTsQ0EtE-FjLGDekzGxHSHwRfVDStZ99215jaBhUw1uPuHp39UbgpAbr2GNQiHo7LC3_lLZg6k_uWJNgiBI3dI8IhUqRsl22cuY8ys0E/s1600/IMG_6697.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Stefano Chiacchella" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOlz81KN3bbmO1FpqT-UvkO0os-brZidebaJmmTsQ0EtE-FjLGDekzGxHSHwRfVDStZ99215jaBhUw1uPuHp39UbgpAbr2GNQiHo7LC3_lLZg6k_uWJNgiBI3dI8IhUqRsl22cuY8ys0E/s1600/IMG_6697.JPG" height="442" title="Stefano Chiacchella" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="http://www.ferruccioramadori.it/" target="_blank">Ferruccio Ramadori</a></b> fa partiture musicali che sembrano aleggiare nell'universo. Vi si coglie il senso dell'infinito divenire e dello sforzo dell'uomo per interpretarlo anche attraverso simboli arcani. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Ma l'essenza della realtà è comunque più vasta e la tela ne ritaglia dichiaratamente solo una porzione nel tempo.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="http://www.ferruccioramadori.it/" target="_blank">Ferruccio Ramadori</a></b> makes musical scores that seem to linger in the universe. There you capture the sense of infinity and of human effort to interpret it through arcane symbols. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Fruitless effort because the essence of reality is more extensive and Ramadori cuts avowedly only a portion of time in his canvases.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHi_3kMvwZ84ojqq27F-Qz9EZz0S5HK3xgAXyy9zavoTvMPWI2MFN58D9oqpGlXAjvhfrlOVv_RYf7Y8hB_hHoxxL0ZV52ZFcEat3VUjr5EMWhYJB_Pl8bgLzghyphenhyphenCpkciJUpsuEbkk0N4/s1600/IMG_6689.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Ferruccio Ramadori with Donatella Marinucci" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHi_3kMvwZ84ojqq27F-Qz9EZz0S5HK3xgAXyy9zavoTvMPWI2MFN58D9oqpGlXAjvhfrlOVv_RYf7Y8hB_hHoxxL0ZV52ZFcEat3VUjr5EMWhYJB_Pl8bgLzghyphenhyphenCpkciJUpsuEbkk0N4/s1600/IMG_6689.JPG" height="420" title="Ferruccio Ramadori con Donatella Marinucci" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Ferruccio Ramadori con Donatella Marinucci</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7fRWLrColCRvg9zGhzEd8USIOOwT2hXcNQpcMtO-k7SwuXqQPBrHtcJ-CuxueX2EUVWu1zPLmpvelXg7iBGrvjRI1QR3JcS_ADXgrZIOIYdckzsdKOBILLQshe5j8yM4Xlc7RI3D5aj4/s1600/IMG_6711.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Ferruccio Ramadori" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7fRWLrColCRvg9zGhzEd8USIOOwT2hXcNQpcMtO-k7SwuXqQPBrHtcJ-CuxueX2EUVWu1zPLmpvelXg7iBGrvjRI1QR3JcS_ADXgrZIOIYdckzsdKOBILLQshe5j8yM4Xlc7RI3D5aj4/s1600/IMG_6711.JPG" height="372" title="Ferruccio Ramadori" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I disegni di <b><a href="http://www.skizzo-land.com/" target="_blank">Skizzo</a> </b>hanno supporti di ogni forma e dimensione. Egli li riempie di segni come una filigrana di significati, un fittissimo intreccio descrittivo-narrativo, quasi una giungla espressiva che sulle prime stordisce, poi racconta e pone grandi interrogativi.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="http://www.skizzo-land.com/" target="_blank">Skizzo</a></b>'s drawings have a great variety of form and size. He fills them with signs like a watermark of meanings, a dense interweaving of narration-description, almost an expressive jungle that at first is stunning and then raises big questions.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBIlrafFrIaZI1EBUXh3fm1PCZeq47FdhgspBq_9wA_ESOFVV14ykL0mxFoKEISNSua-br61_ajjwC7KpwQO3lve39KkNb1bvxAuFXNMeqNQ8VB2_ktt2O9yahXLr25t-k_Tqrf1avrqA/s1600/IMG_6753.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Skizzo" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBIlrafFrIaZI1EBUXh3fm1PCZeq47FdhgspBq_9wA_ESOFVV14ykL0mxFoKEISNSua-br61_ajjwC7KpwQO3lve39KkNb1bvxAuFXNMeqNQ8VB2_ktt2O9yahXLr25t-k_Tqrf1avrqA/s1600/IMG_6753.JPG" height="640" title="Skizzo" width="426" /></a></td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpMYu3Q84ttxO8lDAHW0f0Q9ceojcbsgiC3kR6z9ze2m6_JzJxeu4Gi_Us3_aygYhLfaH6PT5yqI-fSRmESAd584v-iFBmIAR3q2MGfoZGQf2I4CqIXBUc3uOV2gGt3AvtthEf4zs56Bo/s1600/IMG_6844.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Skizzo" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhpMYu3Q84ttxO8lDAHW0f0Q9ceojcbsgiC3kR6z9ze2m6_JzJxeu4Gi_Us3_aygYhLfaH6PT5yqI-fSRmESAd584v-iFBmIAR3q2MGfoZGQf2I4CqIXBUc3uOV2gGt3AvtthEf4zs56Bo/s1600/IMG_6844.JPG" height="640" title="Skizzo" width="496" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><b><a href="https://www.youtube.com/watch?v=dENAVNuo0cs" target="_blank">Pietro Crocchioni</a></b> introduce elementi figurativi in tele informali dove l'emotività spalanca e dissolve aree di colore, vertigini di blu e accese fantasie di rossi.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i><b><a href="https://www.youtube.com/watch?v=dENAVNuo0cs" target="_blank">Pietro Crocchioni</a></b> introduces figurative elements in informal spaces where emotion opens and dissolves areas of color, vertiginous blue and red lit fantasies.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRv9LFHjQ9DscTvNDw6PqrKspUR2JxXFyDdETpidasztzPFPOgJG2u5ihWvUDCs2EHraABjVJuNvtDzII0W8moe4jYYX6FqrNWSnieJC5T7i93aWwSLlU_U4Pf5fS62wsVPWyrifU8AvI/s1600/IMG_6663.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Pietro Crocchioni" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRv9LFHjQ9DscTvNDw6PqrKspUR2JxXFyDdETpidasztzPFPOgJG2u5ihWvUDCs2EHraABjVJuNvtDzII0W8moe4jYYX6FqrNWSnieJC5T7i93aWwSLlU_U4Pf5fS62wsVPWyrifU8AvI/s1600/IMG_6663.JPG" height="426" title="Pietro Crocchioni" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Gli otto artisti, uniti nell'associazione <b><a href="https://www.facebook.com/pages/Gruppo-ARTPERUGIA/1063899123626143?ref=ts&fref=ts" target="_blank">ARTPERUGIA</a></b>, hanno realizzato tutti insieme una grande tela dividendosene la superficie per donarla al reparto pediatrico di oncologia dell'Ospedale Santa Maria della Misericordia di Perugia.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The eight artists, united in the association <a href="https://www.facebook.com/pages/Gruppo-ARTPERUGIA/1063899123626143?ref=ts&fref=ts" target="_blank"><b>ARTPERUGIA</b></a>, have made all together a large canvas sharing its surface: it is a present for the pediatric oncology ward of the Hospital Santa Maria della Misericordia, Perugia.</i></span><br />
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<tr><td style="text-align: center;"><a href="http://www.artenellavita.com/ALBUM/Otto%20Artisti%20alla%20Rocca%20Paolina%20-%202015/album/index.html" style="margin-left: auto; margin-right: auto;" target="_blank"><img alt="ARTPERUGIA" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_QIztfGjpvU9dyTXbf0V2vcZ0zsG4T26NMZI9CWagXSknF4BoiJd8H89laiLVsog1aw6Htp5b_9YaDe1DnG-hLBofHvYoHlV-AuGzPtvmiibXsOwcS54Cdd2IyX0zZCEv98UoqOR5L54/s1600/8artisti_album.jpg" height="640" title="ARTPERUGIA" width="609" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cliccare sul "mosaico" per accedere all'ALBUM di foto della mostra<br />
<i>Click on the "mosaic" to open a PHOTO ALBUM of the exhibition</i></td></tr>
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Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com0tag:blogger.com,1999:blog-5305799304571024123.post-6152368718204123272014-12-28T22:45:00.000+01:002014-12-28T22:45:06.841+01:00L'eredità di Franz Borghese<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">L'eco non spenta della feroce ironia del maestro romano</span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiKdV1yKh-dqvKJOFD2njH5MVu5asVkwW8K2WH70x5f8bz7dAHIWN2u1WY9lnGFKVOJE3myilcCiNbg1NKumT6SHQFOp8ocG0vftzbnDhoOoEOiqYzMUysXvlz_7KkXEHuDtv7bhXoUUo/s1600/IMG_6385.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgiKdV1yKh-dqvKJOFD2njH5MVu5asVkwW8K2WH70x5f8bz7dAHIWN2u1WY9lnGFKVOJE3myilcCiNbg1NKumT6SHQFOp8ocG0vftzbnDhoOoEOiqYzMUysXvlz_7KkXEHuDtv7bhXoUUo/s1600/IMG_6385.JPG" height="416" title="Franz Borghese" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Franz Borghese crea scene di teatro. Sono scene senza voci ma con parole che si possono intuire o suggerire. Mancano i dialoghi nella sceneggiatura del film di cui però i quadri di Borghese potrebbero essere le scene. Un film che un regista come Dino Risi, severo e irridente affrescatore di costumi italiani, avrebbe potuto girare. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Basti pensare a un film a episodi come "I mostri" che, se fosse stato a colori, avrebbe avuto quelli di Borghese. Egli sarebbe stato anche il direttore della fotografia con un taglio che include tutti gli elementi significativi e solo quelli. Infatti i paesaggi mancano e lo spazio è lo spazio delle relazioni umane, immateriale perché concretamente fatto dei rapporti sociali e psicologici che Borghese coglie e rappresenta come un antropologo con grande capacità di sintesi. Sarebbe stato anche costumista scegliendo abiti di taglio severo e colore scuro che darebbero un'idea di serietà se non stessero invece ad evidenziare l'immoralità dietro l'ipocrita paludamento. L'impressione di virile rettitudine fa risaltare la stolida cattiveria.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Eligio Fulli conosceva bene il pittore e ne organizzò numerose mostre sempre documentate con ricchi e significativi cataloghi e libri editi da Il Gianicolo. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Ci ha raccontato episodi divertenti e anche la rispostaccia che l'Artista diede al PCI che lo voleva sponsorizzare per utilizzarlo come propaganda. Nei suoi lavori, Borghese non attaccava un partito o corrente politica, ma le debolezze che l'uomo ha sempre cercato di camuffare anziché reprimere o correggere.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Franz Borghese creates theatre scenes. Scenes without voices but with words you can guess or suggest. There aren't any dialogues, but the large plot of a film of which Borghese's paintings may be the scenes. A film that Dino Risi, stern and mocking Italian painter of manners, could love to shoot. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Just think of an episodic film like "The Monsters": if it wasn't a black-and-white film, it would be in Borghese's colours. His would be the direction of photography and of settings. In fact, landscapes are missing, space is the space of human relations, an immaterial space made of social and psychological elements which Borghese captures and represents as an anthropologist with great capacity for synthesis. He would have been even costume designer choosing severe style and dark color clothes giving an idea of seriousness while highlighting the immorality hidden in hypocritical attires. The impression of manly uprightness brings out the stolid nastiness.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Eligio Fulli used to be acquainted with the painter and organized numerous exhibitions always documented with rich and significant catalogs and books published by Il Gianicolo. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>He has told us funny episodes and also the answer that the artist gave to PCI when they wanted to sponsor and use his works as propaganda. But he did not attack specifically a political party or movement, his targets were the weaknesses that man always tries to camouflage rather than repress or correct.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi52s3tx3E_HZk08NvdiWnyViIuR9LpOD6fbC1B-94or7BjXBqKX7WJzIjXfGPHkmFozHnC9v1z_mgx25CDqVzLxLmmpTZDnL-3VeT4-p4EpYtBo_OFR5jC4bROqkMelx3nretPy6HhdMU/s1600/IMG_6347.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi52s3tx3E_HZk08NvdiWnyViIuR9LpOD6fbC1B-94or7BjXBqKX7WJzIjXfGPHkmFozHnC9v1z_mgx25CDqVzLxLmmpTZDnL-3VeT4-p4EpYtBo_OFR5jC4bROqkMelx3nretPy6HhdMU/s1600/IMG_6347.JPG" height="584" title="Franz Borghese" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJqo5bbXbK4DmXnUZdeMJykSq-71LfMjJnIlRtN_nGGSrMSgkGWMfQ24BFEb42AnfC2c9GNuB2dbwFOiOEj_EW5qhyZW-CcjhFaGkaoavkL4lDhwomtnHB838K4Ivq5jJm1ugnx-zbNuQ/s1600/IMG_6359.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjJqo5bbXbK4DmXnUZdeMJykSq-71LfMjJnIlRtN_nGGSrMSgkGWMfQ24BFEb42AnfC2c9GNuB2dbwFOiOEj_EW5qhyZW-CcjhFaGkaoavkL4lDhwomtnHB838K4Ivq5jJm1ugnx-zbNuQ/s1600/IMG_6359.JPG" height="472" title="Franz Borghese" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">I colori sono densi e decisi con il rosso a dominare come il fuoco della Geenna, come nell'inferno. Ma Borghese rappresenta l'al-di-qua, dove la miseria spirituale non fa soffrire in un mondo maschile e maschilista e dove manca la grazia comunque la si intenda. Così anche le figure sono tozze, pesanti, massicce e indossano il cilindro benché non fosse più in voga da decenni, ma è l'unico elemento che, come una corona o un'aureola, solleva e nobilita grottescamente le figure. Sembra un cappello che pesa come un macigno coi simboli di vanità e potere che contiene, e mi ricorda la feroce descrizione che Jonathan Swift fece dei membri di una setta che indossavano sempre un copricapo con risultati devastanti per il cervello.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Ironico e pensoso, è scomparso improvvisamente nel 2005, ma ha lasciato una copiosa eredità di opere ispirate e intense. A distanza di tempo, oramai asciugatasi pure la risacca di quell'onda mordace che produsse i geniali spettacoli di Giorgio Gaber e Dario Fo, i suoi quadri conservano la bellezza di una grande coerenza stilistica e colori luciferini, mentre i disegni ritraggono riflessi di pensieri lucidi e definitivi come aforismi.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The colors are dense and red dominates above the others creating the impression of a hellish circle. But Borghese doesn't represent afterlife, he represent life, where the spiritual poverty doesn't hurt in a world where men lack grace in any sense. The figures are squat, heavy, massive and wear top hats although they hadn't been in vogue for decades. Those are the only element that, like crowns or halos, raise and ennoble the grotesque figures. They weigh a ton, it seems, carrying symbols of vanity and power, and they remind me the merciless description that Jonathan Swift made of the members of a sect who always wore a hat with devastating results for the brain.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Ironic and thoughtful, he suddenly passed away in 2005, but he left an abundant legacy of inspired and intense works. The times that also produced the brilliant performances of Giorgio Gaber and Dario Fo have gone by, but his paintings preserve the beauty of a great stylistic consistency and diabolic colours, while his drawings portray reflections of thoughts which are as shiny and definitive as aphorisms.</i></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg26b35HPTIg0WMh0uC0ks7Cu6HjDgg835X_WsTvzOQNF3KvRVhdApFQdL7Qfy3BSOA9edh5uxpKvUorCX33z2WXKf3UPxDeFeTIdcgiugAnquqO9ajIAfU7X8jDqfBIMp1ocyNNLLDFcg/s1600/IMG_6382.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg26b35HPTIg0WMh0uC0ks7Cu6HjDgg835X_WsTvzOQNF3KvRVhdApFQdL7Qfy3BSOA9edh5uxpKvUorCX33z2WXKf3UPxDeFeTIdcgiugAnquqO9ajIAfU7X8jDqfBIMp1ocyNNLLDFcg/s1600/IMG_6382.JPG" height="640" title="Franz Borghese" width="460" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSqQgB5yvSX_qYdWNn4x4IHKFGx2rTP47I9Sc5_aT3RYJXsPm7bMnJyDNpHI4cxL1RA3bWZkyhiufN9VHYnfTM1o-mqkEk2AFLbPcvS6mInoq6au396YjsaAELQmPBiFNhY-oPEscGNg/s1600/IMG_6386.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZSqQgB5yvSX_qYdWNn4x4IHKFGx2rTP47I9Sc5_aT3RYJXsPm7bMnJyDNpHI4cxL1RA3bWZkyhiufN9VHYnfTM1o-mqkEk2AFLbPcvS6mInoq6au396YjsaAELQmPBiFNhY-oPEscGNg/s1600/IMG_6386.JPG" height="470" title="Franz Borghese" width="640" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Le sculture condensano nelle loro masse brune di bronzo meditazioni sul senso della condizione umana, sulla pesantezza e l'opacità dell'essere sulla terra senza riscatto e senza un futuro luminoso. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Per questo le goffe figure, sotto quei cilindri magniloquenti, suscitano un sentimento di simpatia, perché inducono alla consapevolezza della nostra stessa debolezza nascosta. Esse non sono solo gli Altri, i Cattivi, i Mostri, ma sono anche gli Everyman, i Chiunque, nascosti in un abito di bronzo come in una corazza di false certezze e simulata potenza.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i>In their brown bronze masses, Borghese's sculptures condense meditations on the meaning of human condition, the heaviness and opacity of being on earth without redemption and without a bright future. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Because of that, the clumsy figures, under their grandiloquent top hats, arouse a feeling of sympathy, leading to an awareness of our own hidden weakness. They are the Others, the Bad, the Monsters, but they are also Everyman, hiding false certainties and simulated power in a bronze armour.</i></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWrWuV4hZQdNyt3L0e_M__MDAmS_QXUk68JqLz8YlEomRGBwAGXuMDcmWmb0zKnbJDlz8uDWdzYYMMqBgSh05RIwEcwmk_Eu6e-EVguUqplzucid-Pk5B5wn1CdcwtVqo8usb0Kc_QDeg/s1600/IMG_6406.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWrWuV4hZQdNyt3L0e_M__MDAmS_QXUk68JqLz8YlEomRGBwAGXuMDcmWmb0zKnbJDlz8uDWdzYYMMqBgSh05RIwEcwmk_Eu6e-EVguUqplzucid-Pk5B5wn1CdcwtVqo8usb0Kc_QDeg/s1600/IMG_6406.JPG" height="376" title="Franz Borghese" width="640" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAkDBfIU3YGdGc8YWERwEP93WxMdssWl2k96qIJGSTgqEY4Y0rafSCPi1qT3kDkOaBJ9C2ZGGrNeBXdfZF559kSFiKElXoW4U63sBdosoK7R0J065tVso5ZAIEOxCKu-7KeIU4H5iNKtI/s1600/IMG_6366.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAkDBfIU3YGdGc8YWERwEP93WxMdssWl2k96qIJGSTgqEY4Y0rafSCPi1qT3kDkOaBJ9C2ZGGrNeBXdfZF559kSFiKElXoW4U63sBdosoK7R0J065tVso5ZAIEOxCKu-7KeIU4H5iNKtI/s1600/IMG_6366.JPG" height="640" title="Franz Borghese" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikY0SWD_TBimMBGeHkrgjH-Xy8XNC5qtl2KvK3QJ7wifd-jfT2WB9g7qxCz39r9jQltNcl1J_zvGmqdUgrQd47h5Pwxeasb69QraHpK0_alYfDo2fZRkde-qKOR6iypbnLbOH34OToxZE/s1600/IMG_6370.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikY0SWD_TBimMBGeHkrgjH-Xy8XNC5qtl2KvK3QJ7wifd-jfT2WB9g7qxCz39r9jQltNcl1J_zvGmqdUgrQd47h5Pwxeasb69QraHpK0_alYfDo2fZRkde-qKOR6iypbnLbOH34OToxZE/s1600/IMG_6370.JPG" height="640" title="Franz Borghese" width="417" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFPilrnZTN-h1_DwdvGnV3GE0hImE75Ys9k4lHp7OqcqKP4Z8ShbJZtzrqSTV9RmGgLLDrjIlXMPPZkAFGrHTygfv9uvcjEU2Gm_wm9dJFMcsu38_D6qOXIdizwExba2P9d2a6PLGy3GU/s1600/IMG_6372.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFPilrnZTN-h1_DwdvGnV3GE0hImE75Ys9k4lHp7OqcqKP4Z8ShbJZtzrqSTV9RmGgLLDrjIlXMPPZkAFGrHTygfv9uvcjEU2Gm_wm9dJFMcsu38_D6qOXIdizwExba2P9d2a6PLGy3GU/s1600/IMG_6372.JPG" height="640" title="Franz Borghese" width="432" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF8Oj2HnpZWM1F6X_NoMN2VARov1z-DTB5mUSd_SPj9V9Sp06ksjcaHVR81N7Lf4Czm96b8OmrwFJhMdJP1-SWJr1iXoaJWNBYPOOuY8Y2-tsyAVdbmIQ4WJ5DmaX4rk0S18YPKIT-8s0/s1600/IMG_6377.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiF8Oj2HnpZWM1F6X_NoMN2VARov1z-DTB5mUSd_SPj9V9Sp06ksjcaHVR81N7Lf4Czm96b8OmrwFJhMdJP1-SWJr1iXoaJWNBYPOOuY8Y2-tsyAVdbmIQ4WJ5DmaX4rk0S18YPKIT-8s0/s1600/IMG_6377.JPG" height="640" title="Franz Borghese" width="425" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAerQkbyiXrJBCCuGyDqPq9U23f9FQm4MvEAtiYmwEkQpwqRs1_qj9EL5OI9NzUQTts0qbx1eIZ9nX-Kig6Y9qMyZCXkCfmlt88EKLFDWdLMm-rlxHYsJT5lwcyRBts0hmNjp86shGz2w/s1600/IMG_6379.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjAerQkbyiXrJBCCuGyDqPq9U23f9FQm4MvEAtiYmwEkQpwqRs1_qj9EL5OI9NzUQTts0qbx1eIZ9nX-Kig6Y9qMyZCXkCfmlt88EKLFDWdLMm-rlxHYsJT5lwcyRBts0hmNjp86shGz2w/s1600/IMG_6379.JPG" height="640" title="Franz Borghese" width="400" /></a></div>
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<span style="font-family: Georgia, Times New Roman, serif;">Eligio e Vittoria Fulli hanno recentemente esposto una magnifica scelta di opere di questo artista a loro così caro, rivelando la sua attualità e la pertinenza del suo messaggio ancora incisivo e riconoscibile oggi con la sua eco di risata e di pianto.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Eligio and Vittoria Fulli have recently exhibited a magnificent selection of works by this artist who was and is so dear to them, revealing how timeliness and relevant his message is and still incisive and recognizable today with its echo of laughter and tears.</i></span><br />
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNmr-74jC48HJl4_ptsqHIpZCvr_3pLw-HI73RnNRE9EjD-mEUqptsOCfgY0YDRHcmmzcdHLEZ-aFplCzNk9_tCKR1lBXY8dNEsY2dHX5yICGcOrmeN-E06FClunxXqEjp4gRRkLA-uds/s1600/IMG_6395.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNmr-74jC48HJl4_ptsqHIpZCvr_3pLw-HI73RnNRE9EjD-mEUqptsOCfgY0YDRHcmmzcdHLEZ-aFplCzNk9_tCKR1lBXY8dNEsY2dHX5yICGcOrmeN-E06FClunxXqEjp4gRRkLA-uds/s1600/IMG_6395.JPG" height="640" title="Franz Borghese" width="452" /></a></td></tr>
<tr><td class="tr-caption">Autoritratto di Franz Borghese (collezione Eligio Fulli)</td></tr>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gD-_DY0klNa2O5KbXNyu7gfG9myDX4K7awYbpbIqesWX0NrVWYPpFLrEroOAUGut33E0fiBGdUUGAG3SDJsRlo45cvmt6EtJllBFFJcSvddy2wBTHtJgH5W4y0u5dPQRztuX9gzmokk/s1600/IMG_6403.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Franz Borghese" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1gD-_DY0klNa2O5KbXNyu7gfG9myDX4K7awYbpbIqesWX0NrVWYPpFLrEroOAUGut33E0fiBGdUUGAG3SDJsRlo45cvmt6EtJllBFFJcSvddy2wBTHtJgH5W4y0u5dPQRztuX9gzmokk/s1600/IMG_6403.JPG" height="301" title="Franz Borghese" width="400" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBA3b1ABhoPmPmCU1bIB6quuyRGJk5hLXJ2AEWMVi1NERrBY0bRyzqKmNGr7SLBOU8zz6ll716rim8kPciPbE4ijRLsTxJMsBQtMlyU2fLC7HW0v9oO19-PeNWkcV15jeiSg9SgeeNRdE/s1600/IMG_6392.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Il Gianicolo" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBA3b1ABhoPmPmCU1bIB6quuyRGJk5hLXJ2AEWMVi1NERrBY0bRyzqKmNGr7SLBOU8zz6ll716rim8kPciPbE4ijRLsTxJMsBQtMlyU2fLC7HW0v9oO19-PeNWkcV15jeiSg9SgeeNRdE/s1600/IMG_6392.JPG" height="320" title="Eligio Fulli" width="233" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtVxeTwILeKdgyfsvvRvbOh73aaOSJYwgr6xuqrBWj7e3YDS6hPSiDy69mKePXoYByxqjsDwLQmy9rmQZC-cz4mxaKD8Qn2lfnvFX1FdOHIpBMCeXNjZbwzVmiGJXekYYIcU7Z2byeo6k/s1600/IMG_6390.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Rita Castigli" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtVxeTwILeKdgyfsvvRvbOh73aaOSJYwgr6xuqrBWj7e3YDS6hPSiDy69mKePXoYByxqjsDwLQmy9rmQZC-cz4mxaKD8Qn2lfnvFX1FdOHIpBMCeXNjZbwzVmiGJXekYYIcU7Z2byeo6k/s1600/IMG_6390.JPG" height="320" title="Rita Castigli" width="236" /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEG_SVvL5Lqs884xhlVTyTxpPczvONmuDawo_8mWSKPDFaqCMPBtetKJu4yooskHNCUeBXGL3ZdzbJLOY9SSOjnPk4UfDpHVKWfvLeUVu-nLNP6PhpxB-716Y_-BpOCs4ytNj7upkK_1Q/s1600/IMG_6412.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img alt="Eligio e Vittoria Fulli, Rita Castigli" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjEG_SVvL5Lqs884xhlVTyTxpPczvONmuDawo_8mWSKPDFaqCMPBtetKJu4yooskHNCUeBXGL3ZdzbJLOY9SSOjnPk4UfDpHVKWfvLeUVu-nLNP6PhpxB-716Y_-BpOCs4ytNj7upkK_1Q/s1600/IMG_6412.JPG" height="424" title="Il Gianicolo" width="640" /></a></div>
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<b><span style="font-family: Georgia, Times New Roman, serif;">Collegamenti\<i>Links</i> :</span></b></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://ilgianicolo.com/" target="_blank">Galleria <i>Il Gianicolo</i> - Perugia</a></span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><a href="http://it.wikipedia.org/wiki/Franz_Borghese" target="_blank">Voce "Franz Borghese" di Wikipedia</a></span></div>
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<br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com1tag:blogger.com,1999:blog-5305799304571024123.post-16361090464900987682014-11-13T23:22:00.002+01:002014-12-11T09:20:33.772+01:00Rosso Fiorentino, il genio fuggitivo<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Georgia, Times New Roman, serif; font-size: x-large;">La tragica originalità della "maniera" </span><br />
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<tr><td><a href="http://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Rosso_Fiorentino_-_Piet%C3%A0_-_WGA20135.jpg/1280px-Rosso_Fiorentino_-_Piet%C3%A0_-_WGA20135.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://upload.wikimedia.org/wikipedia/commons/thumb/6/6e/Rosso_Fiorentino_-_Piet%C3%A0_-_WGA20135.jpg/1280px-Rosso_Fiorentino_-_Piet%C3%A0_-_WGA20135.jpg" height="486" width="640" /></a></td></tr>
<tr><td class="tr-caption"><i>Pietà </i>(1537-40 ca.). Parigi, Louvre. Da <a href="http://it.wikipedia.org/wiki/Piet%C3%A0_(Rosso_Fiorentino)" target="_blank">Wikipedia</a>.</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">L’impressione intensa che ci aveva lasciato la recente mostra su Rosso e Pontormo “<a href="http://www.palazzostrozzi.com/pontormoerosso" target="_blank">Divergenti Vie della Maniera</a>” a Palazzo Strozzi si è ricaricata di interrogativi quando siamo andati a vedere la grande tavola di Rosso Fiorentino nel <a href="http://www.museoduomocdc.it/home.htm" target="_blank">Museo del Duomo di Città di Castello</a>, e stupisce vedere un’opera così straordinaria, come pure il <i>Compianto </i>della chiesa di San Lorenzo a Sansepolcro, ospitate in aree che definiremmo periferiche.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Ma lavorare in aree periferiche rispetto a Roma e Firenze è la storia di Giovan Battista di Jacopo di Gasparre, detto il Rosso per il colore dei capelli come spiega Giorgio Vasari che a 17 anni lo conobbe ad Arezzo. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Vasari racconta nelle <i>Vite </i>la storia di un pittore poco amato nella sua città, restituita alla signoria dei Medici nel 1513 dopo la parentesi repubblicana in cui Rosso, come Michelangelo, aveva creduto, pur essendo troppo giovane per prendervi parte (era nato nel 1494, quattro anni prima del rogo di Savonarola).</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>The intense feeling that we had visiting the recent exhibition of Pontormo and Rosso "<a href="http://www.palazzostrozzi.com/pontormoerosso" target="_blank">Divergent Ways of Mannerism</a>" at Palazzo Strozzi was renewed watching the big painting by Rosso Fiorentino in the <a href="http://www.museoduomocdc.it/home_e.htm" target="_blank">Museum of the Cathedral of Città di Castello</a>, and we were surprised to see such an extraordinary work, as well as the </i>Compianto <i>in the church of San Lorenzo in Sansepolcro, set in areas that would be defined peripheral.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>But it is the story of Giovanni Battista di Jacopo di Gasparre, known as il Rosso because of his red hair , as explained by Giorgio Vasari, who knew him in Arezzo.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Vasari in his </i>Vite <i>tells the story of a painter who wasn't much loved in his hometown, returned to the rule of the Medici family in 1513 after the republic in which he believed like Michelangelo, though he was too young to take part to it (he was born in 1494, four years before Savonarola's death).</i></span><br />
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<tr><td class="tr-caption" style="text-align: center;">Giorgio Vasari e aiuti, <i>Ritratto di Rosso Fiorentino</i> (1572 ca.). Casa Vasari, Firenze. Da <a href="http://commons.wikimedia.org/wiki/File:Casa_vasari_FI,_salone,_ritratti_a,_rosso_fiorentino_frontal_view.jpg" target="_blank">Wikimedia Commons</a></td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">Giovanissimo aveva lavorato nella bottega di Andrea del Sarto, il pittore preferito dai Medici, ma non era da loro apprezzato a differenza del suo collega e coetaneo Jacopo da Pontormo. Le loro vite furono divergenti fin dall’inizio: l’indiscutibile bellezza delle figure di Pontormo contro il grafismo e i colori scomposti del Rosso. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Il primo ebbe vita più facile nella capitale medicea, con magniloquenti e sontuosi ritratti di signori, l’altro creò sfumati ritratti di meno abbienti personaggi. Pontormo riproduceva con spontanea adesione i canoni di bellezza che Vasari poi enunciò come regola per l’arte, mentre il Rosso era portato ad estremizzare fattezze e colori, spingendo le prime fino al grottesco e i secondi fino all’irreale. Ma questi “difetti” suscitano ora emozioni cui nessun altro manierista giunge.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Dopo quel primo affresco per il Chiostrino dei Voti con un’organizzazione orizzontale della scena, quella pacata gravità si va perdendo e subentra un inquietante senso di precarietà, raggiungendo un apice estremo nella <i>Deposizione </i>di Volterra, una tavola sconvolgente per l’instabile disposizione dei personaggi e dove l’impressione di un crollo imminente allarga la tragedia della morte avvenuta fino ad esprimere la condanna di un’umanità dal futuro buio come il destino politico del paese. L’ansia e il senso della precarietà dominano le sue tele rendendole contemporanee a noi quanto quelle di Francis Bacon.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>He was very young when he worked in Andrea del Sarto's workshop, the Medicis' favorite painter, but he wasn't appreciated by them unlike his colleague and contemporary Jacopo da Pontormo. Their lives were diverging from the beginning: undeniable beauty of the figures in Pontormo's style and dismantled colors and lines in Rosso. The former had an easier life in the capital city of the Medicis, with grandiose and sumptuous portraits of lords, while the other created nuanced portraits of poorer people. Pontormo reproduced with spontaneous adherence the canons of beauty that Vasari then enunciated as rules in art, while Rosso was led to exaggerate features and colors up to a grotesque and unreal impression. But these "flaws" arouse emotions now that no other mannerist reaches.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>After the first fresco for the “Chiostrino” with its horizontal organization, that calm gravity is being lost and replaced by a haunting sense of insecurity, reaching a peak in the extreme </i>Deposizione <i>of Volterra, a table upsetting for the unstable arrangement of characters and where the impression of an imminent collapse widens investing the tragedy of death and condemnation of humanity implying a dark future and political destiny of the country. Anxiety and sense of insecurity dominate his paintings making them contemporary to us as those of Francis Bacon.</i></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><i>Deposizione </i>(1521). Volterra, Pinacoteca e Museo Civico. Da <a href="http://it.wikipedia.org/wiki/Deposizione_di_Volterra" target="_blank">Wikipedia</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Angiolino musicante</i> (1521?). Firenze, Galleria degli Uffizi. Da <a href="http://it.wikipedia.org/wiki/Putto_che_suona" target="_blank">Wikipedia</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><i>Sposalizio della Vergine</i> (1523). Firenze, Basilica di San Lorenzo.<br />
L'opera è stata restaurata in occasione della <a href="http://www.palazzostrozzi.com/pontormoerosso" target="_blank">mostra a Palazzo Strozzi</a>.</td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">Nella sua vita nomade si trovò a fuggire dalle pestilenze e dai Lanzichenecchi che misero al sacco Roma nel 1527, quando fu catturato e vessato da questi prima di essere liberato. La sofferenza del corpo è condivisa nel bellissimo <i>Cristo e Angeli</i> oggi a Boston: vi è la stanchezza più che la morte, e l’innocenza del corpo bianco abbandonato senza difese.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Dopo la fuga da Roma il Rosso si rifugiò a Perugia e fu ospite di Domenico Alfani, cui lasciò il cartone della <i>Adorazione dei Magi</i> che questi realizzò per il Santuario di S. Maria dei Miracoli a Castel Rigone. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">A Sansepolcro dipinse poi un <i>Compianto sul Cristo deposto </i>che era stato in realtà commissionato a Raffaellino del Colle, che però generosamente lasciò la commessa al collega fiorentino. </span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>In his nomadic life he had to escape from the plague and the Lanzichenecchi who plundered Rome in 1527, when he was captured and harassed by them before being released. Extreme suffering of the body shows through the beautiful </i>Christ and Angels<i> in Boston: there is fatigue more than death, and innocence in the white body left defenseless.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>After escaping from Rome, Rosso took refuge in Perugia and was hosted by Domenico Alfani. In sense of gratitude he left him a board for an </i>Adorazione dei Magi <i>that Alfani made for the sanctuary of Santa Maria dei Miracoli in Castel Rigone. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>In Sansepolcro then Rosso painted a </i>Compianto sul Cristo Deposto<i> that had been actually commissioned to Raffaellino del Colle, who generously left the job to his Florentine friend.</i></span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDzdn__qJZHozYxDvyumZ8C6tO5K16wwEp1b27yARCLVJHqBI5zZ4q7qsCUPX7YzzCkAWXtkUq_eVJH1DmL_murt7OC3he2Dmmgfck6BBoOA9tdfDwpUVpYEO0u2U3-DEut8z1ITNtgM/s1600/IMG_4928_mr.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img alt="Domenico Alfani" border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhnDzdn__qJZHozYxDvyumZ8C6tO5K16wwEp1b27yARCLVJHqBI5zZ4q7qsCUPX7YzzCkAWXtkUq_eVJH1DmL_murt7OC3he2Dmmgfck6BBoOA9tdfDwpUVpYEO0u2U3-DEut8z1ITNtgM/s1600/IMG_4928_mr.jpg" height="640" title="Castel Rigone" width="523" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Copia da Domenico Alfani, <i>Adorazione dei Magi</i> (1534) su cartone di Rosso Fiorentino. <br />
Castel Rigone (PG), Santuario della Madonna dei Miracoli</td></tr>
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<tr><td style="text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/commons/thumb/8/80/Rosso_Fiorentino_-_Dead_Christ_with_Angels_-_WGA20129.jpg/800px-Rosso_Fiorentino_-_Dead_Christ_with_Angels_-_WGA20129.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/80/Rosso_Fiorentino_-_Dead_Christ_with_Angels_-_WGA20129.jpg/800px-Rosso_Fiorentino_-_Dead_Christ_with_Angels_-_WGA20129.jpg" height="640" width="502" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Cristo morto sorretto da angeli</i> (1525-26). Boston, Museum of Fine Arts. Da <a href="http://it.wikipedia.org/wiki/Cristo_morto_compianto_da_quattro_angeli" target="_blank">Wikipedia</a></td></tr>
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<tr><td style="text-align: center;"><a href="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Rosso_fiorentino%2C_morte_di_cleopatra.jpg/800px-Rosso_fiorentino%2C_morte_di_cleopatra.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b9/Rosso_fiorentino%2C_morte_di_cleopatra.jpg/800px-Rosso_fiorentino%2C_morte_di_cleopatra.jpg" width="502" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Morte di Cleopatra</i> (1525-27). Braunschweig, Herzog Anton Ulrich-Museum. Da <a href="http://it.wikipedia.org/wiki/Morte_di_Cleopatra_(Rosso_Fiorentino)" target="_blank">Wikipedia</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtGPFgLLhWkayvNnI_dTj6XxtTwbP7O3OtKa5dchhyRA20i8SUCVFh8j8dSg_JRmtjQn-UYWLHTuH7iYbcAlZmSnYLpG6fGUGX1-glo7KeshObGtBzF_m7IlVXA09p31mfUxRBDQc1aoQ/s1600/depos_Sansepolcro.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtGPFgLLhWkayvNnI_dTj6XxtTwbP7O3OtKa5dchhyRA20i8SUCVFh8j8dSg_JRmtjQn-UYWLHTuH7iYbcAlZmSnYLpG6fGUGX1-glo7KeshObGtBzF_m7IlVXA09p31mfUxRBDQc1aoQ/s1600/depos_Sansepolcro.jpg" width="502" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Compianto su Cristo deposto </i>(1528). Sansepolcro, Chiesa di San Lorenzo. Da <a href="http://it.wikipedia.org/wiki/Deposizione_di_Sansepolcro" target="_blank">Wikipedia</a></td></tr>
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<tr><td style="text-align: center;"><a href="http://www.atlantedellarteitaliana.it/immagine/00022/14752OP559AU23425.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.atlantedellarteitaliana.it/immagine/00022/14752OP559AU23425.jpg" width="502" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Cristo in gloria</i> (1528-30). Città di Castello, <a href="http://www.museoduomocdc.it/" target="_blank">Museo del Duomo</a>. Da <a href="http://www.atlantedellarteitaliana.it/artwork-14752.html" target="_blank">Atlante dell'arte italiana</a></td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">Sempre dello stesso periodo è la grande tavola del <i>Cristo risorto in Gloria</i> commissionatagli dalla Compagnia del Corpus Domini di Città di Castello. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">In base al contratto avrebbe dovuto raffigurarvi quattro angeli, che invece egli non dipinse, dividendo nettamente la scena in due sezioni: in quella superiore c’è il Cristo che ascende fra quattro Sante, mentre nella parte inferiore vi sono figure umane anche grottesche ed esotiche (Vasari le definì “Mori, Zingani e le più strane cose del mondo”), in proporzioni maggiori rispetto allo stesso Cristo, che appare più lontano, distante dagli umani. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">E mancano gli angeli, figure di collegamento e tramite fra Cristo e l’umanità desolatamente sola.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Tornato a Firenze, ne fuggì alla vigilia dell’assedio del 1529, recandosi a Venezia, e da lì si trasferì a Parigi o meglio a Fontainebleau, finalmente accolto dal re Francesco I di Francia con l’onore che meritava. Qui visse dieci anni di lavoro e di gloria (ma tutta l’immensa opera di affrescatore è andata perduta), fino alla morte per suicidio, come racconta Vasari, schiacciato dal senso di colpa per aver ingiustamente accusato un collega di furto.</span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Nel <i>Compianto </i>del Louvre la tragedia della morte stravolge le forme, le braccia della Madonna si spalancano come nella sua crocifissione evocando abissi di dolore, mentre i colori si sgranano impazziti come in un quadro “fauve”.</span></div>
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<span style="font-family: Georgia, Times New Roman, serif;"><i>To the same period belongs the large panel of </i>Cristo risorto in Gloria<i> commissioned by the </i>Compagnia del Corpus Domini<i> in Città di Castello.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>Under the contract, he would have to envision four angels, who instead he didn't paint, sharply dividing the scene into two sections: in the upper one Christ ascending surrounded by four Saints, while in the lower one there are grotesque and exotic human figures (Vasari described them as "Moors, Zingani and the strangest things in the world") of a greater size than Christ himself who appears farther away. There are no angels, figures that traditionally connect Christ and humanity.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Returned to Florence, on the eve of the 1529 siege, he fled to Venice and from there he moved to Paris and Fontainebleau, finally accepted by King Francis I of France with the honor he deserved. Here he lived ten years of work and glory (but all the immense work of fresco has been lost), until his death by suicide, as told by Vasari, crushed by guilt for having falsely accused a colleague of theft.</i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>In the Louvre </i>Compianto<i>, the tragedy of death distorts shapes, the Virgin's arms open wide in her own crucifixion evoke abysses of pain, while the colors break up like in a "fauve" painting.</i></span><br />
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<tr><td style="text-align: center;"><a href="http://www.artribune.com/wp-content/uploads/2014/06/Pontormo-Ritratto-di-Cosimo-il-Vecchio-1518-19-olio-su-tavola-cm-87x67.-Firenze-Galeria-degli-Uffizi.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.artribune.com/wp-content/uploads/2014/06/Pontormo-Ritratto-di-Cosimo-il-Vecchio-1518-19-olio-su-tavola-cm-87x67.-Firenze-Galeria-degli-Uffizi.jpg" height="640" width="488" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pontormo, <i>Ritratto di Cosimo il Vecchio</i> (1518-19). Firenze, Galleria degli Uffizi (da <a href="http://www.artribune.com/2014/06/la-maniera-moderna-di-pontormo-e-rosso/pontormo-ritratto-di-cosimo-il-vecchio-1518-19-olio-su-tavola-cm-87x67-firenze-galeria-degli-uffizi/" target="_blank">ArtTribune</a>)</td></tr>
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<tr><td style="text-align: center;"><a href="http://arttattler.com/Images/Europe/Italy/Florence/Palazzo%20Strozzi/Pontormo%20and%20Rosso/IV.2.6.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://arttattler.com/Images/Europe/Italy/Florence/Palazzo%20Strozzi/Pontormo%20and%20Rosso/IV.2.6.jpg" height="640" width="490" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><i>Ritratto virile</i> (1524 ca.). Washington, National Gallery of Art. Da <a href="http://arttattler.com/archivepontormoandrosso.html" target="_blank">Art Tattler</a></td></tr>
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<span style="font-family: Georgia, Times New Roman, serif;">Debbo confessare che confrontando tra loro i lavori coevi di Rosso e Pontormo, avevo pensato che quest’ultimo avesse più successo in quanto semplicemente più bravo. Ma seguendo il percorso del Rosso si percepisce la tenacia della sua ricerca espressiva con risultati che superano canoni e regole del suo tempo toccando apici lancinanti.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Stranamente nemmeno i danni materiali del tempo smorzano il senso delle sue creazioni. </span><br />
<span style="font-family: Georgia, Times New Roman, serif;">Nella tavola di Città di Castello le figure diventano più scarne, le linee si evidenziano con un effetto di visione spettrale disumanata e il “concorrente” Pontormo sembra avvicinarsi a lui nella <i>Deposizione</i> di Santa Felicita a Firenze, di qualche anno successiva a quella del Rosso a Volterra, sconvolgendo il movimento dei volumi ed enunciandoli con una luce tagliente e irreale.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;">Infine, come umbri e italiani dobbiamo essere grati all’impopolarità di cui godeva Rosso Fiorentino: è proprio grazie a questa che le sue opere meravigliose sono state trascurate dall’avidità delle truppe napoleoniche.</span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>I must confess that comparing contemporary works by Pontormo and Rosso, I had thought that the former had more success simply because he was smarter. But following Rosso's career, I've perceived the tenacity of his expressive research with results that exceed the standards and the rules of his time touching excruciating peaks.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Strangely, even the damages of time don't soften the sense of his creations. </i></span><br />
<span style="font-family: Georgia, Times New Roman, serif;"><i>In the painting of Città di Castello the figures become more bony, the lines are highlighted by a spectral visual effect. Oddly, the "competitor" Pontormo seems to get close to him in the </i>Deposizione <i>of Santa Felicita in Florence, upsetting the movement of volumes in a sharp unreal light.</i></span><br />
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<span style="font-family: Georgia, Times New Roman, serif;"><i>Finally, as Umbrian and Italian lovers of art, we should be grateful to the unpopularity enjoyed by Rosso Fiorentino: it is thanks to this that his works have been neglected by the greed of the Napolean troops.</i></span></div>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjol2m5M7mXpVgv4Qq3Lik8FNsuTFE1ZdFiPtK2oOStMYWK2RzLGH3oeoTe7Lp3wsjSDdLolHerPR3q6FKrCK7RkacPurkfjwEM84l3DrNXB7766zBSNdlHIn3v1skHSUDHtiKib5AW4B0/s1600/11890551174_ed3052c6e0_k.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjol2m5M7mXpVgv4Qq3Lik8FNsuTFE1ZdFiPtK2oOStMYWK2RzLGH3oeoTe7Lp3wsjSDdLolHerPR3q6FKrCK7RkacPurkfjwEM84l3DrNXB7766zBSNdlHIn3v1skHSUDHtiKib5AW4B0/s640/11890551174_ed3052c6e0_k.jpg" width="502" /></a></td></tr>
<tr><td class="tr-caption">Pontormo, <i>Deposizione </i>(1526-28 ca.). Firenze, Chiesa di S. Felicita</td></tr>
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<br />Aurishttp://www.blogger.com/profile/14827687357315575187noreply@blogger.com1